Category Archives: North America

➤ Ten killer videos to celebrate Duran’s return to the live stage this week

Duran Duran play Girl Panic! live at the Coachella music & arts festival, April 17,  2011

Girl Panic! directed for Genaro.tv by Alan Hughes, a professional graphic designer in the UK

❚ ON FRIDAY DURAN DURAN resume their North American tour, which was interrupted in May by Simon Le Bon’s vocal problems. From Sept 23 in Everett, WA, they weave their way to Atlantic City on Oct 29.

➢ Rescheduled North American tour dates at Duran Duran’s website

➢ Eleven UK concerts run from Nov 30 in Brighton to Dec 17 in Newcastle — plus Dec 20 in Dublin

➢ Catch up on the Duran world comeback tour when it stalled in May — with links to the Unstaged online concert March 23 at the Mayan theatre, Los Angeles, plus vital links to tour dates and video interviews

Duran Duran’s live version of The Man Who Stole A Leopard ft. Kelis, directed by David Lynch for Unstaged, Mar 23, 2011

Elegant French production of The Man Who… directed by Jethro Massey, with Faith Anne Gosselin, Sorrel & Massimiliano, Mocchia Di Coggiola

Animation of The Man Who… by a production group in Second Life dedicated to use machinima as a medium for telling stories. Producer, Rafale Kamachi

The Man Who… recast as PG-rated kitchen-sink psycho-drama from Russia: scripted, directed, edited by Nina Urmanova. (Some gratuitious bloodshed.)

Mediterranea uploaded by garibaldino2 in Italy

Blame The Machines set to an immaculate print of the 60s sci-fi movie Barbarella (with glimpses of the crazed scientist Dr Durand-Durand who prompted the band’s name at the keyboard of his orgasmatron in which Jane Fonda is being pleasured). Uploaded by MrChuckChapman in the USA

Winning version of Blame The Machines for Genaro.tv directed by Sebastian Mihailescu, currently studying at the Caragiale National Academy of Theatrical Arts and Cinematography in Bucharest, Romania

Winning Russian animation of Being Followed for Genaro.tv directed by Aleksey Khruslov of Kakadu Collapse

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2011 ➤ Tony Hadley sings out for the 67 Brits who died on 9/11

Update: Tony Hadley sings the National Anthem in the British Garden, NYC. Photographs by Luke LoCurcio and John Meese

Update: Canadian prime minister Stephen Harper, Canadian first lady Laureen Harper, British consul-general Danny Lopez and Australian consul-general Phil Scanlan stand for each country’s national anthem

❚ IN NEW YORK TODAY AT 13h30, the British vocalist Tony Hadley sings the National Anthem, God Save the Queen, at the memorial concert marking the 10th anniversary of the 9/11 attacks on America. In the presence of Danny Lopez, HM consul-general in New York, the event is being held in The British Garden, Hanover Square in Lower Manhattan, NYC,  which was created with the endorsement of the British consulate-general to honour the 67 British subjects lost in the 2001 attacks on New York and Washington. They were carried out by 19 hijackers seizing four planes, taking nearly 3,000 lives. President Barack Obama said that the tenth anniversary would be a day of “service and remembrance”. White House guidelines emphasise the theme of resilience, and warn of future attacks.

Providing the music along with Tony Hadley are InChorus, The Lothan & Borders Police Choir and Tayside Police Choir, The West Yorkshire Police Brass Band and the Allied Forces Foundation Pipes and Drums.

This year an invitation from Her Majesty the Queen to include Australians in the memorial has been gladly accepted by Australian prime minister, the Hon Julia Gillard. In New York Australian consul-general Phil Scanlan joins Canadian prime minister Stephen Harper among distinguished guests at the memorial concert, and the official memorial site includes a dedication to the Australian and Canadian victims of the 9/11 attacks, as well as British and American. The motto of the garden reads “Reflect, Remember, Rebuild”. As explained by Danny Lopez, this signifies that New York City is moving on but not forgetting. Following the ceremony, a gala fundraising dinner is being held on September 12, and funds raised will go toward the ongoing conservancy of the Garden.

Tony Hadley writing at Facebook today at 11:11

Here in New York City for today’s 9/11 Memorial Concert at the British Garden in Hanover Square. I feel very proud to be asked to come over to sing our National Anthem. Thanks to all the British Police I met in Brooklyn last night at the first ever block party that I have been to. It was fantastic. Cheers lads and lasses.

9/11, Memorial Concert, British Garden, Hanover Square, NYC, Tony Hadley, Danny Lopez,

British Garden, Hanover Square, New York, Julian Bannerman,

The British Garden is a modern classic, here photographed in 2010 by Alliance for Downtown New York: sinuous lines are formed by benches and voluptuous topiaries at Hanover Square, in Lower Manhattan. The space was designed by landscape architects Isabel and Julian Bannerman, best known for their work for the Prince of Wales at his Highgrove home. It features City of London-style bollards, paving quarried in Scotland and Wales and benches produced in England and finished in Northern Ireland. All that remains to complete the scheme is the planned stone sculpture by Anish Kapoor.

British Garden , Hanover Square,  New York, Prince Charles, Duchess of Cornwall

First day of their American visit 2005: His Royal Highness The Prince of Wales, Royal Patron of the British Memorial Garden Trust, and HRH The Duchess of Cornwall visit the British Memorial Garden in Manhattan

British Garden, Hanover Square,  New York, Prince Harry

Prince Harry plants a magnolia bush as part of New York City’s Million Trees NYC initiative in the British Garden in New York, 2009. Photograph by Richard Drew/AP

British Garden Hanover Square, New York

Official opening on July 6, 2010: Her Majesty Queen Elizabeth II meets local luminaries after cutting a red ribbon to open the British Garden. Photographed by Spencer T Tucker

➢ Gardens of peace — a Daily Telegraph appreciation of the British Garden in New York

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2011 ➤ Kraftwerk now: from machine music to visions in 3D

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Wallpaper magazine,october 2011, Kraftwerk, Ian Schrager, 3D video,Munich,concerts

3D cover by Kraftwerk: view with blue-red glasses supplied with the mag

❚ THE ELECTRONIC BAND KRAFTWERK exploded into the hippy haze of 1970 and filled the air with an insistent machine-made beat that spoke of the future. Indisputably, the German four-piece formulated a revolutionary kind of non-guitar music that reshaped the thinking of musicians as diverse as Bowie, Afrika Bambaataa, Coldplay, New Order, Johnny Marr, Franz Ferdinand and Radiohead. New genres such as house, synth-pop and techno were heralded by the 1974 hit album Autobahn.

Today, however, the pioneering Ralf Hütter (a Beach Boys fan) and his usually reclusive pals slip out of their comfort zone to become guest editors on the October issue of Wallpaper magazine, which features a new portfolio of Kraftwerk imagery in 3D. Oops!

Of necessity in print, they have chosen the vintage blue-red 3D technology from the 50s to create ten graphics as double-page spreads. Yet however hard you try to flatten the glossy and flexible magazine, the deep gulley down the middle beams out its own distracting reflections! (The images might well improve if viewed on the iPad edition.) Successful, they are not: 70s minimalism always teetered tinglingly on the brink of being boring, and creatively Kraftwerk’s bland graphic renderings of autobahn, calculator, PC, pills, robots, cyclists and the band themselves say nothing new. They wouldn’t guarantee a pass degree at a British art school. Disappointingly, the 3D effects grab you in only two illustrations — one of breaking glass, another of a car’s dashboard radio — prompting the message to Ralf, especially at the age of 65, that, as graphic artists, his band may have seen better days.

There’s much more value in a brief evaluation by the leading British designer Peter Saville of how Kraftwerk opened his horizons to the European cultural canon.  The advantages of the analogue era, he reasons convincingly, can be fully appreciated only now, from the perspective of the digital age.

➢ Electronic Sound Pictures — It could be that Kraftwerk’s specially developed multi-channel 3D video installation may offer a more immersive gallery experience. Fans will have to travel to Germany, to the Kunstbau at the Lenbachhaus, Munich, where the exhibition runs Oct 15–Nov 13. There’s also an accompanying book, Kraftwerk 3D, with 3D-glasses.

♫ First Kraftwerk concerts for two years will be held at the Alte Kongresshalle in Munich, October 12–13. Seats from £260 via Guardian Tickets.

♫ Kraftwerk’s Kling Klang Machine No 1 — 24-hour interactive music generator as an app for iPhone/iPad

➢ VIEW VIDEO: Kraftwerk and the Electronic revolution: Prism Films documentary, 2008

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SCHRAGER ANNOUNCES THE PEOPLE’S HOTEL

Ian Schrager, Public hotels, Wallpaper magazine, interview

Schrager: delivering a wake-up call

❏ Incidentally, the October issue of Wallpaper also interviews Ian Schrager, notorious partner behind Studio 54, the definitive New York nightclub of the 70s, who was jailed for income tax evasion. He later went on to invent the “boutique hotel” along with its “lobby socialising” and philosophy of “hotel as lifestyle” that has been ripped off by hoteliers across the globe.

At 65, with millions in the bank, he is about to launch his new Public hotel chain in Chicago. Business writer John Arlidge reports that “the master tastemaker senses the universe is turning on its axis again, just as it did when old-fashioned class divisions that ruled New York nightlife were swept away, enabling him to create Studio 54”. Schrager insists that there’s “a new simplicity” and “it’s structural”. He argues that many big hotel chains have failed to keep up with the consumer. The essential-services-only Public brand, he says, “will be an entirely new class of hotel that will be a big wake-up call to the industry”.

➢ Public Chicago begins previews on September 12

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➤ Bombshell for Spandau Ballet fans as Hadley unwinds after US solo tour

Tony Hadley , John Keeble, Las Vegas, US tour

The Hadley band in Las Vegas last week: John Keeble (drums), Phil Williams (bass guitar), Big Tone, Richie Barrett (guitar), Phil Taylor (keyboards)

❚ EXACTLY WHAT SPANDAU BALLET FANS don’t want to hear! Yesterday as the 80s supergroup’s vocalist Tony Hadley was taking a well-earned rest following his American solo tour, he delivered the bombshell. Fans who want to see him singing again with his onetime schoolmates in Spandau “could be waiting 20 years”!

The shocking prospect came yesterday in an interview with TNT, the Australian backpacker magazine, anticipating his imminent tour down under. Before his US dates earlier this month he’d been much more circumspect about another Spandau reunion, using the phrase “maybe one day in the future” to American music magazine ConcertLivewire. Tony’s new forecast for a rendezvous with Spandau means the already portly singer would have passed his 71st birthday — along with many of Spandau’s original fans, ear trumpets at the ready.

Remember, an argument over royalties split Spandau asunder in 1990 and Tony didn’t speak to songwriter Gary Kemp for 19 years until their sudden reunion tour in 2009. Even so, the singer tells TNT: “It was only ever meant to be a one-off. After 20 years of squabbling we buried our differences. But after our last show in 2010, you know, I had a band waiting around for me on a retainer for six months. I’ve had no time off and I’m trying to finish the new album so at the moment there aren’t plans to do Spandau again. You could be waiting 20 years.”

Tony has pursued an active solo career ever since the split and his current band has backed him for 13 years, with John Keeble of Spandau playing drums. This month’s American tour was an investment, and Tony told Windy City Times they “want to come back next year and do 20 or 30 shows”.

His big news is about his solo album, due next year. He tells TNT: “I’m doing some writing with Barry Gibb from the Bee Gees. I went round his house and had a little cup of tea and said, let’s get together and do some songs. For me, that is a major wow.

“2012 will be busy with the Olympics. My manager has been talking to various people about an orchestral version of Gold [the Spandau Ballet hit] for the games — doing it with an 80-piece orchestra would be amazing.”

➢ Read the full Tony Hadley interview with TNT, dated August 26

➢ Videos and reports from Hadley’s US tour at Shapersofthe80s

➢ Next stops — Sep 2, Rewind Scarborough UK; Sep 4, Cantazaro, Italy.

➢ Sept 11 in New York, 13h30 — Tony sings at the memorial concert for 9/11 in The British Garden, Hanover Square in Lower Manhattan, NYC, created with the endorsement of the British Consulate-General to honour the 67 British subjects lost in the 2001 attacks

➢ Tony’s Australia dates 2011 — Oct 26, Hindmarsh, South Australia; Oct 27, South Morang, Victoria; Oct 28, Doncaster, Victoria; Oct 29, Chelsea Heights, Victoria; Oct 30, Rewind Australia, Wollongong, NSW; Nov 3, Coolangatta, Queensland; Nov 4, Penrith NSW.

➢ Spandau Ballet’s official website news

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➤ The four catastrophes Martin Luther King foresaw

Martin Luther King Jr, Memorial,Washington

The Martin Luther King Jr National Memorial was to have been dedicated on Sunday, the 48th anniversary of Dr King’s “I Have a Dream” speech. Photograph by Philip Scott Andrews/The New York Times

Martin Luther King Jr is weeping from his grave, writes the philosopher and Princeton professor, Cornel West, in today’s New York Times …

❚ THE MARTIN LUTHER KING JR MEMORIAL was to be dedicated on the National Mall on Sunday — exactly 56 years after the murder of Emmett Till in Mississippi and 48 years after the historic March on Washington for Jobs and Freedom. (Because of Hurricane Irene, the ceremony has been postponed.)

On the Sunday after his assassination, in 1968, Dr King was to have preached a sermon titled “Why America May Go to Hell.”

King did not think that America ought to go to hell, but rather that it might go to hell owing to its economic injustice, cultural decay and political paralysis. He was not an American Gibbon, chronicling the decline and fall of the American empire, but a courageous and visionary Christian blues man, fighting with style and love in the face of the four catastrophes he identified…

Martin Luther King Jr, sermon,Why America May Go to Hell,

Martin Luther King: an unpreached sermon titled “Why America May Go to Hell”

1 Militarism is an imperial catastrophe that has produced a military-industrial complex and national security state and warped the country’s priorities and stature (as with the immoral drones, dropping bombs on innocent civilians).

2 Materialism is a spiritual catastrophe, promoted by a corporate media multiplex and a culture industry that have hardened the hearts of hard-core consumers and coarsened the consciences of would-be citizens. Clever gimmicks of mass distraction yield a cheap soulcraft of addicted and self-medicated narcissists.

3 Racism is a moral catastrophe, most graphically seen in the prison industrial complex and targeted police surveillance in black and brown ghettos rendered invisible in public discourse. Arbitrary uses of the law — in the name of the “war” on drugs — have produced, in the legal scholar Michelle Alexander’s apt phrase, a new Jim Crow of mass incarceration.

4 And poverty is an economic catastrophe, inseparable from the power of greedy oligarchs and avaricious plutocrats indifferent to the misery of poor children, elderly citizens and working people.

➢ Sounds familiar? Continue reading Martin Luther King Jr weeps from his grave, at the NYT

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