Tag Archives: Robert Elms

➤ Spicy new survey from Derek Ridgers celebrates the wild hours between dusk and sunrise

books, Carpet Bombing Culture,photography, nightlife, London, UK, youth culture, street style, Dark Carnival, Derek Ridgers

Clubbers at the Astoria in 2000 photographed by Derek Ridgers

◼ HERE’S A PROMO VIDEO FEATURING some preposterous talking heads who include photographer Yasmine Akim and dancer Constantine Flowerz, describing a new large-format book of spicy photographs from Derek Ridgers’ travels through London clubland… The Dark Carnival: Portraits from the Endless Night is being published next week by Carpet Bombing Culture.

books, Carpet Bombing Culture,photography, nightlife,London, UK, youth culture, street style, Dark Carnival, Derek Ridgers, If you’re in it, you’ll be on the list for the launch party on Friday 27th from 5pm at the Lights of Soho gallery, followed on by a free Soho Swag night from 9.30pm at the 68 and Boston bar at the top end of Greek Street, hosted by 80s shapers Christos Tolera and Chris Sullivan.

The Dark Carnival is Derek’s second book published this month. He modestly calls it “my 40-year wander through nightclubs” but this delicous cornucopia selected by Derek himself proves much more of an adult shocker where anything goes on the themes of sexuality, seduction and shame (lack of), with eye-poppers shot at Anarchy, Smack, Submission, Wacko, Wicked, Rubber Ball and coming right up to date at Torture Garden.

➢ Buy The Dark Carnival direct from Carpet Bombing Culture, 216 huge pages for £30

photography, nightlife, London, UK, youth culture, books, Carpet Bombing Culture,street style, Dark Carnival, Derek Ridgers

Anonymous clubber in Brixton 2011 photographed by Derek Ridgers

AUDIO UPDATE: ROBERT ELMS INTERVIEWS DEREK ON BBC RADIO LONDON 9 dec 2015

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Q: Does this kind of nightlife still exist?

“Yes it does. It’s not quite so focussed today and readily categorisable. Hardly any of the little basement clubs are left in Soho. I think the St Moritz is the only one” – Derek Ridgers on BBC Radio London

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➤ Steve Strange RIP: the great provocateur who led from the front and inspired a generation

Visage ,Blitz Club,Steve Strange ,Blitz Kids, New Romantics, nightclubbing, tributes

The early Visage outside the Blitz Club in 1979: Steve Strange (second right) and from the left, Rusty Egan, John McGeoch, Barry Adamson, Billy Currie, Dave Formula and Midge Ure. (Picture © Sheila Rock)

SO FAR ONLY A FEW SERIOUS COMMENTATORS HAVE glimpsed STEVE’S WIZARDY…

➢ Tom Ewing in today’s Guardian:

The reruns of 1980s Top of the Pops on BBC4 will provide an opportunity to see the change Strange and his friends wrought – a pop scene becoming funnier, more dramatic, and more delightful to look at with each week. By 1981, and Strange’s move to a new venue, Club For Heroes, pop music looked and sounded quite different than when he’d arrived, and he’d played a huge part in the change. Nobody in pop is trusted less than the fashionable. But a generation of small viewers learned more about glamour, improvisation and style from the pop music of Steve Strange’s generation than from anything else on TV, or in real life.

Strange kept making music and running clubs, but the records he left behind – fantastic as they often were – are still only half the story. Steve Strange was important not just as a pop star from a particularly colourful scene, but as one of pop’s secret architects. . . / Continued at Guardian online

Steve Strange, Steven Harrington, Blitz Kids, New Romantics,

Leather-clad Steve Strange photographed in 1982 by Helmut Newton

➢ Neil McCormick in today’s Daily Telegraph:

Strange was a significant figure . . . his influence behind the scenes proving crucial to the newfound confidence and flamboyance of post-punk British pop in the Eighties. . . Dance music became cool again, synths reigned supreme, with Strange amongst the chief instigators of a fresh colourfulness and extravagance that brought fun and glamour back into pop, giving impetus to a flashy, eccentric scene that ultimately inspired the second British musical invasion of America.

His death from a heart attack at 55 may only leave a tiny mark on pop music but Strange himself had already made a much bigger mark. To those who knew, Strange was a genuine pioneer, an inspiration to a generation. . . / Continued at Telegraph online

➢ LISTEN to broadcaster Robert Elms – one of the original Blitz Kids – paying tribute today on BBC London 94.9:

This working-class kid orchestrated London for a couple of years. He was a worker of people, a creator of ideas, a cultural agent provocateur. . . down-to-earth, funny, scurrilous. . . And he made things happen. He played London like a musical instrument

➢ More memories of the man behind the make-up
– by ‘Betty Page’:

I interviewed Steve just before Visage’s first album was released, fully expecting to meet an arrogant 20th-century version of Beau Brummell. He was modelling the Little Lord Fauntleroy look – porcelain face make-up, tumbling curls and two finely drawn black dots placed on the tip of his nose completed the look. I told him that I wished I had the patience to apply such an immaculate maquillage.

“I’ll get up as early as it takes to get my face right,” he replied. “No matter how big the hangover.”

Now there’s dedication. That’s what it takes to be A Creation. I no longer feared that the room was too big for the three of us – Steve, his reputation and me. He was just a sweet working-class boy from Wales who liked to dress up and party. . . / Continued at Berverleyglick.com

18 FEB UPDATE: SULLIVAN’S SOHO RADIO SHOW

I had the immense pleasure of dedicating my radio show today to my old partner in crime and friend since early teens Steve Strange and rounded up some of his best friends to tell us some great Strangie stories including Princess Julia, Jennie Matthias of the Belle Stars, Glen Matlock of the Sex Pistols, Jeanette Calliva who ran Double Bass and The Bank with him. A real honour to do as it was a privilege to be his good friend for 40 years. He was a complete and utter maverick. He had balls the size of basketballs. He didn’t know when to stop and he never knew when the night had ended. Steve’s greatest achievement was that he sussed out he could become notorious being himself in every way and he made a living out of it.

➢ Previously at Shapersofthe80s:
Nowt so Strange as Steven John Harrington, 1959–2015

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➤ Reborn Alison Moyet lets herself off the mainstream leash

Robert Elms ,interview,album, Alison Moyet

No longer “a cheap date”: Robert Elms with Alison Moyet today

❚ ALISON MOYET HAS COMPLETED her eighth solo album, The Minutes, with Guy Sigsworth on production creating a whole new synthesised sound. It is released on May 6 on the Cooking Vinyl label. Today she talked to Robert Elms on his BBC London show about slipping into “electro-jazz” and being able to say No to merely doing more cover versions. “I wanted to play a bit.”

She surprises Robert by saying, yes she is a mainstream artist, but regards herself as an instrumentalist, that her first instrument is “a voice – I love chanson, like Brel or Michel Legrand. But as well as being a voice, I’m an artist where voice is not the main thing, it can be about the lyric or the melody. I don’t always want the voice to be the focus!”

Alison Moyet, the Basildon punk, high priestess of electronic pop and peerless soul singer, set out as Genevieve Alison Jane. An Essex girl born to a French father and English mother, she left school at 16, became famous at 21 as singer in Yazoo, and released her triple-platinum solo debut, Alf, at 23. She found fame hard to handle at such a young age, but hindsight has helped her appreciate those experiences. “For a while in the mid-80s, it was amusing to be a pop bitch, but that changed, and it stopped being enough. Now I am able to put my early work into context and find pleasure in the innocence of it.” Between 1984 and 1987, Moyet was Britain’s biggest female solo star.

➢ Robert Elms interviews Alison Moyet on BBC London 94.9 and plays two singles, 4 May 2013 (last half hour) – on iPlayer for seven days

➢ On video, May 15: Alison Moyet talks to Absolute 80s Martyn Lee about her new album The Minutes

♫ Preview clips from Alison Moyet’s The Minutes, out May 6. The first single When I Was Your Girl is on sale already

➢ The Minutes tour starts Sep 30 in Cork and hits London’s Royal Festival Hall on Oct 15, ends Oct 31

➢ Moyet’s comeback single – ‘my happiest studio experience’

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➤ Another knees-up while Amazon discounts We Can Be Heroes second edition

The reviewers said: “A gorgeous history of 80s London clubland” (Alex Petredis, Guardian) … “fascinating and definitive” (Robert Spellman, Sunday Express)

Graham Smith,Chris Sullivan, books,photography, youth culture, We Can Be Heroes , Swinging 80s, clubbing❚ TOMORROW SEES ANOTHER launch party, this time at 1980’s breakaway New Romantics nightspot St Moritz in Soho to celebrate publication of the second (unlimited) edition of the 320-page coffee-table photobook that chronicles the creation of 80s clubbing through Graham Smith’s eye-witness photography, and racy commentary from Wag club host Chris Sullivan. Read the full background to the characters behind the book We Can Be Heroes at Shapersofthe80s. On sale for £35 from its publisher Unbound, or discounted to £25.50 at Amazon (an even cheaper pre-publication offer has finished).

➢ View Shapersofthe80s’ videos of Chris Sullivan telling his “Ribald tales of excess” from the Blitz era

➢ More 80s yarns on video from Robert Elms

➢ Catch-up list of links to all last year’s publicity shenanigans

Making up the rules of 80s clubbing: Robert Elms, Phil Dirtbox and Chris Sullivan at last year’s exhibition of Graham Smith’s nightlife pictures. Photograph by Shapersofthe80s

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➤ Smith & Sullivan sign off We Can Be Heroes with a sigh

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Graham Smith: signing advance copies of We Can Be Heroes between coffee and cake today at Soho’s Society Club. Photographed by Shapersofthe80s

❚ THE BOOK OF THE DECADE has arrived and early buyers of the 2,000-copy first edition had it in their hands today. The photo-story of 80s clubland, We Can Be Heroes, felt reassuringly hefty to the touch and we finally discovered the page size to be generous at 235 x 280mm. The five-colour printing gives intensity especially to the black-and-white photography on the high-gloss paper and author Graham Smith’s verdict on the quality was simple: “Stunning.” Collaborator and 80s club-host Chris Sullivan breathed a sigh: “We got there in the end.”

The 320 pages of story-telling and voxpops from perhaps 100 contributors will raise plenty of smiles when the postman delivers the book during the next week. Even if you’ve read Shapersofthe80s from top to bottom, you’ll find as many more quotes and insights from the original Blitz Kids themselves. Deejay Jeffrey Hinton reminds us in the book: “People think this was a premeditated scene but it was not. It was childlike, thrown together. We didn’t do it for the money, we were innocent. It’s all so marketed today.”

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Ringleaders who shaped the style of the 80s celebrated in We Can Be Heroes: Chris Sullivan, Fiona Dealey, Lee Sheldrick, Stephen Linard and Kim Bowen — the rebels within St Martin’s School of Art, all photographed by Graham Smith

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Bournemouth was the destination on bank holidays: good-natured hijinks brought London clubbers to the south-coast resort, and Smith has included many of their snaps in We Can Be Heroes

While the main images reveal just how small in number was the coterie who initiated the sounds and styles of the 80s, Smith has supplemented his own portfolio of pictures with many snaps from clubland wags themselves whose ambitions were liberated by the spirit of collaboration inspired in 1980. Nevertheless, designer Fiona Dealey makes a valid point in the book: “When anyone has written about the Blitz it has been by the same few blokes giving the same old soundbites with never a mention of what the women were up to. The Blitz was our youth club and I feel they hijacked it.”

Today John Mitchinson, the book’s publisher, said he was reasonably confident that a commercial edition of Heroes might follow in the autumn of 2012. In the meantime a limited number of copies of the first edition are still available only from Unbound Publishing.

➢ 1976–1984, Creative clubbing ended with the 80s — we profile three of the bright sparks behind We Can Be Heroes and how they shaped the decade

➢ View Shapersofthe80s video — Chris Sullivan telling his “ribald tales of excess” from the Blitz era at a launch party for We Can Be Heroes… with Graham Smith and Robert Elms on video too

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Chris Sullivan signing today: “Now people can see the book itself we might shift a few more copies.” Photographed by Shapersofthe80s

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