1980: Clare Thom, Philip Sallon and George O’Dowd on a coach trip to Margate. Photograph by Graham Smith/grsmith@mac.com.jpg from his book We Can Be Heroes
WE CAN BE HEROES
must be funded by November 12 17 [update]
❚ NOBODY IS BETTER QUALIFIED to chronicle the whirlwind six years between punk and the death of the New Romantics than Graham Smith through his eye-witness photography, and the writer Chris Sullivan, one of the core movers-and-shapers of his generation. UK music and style evolved out of all recognition in a mighty resurgence of youth subcultures that directly triggered a rejuvenation of mainstream media for the rest of the decade. Shapersofthe80s was on hand as an observer. But these two wags were in the thick of the action — major players in a spontaneous youthful collaboration to regenerate the UK’s ailing music and style scenes as 1980 dawned. With contributions by a galaxy of stars, who include Gary Kemp and Boy George, this will become the definitive story of one of the great explosions of creativity in British youth culture.
The authors aim to get their large-format 320-page coffee-table photobook We Can Be Heroes to you in time for Christmas. Their “crowd-funding” venture requires them to raise the cash first by asking YOU to buy your copy in advance, before 6pm GMT on November 12 17. Your reward is to see your name printed as a Supporter in the limited first edition. The clock is ticking.
View Graham’s video today at Unbound Publishing, a new company under the patronage of Faber, the most prestigious publisher in Britain. Here you can purchase your book and enjoy other perks such as an invitation to the launch party. Join the clubbers at Facebook who are submitting their own photos and tales of merriment.
➢ Twitter directly with the publisher, Unbound
READ WHAT HAS ALREADY BEEN SAID
ABOUT WE CAN BE HEROES
➢ Unbound aims for 40 books in year one … Supported by Faber, the platform was created by QI writers John Mitchinson and John Pollard, and Crap Towns author Dan Kieran — The Bookseller
➢ Funded by the people — Channel 4 News video on “crowdfunding”, the process that decides when and how Graham’s book gets published
➢ Why creative clubbing ended with the 80s — the credentials that equipped Smithy, Sullivan and Elms (and a few other crazies) to start changing the world
➢ Boy George says the 70s were the best time ever to be a teenager — and Tweets that “it’s a brilliant book about the New Romantics! Really!” He has also written a foreword in We Can Be Heroes. (So have Gary Kemp, Steve Strange and Robert Elms)
➢ A slideshow of Graham’s Blitz-era gems at Guardian online
➢ Thirty years of punk and post-punk photo imagery — by Disneyrollergirl, one of The Times’ 40 bloggers who count
➢ Huffington Post: All about 1980s club kids — former Blitz Kid and Times fashion editor Iain R Webb writes about Bowie’s impact on the Blitz scene
➢ A legacy that has inspired each decade since the 80s — Princesss Julia, international deejay and fabulous Blitz Club coat-check girl, writes for i-D about stripping away the posers’ facade
➢ Update Nov 6: priceless storytelling about 80s mayhem with Elms and Sullivan on video
➢ Promo video for Blue Jean (1984) starring David Bowie as Screamin’ Lord Byron before a London clubland audience … Below is the alternate version of Blue Jean for MTV, starring Bowie and the Aliens, shot live before an audience in Soho’s Wag club, which was hosted for 19 years by Chris Sullivan
❏ David Quantick appraised playwright N F ‘Wally’ Simpson as one of the foremost absurdists of the 20th century. The documentary featured material recorded at a workshop for a new play, If So, Then Yes, his first full-length piece in 30 years. It charts a day in the life of octogenarian writer Geoffrey Wythenshaw, who sits down to dictate his autobiography from the comfort of a retirement home for the upper crust. After its Royal Court reading it then played at the Jermyn Street theatre during September 2010.
➢➢ Shapers of the 80s ➣➣ 