Tag Archives: Gary Kemp

2010 ➤ Index of posts for March-April

McLaren, O'Dowd,Shapersofthe80s,Index March April 2010

McLaren departs this world ... O’Dowd demands a place in the spotlight

➢ Kemp sets a new standard for rock memoirs

➢ Grace Jones turns her back on London ;-)

➢ Rich List puts George Michael top of the popstars from the un-lucrative 80s

➢ In Australia, Spandau make Jason feel like a kid again: one true pop fan reviews their show

➢ What a tear-jerker! McLaren mashes up his own musical ‘Requiem to Myself’

➢ Punk glitterati see McLaren noisily to his grave

➢ Nnnnn-na-na-na, nnnnn-na-na, Nineteen

➢ Midge stakes his claim as the weathervane of synth-pop who helped shape the British New Wave

➢ Sci-fi’s coolest Number 6 finds Gandalf in charge and relocated to 93-6-2-oh!

➢ McLaren — Svengali of Pistols and punk remembered by those who knew him

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➢ Uh-oh, A2A is back and we’re about to be Quattroed in HD!

➢ Ex-jailbird George takes his first trancey steps on the path to sainthood

➢ A giant dies: Charlie Gillett, the man who defined rock’n’roll and world music

➢ Barcelona: Spandau wow lifelong fans in their other spiritual home

➢ Albums that defined the new 80s funk

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➤ Kemp ‘sets a new standard for rock memoirs’

Gary Kemp, autobiography, I know this much, Bill Nighy,Steve Jansen,paperback❚ ONE LONDONER’S LIFE newly topped up in paperback today. . . Spandau Ballet songwriter Gary Kemp surprised many when last year’s autobiography, I Know This Much, proved exceedingly well written and frank, what’s more. Many of his contemporaries – such as top Amazon reviewer Steve Jansen — believe that his perceptive memories of a London now transformed make a “a touching testament to spiritual growth”. Jansen writes:

“The real value of I Know This Much, aside from its glistening prose, is in witnessing someone discovering themselves. Always something of an odd penny, the Spandau songwriter and arguably its spiritual leader was always wiser than his pop position called for, and his working class soulboy roots never really sat comfortably with his angular New Romantic entrance. This rendered him somewhat pretentious to many, and his flaunting of left-wing politics often grated when framed by his band’s timely, aspirational image.

“However, with the benefit of distance and maturity (and following his time in the wilderness, as Joe Strummer would say, when discussing that inevitable period between an artist’s fall and his redemption), Kemp is able to reflect with great poignancy on a young man’s journey into, and through the shining city of dreams. In Kemp’s case that city, metaphorically, but more often literally — and literary in its evocation — is unmistakably London, and the metropolis is ever present like a ghost, framing his actions and attitude . . .

“From the sheer and challenging poverty of his childhood, through to the sensitively handled, near tear-jerking account of his parents’ death within days of each other in 2009, money and success is always comes second to recollections of his brother, mother and father. Kemp is evidently, despite his aloof lone wolf image, a highly sensitive and lovingly loyal chap, but this is an identity that he has to arrive at; and time and the ravages of age are the consequential pain of his slow lesson.”

The new paperback edition from Fourth Estate brings us up to date with a postscript on the band’s reunion.Rock journalist Robert Sandall of The Sunday Times made Kemp’s his Book of the Year: “A sharply observed account by a quintessential London musician. Kemp exudes confidence, candour and a keen appreciation of the capital’s club culture” … “Sets a new standard for rock memoirs,” says rock writer Paul Du Noyer … “Deeply cool,” says the deeply cool actor Bill Nighy.

Barbara Ellen interviews Kemp in the Guardian on his autobiography: “a fascinating slice of social history”

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2009 ➤ Onstage, Spandau’s Hadley and Kemp finally get huggy

Hell had frozen over, Tony Hadley said in 2007, and ruled out any chance of reunion for his band. So it’s all the more magnanimous that today he can say onstage “We are very happy boys”…

Spandau Ballet, Reformation tour, Tony Hadley,Gary Kemp, Martin Kemp, Steve Norman, John Keeble,David Tench, Dawn Joseph, 2009, comeback, live concert, Dublin, With the Pride, © by Shapersofthe80s

The picture they said could never be taken: a big hug between Spandau Ballet’s Tony Hadley and Gary Kemp during the band’s 2009 comeback concert in Dublin, after duetting With the Pride from 1984. Photographed © by Shapersofthe80s

❚ EXTRAORDINARY. UNEXPECTED. From the off, the Dubliners roared a loud, exuberant and warm welcome to the band that hadn’t played together for 19 years. They cheered the best bits by each musician – John, Steve, Gary, Martin and vocalist Tony. They cheered whenever closeups appeared on the monster live video backdrop. Within a day, amateur videos on YouTube [see below] were vividly testifying to the energy the event generated.

Spandau Ballet’s comeback Reformation tour began at the O2 arena in Ireland’s capital city on October 13, 2009, with a huge flickering video montage to remind us of the way the world was when they set the style as electro-pop innovators in 1980. Headlines announced “Recession”, “Unemployment” … “and Dreams”. Then a jabbing finger on an early synthesiser triggered a chugging high-octane version of their oh-so-cool first hit, To Cut a Long Story Short…

➢➢ Click to continue reading full concert report…

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