INDEX OF ALL 800+ POSTS➢ 2009 till now : Everything at Shapers of the 80s...
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MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
“See David Johnson’s fabulously detailed website Shapersofthe80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
A UNIQUE HISTORY➢ WELCOME to the Swinging 80s
➢ THE BLOG POSTS on this front page report topical updates
➢ ROLL OVER THE MENU AT TOP to go deeper into the past
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❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
- ➤ Farewell Kansai the fashion genius who breathed the same colours as Bowie
- 2020 ➤ Yes, Midge Ure has Fleetwood Mac to thank for his landmark hit Vienna
- 2020 ➤ UK Madheads re-invent the Madness hit Our House
- 2020 ➤ Star drummers salute Ringo Starr in an ear-opening demonstration of his gifts
- 2020 ➤ Vocalist Hadley hammers final nail into the coffin of Spandau Ballet
- 2020 ➤ Gaz still rockin’ those blues a lifetime later
- 1980 ➤ Why Bowie came recruiting Blitz Kids for his Ashes to Ashes video
- 2020 ➤ Singer Ross reveals how Spandau drove him to try ending it all
- ➤ Why every Stephen Jones hat casts its own magic spell
- 1979 ➤ Ethereal Bowie sets the bar for one of his inadvertent hits
- ➤ Sullivan & Elms relive their clubland double act
- 2020 ➤ Sheeran and Radcliffe bag the big bucks in Sunday Times Rich List
SEARCH our 700 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational new book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
✱ “I’m not a rock star” Bowie often said – No, David, you were a messiah – Obituaries and key videos on the godlike one
Archive — Many publication dates are arbitrary, so click and take pot luck!
Tag Archives: The Daily
❚ WITH A HUGE ROLL OF THE DICE, Rupert Murdoch has sought to put a seal on his reputation as a visionary media tycoon by launching The Daily, a digital-only news operation created from scratch and designed specifically for the iPad. Much is riding on it, not just Murdoch’s personal legacy in the twilight of his career, but, in his own description, the future of how people produce and consume journalism…
❚ SO WHAT DOES AN iPAD NEWSPAPER FEEL LIKE? The answer is “not much like a newspaper”. Instead, The Daily feels much more like one of the better examples of an iPad magazine, along the lines of Wired or Virgin’s Project. Despite the fact that both publications are ultimately owned by the same company, The Daily is nothing like The Times’s iPad app, as there’s little attempt to replicate much of the look, feel or tone of a traditional print newspaper. There’s plenty of video, both in stories and the ads that are strewn through The Daily. In some cases, rather than use ordinary photographs, there are 360-degree panoramic shots…
❚ IT’S NOT A ‘NATIVE’ iPAD EXPERIENCE AT ALL, it’s a news magazine torn up and stuffed, page-by-page onto the iPad screen… If this is the best that journalism’s brightest brains can do, given a huge budget and input from Apple itself, then we’re in worse trouble than I thought.
❚ RUPERT MURDOCH SPEAKING YESTERDAY: “The iPad demands that we completely reimagine our craft… The magic of newspapers — and great blogs — lies in their serendipity and surprise, and the deft touch of a good editor. We’re going to bring that magic to The Daily. Similarly, we can and we must make the business of newsgathering and editing viable again. In the tablet era there’s room for a fresh and robust new voice.
“No paper, no multimillion dollar presses, no trucks — we’re passing on these savings to the reader for just 14 cents a day… Our target audience is the 50m Americans who are expected to own tablets next year. Success will be determined by utility and originality. The Daily is not a legacy brand moving from the print to the digital world.”
➢ Launch of The Daily — Video of live presentation at the Guggenheim Museum, presented by Rupert Murdoch, chairman and CEO of News Corporation, and his editorial team (42 minutes)
➢ View demo of The Daily in action at thedaily.com
❚ TECHNOLOGY BLOGGER JOHN GRUBER: “Nothing groundbreaking, but better than most such efforts to date. The carousel feature is incredibly laggy. I can’t believe they shipped it like this. Maybe they’ve hired a good staff of writers and editors, but they sure need better designers and engineers. The experience just isn’t good enough.”
❚ THE NEWS SECTION IS EXTREMELY WEAK. The first edition contains precisely two real news articles, one of which (a story about Egyptian president Hosni Mubarak’s global address) had been thoroughly covered by all the major news outlets the previous day; the other, about the snow storm currently hitting the US, was borrowed from the AP.
❚ THE DAILY IS PARTNERING with the Associated Press for its content… [although] it’s been selling itself as a place to go for original content. As its website puts it: The Daily is “a tablet-native national news brand built from the ground up to publish original content exclusively for the iPad”. Apparently “original” here means “not aggregated.” Which is fair enough. But “original content” also implies “special content.” The kind of content you can’t get anywhere else.