Category Archives: London

➤ The curious high-pressure timeline of Tom Daley’s coming out

Tom Daley,Plymouth, Zeros, gay club

Saturday night out: the Facebook page of Plymouth’s Zeros gay club pictures Tom Daley with their shot girl

◼ QUIZ QUESTION OF THE WEEK: Which of these statements came first?

1 – “Hello, is that The Sun? Would you be interested in a photo of Tom Daley at our local gay club in Plymouth?”

2 – “Hello Tom, Sun newsdesk here. Do you want to tell us what you were doing in Zeros club Plymouth on Saturday night?”

3 – [via Twitter] “Got something I need to say…not been an easy decision to make, hope you can support me! :) ”

❏ On Monday morning at 11 o’clock Britain’s 19-year-old Olympics diver Tom Daley posted his confessional video on YouTube telling the world he was “dating a guy”. The global media coverage has been massive and the video has clocked 6 million views in two days. In it he said: “In an ideal world I wouldn’t be doing this video because it shouldn’t matter. But recently I was misquoted in an interview and it made me feel really angry… Now I feel ready to talk about my relationships.” Throughout the brave five-minute video message, recorded on his own phone, he was understandably nervous, and by the end seemed palpably relieved.

SCROLL DOWN FOR FURTHER UPDATES

+++
The interview that had angered him appeared in the Daily Mirror on September 8 when he was quoted denying the suggestion that he was gay.

EIGHT WEEKS PASS – THEN SUDDENLY…

At about 2am this Sunday, Dec 1, after the Sunday papers have gone to press, Tom Daley visits the gay club Zeros in his Devon hometown with some friends and is photographed at the club with a shot girl, also described as a “drag artist”. That morning the photograph is published by Zeros nightclub on its Facebook page with the message: “Let’s hope Tom Daley survived meeting our very own J******* last night !!!” (The shot girl later complained about her picture being published and her name was removed).

At 1pm Sunday the first of several Facebookers shares this picture.

At 3pm Sunday Daley tweets “So lucky to have such a supportive mum! I love you!” and – out of the blue – he posts a smashing picture of himself with Debbie Daley at Instagram.

Then at about 5pm Sunday Daley makes a special visit to his grandparents nearby in Devon to break his news to them, which they tell the Daily Mail the next day also came “out of the blue”.

Early on Monday morning he tells the rest of his family. “I can count the number of people I’ve told on my hand,” he says.

At 11am Monday, Daley goes public with his outing video on YouTube. It is immediately reported by BBC News and the rest of the media and Daley is soon trending on Twitter.

At 7pm Monday The Sun, Britain’s biggest selling tabloid newspaper, is going to press with its detailed “exclusive” report for Tuesday’s issue revealing the name of the “Pop hunk pal who helped dive star come out”. The new news here claims that Daley was inspired to do so after “developing a close friendship with gay former S Club Juniors idol Aaron Renfree”. Mike Spencer, the gay TV producer of the Only Way is Essex, is reported to be another of Daley’s “close friends”. And a Zeros barman reports that while in the nightclub Tom was “not surprisingly being quite flirty”. In this cloud of gay innuendo, nowhere does The Sun cite Daley as a source of information.

It would have taken some very nifty footwork to pull that lot together had the Sun’s exclusive research been a same-day response to the video as breaking news! As it is, the so-called exclusive is swamped by coverage in every other newspaper following up Monday’s outing video.

Eight weeks had passed since the Mirror interview angered Tom. Yet suddenly within a single day this weekend our hero decided that he not only felt ready to share his secret with the world, but first had to share it at high speed with his mother, his grandparents, his extended family. Then record and upload. All with immaculate timing. Here was a man with a plan – though it’s hard not to believe pressure was being brought to bear on the teenage sports star to spill the beans. The Sun generously placed an editorial beside its exclusive report hailing Tom for his guts as the “diver who broke the news”.

Tom Daley

Tuesday’s Sun: inside story of his gay connections

Tom Daley

Tuesday’s Sun, Dec 3: photographs from Zeros nightclub where Daley posed with a barman and a shot girl

JUST FANCY THAT !

Tom Daley❏ Wed Dec 4 update: The Sun follows through with a massive second chapter in the Daley outing saga by front-paging the name of Tom’s purported lover “who is almost 20 years his senior”, complete with pictures and quotes from “friends”. These are all the hallmarks of a well-prepared major investigation to steamroller a celeb into making a “He’s so brave” confession in advance of publication. What choice did our hero have at the weekend? What better strategy could his management have endorsed but to out himself first and wrong-foot The Sun?!

Jonathan Ross Show , ITV, Tom Daley, coming out,

Daley tells Wossy: “I’ve never felt anything like it” (on ITV next Saturday)

WOSSY SCOOPS THE TV INTERVIEW

Tom tells Jonathan Ross: “It was love at first sight. I’ve never felt anything like it – and I made the first move. At the end of the night I wrote in his notes with my number and put ‘call me’ with a wink face and then I had a text in the morning.”

“To be honest, everything is all pretty new and I don’t see any point in putting a label on it – gay, bi or straight.”

Tom Daley, coming out, Los Angeles, Lance Black

Sweatshirt day, T-shirt day: budding boyfies Tom and Lance papped in Los Angeles

A MASTERPLAN FALLS INTO PLACE

❏ Thur Dec 5 update: BRILLIANT! The clockwork spins and the teen star sings – on TV, not in The Sun – confirming suspicions that a very sure-footed strategy to “protect the brand” has been executed by Team Daley. The Olympic Bronze medallist diver is said to be worth £2m and is tipped to double that sum through sponsorship deals in the near future. At 19 Tom faces many more years of earning potential which PSG, his Weybridge-based management company, is committed to capitalising on, not putting at risk.

The complete absence of further Sun exclusives today, plus the choice of an interview with the A-List Jonathan Ross Show where again Tom speaks for himself without misrepresentation, indicate astute Team intelligence at work. To cap it all, last night they leaked contents of the Ross interview exclusively to the Daily Mirror just as it was going to press.

The Team knew the TV cook Nigella Lawson was going into the witness-box mid-week to account for her troubled marriage and would commandeer all newspaper front pages. They knew Daley was booked in soon for Ross’s TV chatshow and got him bumped up the queue onto this week’s recording as a special guest. They have been nudged in recent weeks by The Sun to respond to rumours circulating about the boyfriend’s identity.

So in hindsight the Saturday night visit to a Plymouth gay club – accidentally on purpose lifting the lid on Tom’s private life – can be seen as the Brand Daley start-line for a three-day masterplan. He outs himself on Monday morning and comes out of it a smiling hero, while all The Sun could do in the wake of his statement is to package its unconfirmed rumours for Tuesday’s paper with papped pictures and quotes from unnamed “friends”. Ross’s show wins the trusted follow-up interview because on TV Tom can speak for himself. Inevitably, its content cannot remain secret until the Saturday transmission at 10.45pm on ITV so, as The Sun’s rival tabloid, Wednesday’s Mirror is exclusively gifted advance text of Tom’s Tigger-like romantic revelations on TV, leaving all other papers to rehash them the next day.

Yet a mystery remains. Most curious of all is that in both the UK and the USA neither Tom nor his supposed lover Lance Black have confirmed themselves as partners. Throughout the Ross interview Tom talks emotionally about his new lease of life yet does not mention Lance by name, while going into intimate detail of how he, Tom, made the first flirtatious move. At his home off Sunset Boulevard, Lance unceremoniously rebuffs a Mail reporter.

Why are both men staying schtum on this score when Tom is so out and proud? The LA gay grapevine is convinced the pair are lovers, so might there be personal reasons? Rumour suggests that 39-year-old gay activist Lance Black (nobody calls him Dustin in LA) was in a long-term romance with his heart set on marriage when bushy-tailed Tom bounded into his circle. Tom might well have worked powerful magic and who can guess at the repercussions?

Let’s assume the Brand Daley team will sensibly have reserved still more fire power, to be released under its own terms when the next chapter unfolds.

Tom Daley, Lance Black, Los Angeles,

Transatlantic romance: “I didn’t know if he was gay,” says Tom

ROMANTIC 2014 UPDATE

❏ FINALLY! Tom and Lance are officially papped together to mark the first time that the guys have stepped out as a couple at a public event. Here below we see them on April 30, 2014, attending the Battersea Power Station Annual Party. A few days later they announce they are setting up home together in London. Congratulations, boys.

➢ 5 May update: Tom Daley and Lance Black move in together near London’s Olympic Park

Tom Daley ,  Lance Black ,papped, Battersea Power Station, London

Officially a couple, April 30, 2014: papped at the Battersea Power Station Annual Party (Getty)

FRONT PAGE

➤ Vincent the master of hot cuts denied a farewell by Jazz FM

Robbie Vincent, radio, deejay, Jazz FM, jazz-funk, music,Radio London

40 years a deejay: Robbie Vincent, father and son

❚ SHOCK NEWS TODAY: Robbie Vincent, the pioneering jazz-funk radio deejay of the 70s and 80s, is to leave Jazz FM after five years. His prerecorded weekly show this Sunday lunchtime will be his last and his flagship three-hour slot will be taken over by Jeff Young. Vincent broke the news this morning with a brief post at Facebook which said: “Sad news, this Sunday will be my last show on Jazz FM. I had hoped to do a final special show to thank you all for your loyal support but the station has decided that is not possible.”

Three hours ago Vincent posted a link to a news story at the industry website Radio Today which reports:

Robbie Vincent has been told he can’t record a final show on Jazz FM after he told station bosses he has decided to leave the station. Robbie has told Radio Today he’s leaving because he fears a ‘radio armageddon’ is on its way. “There will be news next week of further downgrading at the station,” he said. “Jazz FM has been such a difficult place to work at recently with it being so cash strapped. I offered to record a final show but management have declined my offer.” A spokesperson for Jazz FM confirmed Robbie wasn’t given a ‘final’ show saying “this is generally accepted practice” … / Continued at Radio Today

Since then Vincent has added a further comment at Facebook: “Perhaps when you read that it is ‘normal practice’ not to allow final programmes you will understand what high standards of staff care operate at Jazz FM. Ralph Tee and Steve Quirk were not ejected into space. These excellent broadcasters left with grace and good natured final programmes. The way it should be. Just a thought.”

The veteran presenter with Radio 1, Radio London, Kiss and LBC has hosted more than 200 of his Essential Rhythms shows since the re-launch of Jazz FM in October 2008. Station Manager, Nick Pitts, said today: “When I first started working at Jazz FM Robbie was one of the people I was looking forward to working with most. We are sorry that he has decided to leave and wish him luck and success in his future projects.”

UPDATE SUNDAY DEC 1 AS HIS SHOW ENDS…

I did invite ideas for the last programme but as JazzFM chose not to allow me to say farewell to my dear loyal listeners you will have noticed all reference to next week had been taken out. Not to worry, it’s James Torment time on Jazz FM now. Lots of news in the next couple of days to share with you. Hope you enjoyed the show.

➢ 35 years as master of hot cuts – Shapersofthe80s tells how Robbie Vincent influenced the shape of British musical taste

Roy Ayers,Robbie Vincent, radio, Jazz FM, jazz-funk, music,

At Jazz FM earlier this year: Robbie Vincent with his guest, legendary jazz composer and vibes player Roy Ayers

FRONT PAGE

➤ Deejay Sullivan declares war on the “Wayne and Shirley” jazz-funkers

 Blue Rondo a la Turk, Chris Sullivan

Back in the day: Zoot-suited Chris Sullivan high-stepping with his Latin band Blue Rondo a la Turk, Glasgow 1981. Christos Tolera is seen hitting a cow-bell. Photographed by © Shapersofthe80s

❚ A CRACKLING EXCHANGE OF OPINIONS has given Facebook some edge this week. Legendary Wag club host, the deejay Chris Sullivan poured scorn on the term “jazz-funk” and its followers, igniting a barrage of responses from 70s fans of the Gold Mine, Caister and the Lacy Lady, sampled below.

➢ Chris Sullivan at Facebook, Nov 15: A friend of mine asked me what I played at Novikov every Sunday. I replied “jazz and funk” and he said “jazz-funk” and so horrified was I that anyone would think I play that rubbish, I recorded the start of my set for him and here it is…

♫ Listen to Sullivan’s mix – Solid funk that we love to love ♫

COMMENTERS ARE STILL LOCKING ANTLERS

Paul Carter: Nuthin wrong with jazz-funk at all – was the soundtrack to many young Londoners’ lives… The Gold Mine was one of the best clubs ever… When everyone was obsessed with punk and post punk, the really cool kids (black and white) were groovin to jazz-funk and soul. Just sayin.

Chris Sullivan: When I went to the Gold Mine it was funk but later came jazz-funk like Brazilian Love by George Duke and jazz-funkers started getting their hair permed and wearing dungarees and going to Purley All-Dayers… bloody horrible… Most true funk I love and jazz, especially Blue Note, is impeccable but jazz-funk is shite… and its emergence ruined a good little scene –  remember the Cortinas with the car stickers “Wayne and Shirley” for example, and the furry dice.

Paul Carter: Bit of snobbery there I think… and it is an opinion Chris, no more… I remember some incredible nights down the Gold Mine with Chris Hill, Pete Tong, and the rest of them – a lot of wedges but not a perm in sight – just great music – I think it’s a real shame that it’s been written out of club culture in favour of Northern soul (dull dull dull) and the West End scene in which you played such a large part. I was in both scenes and I always loved that the suburban scene was just about the music, not about the width of your turn-ups (much as I loved Le Beat Route and the rest). Oh and it was far more racially mixed too… / Continued at Facebook

FOR YOUR FUNKING PLEASURE FROM 1971:

FRONT PAGE

2013 ➤ Canvey Gold Miners polish up their dancing shoes

nightclubbing, Canvey Island, soul scene, Gold Mine

Dressing up on Canvey, 1982: Gold Mine girls maintain the high standards set by the club over the past decade. (Photographed by Shapersofthe80s)

Chris Hill, DJ, soul scene, Gold Mine"

Hill: ushered in Age of the Dance

❚ NOVEMBER 9 SEES maverick deejay Chris Hill front the fourth Official Gold Mine Reunion back this year on Canvey Island at The Monico, a stone’s throw away from the site of the nightspot renowned as the birthplace of British jazz-funk.

Other members enlisted from the South-East’s Funk Mafia who ruled at Caister weekenders and the big soul all-dayers will be Jeff Young and Snowboy and ace record-shopkeeper for the rare groove scene, Gary Dennis. The reunion will be echoing to sounds from Donnie Hathaway to Chick Corea, from BT Express to Mastermind. But first, a taste of the Gold Mine’s tenth year as I reported it 31 years ago…

Ten years of the Canvey Island Gold Mine

[First published in The Face, August 1982]

❏ SOME SAY THE whole of today’s style scene has its roots here… The Gold Mine, Canvey Island, has passed into countless legends for the trends it has set and on August 14 manager Stan Barrett pulls a champagne cork to celebrate his club’s tenth birthday.

Mind you, feet have pounded its original sprung maple dancefloor since 1949. Southend and the towns of the Essex style triangle have reared cults since the word was invented, so when in 1972 the Gold Mine began playing what rivals then called “silly music” – My Guy and all those soul sounds – the local hipsters took their cue. It was that wild man among deejays, Chris Hill, who, as the only one south of Lancashire playing soul, put Canvey Island on the map and ushered in the soulful new Age of the Dance.

Gold Mine, Canvey Island, soul scene, reunion, Chris HillThen in 1975, for a reason no more obscure than a simple father to son legacy, came a Glenn Miller Swing revival, which triggered the then unique clubbing fad of nostalgic dressing-up.

Stan Barrett says: “Chris played Singin’ In The Rain one Saturday and of course even kids who couldn’t remember the original knew the words to it. Everyone started being Gene Kelly on the dancefloor, dressing as Gls and Betty Grable. So he played Moonlight Serenade then the Andrews Sisters’ Boogey Woogey – that’s when they all started to jive and to dress up.”

The Sun, the tabloid daily paper which has a remarkably consistent record for picking up trends first, featured the Gold Mine. “Coaches came from Newcastle, Wales, everywhere,” Barrett remembers. The rest is undisputed history for the influence of Essex stylists on emergent London nightlife scene has been visible from the 60s Mod scene to Chaguaramas and the Vortex to the Blitz and beyond.

Gold Mine, nightclubbing, UK, swing

Swing revival 1975: Glenn Miller tunes inspired jiving and GI uniforms at the Gold Mine (courtesy Brian Longman, CanveyIsland.org.uk)

The key to the Gold Mine’s success? Impossible selectivity at the door, which may sound over familiar today. Barrett says: “Nobody too old. And only people into style which means your own style, not Gary Numan’s. It costs you at first but look how it pays off in the end. People have never come to the Gold Mine for a good drink up, always the music and the scene.”

Right now in summer ’82, Essex is a musical ball of confusion with the electronic camp of Depeche Mode and Talk Talk holding sway. Drinking with Talk Talk drummer Lee Harris at the Gold Mine the other night was clubrunner about Southend, Steven Brown, who sports a £100 PW Forte Sixties suit and reckons that psychedelia is still big there, heaven help us. He has also done time with a non-psychedelic local band of jokers called Doodle Sax: “It’s had about 35 people in it at various times but we’re not very serious.” One of them, synthesiser doodler Andy Norton, says the vibes are already about for much heavier rhythms. “Music has to turn much more macho.”

And if there are any visual indicators at the Gold Mine today, they are less fancy, more free. A regular called Andy “from Stanford No Hope” says: “Make up is so out of date, it’s like watching old crows trying to pull. The Gold Mine is much better now that we don’t get all the arty students down.”

nightclubbing, Essex, Gold Mine, 1980s, Stan Barrett

Guardian of the Gold Mine, 1982: manager Stan Barrett and his wife Jayne. (Photographed by Shapersofthe80s)

Nov 11 UPDATE: MOVIN’ AS EVER TO
BRASS CONSTRUCTION

Gold Mine Reunion, video,Canvey Island, nightclubbing, jazz-funk,

Saturday night on Canvey, 2013: shonky screengrab from Trizzles Green Trees’ video at Facebook. Click to view

❏ “Banging best night in ages,” reported Essex Funker Trizzles Green Trees the morning after when she posted this video of the Gold Mine Reunion’s dancefloor heaving to Brass Construction’s 1975 classic Movin’. [Click the pic to run the vid at Facebook.] She added: “We opened the door to the main room and you were just knocked away instantly by the vibe and the atmosphere… everyone was smiling and dancing whether you knew them or not.”

One of the hosts deejay Snowboy Mark called it “a road-block event” at The Monico, Canvey Island. “There were so many old faces there, going way back to the original pre-79 days… Andrea Wingrove-Dunn, Laurence Dunn, Steve Brown, Gary Turner, and pre-76 Gold Miner Molly Brown (she was under age of course!) who loved it more than anyone and stayed right to the end dancing, singing her head off and causing a stir in her immaculate 40s clothing.

“I loved playing Shifting Gears, Inside America, Mary Hartman et al – to me, out and out Gold Mine records for those that were there in the early years.”

➢ Read all the reports at the Gold Mine Reunion Canvey Island page at Facebook

❏ Chris Hill interviewed during a live TV visit to the Gold Mine, Canvey Island, broadcast in 1983 on Channel 4’s weekly pop show The Tube. The club closed in 1989.

❏ Northern Soul fans will recall that their legendary venue the Wigan Casino launched its first soul all-nighter in September 1973 (a year after the Gold Mine).

FRONT PAGE

➤ RIP Lou Reed… Today we lost another legend

Lou Reed, Velvet Underground

Lou Reed on his bare-bones guitar style: “One chord is fine. Two chords are pushing it. Three chords and you’re into jazz”

“He was a master” – David Bowie today
on his old friend

➢ Lou Reed, Velvet Underground leader and rock pioneer
who helped shape nearly fifty years of rock music
– Rolling Stone tribute, Oct 27:

After splitting with the Velvets in 1970, Reed traveled to England and, in characteristically paradoxical fashion, recorded a solo debut backed by members of the progressive-rock band Yes. But it was his next album, 1972’s Transformer, produced by Reed-disciple David Bowie, that pushed him beyond cult status into genuine rock stardom. Walk On the Wild Side, a loving yet unsentimental evocation of Warhol’s Factory scene, became a radio hit (despite its allusions to oral sex) and Satellite of Love was covered by U2 and others. Reed spent the Seventies defying expectations almost as a kind of sport. 1973’s Berlin was brutal literary bombast while 1974’s Sally Can’t Dance had soul horns and flashy guitar. In 1975 he released Metal Machine Music, a seething all-noise experiment his label RCA marketed as avant-garde classic music, while 1978’s banter-heavy live album Take No Prisoners was a kind of comedy record in which Reed went on wild tangents and savaged rock critics by name… / Continued at Rolling Stone

“Lou Reed… said that the first Velvet Underground
record sold 30,000 copies in the first five years.
But that was such an important record for
so many people, I think everyone who bought one
started a band!” – Brian Eno, 1982

➢ Alexis Petridis says Reed was capable of writing perfect pop songs – in Monday’s Guardian:

Their 1967 debut The Velvet Underground And Nico is the single most influential album in rock history. Certainly, it’s hard to think of another record that altered the sound and vocabulary of rock so dramatically, that shifted its parameters so far at a stroke. Vast tranches of subsequent pop music exist entirely in its shadow: it’s possible that glam rock, punk, and everything that comes loosely bracketed under the terms indie and alt-rock might have happened without it, but it’s hard to see how…

… the four gruelling songs that make up side two of his 1973 concept album Berlin are quite astonishing expressions of coldness and cruelty… [but] he could write songs that were impossibly moving, that spoke of a tenderness and sensitivity: the lambent, peerless Pale Blue Eyes; Halloween Parade’s heartbreaking lament for New York’s gay community, devastated by Aids; his meditation on death, Magic And Loss… / Continued at Guardian Online

➢ Reed’s own website with his last portrait
taken earlier this month

Click any pic to launch carousel

➢ In this firey Telegraph interview from 2011, Reed and Metallica defended their controversial collaboration album Lulu to Neil McCormick

➢ “Lou Reed is to 1970s New York as the poet Baudelaire was to 1850s Paris” – ft.com

➢ Wide-ranging 1995 conversation between novelist Paul Auster and Lou Reed, who reveals his rarely seen good-humoured side – online at Dazed & Confused

➢ Punk old-timer Legs McNeil on how, despite acting like a grump, the Velvet Underground front man was beloved – The Daily Beast

➢ “Second only to Bob Dylan in his impact on rock and roll’s development” – Variety

Lou Reed, Mick Rock,photography

Lou Reed and his favourite British photographer Mick Rock in 1975

➢ Lou Reed and Mick Rock were a great double act: The Quietus talks to them about their enduring relationship and a new book of photos, 2013

➢ Mick Rock talks to Galore magazine about the limited edition of Transformer, his photobook of Lou Reed pix from 1972 to 1980 (Genesis Publications)

FRONT PAGE