Tag Archives: Soho

➤ Ain’t no stoppin’ Chris Sullivan as hashtag_coolest_DJ_in_town

Chris Sullivan,zoot suit, Wag club, dancing, mixtapes,clubbing, DJ, Soho,pop music, Blue Rondo a la Turk,

The Sullivan brand: Arguments raged in the 80s with his Wag co-host Ollie O’Donnell over who had designed/drawn/ordered the first zoot suit

❚ AS PROBABLY THE MOST INFLUENTIALshaper of the subcultural 80s, it’s hard to disassociate Chris Sullivan from his 19 years hosting the seminal Wag as the coolest black-music club in Soho. Today he’s a mighty standing stone on the shingle beach of club deejays, and much in demand on the society circuit. This week, however, he took stock: “A pal said to me, ‘I didn’t know you played music that was made past 1990’, so I, rather taken aback, did this mix that, although somewhat Latin and very me, is still very ‘modern’. Point is, I play mostly new stuff but hide it behind the patina of antiquity so no one ever notices.”

To surprise his pal, he’s posted this 73-minute hip-shaking and arm-waving mix at Soundcloud. You’ll find more there when you click through, plus the kind of mind-boggling CV of his life as, variously, a deejay, author, nightclub host, pop star in Blue Rondo à la Turk, painter, style commentator, entrepreneur and fashion designer today cutting a dash in a goatee. Find even more at Shapersofthe80s through the links below.

SULLIVAN AND HIS HINTERLAND …

➢ 1981, First review of Blue Rondo as they create a buzz with their new Latin sounds — from NSNS August 1981

➢ 1981, Hot days, cool nights, as Blue Rondo join the new Brits changing the pop charts

➢ 1976–1984, Creative clubbing ended with the 80s and We Can Be Heroes tells the tale

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➤ Meet Smith & Sullivan, the wags behind the story of the heroic 80s

Wag telling tales: Sullivan in full flow at an earlier photography show by Smith, right. Photograph by Shapersofthe80s

Update Nov 22:

➢ Although the first edition of We Can be Heroes has sold out, a special cloth-bound edition is now on sale for £35, plus a Deluxe edition for £350, at the Unbound Publishing website

❚ HERE’S AN IRRESISTIBLE PARTY INVITATION. As their fund-raising barometer hits 60% of target, the authors of We Can Be Heroes, a ribald account of Britain in the 80s, announce another soirée
 to raise public awareness. Their nightlife peers changed the face of the UK club scene which created dozens of new bands, artists and designers. Born with the mutant party-animal gene, Graham Smith & Chris Sullivan are taking over Robert Pereno’s new Society Club in Soho for two reasons: to show off Graham’s stylish clubland photos, which will be selling there until Christmas; but chiefly to win over buyers who are dithering over investing £30 in their huge coffee-table book that is garnished with tall stories from Sullivan as well as 100 other club-world collaborators.

Come along next Friday to meet them over a drink and to hear the garrulous Welshman Sullivan “in conversation with eminent journalist Michael Holden” — in other words, talking hind legs off donkeys. Orders for the book can be placed only online at Unbound Publishing (where Graham has an explanatory video) so they won’t be prising your wallet open on the spot. Inevitably, a further high point of the evening will be a free-entry after-party where Sullivan will be deejaying classic club tunes from 1976-84 half a mile away at The Aviary Bar.

We Can Be Heroes, Graham Smith, Chris Sullivan, Unbound Publishing,photography,As of today there are only 16 days left to buy your prestige 
limited first-edition of We Can Be Heroes (there won’t be a second edition unless they reach 100% on the first) and you get your name printed in it. You’ll be within the same hard covers as starry contributors such as Robert Elms, Boy George, Gary Kemp and Steve Strange. The clock is ticking because of the new “crowd-sourcing” technique to raise funds. This is being pioneered in books by Unbound, a new offshoot of Faber, whose authors include Python Terry Jones, cultural taste-maker Jonathan Meades, and creator of TV’s This Life series, Amy Jenkins.

One of the reasons fund-raising has been a slow burn for S&S is that, uniquely on the Unbound list, We Can Be Heroes is the only photo-book, requiring quality paper and classy printing. Sullivan says: “Ours needed six times as many pledges as the other text-only titles.”

Smith says: “Dig out your espadrilles and book yourself a baby sitter now!”

➢ Exhibition and talk, Friday Nov 4 … 7–10pm at The Society Club, 12 Ingestre Place, W1F OJF … and afterwards 10–3am at The Aviary Bar, 17 Little Portland Street, W1W 
8BW … Graham Smith’s photos remain in exhibition and on sale here until Christmas

➢ Skimmable list of media coverage of We Can Be Heroes so far

We Can Be Heroes, Graham Smith, Chris Sullivan, Robert Pereno, Society Club , Soho ,books,Unbound Publishing,photography, exhibition,afterparty, Aviary Bar, Robert Elms, Boy George, Gary Kemp ,Steve Strange, Blitz Kids,Wag club,

Smith & Sullivan’s invitation to a party: click to enlarge

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➤ Did London’s £15m security cameras really fail to record attack on Boy George’s best friend?

Philip Sallon, nightclubbing, homophobic attacks,

Birthday party 2010: clubworld entrepreneur Philip Sallon seen last November at Home House, courtesy pandemonia99.blogspot.com

❚ LAST WEEKEND BANG ON PICCADILLY CIRCUS one of London nightclubbing’s most familiar superstars — a leading club promoter and party planner for the past 30 years — was beaten senseless at about 3.30am. Police say two people kicked him in the head repeatedly and ran off. They fractured his skull. So far, however, neither the Metropolitan Police nor Westminster City Council have reported any surveillance video footage of the incident. On Piccadilly Circus.  The most famous, most brilliantly lit traffic roundabout in our 24-hour capital city.

Philip Sallon, club promoter, party planner

Sallon as few of us have ever seen him, pictured last year by Nigel Howard

Tuesday’s Evening Standard carried the headline: Boy George appeals to catch attackers of ‘oldest and closest friend’. The report said: “Philip Sallon, 59, a flamboyant figure on the West End club scene, is recovering in hospital after the assault near Piccadilly Circus in the early hours of Saturday. Mr Sallon, from St John’s Wood, who founded the Mud Club in the Eighties, was stamped on and kicked in the head and suffered broken bones in his face.”

The fact that Sallon is an overtly gay man has raised suspicions that the attack was motivated by homophobia.

Pop star George O’Dowd told the Standard: “I am very upset. He is my oldest and closest friend. He is a colourful character but certainly not aggressive. He is not someone who would have got into a fight. He is a bit like me and just goes out on his own.”

➢ Meet at the Eros statue on Piccadilly Friday night/Saturday morning April 15–16, from midnight to 03:30 to distribute witness appeal flyers, to talk to potential witnesses and to show your support. Alice Shaw, Tamara Adair, Benjamin Till have organised the Facebook group Supporting Philip Sallon.
➢ April 8 update: Guardian Online reports a change to the precise location where Sallon was attacked. “The victim was found outside Ripley’s Believe It or Not exhibition,” police told The Guardian. This is housed in the triangular building once known as the London Pavilion, directly across Shaftesbury Avenue from Gap, which was mentioned in early reports.

April 16 update — Only about 30 of the 127 Facebookers who said they would attend this morning’s rally had arrived when Sallon sympathisers carrying posters bearing the victim’s photo departed from the Eros steps just after midnight to seek witnesses in nearby streets. One of the three Westminster policemen accompanying them was vague about where Sallon had been found on April 2. He seemed to think Sallon had staggered north to Regent Street before collapsing, whereas the Standard had police reporting he was found outside Gap and The Guardian outside Ripley’s, which has five security cameras on various parts of its Piccadilly facades. Among many building works in progress around the Circus, five more CCTV cameras can be seen within line of sight of Eros himself, which makes it all the more surprising that no footage of the attack has come to light.

George appealed for witnesses to come forward: “The police are dealing with it but apparently there is no CCTV footage.”

The scandalous irony is that half a mile away, Westminster Council celebrates the glory of its CCTV system with a plaque in Meard Street, Soho, on the wall of the former nightclub “Gossips formerly Billy’s”. This legendary cellar club is where Sallon and O’Dowd’s generation gave birth to the once-a-week clubnight that transformed British clubbing at the dawn of the 80s, and made London a dance destination for the young people of Europe. [Read The Making of UK Club Culture, from The Face, 1983]

The inscription on the plaque, which was unveiled only last year, pays tribute to the late Ian Wilder, a Westminster councillor: “In recognition of his pioneering work in proposing Westminster’s Wi-Fi system, this site can be seen throughout the world 24/7”. Opposite the plaque, a Wi-Fi enabled camera hangs from a lamp-post so that the world may view the reasonably tranquil pedestrian walkway that is Meard Street. Seemingly, Piccadilly Circus which teems with people and traffic most nights at 3am does not qualify for such 24/7 surveillance.

CCTV,Westminster Council, Meard Street, Soho, security, WiFi

Visible on camera 24/7: Westminster Council’s plaque in Meard Street

Councillor Wilder saw how wireless technology was being deployed during a visit to the United States. In 2004 he initiated the installation of a pilot wireless network and four wireless TV cameras in Soho, portable enough to be moved to potential troublespots and slung from lamp-posts without attracting attention. They cost a fifth as much as traditional fixed-line CCTV cameras.

Within two years, the Wireless City Project had become a network of 40 wireless cameras, and in Soho, eight remote monitoring stations, as well as mobile applications for food and licensing inspectors, housing estate officers, and parking attendants. These cameras were integrated into Westminster’s existing £15million monitoring system of wired CCTV cameras. The council has long believed that its street surveillance network is one of the most efficient in the world, capturing high-quality, scalable data that can provide viable evidence in the law courts.

A video report at Guardian Online shows us inside Westminster’s CCTV control centre, where a supervisor talks confidently about being able to identify “aggressive beggars, illegal street trading — we can see it all” while enjoying “full talkthrough with police on the ground”. And yet. No sign of two thugs beating Philip Sallon unconscious, apparently. He is still in hospital.

Meanwhile in today’s Evening Standard fashion editor Laura Craik cites the police statistic that homophobic incidents in London have increased by 28 per cent over the past four years — “and that only reflects the ones that were reported”.

❚ @BoyGeorge on Twitter “My friend was brutally attacked & hospitalized on Saturday in Piccadilly, someone called an ambulance? Was it you?” — If you witnessed Philip Sallon’s beating last Saturday at about 3.30am, contact Westminster Serious Violence Team on 0207 321 9315, ref 65 1803/11, or Crimestoppers on 0800 555 111.

Philip Sallon, George O'Dowd, 1980

Philip Sallon with George O’Dowd, 1980: as mentor and guiding light, Sallon gave George his first break as a deejay at Planet’s nightspot and urged him to form a pop group. Photographed at one of Paul Sturridge’s houseparties in Harlesden

➢ Who’s who in the New London Weekend — The Face in 1983 picks Philip Sallon’s Mud Club as one of the four prime movers making London swing again

➢ View video of The Cruella Diaries — Philip Sallon in performance mode… “I’m wearing British ethnic at the moment”

➢ June 8 update: Wise-cracking Sallon shimmies back onto London’s party scene

Siouxsie Sioux, Steve Severin, Bromley Contingent, Philip Sallon, punks, Bill Grundy

Epic picture of the Bromley Contingent, 1976: Cricklewood-born style leader Philip Sallon wears plastic shorts, second right. The Bromley Contingent were the core Sex Pistols fans who popularised early punk looks. They included Siouxsie Sioux, Steve Severin, Simone Thomas and Simon “Boy” Barker who appeared on teatime TV when the Pistols were interviewed by Bill Grundy in December 1976. Between them they uttered a series of expletives live on-air, achieved lift-off for the punk movement and catapulted Grundy out of his job. (Photographed © by Ray Stevenson)

➢ 2012 update: Six rewrites punk history with an outlandish claim about the Not-Really-From-Bromley Contingent

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1980 ➤ Rik and pals detonate a timebomb beneath another kind of strip for Soho

On this autumn day 30 years ago, a handful of comics in their twenties broke free from the bear-pit formula of the Comedy Store, which had opened in London in 1979, modelled on its Hollywood precursor. These soon-to-be-famous clowns were angry with Britain’s complacency in the face of recession and decided to define a new kind of comedy. First news of the breakaway faction that would eventually make household names of French & Saunders, Rik Mayall, Adrian Edmondson, Nigel Planer, Peter Richardson and Alexei Sayle appeared in the Evening Standard’s On The Line page …

Comic Strip, Rik Mayall, Alexei Sayle,Michael White

First published in the Evening Standard, October 2, 1980

❚ SOHO HAS LONG ENJOYED A GOOD GIGGLE and now, cheek to cheek with the king of strip Raymond’s Revue Bar, the Comic Strip opens on Tuesday in the tiny Boulevard Theatre off Brewer Street. Billed as London’s “newest anarchic cabaret”, it could be called Son of the Comedy Store, a nightspot already well established as a Gong Show for would-be comedians.

“The Comic Strip’s going to feature the best of the Comedy Store and more,” explained Peter Richardson, one of a comedy duo called The Outer Limits, who are launching the enterprise with West End impresario Michael White (the man behind the musical Annie). “There was too much experimentation in the Comedy Store. We want to establish a certain standard at the Comic Strip.”

alternative cabaret,comedy, Soho, Comic Strip,1980,Rik Mayall

Angry Feminist Poet: Rik Mayall at the Comic Strip, Nov 1980. Photographed by © Shapersofthe80s

He and the comedians he has brought with him — including the Comedy Store’s acerbic compere, Alexei Sayle —believe the traumas of the 1980s have brought a sharper cutting edge to comedy comparable perhaps to the satire Germany fostered in the 30s. “Who wants to see Kafka on a stage when it’s all round us in real life? People want to laugh,” said Rik Mayall, one half of an act called 20th-Century Coyote. “There’s a growing interest in political cabaret too.”

This self-styled “alternative” comedy isn’t all heavy social comment by any means, its roots going back more to clowning. What these comics are attempting is deliberately to shake off the influence of the Footlights clan who have shaped British humour for the past 20 years. Mayall himself has a talent for the merciless lampoon. One of his sketches, a punk commuter lamenting his daily lot, is the funniest invention since John Cleese’s Ministry of Silly Walks.

Last weekend he and The Outer Limits were playing to packed houses at the Three Horseshoes, a pub theatre in Hampstead, as if to prove that alternative humour is booming. The Comic Strip promises a varied line-up which this month includes Pamela Stephenson from BBC-tv’s Not The Nine O’Clock News. Entrance will cost a flat £3.

➢ 1980, A new decade demands new comedy
— Birth of the Comic Strip

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2010 ➤ Just the birthday present Steve Strange really wanted this week of all weeks

Steve Strange’s verdict on Marc Warren, the actor who
recreated his role as gatekeeper of the 1980s Blitz club on TV: “Perhaps he was a bit too harsh.”

© by Shapersofthe80s

❚ ONE PRESENT WAS GOING straight into the smallest room in the house. At Steve Strange’s 51st birthday party last night at the Green Carnation in Soho, Rosemary Turner, co-host with Alejandro Gocast of the monthly club-night called The Face, presented him with a poster of his favourite pinup of the moment, the actor Marc Warren giving his rottweiler portrayal of Strange in last Sunday’s TV drama, Worried About the Boy.

Steve Strange © by Shapersofthe80sAll highly amusing, except that the TV drama had cruelly rendered Strange as some kind of tyrant on the door to the 1980 Blitz club which had a legendarily ruthless admissions policy long before red ropes became de rigueur. You were only admitted if you sported an OTT “look”. Even so, by common consent, Warren’s performance was a bit of a harsh portrait. What did you think Steve? “A bit too harsh,” Steve reckoned, biting his lip and holding back the tears.

Still, friends rallied round and champagne corks popped. In the roped-off VIP escape pod veteran clubbers could have put names to a few veteran popsters such as Steve Norman and Martin Kemp of Spandau Ballet, with partners Shelley, Shirlie and their family formation pose teams in tow. There too were Andy Bell of Erasure (new album out next month, with a Vince Clarke remix of the title track, Non-Stop, if you’re sharp), Studio 54 star Windy Tiger who is currently urging us to support Unison over public-sector cuts, trend-shaping photographer Gitte Meldgaard and Paul (Scoop) Simper “from Number One magazine”. The sudden summer weather meant that in the street outside, leading the smokers contingent was fashionista Stephen Linard, on temporary leave from his new roost in Australia.

A new generation of clubbers peered over the rope and moved along, possibly wondering who the heck all the old-timers were. Rose has established a winning formula of mixing the generations at her club-nights, not to mention sprinkling a generous dose of double-barrelled names into the mix. Some of those scarcely out of their acne are being dubbed the Neo Romantics, sporting extreme colourful looks, provocative names and an instinctive eye for a camera.

Strange’s birthday party photographed © by Shapersofthe80s – CLICK TO ENLARGE

➢➢ More birthday pix at Strange’s Facebook page

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