Category Archives: Pop music

2012 ➤ Boy George reunites with Culture Club for New Year’s Eve — and a new album

Culture Club, Roy Hay, Jon Moss, reunion, Boy Geoge, Mikey Craig,New Years Eve,Sydney Resolution,concert,video,interview

Culture Club on Sunrise this week: Roy Hay, Jon Moss, Boy Geoge and Mikey Craig

➢ Click the pic to view video interview with Culture Club on Sunrise, the breakfast show at Sydney’s Seven Television station

❚ HERE’S A PICTURE MANY SAID would never be taken: all four members of 80s supergroup Culture Club reunited. And a live concert imminent. In 1983 the New Romantic band with its gender-bending singer and unique reggae-based rhythms were prominent among the 18 new-wave bands who mounted the Second British Invasion of the US charts. In 1984 the band won the Grammy Award as Best New Artist and along with Princess Diana, Boy George became an international fashion emblem for the new Swinging London.

This week Boy George’s official website announces that the four original members of Culture Club have reunited for the first time since 2002 for a one-off concert in Australia on Jan 1. Before an audience of 30,000 at Sydney’s Glebe Island, overlooking the harbour, the band will play after the New Year’s Eve midnight fireworks on a bill with The Pet Shop Boys, Jamiroquai and other Australian acts.

More surprising is that the photo shows Roy, Jon, George and Mikey in a London recording studio where George said “we’re in the middle of writing for a new album” with their original producer Steve Levine. This first pic of the reunited Culture Club is grabbed from Sydney’s Seven Television in an interview on Tuesday when George said they’d include a couple of new songs in the “hit-packed” Sydney show. When Jon was asked why a reunion has taken so long, an agonisingly long silence followed until he managed to answer “I don’t know!” This did raise the laugh we see above, then he added “I think we have a ten-year cycle. It takes that long to recover from the last time we worked with each other.” Not a flicker of a smile from anyone. The six-minute exchange contained so many sidelong glances between the four and generally awkward body language that you might wonder whether they would survive the flight to Australia together.

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Romance blossoms: Drummer Jon Moss gives George a peck at Planets club in July 1981 way before Culture Club existed. Photographed © by Shapersofthe80s

Culture Club’s initial five-year career was blown apart after clocking ten Top 40 hits in the US, which included Karma Chameleon and Do You Really Want to Hurt Me. By 1986, however, George’s addiction to drugs was making tabloid headlines and his secret four-year romance with Jon was growing ever more explosive. A sanitised TV dramatisation titled Worried About The Boy provided an extremely one-sided version of events when aired last year. From 1998 a band reunion over four years yielded two chart hits and a platinum compilation album in the UK.

➢ NY Eve concert tickets are priced from $198 at Sydney Resolution

➢ Update: Boy George’s first live concert in ages, scheduled for Dec 8 in London, has been cancelled without explanation

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➤ Step up Dr Nick Rhodes, honorary scholar at Luton in Beds

Love the New Romantic outfits! Popstar Rhodes today with the eggheads of Bedfordshire. Photo courtesy Gerard Franklin

➢ From the newsdesk of Duran Duran:

❏ Star names from the worlds of music and cinema joined hundreds of graduates from the University of Bedfordshire at ceremonies today in Luton. Duran Duran keyboard player Nick Rhodes, music producer Peter Asher and film producer Katy Haber were among those being honoured during graduation week at St Mary’s Church. Each received an Honorary Doctor of Arts degree.

Nick Rhodes is being recognised for his contribution to the music industry as a songwriter, performer and producer. Katy Haber, who starred in films such as The Getaway and Cross of Iron and co-produced sci-fi classic Blade Runner, is recognised for her outstanding career in the film industry. Producer Peter Asher is being recognised for his distinguished career in the music industry, working with global stars such as Cher and Neil Diamond.

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2011 ➤ Wham!’s cunning plan for a Christmas No1 as climax to the 80s revival

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❚ TWO REASONS TO CELEBRATE. Mother-of-two Shirlie Kemp has just exhumed a load of fab clothes from her heyday with Pepsi Demacque as the all-jiving all-singing girls in Wham! She has piled a load of glam photos of her stage clothes on to her otherwise sedately titled blog, No Place Like Home. We see her Melissa Caplan sheath from the 1982 Top of the Pops debuts of herself as Shirlie Holliman and of the clubland group’s single Young Guns in the lucky TV turning point [above] that broke the group after their first single Wham Rap! had initially failed to take off.

Shirlie Kemp, fashion, Kahn & Bell,Wham!

Shirlie’s bling leather top for Wham! It bears the Kahniverous label. Photo from shirliekemp.com

Shirlie also shows the cowgirl fronded suede top from American Classics in Endell Street, worn in an earlier incarnation of Young Guns.

Most eye-catching of all are those skimpy, gilded, blingy black leathers by the Brummie design duo Kahn & Bell who had shops in Birmingham and Chelsea. However, after a deep search through Wham’s YouTube videos as the first Western pop group into China, we find no footage of Shirlie’s claim that she wore them onstage there in 1985  — see below for Everything She Wants filmed live in China by British director Lindsay Anderson (which is wrongly dated). By then they had achieved three number-one singles in a row in the US with Wake Me Up Before You Go-Go, Careless Whisper and Everything She Wants, while the Billboard year-ending chart listed George Michael’s Careless Whisper as the US number-one song of 1985.


➢ Click pic for the fizzing Wham Rap! video in a new window

Above — “Man or mouse” Andrew Ridgeley establishes the  group’s clubbing credentials in the opening shots of their Wham Rap! video by reading The Face cover story, The Making of Club Culture, written by yours truly in the February 1983 issue

❏ The reason why we’ve been catching glimpses of Pepsi & Shirlie around the media is the second reason to celebrate. An explosive 25th anniversary comeback by Wham! themselves takes the shape of a 27-track 2-CD anniversary edition of The Final, their farewell compilation album from 1986, with its minimalist Peter Saville cover design. Embracing all four years’-worth of output, it contains six UK No 1 hits, plus both George Michael solo singles (Careless Whisper and A Different Corner). A deluxe edition includes a DVD of 13 restored videos.

Wham!, The Final, albums, Peter Saville The Final is such a double-whammy of greatest dancefloor hits that its November 28 release is a calculated pitch for the top spot in the Christmas chart. And with Duran’s magnificent comeback year all but spent musically, Wham!’s cunning plan will represent the last major chart assault by the 80s revival that has warmed our cockles for a full two years.

Wham! went out on a high 25 years ago with an eight-hour grand finale of a concert at Wembley Stadium which coincided with their farewell single The Edge of Heaven hitting No 1 in June, 1986. Pepsi says: “A lot of thought went into stopping when we did — we were at our peak, it was such a high and that’s why we can celebrate Wham! The Final now, because we all still have great memories and we’re all still great friends.”

➢ “Maybe George was going through a cowboy phase” — this week’s interview with Pepsi & Shirlie for RealMusic Blog

➢ Rich List puts George Michael top of the popstars
from the un-lucrative 80s

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2011 ➤ Peter Frampton: how Bowie changed my life at Bromley Tech

Peter Frampton, Frampton Comes Alive,world tour 2011,1954 Les Paul Custom

Frampton then and now: the 1976 gatefold sleeve shot for Frampton Comes Alive! by Richard Aaron... and earlier this year playing live at Shepherd’s Bush Empire, photographed by Wenn... Both pictures are united by Frampton’s signature guitar, the solidbody “Black Beauty” 1954 Les Paul Custom, which was re-finished with three pickups by the Gibson factory in 1970. In fact the original Black Beauty (left) was lost in a 1980 cargo plane crash, after which Gibson’s crafted another guitar in the image of the 1954 Les Paul Custom but with a slim-carved neck profile for optimum speed plus ebony black finish (above right)

❚ 35 YEARS AGO BRITISH-BORN GUITARIST Peter Frampton was a rock god, given two Rolling Stone covers within months of each other, the second declaring him Rock Star of the Year. His appeal has evidently been reignited by this year’s 35th anniversary world tour of his multi-platinum album Frampton Comes Alive!, drenched as it always was with West Coast sunshine. The “better than ever” tour has been extended from this Friday with extra dates in the UK and Europe, and yet more in the US from February. There is no support and the show runs for three hours. FCA! is the first set, including a 14-minute arrangement of Do You Feel Like We Do to re-create his epic stadium concerts of 1976. The second half features newer work, but also earlier numbers that resulted from forming the supergroup Humble Pie with “little” Stevie Marriott of the Small Faces in 1969.

Peter Frampton, Rolling Stone, magazines, Rock Star of the Year,

Cover star: in April 1976 Frampton Comes Alive! won him the cover of Rolling Stone. Afterwards, he feared the shirtless photo by Francesco Scavullo “turned me into a pop idol” and would reduce his career to 18 months... Fortunately by the following February he was photographed by Annie Liebovitz as Rock Star of the Year

It has taken this comeback to remind us, or for most of us to reveal, that Frampton learned to play the rock classics at the feet of another Beckenham boy, David Bowie, when they were students together in south London.

➢ The Bowiezone website supplies these (and other) childhood details:
“ [Frampton] first became interested in music when he was seven years old. Upon discovering his grandmother’s banjolele (a banjo-shaped ukulele) in the attic, he taught himself to play, and later taught himself to play guitar and piano as well. At the age of eight he started taking classical music lessons.

Both he and David Bowie were pupils at Bromley Technical High School where Frampton’s father, Owen Frampton, was head of the art department. The Little Ravens played on the same bill at school as Bowie’s band, George and the Dragons. Peter and David would spend time together at lunch breaks, playing Buddy Holly songs.

At the age of 11, Peter was playing with a band called The Trubeats followed by a band called The Preachers, produced and managed by Bill Wyman of The Rolling Stones. He became a successful child singer, and in 1966, he became a member of The Herd, scoring a handful of British pop hits. Frampton was named The Face of 1968 by teen magazine Rave!. ”

➢ In an interview this summer with the Minneapolis Star Tribune, Frampton himself added this first-hand account:

“ I got to know [Bowie] when I was 12 and he was 14, 15, maybe. I said, ‘What music do you like right now?’ He said, ‘Buddy Holly.’ I said, ‘Teach me that.’ I remember sitting on the stairs at lunchtime with two guitars and him and George Underwood — who became the artist who did the covers of Ziggy Stardust and Aladdin Sane — and the three of us would hang out and play Eddie Cochran and Buddy Holly numbers.”

While in school, Frampton became lead singer and guitarist of the Herd. In 1969, he formed Humble Pie with Steve Marriott of the Small Faces and also did session work on albums, including George Harrison’s classic All Things Must Pass. After five LPs with Humble Pie, he went solo in 1971. ”

Bowie and Frampton in New York rehearsing for the Glass Spider Tour, 1987: Peter contributed to the album Never Let Me Down, Bowie’s follow-up to Let’s Dance, then played lead guitar on tour. Photograph by David McGough

The Bowie connection was rekindled in 1987 when Frampton was hired to play on the Never Let Me Down album and then as lead guitarist for that year’s Glass Spider Tour. Echoes of Bowie can often be heard in Frampton’s own vocals, especially his acoustic version of Baby I Love Your Way — shown below in impressive footage recently released from promoter Bill Graham’s archive.

➢ Bowiezone recently published an interview with Mick “Woody” Woodmansey, the drummer on Bowie’s early 70s albums

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1980 ➤ Ribald tales of excess as the kids from The Blitz took over West End clubbing

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❚ FRIDAY NIGHT WAS AN EXCUSE for the wags to tell their tall tales of clubbing in the 80s. This was the first reunion in recent memory of the bright sparks the media once called Blitz Kids and New Romantics. We’re talking about the straighter faction tonight — the make-up brigade had their day at Boy George’s 50th birthday party in June. All of them, whatever their persuasion, were diehard nightowls, the spiritual offspring of the mighty innovator who shaped the 1970s pop scene almost singlehandedly, David Bowie. He taught them to adopt stances: individualism, transgression. He bequeathed them principles for living amusing lives: disposable identities, looks not uniforms. In turn, they then shaped the sounds and styles of the Swinging 80s set in motion by 1976 and the birth of punk, along with a passion for black dance music, on through the decadent glamour of the Blitz Club years, to the watershed of Band Aid in 1984.

On Friday, photographer Graham Smith took over Soho’s newest rendezvous, the Society Club, for a gallery show of his 80s photographs, which capture the panache and derring-do of style leaders such as PX, Stephen Jones, Kim Bowen Melissa Caplan, Stephen Linard, Fiona Dealey, John Maybury and such nascent popstars as Spandau Ballet, Visage, Animal Nightlife, Sade, Blue Rondo à la Turk and others.

Our two videos capture the essence of Smith’s collaborators, Robert Elms and Chris Sullivan, powering through their often unprintable anecdotes, edited on video down to bite-sized chunks and garnished with Graham’s images. The highspot was meant to be Sullivan as guest speaker, but when he was reportedly “still on his way”, in stepped writer and broadcaster Elms to recall the early one-night clubs he also helped to run. He sounded genuinely shocked by the precociousness of his peers — “We were kids!” — who persuaded West End nightclubs to hand over door control to them as teenagers. Eventually, Sullivan  arrived in the guise of Vladimir Ilyich Lenin, and of course excelled at spinning his “ribald tale of excess” about the mayhem he helped cause in clubland, en route to running Soho’s Wag club for 19 years.

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The photos form a dossier creative endeavour, as we’ll soon see in We Can Be Heroes, a 320-page coffee-table book containing 500 mostly unseen images and 100 voxpop interviews by Graham Smith. Warts-and-all main text is penned by the mellifluous Welshman Sullivan, with other contributions from Robert Elms, Boy George, Steve Strange and Gary Kemp.

We Can Be Heroes, Graham Smith, Chris Sullivan, Robert Pereno, Society Club , Soho ,books,Unbound Publishing,photography, exhibition,afterparty, Aviary Bar, Robert Elms, Boy George, Gary Kemp ,Steve Strange, Blitz Kids,Wag club,

Smith & Sullivan’s invitation to a party

➢ Visit the publisher Unbound.co.uk to place your order for We Can Be Heroes and secure your name in the limited first edition. This month the authors aim to hit an advance sales target by this new “crowd-funding” technique in order to guarantee publication.

➢ Visit The Society Club, London W1F 0JF where Graham Smith’s photographs are on sale until Christmas. Subjects include Boy George, Sade, Steve Strange, Spandau Ballet, Iggy Pop, Siouxsie Sioux, the Sex Pistols and many more.

➢ Skimmable list of media coverage of We Can Be Heroes so far

Making up the rules of 80s clubbing: Robert Elms, Phil Dirtbox and Chris Sullivan at Friday’s nostalgia fest. Photograph by Shapersofthe80s

Fanatical about music: Chris Sullivan, Jo Hagan (remember 1983’s Gold Coast?) and Darrell Gayle at the Society Club. Photograph by Shapersofthe80s

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