Category Archives: Pop music

2012 ➤ Will the newly restored Magical Mystery Tour rewrite our view of the Beatles?

Magical Mystery Tour , Beatles, TV, DVD, The Bonzo Dog Doo-Dah Band,, Ivor Cutler, Apple Films,  pop music, film,

Fabled charabanc outing in 1967: Find the Fab Four among fellow travellers on their Magical Mystery Tour. (Top left we see fanclub secretaries Jenni and Sylvia)

❚ ROLLING STONE CALLED IT “the most important rock’n’roll album ever made … by the greatest rock’n’roll group of all time”. Crowning the era of LSD-fuelled psychedelia in 1967 came Sgt. Pepper’s Lonely Hearts Club Band. Its impact was extraordinary. The Beatles’ eighth studio album marked the height of their rise to global fame. With Dick Lester’s pair of high-octane feature films behind them — Help! and Hard Day’s Night — the Beatles decided to go straight on to direct their own unscripted, improvised film and it backfired in their faces.

Magical Mystery Tour was a dreamlike story of the Fab Four taking a typically British daytrip by coach with friends and family and a cast of crackpot characters exemplified in the eccentric humorist Ivor Cutler. Their adventures were intended to be “magical” and indeed the I Am the Walrus sequence has passed into legend. Generations of British comics such as Monty Python point to the film as their inspiration.

Yet its TV audience greeted Magical Mystery Tour with outrage and derision. It was seen by a third of the nation on Boxing Day when an expectant family audience, hoping for some light entertainment, were confronted by a drug-rinsed shambles in festive prime time. Paul McCartney told the press later: “We don’t say it was a good film. It was our first attempt. If we goofed, then we goofed. It was a challenge and it didn’t come off. We’ll know better next time.”

The critical reception was so hostile that the film’s negative didn’t become properly archived, which makes tonight’s BBC TV premiere of its meticulous restoration, overseen by Paul Rutan Jr, a significant landmark. The new DVD with remixed 5.1 soundtrack is due to be released internationally on October 8–9, packed with special features.

What few of us remember is that, as well as its new Beatles songs, MMT gave a guest spot to the founding fathers of anarchic musical comedy, The Bonzo Dog Doo-Dah Band, with Death Cab for Cutie, a spoof “teen tragedy” song from their own seminal 1967 album Gorilla. The Bonzos performed it onstage at the Raymond Revuebar as accompaniment to a stripper and the number turns out to be a show-stopper.

The mystery tour itself proves to be an affectionate travelogue about Britain’s quintessentially working-class hinterland (in the fish-and-chip shop, we hear marvellous strains of She Loves You rendered on a fairground organ). In contrast to his band’s reputation as fierce cultural pacemakers, McCartney concedes that “the whole film has a bit of a village fete atmosphere to it”. Even so, as deejay Paul Gambaccini remarks in a new Arena documentary also broadcast tonight, the film fizzes edgily with the very elements of advanced psychedelia the Beatles themselves had introduced into the culture. One surprise is Martin Scorsese saying this film influenced a lot of the work he has done! Restored to pristine colour, MMT emerges as a celebration of a defining moment in harmonic innovation and of the energy that made British pop glorious.

➢ Magical Mystery Tour Revisited: Arena TV documentary full of fab Beatles archive material never shown before — BBC2, 21:45, Oct 6

➢ The Beatles’ Magical Mystery Tour (1967): Fully restored with a remixed soundtrack, here’s the original surreal and utterly misunderstood film — BBC2, 22:45, Oct 6

➢ Arena’s series editor Anthony Wall tells Radio Times that the new documentary about the Magical Mystery Tour will see it deservedly re-assessed

❏ Tonight’s Mystery Tour screening is preceded by a real treat from Britain’s leading arts documentary team, Arena, who have rounded up much unseen footage.

Series editor Anthony Wall says: “The idea that there’s anything you don’t know about The Beatles is startling enough. But the film was, consciously or unconsciously, suppressed. The out-takes were in the Apple vault, which is deep below the streets of London in a World War Two-type bunker. Sleeping down there for many, many years.”

Wall thinks Magical Mystery Tour will soon be re-appraised as “a piece of work in a very surreal, British, literary, visual tradition: from gothic to Lewis Carroll to H G Wells to William Golding to the Goons to what became Monty Python.

“For practical purposes it’s not been seen since 1967. The documentary tells the story — which in retrospect is hilarious, although it wasn’t for The Beatles at the time because they got such a drubbing — and contextualises it by looking at 1967 and what The Beatles were responding to: in London it was a very intense time, artistically.”

The cultural shifts of that specific part of the 1960s are key to understanding Magical Mystery Tour, Wall says, which meant the new Arena film had to represent the trends of the time accurately. “Very few films about the 1960s get it right. They usually mix things up hopelessly. It’s very important when you use archive to be precise — try to get it to the month. It invariably looks earlier than it is. When you see ‘1967’ it’s usually footage from 1970! … / Continued online at Radio Times

➢ View video: Unseen footage from Magical Mystery Tour as part of The Arena Hotel online

➢ How the West Was Won, 1: TV doc on the British invasion that conquered America in the 60s — BBC2, 23:40, Oct 6

Magical Mystery Tour , Beatles, TV, DVD, Apple Films, Arena, Jenni Evennett , pop music, film,

Fan Jenni Evennett bunked off school: she is captured at extreme left in this clip from the Magical Mystery Tour, with Lennon centre, Ringo and Paul to the right. Videograb © 2012 Apple Films Ltd

➢ Hear how Sylvia Hillier and Jenni Evennett were invited on board the Magical Mystery Tour bus — Radio 4’s Saturday Live, from the 62-minute mark

❚ TWO BEATLES FANCLUB SECRETARIES recall how they hopped on board The Beatles’ Magical Mystery Tour bus at 7am one day in 1967 as special guests of the Fab Four. Sylvia Hillier was a 19-year-old receptionist in a factory who lost her job as a result, while 16-year-old schoolgirl Jenni Evennett bunked off school to join the week-long filming. They told this morning’s Saturday Live on Radio 4 that it was a bit like a “happening” where nobody was given lines or seemed to know what they were doing. Sylvia was dressed all psychedelic in orange, “my flower-power stage, with kaftan, flairs, bells and beads”. Jenni said that for continuity they couldn’t change for a whole week: “I wore a little brown spotted dress with white collar, bells and beads and lots of deodorant.”

Magical Mystery Tour , Beatles, TV, pop music, film, Sylvia Hillier

Fan Sylvia Hillier from Bognor: seen here with Paul McCartney, she lost her job by ducking out of work to join the 1967 magical bus tour. (Pic from Facebook)

Magical Mystery Tour , Beatles, DVD,  Apple Films, Arena, Anthony Wall, pop music, film,

Sylvia seen aboard the Beatles Magical Mystery Tour bus in the Arena documentary. Videograb © 2012 BBC & Apple Films Ltd

➢ 1966, More popular than Jesus: the Lennon interview

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➤ Ain’t no stoppin’ Chris Sullivan as hashtag_coolest_DJ_in_town

Chris Sullivan,zoot suit, Wag club, dancing, mixtapes,clubbing, DJ, Soho,pop music, Blue Rondo a la Turk,

The Sullivan brand: Arguments raged in the 80s with his Wag co-host Ollie O’Donnell over who had designed/drawn/ordered the first zoot suit

❚ AS PROBABLY THE MOST INFLUENTIALshaper of the subcultural 80s, it’s hard to disassociate Chris Sullivan from his 19 years hosting the seminal Wag as the coolest black-music club in Soho. Today he’s a mighty standing stone on the shingle beach of club deejays, and much in demand on the society circuit. This week, however, he took stock: “A pal said to me, ‘I didn’t know you played music that was made past 1990’, so I, rather taken aback, did this mix that, although somewhat Latin and very me, is still very ‘modern’. Point is, I play mostly new stuff but hide it behind the patina of antiquity so no one ever notices.”

To surprise his pal, he’s posted this 73-minute hip-shaking and arm-waving mix at Soundcloud. You’ll find more there when you click through, plus the kind of mind-boggling CV of his life as, variously, a deejay, author, nightclub host, pop star in Blue Rondo à la Turk, painter, style commentator, entrepreneur and fashion designer today cutting a dash in a goatee. Find even more at Shapersofthe80s through the links below.

SULLIVAN AND HIS HINTERLAND …

➢ 1981, First review of Blue Rondo as they create a buzz with their new Latin sounds — from NSNS August 1981

➢ 1981, Hot days, cool nights, as Blue Rondo join the new Brits changing the pop charts

➢ 1976–1984, Creative clubbing ended with the 80s and We Can Be Heroes tells the tale

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2012 ➤ Pet Shop Boys show today’s pop pretenders the view from atop Mount Olympus

❚ THE NEW ALBUM ELYSIUM from the Pet Shop Boys this week entered the UK album chart at number 9. Curiously, it is being greeted with mixed reviews from younger critics, which is a shame for a creative duo widely regarded as a national treasure. Andy Polaris, lead singer with Animal Nightlife who provided a soundtrack to UK clubbing during the golden age of 80s pop, has offered to redress the balance with this review for Shapersofthe80s …

Pet Shop Boys , London Olympics, Elysium, album, pop music,video

London Olympics closing ceremony, August 12: The Pet Shop Boys sing West End Girls from rickshaws. Their orange pointy masks were said to depict the London rush hour. (Photo: Reuters/ Phil Noble). Click pic to view video of PSBs talking on BBC Breakfast

❏ Andy writes:
The Pet Shop Boys were part of the UK music explosion of the 80s which saw the British invasion of the US and much other global success. Today, along with Yazoo and The Eurythmics, they are the last of the electronic duos from the 80s who are still intact and flourishing.

The passage of time is a recurring theme in their eleventh album, produced by Andrew Dawson who worked on three successful Kanye West albums. Despite their last few albums as recent as Yes in 2010 receiving Grammy nominations (how many of their 80s contemporaries can say that?), if you’re not constantly on heavy airplay rotation or in rehab people assume you’re dead or retired. The perennial problem is: Are your best years behind you? How relevant are you in the current pop climate?

You’ve been around but you don’t look too rough/ And I still quite like some of your early stuff.” The lyric to Your Early Stuff wittily captures frequent comments from cab drivers and others when confronted with these pop icons. They need not have worried, having popped up twice during the Olympics, at the closing ceremony, riding origami rickshaws, and again last week performing outside Buckingham Palace their new song Winner (from Elysium), along with West End Girl and Go West. This had the Olympic champions and contestants swaying and singing along with the crowd.

Pet Shop Boys , album, Elysium, Invisible,

Video grab from Invisible: “Am I tragic or a joke/ Wrapped in my invisibility cloak?”

The PSBs have a vast, enviable back catalogue of melodic hits but are still producing catchy electronic pop and Elysium contains some trademark mixes of — dare I say it? — their early stuff. Uptempo dance pop with strong choruses include the opening track Leaving, Requiem In Denim and Leopardskin, A Face Like That (no doubt with remixes already in the works), plus Radio 2-friendly songs like Hold On, Memory of A Future, Give It A Go and Winner, which all show off their knack with a melody. On the sombre, reflective ballads Breathing Space and Invisible, remorse never sounded so good.

Finally, never taking themselves too seriously, we have the brilliant, arch Ego Music which owes more to their influences, Sparks and Yellow Magic Orchestra. Lyrically, this number shreds the current crop of pretentious pop stars: “In the sea of negativity I’m a statue of liberty/ That’s why people love me, it’s humbling.”

I would recommend this whole album for its consistency and lack of filler tracks, which is unusual these days. If you haven’t heard the PSBs’ recent output, just sample Ego Music and Invisible. The album title was inspired by a walk in Elysian Park in Los Angeles, a protected area dating back to the founding of the city and given a name appropriately derived from the Greek word for paradise.

➢ Sample Elysium at Pet Shop Boys website

➢ View video for Invisible by Pet Shop Boys at NME

VIEWS FROM OTHER CRITICS

➢ “Pet Shop Boys have written their own eulogy” — by Ryan Thomas at The Line of Best Fit

➢ “Intimate loungetronica” — Elysium album review by Mayer Nissim at Digital Spy … plus video for Winner

➢ “The pop pair’s warmest and wisest yet” — Nick Levine at BBC online … plus audio clips of all tracks

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2012 ➤ How Duran’s Nigel John Taylor could have been happy in a shoegazer band

Duran Duran, John Taylor,books, autobiography,interviews ,Janet Street-Porter,

JT with Janet Street-Porter on ITV’s Loose Women: “It’s amazing what you can remember from the 80s, Janet, don’t you find?” What CAN John have meant? (Click pic to view video)

❚ A SHY ONLY CHILD, NIGEL JOHN TAYLOR wasn’t an obvious candidate for pop stardom and frenzied girl panic. But when he ditched his first name and picked up a bass guitar, everything changed. In the summer of 1978 John formed Duran Duran with his friend Nick Rhodes. One international rock-star life later, he is in Britain this week promoting his autobiography In the Pleasure Groove: Love, Death & Duran Duran which is published here by Sphere.

Duran Duran, John Taylor,books, autobiography,interviews

John Taylor’s London book reading

Take your pick between the two top interviews … Catch up on JT talking to Hardeep Singh Kohli on Radio 4 Midweek about being born a Nigel so shy he’d “have been happy in a shoegazer band”, on the loneliness of touring, on getting caught up in the hype though “I don’t ever want it to end” … on class A drugs, and on daring to ask producer Cubby Broccoli if he could write a Bond movie theme.

Alternatively you can witness the sexual chemistry when John Taylor visits ITV’s Loose Women, Carol Vorderman, Lisa Maxwell, Janet Street-Porter, Sally Lindsay. Right from the start Vorderman kicks off with sex, and we learn the significance of the number printed each day in Duran’s US tour booklet, about the road to recovery from drug addiction… plus more on JT’s mum being a “catholoholic”.

➢ In NYC on Oct 13 there’s a lunchtime book signing at Barnes & Noble Booksellers, E 54th St (US publication by Dutton Adult on Oct 16)

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2013 ➤ Bowie officially not “devastated” as fab retrospective show goes ahead at the V&A

David Bowie, lyrics, pop music, retrospective, memorabilia, exhibition, William Burroughs,Victoria & Albert Museum

Photography showing at the V&A: David Bowie and William Burroughs, 1974. Photograph by Terry O’Neill. Courtesy of The David Bowie Archive 2012

❚ WHAT A COUP! FIRST CAME THE OFFICIAL DENIAL. A press release from Bowie Towers last week denied the godlike one’s involvement in an upcoming retrospective exhibition in London at the Victoria & Albert Museum. “I am not a co-curator and did not participate in any decisions relating to the exhibition,” he said, adding however: “The David Bowie Archive gave unprecedented access to the V&A and museum’s curators have made all curatorial and design choices. 

A close friend of mine tells me that I am neither ‘devastated’, ‘heartbroken’ nor ‘uncontrollably furious’ by this news item.

”

➢ Listen online to World At One discussing
next year’s Bowie exhibition

Then came today’s official announcement. When the V&A confirmed that its show will “explore the creative processes of Bowie as a musical innovator and cultural icon”, the BBC’s lunchtime current affairs bulletin, World at One, interviewed a key curator without a single mention that this show doesn’t open until next spring.

Ziggy Stardust, David Bowie,stage costume, Kansai Yamamoto

Ziggy stage costume by the Japanese fashion designer Kansai Yamamoto who described Bowie in 1972 as “neither man nor woman”. This outfit goes on show next year. (Photograph by Polkadot.tv)

After three years of negotiation, Geoffrey Marsh, the curator of performance, and Victoria Broackes, curator of theatre, were rightly exultant to have pulled out the Bowie plum. “He has had so much influence in other areas — film, theatre, fashion, design. In fact, he impacts on all departments of the V&A,” Marsh said, heading off recent criticism that pop-star memorabilia was rather a lightweight subject to justify its own claim to be “the world’s greatest museum of art and design”.

Most of the 300 objects going on show were collected by Bowie over his lifetime: handwritten lyrics, costumes, posters, instruments, stuff he regarded as important records of his career. Marsh says: “It is an extraordinary collection and there are very few performers who have hung on to their collections. In all areas of Bowie’s creativity, he is still having an impact today.”

Potential exhibits shown off at today’s press launch included a model of the set for the Diamond Dogs tour, the spangly catsuit designed by Freddi Burretti for Bowie’s 1972 performance of Starman on Top Of The Pops, Natasha Korniloff’s Pierrot costume from the 1980 video for Ashes to Ashes, and Alexander McQueen’s Union Jack coat created for the cover of Earthling in 1997.

➢ Showtime at the V&A — from The Guardian’s coverage, Sep 5:

No one from the V&A has sat down face to face with Bowie and, given he does not fly, it would be a surprise to everyone if he even made it along.

David Bowie, portrait, retrospective,  exhibition, Victoria & Albert Museum

Self portrait in pose also adopted for the album cover of “Heroes” 1978. © The David Bowie Archive 2012. Image © V&A Images

“I’m sorry to say I’ve never met him,” said co-curator Victoria Broackes. “Of course I’d love to and I really hope he likes it but in a way, because the V&A always takes editorial control of what it produces, it is better that we haven’t met him.”

Geoffrey Marsh said there were piles of books on Bowie – “I’m sure there will be many more university doctorates” – but this is the first significant exhibition and he promised it would be “groundbreaking” and hopefully achieve the almost impossible task of appealing to both diehard fans and an audience too young to really know how much of an influence Bowie was and still is.

That present tense is important and the V&A has called its show David Bowie is. “It underpins a key tenet of the exhibition,” said Broackes. “David Bowie’s impact today.”

It will examine what has influenced him – German expressionism, music hall, Theatre of Cruelty, French chanson, surrealism, Brechtian theatre, avant-garde mime, musicals and Japanese kabuki to name a few – and the countless artists he in turn has influenced… / Continued at Guardian Online

RAPACIOUS V&A PRICING EXPLOITS AN EAGER PUBLIC

➢ Enigmatically titled David Bowie is, the exhibition runs March 23–July 28, 2013, at the V&A, London SW7 2RL. Book online, in person at the museum, or by phone +44 (0)20 7907 7073 where you will spend a lifetime on hold. Top ticket price is an outrageous £15. By booking online you avoid being blackmailed into making an additional donation to the museum, though the V&A has the cheek to add a “handling charge” to all purchases! (Update: Ticketing has subsequently been farmed out to a theatre agency which has upped the price to £15.80 to include its own “booking fee”!)

How dare they, with Gucci sponsoring the exhibition? Gucci could readily pick up the whole bill for the show, and the V&A’s exploitative tactics let the institution down badly. Brace yourselves for a catalogue priced in similar “We saw you coming” mode (a catalogue for the last major show, British Design, cost £40). This is an ugly and accelerating trend among the capital’s cultural institutions.

Is Bowie alive or dead?

➢ Definitely alive — but busy on the school run, says The Times’s chief rock critic, Sep 5:

Ever since 2006, when he last performed live, rumours have circulated that David Bowie is at death’s door. What has he been doing? Taking his 12-year-old daughter to and from school in New York, according to his publicist. Having been too busy as an epoch-defining rock star to be a hands-on father to his son Zowie (now the film-maker Duncan Jones), Bowie is now helping out with his daughter’s homework. He is living through a period of normalcy that his early fame denied him. The state of his heath is unknown… / Continued at Times Online

David Bowie, Starman, 1972, Top of the Pops,V&A , exhbition, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson and a new generation of pop is triggered. The spangly 26-inch waist catsuit by Freddi Burretti will be on show at the V&A retrospective in 2013. Videograb © BBC

1970 ➤ Where to draw a line between glitter and glam:
naff blokes in Bacofoil versus starmen with pretensions
— analysis by Shapersofthe80s

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