Category Archives: London

2011 ➤ The unknown Mr Big behind London’s landmark nightspot makes his return to the Blitz

Return to the Blitz, Eve Ferret, Mike Brown, Blitz club, Steve Strange

Reunited last night after 30 years: the reclusive founder of the Blitz wine bar, Mike Brown, and the cabaret singer Eve Ferret who first tasted stardom there. (Photograph © by Shapersofthe80s)

❚ BIGGEST SURPRISE AT LAST NIGHT’S Return to The Blitz party, thrown by Steve Strange, Rusty Egan and Rose Turner, was the arrival from Spain of the brains behind the original bar that became the crucible for New Romantic nightlife back in 1979. International man of mystery Mike Brown has always been described by those who worked for him in the late 70s as very private, and indeed he must be the only person among us to generate nil Google results. Nobody was more thrilled to see him for the first time in 30 years than actress and singer Eve Ferret, who made good in cabaret at the Blitz. It was almost a This Is Your Life moment as the pair lingered fondly in each other’s arms.

Biddie & Eve, James Biddlecombe, Blitz club

One-man cabaret: Biddie on-table at the Blitz wine bar in 1977

It was Brown who had the shrewd idea of buying the four-storey Victorian house at No 4 Great Queen Street in 1976 and opening a wine bar there. “I felt like a change from the recruitment business which I was running,” he said last night. “And I’d been watching a World War Two movie about Churchill which gave me the idea for a Blitz theme.

“I remember it was black and white and showed Londoners down in the Underground shelters whilst the bombs were dropping. More than the actual horror of the damage that was being inflicted, it was the way Londoners banded together that lingers. I remember thinking that I lived on the fourth floor of an old building divided into six flats yet I didn’t know any of the occupants.”

Mike ran his main business in nearby Lincoln’s Inn Fields, and his soft spot for nostalgia was well known to the Blitz staff — barmaid Sally Marks says she imagined he would have been a fighter pilot in another life. Hence the Blitz’s utilitarian wartime decor: bare floorboards, green and cream paintwork, red-gingham tablecloths, hanging enamel lampshades, which were never dusted. Famously the walls were lined with portraits of Churchill and WW2 posters in the declamatory graphics of the period: “Careless talk costs lives” and so on.

Blitz club, Mick Hurd, Richard Jones, Eve Ferret, Brendan Connolly , Sally Marks

Dressing up for the Blitz wine bar’s Come as your Wildest Dream party, 1977: Mick Hurd, Richard Jones as Thunderbirds heroes, with Eve Ferret… and, right, manager Brendan Connolly with barmaid Sally Marks. (Polaroids © by Mick Hurd)

Mike said: “I am a great lover of traditional pie-and-mash and decided that the food theme would be along the lines of bangers-and-mash. The menus looked like old wartime ration books and we had our own wine labels made up.”

Despite having the Irish charmer Brendan Connolly as manager, and the dashing Peruvian Mario Testino behind the bar (as well as Sally, Ian Harington, Mike Roskams, Mick Hurd, Roy Brentnall, Paul Frecker and many, many others), the Blitz with its gorblimey menu wasn’t frankly much of a success. As the oil crisis squeezed western economies in the austere 70s, so London nightspots started resorting to cabaret to attract custom. Coinciding with a menu upgrade, the first performers to make their name at the Blitz were the song-and-dance duo Biddie & Eve.

Slim, camp and Bowie-esque James “Biddie” Biddlecombe started at the Blitz singing solo, accompanied by pianist Richard Jones (later an opera director). Along came buxom redheaded Eve Ferret whose laughter could shake a cocktail. Their riotous partnership was inevitable. Biddie recalls: “Initially we would perform in the middle of the floor three nights a week. By 1978 we’d grown so busy they decided to build us a stage.” Sally says that one night when Island Records boss Chris Blackwell turned up with Bob Marley, the godfather of reggae was persuaded to get up and do a number.

Biddie & Eve, Eve Ferret, James Biddlecombe, Blitz club, London, 1970s

The 1978 relaunch, now with a stage: flyer for Biddie & Eve’s regular thrice-weekly cabaret

With Brendan’s encouragement, Biddie-life-and-soul helped establish a reputation for themed costume events with titles such as Come as Your Wildest Dream, or Stars of Film and TV, so the Blitz rapidly attracted, in the language of the time, an “up for it” party crowd, which included the likes of Tim Rice and Janet Street-Porter from the swank media haunt Zanzibar along the street. Then in February 1979, in walked Steve Strange and his competitive brand of teen cabaret on Tuesdays and the rest is New Romantic history.

The Blitz bar closed when Mike sold the building in 1981 “because after five years I’d had enough”, by which time Strange & Egan had upscaled their ambitions to Club For Heroes over on Baker Street. And Mike went back to recruitment. He said: “It is very humbling to know that there is still such interest in the Blitz Kids. They were a great bunch and it was a very exciting time.”

Shirlie Holliman,Eve Ferret,John Keeble, Martin Kemp, Blitz club

Spandau delegation at Return to the Blitz 2011: John Keeble, Martin Kemp and Shirlie Holliman catch up with Eve Ferret, second right. (Photograph © by Shapersofthe80s)

➢ Rusty Egan’s set list for Return To The Blitz
reunion party, 15 Jan 2011

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➤ Julia and Gaz share their secrets for ageing disgracefully

Gaz Mayall host of Gaz’s Rockin’ Blues

Gaz Mayall: no more splits on the dancefloor. Photographed © by Chris Floyd

❚ TWO STARS OF LONDON’S CLUBLAND are invited to consider their age in today’s Sunday Times Style magazine. Jessica Brinton asks a bunch of 50-plus celebs if they view ageing as a barrier and believe growing old is something different from growing up. She reports that the British midlife crisis has slipped back from 50 to 35, and senses there is a new spirit of agelessness in the air… Brief extracts here, more at The Sunday Times online

Princess Julia, Blitz Kid

Princess Julia: naive, indefatigable spirit. Photographed © by Chris Floyd

❏ Gaz Mayall host of Gaz’s Rockin’ Blues clubnight in Soho admits to being fiftysomething:
“My secret is a good diet. I’m teetotal for the early part of the year and that’s when I crack on and do all the things that most people do all year round. Then when summer starts, I’m flat out deejaying and partying. Although since I hurt my hip, I know it isn’t a smart idea to do the splits on the dancefloor. I don’t think I’m any less revolutionary than I was, but I’m less naive now.”

➢ View a brief history of Gaz’s Rockin’ Blues, a short film by Leo Leigh and Zaid Mudhaffer, which celebrates the legacy of London’s longest running one-nighter with interviews with Gaz and unsung Soho celebrities and music junkies

❏ Princess Julia, ex-Blitz Kid, now deejay and writer, is described as fiftynothing:
“I can’t say I’m enjoying the ageing process physically, but I stave it off as much as I can. I’m even more inspired than I used to be. There are so many more tools for expressing yourself nowadays, and there’s a lot of conversation going on between the generations, which is a good thing. If you get on with someone, you just click in. It’s a case of retaining that naive, indefatigable spirit. I like throwing a pack of cards in the air and seeing where they land.”

➢ More about the world of Princess Julia and her blog

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2011 ➤ Strange and Egan return to the Blitz to kick off the 20-tweens

Return To The Blitz , Steve Strange, Rusty Egan, Red Rooms, Blitz Kids, New Romantics

Motormouths back in action: Strange and Egan interviewed on BBC London news last night in the club where they once reigned. Such were members’ powers of self-promotion at the Blitz, Egan said, that it was the 80s equivalent of Facebook Live!

❚ FED UP WITH BEING IMPERSONATED by the many lookalike websites online, Steve Strange and Rusty Egan have resolved their differences to collaborate on a brand-new official Blitz club website at:
theblitzclub, Return To The Blitz, New Romantics,website,logo
The partnership of Strange as greeter and Egan as deejay famously hosted the Blitz club-nights which launched the New Romantic fashion and electro-pop movement in 1980, and opened the door for much more sparkling new music during that decade. Last night the legendary motormouths blagged themselves a couple of valuable minutes on London’s TV news to announce a reunion party actually at the site of the original Blitz, then a Covent Garden wine bar which these days is an after-hours saucy gentlemen’s club called The Red Rooms (pictured above). And though the BBC presenters banged on about a 30th anniversary, any original Blitz Kid knows the club actually opened in 1979.

Rusty Egan, Steve Strange, theblitzclub, Blitz club,Derek Ridgers

Then and now: Egan and Strange photographed in 1979 at the Blitz by Derek Ridgers, and yesterday, Jan 7, 2011

Not one to let that stand in the way of a party, Strange says: “The furniture may have changed but there is no doubt we are heading back to our spiritual home.” Next Saturday night the Blitz partners wrap up three celebrations in one shebang, with live entertainment thrown in.

The Return To The Blitz party both celebrates their reunion and launches their website. It is an evening-only event from 8pm to midnight, with Rusty and Princess Julia on the decks while Steve and Rosemary Turner are hosting. In addition, from 7.30pm (doors open 7pm), Jus Forest will be reading from her book Remembering Eden, which is a celebration of Ultravox’s 30th anniversary tour.  Jan 15 itself was chosen to mark the day in 1981 when the single Vienna was released — the hit single that established Ultravox as the driving force for the new wave of electronic music. During the previous couple of years their vocalist Midge Ure and keyboard player Billy Currie had also played crucial roles in creating new music tailored to the Blitz club through the studio group Visage, which was fronted by Strange as vocalist.

Quilla Constance

Quilla Constance photographed by Simon Richardson

Performances on Saturday include a set by the new livepop band Paradise Point, whose bassist is Roman Kemp, son of Martin whose own band Spandau Ballet were launched from the Blitz in 1979. We’re also promised Quilla Constance, an electro-punk singer and lap dancer who will no doubt be taking advantage of The Red Rooms’ dance-poles.

True to the New Romantic ethos that insisted “the band holds a mirror up to the audience”, Rusty says: “The real stars are the people who come, dress up, dance and enjoy electronic 80s music at its best.” He is shrewdly inviting guests to “hit me with your own Top 10 — tunes I would hear in the Blitz club if it were open now … Current acts I like are LCD Soundsystem, Gossip, Muse, La Roux, The xx, Amy Winehouse, Lady Gaga.”

➢ Tickets are now sold out for Return To The Blitz (with Paradise Point & Special Guests) on Jan 15, 2011. Contact Rusty with playlist suggestions through the new website

➢ Remembering Eden – 30th Anniversary Tour Book celebrates the return of Ultravox, the synth-pop pioneers, to the live stage in 2009-10. Compiled by Jus Forrest and Helen Waterman, it tells the band’s story from the 80s right through the Return to Eden 2 tour, with interviews by Rob Kirby, fan reviews and many previously unpublished photos.

➢ Listen to Robert Elms interview Rusty Egan on BBC London about the Blitz club and how the new sounds he played were the springboard for a musical sea-change… “Steve Strange and me, we’re like chalk and cheese. I’m music, Steve’s fashion. But it’s obvious: music and fashion, you’ve got to have them together.”

Blitz Kids, George O'Dowd, Kim Bowen, Julia Fodor, Lee Sheldrick

Stars of the Blitz in 1980: George O’Dowd, Kim Bowen, Julia Fodor, Lee Sheldrick. Photographed © by Derek Ridgers

OTHER TAKES ON THE BLITZ BY SHAPERSOFTHE80s

➢ The story of Spandau Ballet, the Blitz Kids and the birth of the New Romantics — at The Observer

➢ On this day in 1980 Spandau fired the starting gun for British clubland’s pop hopefuls: dada didi daaa!

➢ Who are the New Romantics, what are their sounds, and how do they dance?

➢ How real did 1980 feel? Ex-Blitz Kids give verdicts on the TV play, Worried About the Boy

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➤ 200 new acts tipped for the new year in music

new music,tips for 2011
Shapersofthe80s has picked one act, almost randomly, from each of these lists published online by enthusiasts who between them have tipped more than 200 entertainers for the year ahead, so don’t say you’ve nothing new to listen to!

Nicki Minaj, pop Pinglewood — The world’s oldest music blog claims to have been at the bleeding edge “Posting mp3s since 1983” (unlikely since MPEG-1 didn’t appear till 1988, so may be record-holder for digital irony)
♫ Pick: Nicki Minaj

Drowned in Sound — Editorially independent music webzine, founded 1998, edited by Sean Adams
♫ Pick: Paris Suit Yourself

NME — Popular music magazine published weekly in the UK since 1952
♫ Pick: The Vaccines

Louder Than War — “We believe in the power of Rock’n’Roll” … a website dedicated to international punk rock pop culture, founded November 2010
♫ Pick: Deadbeat Echoes

Brother, acidlove, pop Designer Magazine — Gig promoters and Manchester’s third largest source of indie entertainment news set up five years ago for readers who access the web through low-spec computers at university, work or school
♫ Pick: Brother

Female First — Naomi Havergal’s selection for a “celebrity gossip and lifestyle” magazine website launched 2002 and published by First Active Media Ltd in Wigan, Lancashire
♫ Pick: We Are Enfant Terrible

NewBandDay — Totally anonymous and unaccountable “community” website published since 2010 on WordPress, so why heed a thing it says?
♫ Pick: Playfellow

Red Bull — Music journalist Bella Todd’s selection for the website of Red Bull, the controversial Austrian energy drink, created 1987
♫ Pick: Daley

JessieJ , pop BBC Sound of 2011 — Part of UK national broadcaster’s website where the Sound of 2011 list “aims to highlight the most promising new music for the year ahead, chosen by 161 UK-based tastemakers”, listed in alphabetical order from Sean Adams of Drowned in Sound to Radio 1 presenter, Reggie Yates
♫ Pick: Jessie J

The Guardian — Paul Lester’s first selection this year in New Band of the Day series published on UK national newspaper website
♫ Pick: D/R/U/G/S

Music Week’s key signings 2010 — Stuart Clarke’s selection of newish acts snapped up by A&R departments “all of whom will be vying for attention this year” according to 50-year-old UK music industry business magazine
♫ Pick: Creep

Still Corners, pop The Line Of Best Fit — An “editorial community of creative people united through a mutual love of good music”, founded 2007 in the UK by bloggers Rich Hughes and Rich Thane
♫ Pick: Still Corners

Nopaininpop — Religious music label since 2007 adminned at Facebook by Tom King and Thomas Oldham (both ex-Goldsmiths College London) and trading at Greedbag without any credible credentials while their original domain nopaininpop.com appears to be offline (registered by Tobias Jones of Peckham, London). Would you trust your soul to this dodgy bunch of missionaries?
♫ Pick: Forest Swords

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2011 ➤ Farewell Mick Karn, master of the bass and harbinger for the New Romantics

MICK KARN, the acclaimed exponent of the fretless guitar, died today in London from cancer. He was a founder member of the British art-rock band Japan, formed in 1974 with David Sylvian, Richard Barbieri, Rob Dean and Steve Jansen, heavily influenced by Bowie and Roxy. By their 1978 album Adolescent Sex, Japan had developed a unique visual style and innovative sound underpinned by Karn’s sensual bass. In all but club membership, Japan *were* the original New Romantic band

Mick Karn, Buddha, Commonwealth Institute, Steve Jansen Imageshop

Karn outside the Commonwealth Institute, Kensington (undated), photographed by © http://www.SteveJansen.com — Proceeds from the sale of Jansen’s photos have gone to help Mick in recent months

❏ Karn’s Facebook page notes this evening “Even on early Japan recordings, his highly distinctive fretless bass voice for which he is most renowned can be heard. By their swan song, critically acclaimed Tin Drum 1981, he was dubbed one of the best bass players in the world. He’d already supplied bass and sax work to Gary Numan’s Dance album and was the first Japan member with a solo record, Titles [hear audio below]. In 1983, Japan’s live album, Oil on Canvas, brought his playing to new ears: jazz legend Jan Garberek.”

❏ Update on Karn’s Facebook page, Jan 18 “Mick’s funeral service took place yesterday afternoon, Monday 17th January, in West London. The private ceremony was attended by close friends and family.”

➢ How Shapersofthe80s responded to the appeal for Mick Karn last June — plus Mick’s follow-up and background interviews

❏ Bassist John Taylor writes on the Duran Duran website “Nick and I first saw Japan at Barbarellas in Birmingham on their Obscure Alternatives tour and were blown away. They were so fresh, while every other band in town were tripping over each other in a rush to play the same three chords, Japan were brave in many ways. Mick changed my life in a good way. Quiet Life and Gentlemen Take Polaroids, Adolescent Sex and Tin Drum are amongst the best recordings made during the post-punk era in my view. Mick’s sax playing also was always interesting.

Adolescent Sex ,1978, Japan pop group, Mick Karn

Adolescent Sex, the 1978 album

❏ Review by Amy Hanson at AllMusic of Japan’s first album Adolescent Sex (1978) says “A remarkable debut, the set snarls with leftover punk intent, a few glam-rock riffs, and a wealth of electronics that not only reach back to the band’s youth, but also predate much of what would explode out of the next wave of British underground… [Later Hanson continues…] The ‘wow factor’ of an incredibly funky bass and guitar on The Unconventional, repeated again on Wish You Were Black, is not only a surprise but leaves one wondering if the band were closet Chic fans … A more exciting album than just about anything else they’d ever record, Japan were young, hungry, and more than a little rough around the edges. Despite the slick R&B work twined in, it’s important to remember that this band were in the sonic foothold of an early edgy era — groundbreakers at their own inception. ”

Japan pop group, 1978, Mick Karn

Japan in the late 70s: Rob Dean, Mick Karn, Richard Barbieri, Steve Jansen, David Sylvian

A/V tracks featuring Karn at YouTube

➢ Mick Karn, Sensitive (1982) — His first album as a solo artist displays his creativity after Japan’s split, accompanied by Japan drummer Steve Jansen and keyboardist Richard Barbieri

➢ Knights of the Opium Moon (ft Mick Karn) — Track 6 from the London electronic band Furiku’s debut album (Like a Freak, May 2010)… This has to be among Karn’s last musical collaborations. Karn’s own discography lists the four-track EP Love’s Glove as his last published recording in 2005. Dom Agius of Furiku tells Shapersofthe80s: “We were approached by Mick and his management in late 2006 via MySpace. They’d heard our work and invited us to remix a track of his. They sent over a selection of basslines but rather than do a conventional instrumental remix we decided — as long-term Japan and Mick fans — to write and record a new song — the “missing track off Tin Drum” if you will. So we sifted through, chopped and redited maybe six of the basslines together and then we wrote Knights of the Opium Moon over that. Mick and his management were thrilled with the results.”

➢ View TV interview with Mick Karn for Talkin’ Jazz c1993

➢ View video: JBK — Bestial Cluster Dutch TV session

➢ View video: Sons of Pioneers — The best-selling album Oil on Canvas was recorded live during Japan’s six sell-out nights at Hammersmith Odeon, in November 1982, on their last UK concert tour. Japan’s final live performance was on December 16 in Japan. Worsening personal differences persuaded the band members to go their separate ways virtually at the height of their creative and commercial success.

Japan pop group, Mick Karn, Hammersmith Odeon , 1982, Sounds ,Chris Dorley-Brown

Karn onstage at Hammersmith Odeon, November 17, 1982: Japan’s final UK tour. Photographed for Sounds © by Chris Dorley-Brown

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