Category Archives: photography

2024 ➤ Welcome to much unseen photography by Duran’s first lensman

Birmingham, books , photography, Rum Runner, Paul Edmond, Duran Duran, Maggie K de Monde, APS Books
❚ ANY FAN OF DURAN DURAN remembers the very first photographs of the band in 1980 as they finalised their line-up which was to win a recording contract by year’s end and secure their first chart hit with Planet Earth. The five musicians were young and handsome and while they emerged as lucky leaders of the New Romantic music and fashion movement based on Birmingham’s Rum Runner nightclub, so local teenager Paul Edmond learned the skills of photography by capturing their frilly shirts. These Pose Age outfits took inspiration from Jane Kahn and Patti Bell’s futurist boutique, but in those DIY days before stylists had been invented, it fell to Paul to inject a sense of cool nonchalance into his images of the budding pop stars as they too practised how best to look a camera in the eye.

➢ Order your set of Duran Duran En Scène,
three volumes of Paul Edmond’s photographs,
direct from APS Books

Four decades later, after selling 100 million records, winning umpteen music awards, and being welcomed into the Rock & Roll Hall of Fame, Duran themselves revel in releasing new material and reworking the old, their latest album being Danse Macabre. How appropriate then that the photographic archive of Paul Edmond – which embraces a wider world of youth culture than only that of Duran – is being published this spring. A trio of books filling 200 A4 pages has been initiated by his sister Maggie K de Monde, herself an all-round song-writer and performer. Nick Rhodes makes a contribution. Advance orders for the £90 package are being invited by APS Books of Yorkshire, with delivery expected in June.

Tragically, Paul himself cannot share this poignant moment because he was killed in a road accident in 2015. He and I became great friends working on the monthly magazine New Sounds New Styles in 1981, for which he took an arresting cover picture of Jane Farrimond and the flamboyant Martin Degville, a pair of Brummie style leaders who both ended up in the band Sigue Sigue Sputnik.

➢ Previously at Shapersofthe80s: 1980, Out of the blue,
Duran’s first gig pictured at the Rum Runner

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth

➢ Previously at Shapersofthe80s: 1981,
New Sounds New Styles: Will it all be over by next week?

➢ Previously at Shapersofthe80s: 2023, Celebrating
Kahn and Bell’s role at the centre of Brummie fashion

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2023 ➤ Johnny Marr climaxes his solo career with stunning book and unique live concert

Live concerts, UK tour, CD, indie rock, Johnny Marr, Spirit Power, Marr’s Guitars, Aviva Studios,

Johnny Marr at 60: creating an innovative sound at Manchester’s new Aviva Studios

❚ WATCH OUT FOR two live performances of classics and fan favourites brought to life as A Night with the Johnny Marr Orchestra, a new, expanded sound as the one-time Smiths guitarist takes to the stage with a full classic orchestra on Dec 7 and 8. I shall be in Manchester (train strikes willing) to report back.

For two special performances this week at the Aviva Studios, the city’s brand-new exhibition and entertainment complex, Johnny is joined on stage by some of the best classical musicians from the North. Together, they’ll reinterpret his impressive solo catalogue currently selling as a limited double-CD titled Spirit Power which celebrates his songs, bangers, and electric shows from the past ten years, “having put myself under pressure to make singles”.

Live concerts, UK tour, CD, indie rock, Johnny Marr, Spirit Power, Marr’s Guitars, Aviva Studios,

Celebrating Marr’s solo career: an impassioned photo-book and a UK tour next year

All of which trails a UK tour next spring and helps promote his chunky 288-page hardback book, Marr’s Guitars, packed with spectacular colour photos and his own passionate reflections on how his collection of more than 130 guitars has created his innovative sound. As Johnny says: “There is a human story behind these guitars. Historically, guitars do have this association with certain sounds and songs.”

The composer Hans Zimmer – with whom Johnny collaborated on the Bond soundtrack for No Time to Die – pens an impressively flattering foreword in the book, stressing that “Each artist gets their guitar to tell their personal story.” He is not talking about the sound you associate with metal guitars and a cheesy orchestra, “usually tasteless”, but in Marr’s case his own very particular and sensuous aesthetic. “The guitar lets us reveal ourselves more profoundly than words ever could,” Zimmer concludes.

Live concerts, UK tour, CD, indie rock, Johnny Marr, Spirit Power, Marr’s Guitars, Aviva Studios, orchestra, Manchester,
➢ Final remaining tickets to Johnny’s Aviva Studios gigs this week

➢ Buy the Marr’s Guitars book, his double-CD, his earlier full-length albums and more merch here

➢ Pre-order tickets for Marr’s Spirit Power tour from 2 April 2024 via his Live pages

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1980 ➤ Out of the blue, Duran’s first gig pictured at the Rum Runner

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Duran Duran: Who’s who in this debut line-up on 16 July 1980 onstage at the Rum Runner in Birmingham? (More to the point, who actually took this photo?)

❚ NEVER SEEN BEFORE! Or so I thought a few days ago! This superb colour photo of Duran Duran’s debut gig introducing Simon Le Bon on vocals and Andy Taylor on guitar has just been published on Facebook. The band are captured live on 16 July 1980 at Birmingham’s stylish nightspot the Rum Runner and fans have been amazed at a certain blondness and general skinniness of the performers, but after all their average age is only 20. From the left: Yes Simon is blond, yes “Tigger” John Taylor looks truly gangly on bass, yes Andy is in leopard-print pants, and yes Nick Rhodes is playing the Crumar synth at rear. (Drummer Roger Taylor is sadly not visible.)

This sensational picture arrived on the Durantastic World page at Facebook on the 43rd anniversary of the gig and I was one among many fans who had never seen it before. Yet the DW Admin couldn’t say who took it. One follower, Emma Leigh, attributed the image to a photographer who goes only by his Twitter handle @Birmingham_81 (currently unused) and otherwise remains anonymous! Baffled and amazed by suddenly discovering that any photo of Duran’s live debut existed, I embarked on a prolonged Google search.

As the day went on I actually unearthed FOUR photos of that 1980 gig – now published here on this page – which were buried perhaps unsurprisingly in one official Duran website dating from 2015, and another encyclopedic online history of the band in 2018, so all the more puzzling that they haven’t spread widely across social media circles. The best pic, shown here at the top, has sat in DD’s album page at Facebook since 2015, unforgivably dated wrongly to 12 March 1980, months before Le Bon joined the band.

A second pic was also posted by DD at Facebook in 2018 on the correct anniversary of the debut. This is the frontal view in which we can just see Roger on drums, though really too small to enlarge very successfully. Further googling led us through Not Your Mother’s Playlist, a blog by Christina, a 25-year-old pop culture addict from San Francisco who pictured the key photo without comment in 2019, and on to Duran Compilations which uniquely revealed two further pix from DD’s debut in 2018 while showing all four on one page – see below – again without special comment or hint of a source! This website detailing the band’s unofficial history was “compiled and developed by Ansgar Thomann in dedication to the 40th anniversary of Duran Duran’s birth”. He based the anniversary on 1978, when the idea of DD was born!

All four images make a fascinating testament to DD’s sense of style, especially Le Bon. Sad that nobody seems sure who took these landmark photos.

IMAGES SCARCELY SEEN BEFORE – CLICK TO ENLARGE

Core band members had been employed for a year or more around the Rum Runner by its owners, the brothers Michael and Paul Berrow, as bouncers, deejays and glass collectors, while a series of new musicians were tried out and let go.

Cristina’s NYMPL reports: “In 1978, cool kids Nicholas Bates and Nigel Taylor (who would then become Nick Rhodes and John Taylor) handed the Berrows a demo tape for their fledgling band Duran Duran and the rest is history; they held auditions until D-Squared became a full-fledged band with a guitarist and everything, and the Berrows became their managers.”

She adds: “Guitarist Andy Taylor recounts many interesting things in his book Wild Boy (a fantastic read). He talks about the wild behaviour of the club-goers – how flamboyantly they dressed, how behaviour norms didn’t apply and how sex, drugs, and glam rock were paramount. He also talks about the aptly named ‘Sex Offender’s Room’ (‘People weren’t politically correct, then,’ he writes), where the Durans and the Berrows dragged in a nice fluffy bed in a vacant corner, and then would purposefully walk in on one another when they were enjoying the, uh, intimate company of their guests.”

Simon Le Bon told Quietus in 2011: “I had some pretty amazing sex-and-drugs combined occasions. Which, ultimately, were very rock’n’roll. Just thinking back to the Rum Runner, what a place that was for five guys. . . it was probably illegal. In fact, a lot of it was definitely illegal.”

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DuranCompilations pulls out the plums, 2018: two more new images to make four DD debut pix scarcely ever seen

Once the 1980 line-up was finalised, it then took DD another six months as the club’s house band before landing a contract with EMI. During this time London’s New Romantic heroes Spandau Ballet notched their first chart single before year’s end. In February 1981 DD’s first single Planet Earth charted at number 12 with the phrase “New Romantic” unsubtly woven into the lyrics, while cool London bands refused to subscribe to the term.

Both Spandau and DD followed the image-conscious practice of pioneering stylish music videos with savvy directors such as Russell Mulcahy and Godley & Creme, which fuelled the British invasion of the US by British bands just as MTV was launched in August 1981. The first person we see in Duran’s first video, Planet Earth, is Roger Taylor who also told Quietus: “I think [director] Russell Mulcahy had a bit of a crush on me: ‘OK, get your shirt off, you’re the first one, lie back’.”

Perry Haines, ex-Blitz Kid, producer and first editor of i-D, told me in 1982: “Duran Duran were destined to be mass market. I styled their first photo session in Milton Keynes in frilly Axiom shirts with bolero jackets and silk Antony Price suits. It was a street-level look with the cut and style of Antony.”

Rolling Stone magazine recorded the brothers’ ambition: “They said, We want a good-looking poser band. . . somewhere between Chic and the Sex Pistols.”

COMMENTS AT DW FACEBOOK THIS WEEK:

Bill Rosich: The 16 July set list was: 1, I Feel Love; 2, Girls on Film; 3, Amy a-Go-Go (later Rio); 4, Night Boat; 5, Tel Aviv; 6, Late Bar; 7, Secret Success.
James Barr: It’s funny, but they’re basically in the exact same stage arrangement that they remain in to this day: Simon out front with John on his right and Andy (or the guitar player) on Simon’s left. Nick is then back and to the left and Roger back and to the right.
Lance Lowe: Was there. I played bongos for 5 minutes. It was a jazz dance night. Paul Berrow asked me to stand behind the bongos with the rest of the band for press shots at the Rum Runner. I just wanted to dance to music by Lonnie Liston Smith.

➢ Durantastic World page at Facebook

➢ Previously at Shapersofthe80s: 1981, Birth of Duran’s Planet Earth

New Romantics, Swinging 80s, Birmingham, Duran Duran, Rum Runner,

A broody looking Duran Duran en route to stardom: the band pose outside the glam entrance to the Rum Runner nightspot

➢ Previously at Shapersofthe80s: 2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion
➢ 1981, Inside the Rum Runner nightclub – by the people who were there

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2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Paul Edmond,

Kahn & Bell in their heyday, photographed by Paul Edmond

❚ IT’S GOOD TO SEE how trendsetters in Birmingham have been reminding the world of the city’s reputation for creativity. Only last December people with long memories succeeded at finally getting a blue plaque erected on the site of the legendary nightspot, the Rum Runner, birthplace of the international supergroup Duran Duran during the Swinging 80s, and a vital platform for Annie Lennox, Fine Young Cannibals, Dexys, Fashion and Sigue Sigue Sputnik.

No less famous than the Rum Runner were Jane Kahn and Patti Bell, the fashion duo with their boutique at 72 Hurst Street from 1976 to 1986, which became an epicentre for the alternative music and fashion scene. Their penchant for fantasy and theatricality found them designing hand-made clothing for Duran Duran, the dance group Shock and even Eurovision winners Bucks Fizz. One of their models who worked in the shop as a teenager was the local drag legend Twiggy.

K&B have been described as Birmingham’s equivalent to Vivienne Westwood and the New Romantic magazine New Sounds New Styles observed in 1981: “When similarities to London designers were seen in their collections it was considered that Birmingham had copied London.” This was by no means the case. Duran’s photographer Paul Edmond preferred to describe Patti and Jane as “the queen and princess of the Birmingham New Romantic scene… Patti was the Vivienne Westwood, with Jane as Zandra Rhodes. Jane was perhaps slightly more refined in her fashion design and Patti was the more outrageous one, the most outgoing”.

Even so, in 2006, Duran’s Nick Rhodes created the compilation album Only After Dark to celebrate the music played at the Rum Runner, and lamented with hindsight: “Allegedly this was the UK’s second city, but you couldn’t help but wonder at the gaping disparity with the capital. If this was the second city, what might life be like in the thirteenth?”

Click any pic to enlarge as a slideshow:

In tribute to the iconic designers, an exhibition titled “It’s Not Unusual: a photographic homage to Kahn & Bell” has being curated by the National Trust with input from local photographer Gary Lindsay-Moore, at a quaint terrace of restored shops known as the Back to Backs Museum in Hurst Street. It opens on 9 June though visiting hours are very confusing on the B2B’s complex website so better ring for specific information, as booking seems necessary.

Today no less than in the Eighties, Brum remains Britain’s “second city”, as a focus for a population of more 4 million people in the wider West Midlands, the largest metropolitan county outside the capital. Its fashionable Digbeth scene has been compared to London’s Shoreditch. Likewise Brindleyplace, the Hurst Street village and Broad Street, where a Brummie version of Hollywood’s Walk of Fame once saw large brass stars set into the pavements on both sides honouring local showbiz heroes and institutions. Sadly, this year I counted only a handful remaining. The whole of Broad Street was resurfaced in the recent extension of the metro tram route westwards and most of the brass plates in the Walk of Stars were ripped out.

If we feel rightly sentimental about our past so that a gilded statue of those industrial pioneers Boulton, Murdoch and Watt stands prominently on Broad Street only yards away from the Black Sabbath Bridge – recently renamed after the local rock band – why are David Bintley, Jeff Lynne, the Birmingham Royal Ballet and the Aston Villa Team of ’82 among the only star names to remain embedded in the pavements? To have lost the Walk of Stars as mementoes of the city’s history is a crying shame.

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Walk of Stars, Aston Villa Team of 82,

One of the few surviving brass stars still visible in Broad Street’s Walk of Stars, this one a tribute to Aston Villa FC

➢ It’s Not Unusual exhibition runs 9 June-17 Dec, at B2B Museum at 61 Hurst Street, Birmingham, B5 4TE

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Rum Runner,

The blue plaque finally awarded to the site of the Rum Runner nightclub in Birmingham

Updated 23 July 2023… NEW SOUNDS, NEW STYLES is a live panel discussion just announced for Friday 25 August at 6.30pm in the Birmingham Back to Backs at £5 per ticket. Linking with the museum’s exhibition on Kahn and Bell, this event will explore the culture of the punk and New Romantic scenes in Birmingham in the late 1970s and 80s. The discussion will be chaired by Jez Collins of Birmingham Music Archive and panel guests will include Carl Phillips, Dylan Gibbons and Carol Maye.

➢ Buy NSNS tickets from Birmingham Back to Backs

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Back-to-Backs Museum, National Trust,

Hurst Street’s terrace of vintage shops now home to the National Trust’s Back to Backs Museum in Birmingham

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2023 ➤ 80,000 items of Bowie baggage find final resting place in the Olympic Park

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, , archive, David Bowie

Into the archive: 1978 self-portrait sketched and signed by Bowie (detail)


❚ AT THE DAVID BOWIE CENTRE for the Study of Performing Arts fans will soon be able to get up-close to Bowie’s creative genius like never before. From 2025 the Victoria & Albert Museum’s East Storehouse in London’s Olympic Park will house more than 80,000 items amassed during the six decades of the performer’s pioneering career. His archive will be made available to the public, from fans to school children and researchers, thanks to the David Bowie Estate and a donation of £10m from the Blavatnik Family Foundation and Warner Music Group.

The archive features handwritten lyrics, letters, sheet music, original costumes, fashion, photography, film, music videos, set designs, Bowie’s own instruments, album artwork and awards. It also includes more intimate writings, thought processes and unrealised projects, the majority of which have never been seen in public before.

V&A East Storehouse will be a new type of museum experience taking visitors behind the scenes of the stored collections. The new Centre will also support the ongoing conservation, research and study of the archive.

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, archive,

Into the archive: notes for Bowie lyrics created by the Burroughs “cut-up” technique

Highlights include stage costumes such as Bowie’s breakthrough Ziggy Stardust ensembles designed by Freddie Burretti (1972), Kansai Yamamoto’s flamboyant creations for the Aladdin Sane tour (1973) and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997). The archive also includes handwritten lyrics for songs including Fame (1975), “Heroes” (1977) and Ashes to Ashes (1980), as well as examples of the “cut-up” method of generating lyrics introduced to Bowie by the writer William Burroughs. Additionally, the archive holds a series of intimate notebooks from every era of Bowie’s life up to his death in 2016.

Tilda Swinton, one of David Bowie’s friends and collaborators, said: “In 2013, the V&A’s David Bowie Is… exhibition gave us unquestionable evidence that Bowie is a spectacular example of an artist who not only made unique and phenomenal work, but who has an influence and inspiration far beyond that work itself. Ten years later, the regenerative nature of his spirit grows ever further in popular resonance down through younger generations.”

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, costumes, archive,

Into the archive: stage costumes from every decade of Bowie’s career

➢ Read further detail at the official David Bowie website

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