Tag Archives: Concert

2010 ➤ Spandau Ballet turn east for their final furlong

Spandau Ballet, farewell performance, end of tour, Newmarket, racecourse,

Spandau onstage last night at Newmarket’s July racecourse. Photographs © by Shapersofthe80s

❚ 19,000 FANS OF POP MUSIC AND HORSERACING from across the rural region of East Anglia roared a big welcome at 9.25 last night for Spandau Ballet’s final concert before they sign off from touring. Insiders were once again wondering out loud whether the five former schoolmates who reformed last year after a separation of almost 20 years will ever play together again, so busy are their individual careers.

Balmy midsummer weather blessed the gathering, as the band followed a programme of seven races at Newmarket’s July Course with 14 hit numbers that most people in the throng spookily seemed to know by heart.

Not knowing what to expect from this curious hybrid audience, Spandau manager Steve Dagger had initially been hesitant about playing the venue. By about 6pm the car-parks were packed and the crowd had swollen, dress-coded in smart-casual summer finery. “Look at them! Those people are definitely here for the music. The fact is there isn’t another venue big enough for 19,000 people in the east of England.” There was only a brief pause before we witnessed a conversion on the Road to Damascus, against all expectations. As he surveyed the sheer numbers of revellers game for a big day out, grinning the Dagger grin, he murmured what would have been heresy during Spandau’s early anti-rock era: “Now that we’ve broken our festival duck, we might be up for doing Glastonbury next year. Who knows . . . ?” You read it here first.

Otherwise, thassit for Spandau’s touring until further notice. Tough luck, America, but the numbers simply don’t stack up. And any talk of the 2012 Olympics is pure fanclub speculation. So start campaigning now.

An established event in the cultural calendar, Newmarket Nights host gigs by Simply Red and Razorlight on July 16 and 23.

➢ Update Aug 28 — “We’ve got about a year-and-a-half off now”

➢ Nov 15, 2010 — Read “The best year of our lives” — Paul Simper’s summary of the Reformation tour published on Spandau’s official website. Take a hint from drummer John Keeble’s verdict: “You miss everything at the end of a tour. You miss the piss-taking, you even miss the getting up early. Everyone wants to be a rock star and it doesn’t get much better than a tour like that. But now people are looking to the future. Are we going to do this again? Of course we will. There’s no agenda to sort out any more. File Spandau under ‘to be continued’…”

Spandau Ballet, Newmarket Nights, final performance,Olympics,American tour

Smart girls enjoying a last glimpse of the Ballet boys at Newmarket

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2010 ➤ Foxx celebrates his life as the Duchamp of electropop


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❚ “THERE’S A GREAT SURGE OF INTEREST in electronic music. I don’t know why that’s happened, but it’s fortunate for me because I did it a long time ago.” After three low-profile yet prolific decades as a graphic artist, photographer and teacher, the elder statesman of electropop John Foxx is curating Short Circuit, a festival of the best of British electronic music at London’s Roundhouse next week. The day-long event will see Foxx playing his original Moogs, an ARP Odyssey, an Elka String Machine and CR-78 drum machine in a 30th anniversary celebration of his debut solo album, Metamatic.

John Foxx, Short Circuit, Roundhouse, electropop

Foxx’s own verdict on Metamatic: “carcrash music tailored by Burtons”

Foxx’s lyrics and vocal style characterised the original band Ultravox! (1974–79), whose 1978 album Systems of Romance, co-produced by Conny Plank, not only introduced the R-word into the post-punk zeitgeist, but set the mould for British electronica.

After going solo, Foxx’s stark and visionary 1980 album Metamatic, rendered on a range of synths and “rhythm machines”, yielded two futuristic chart hits he summarised as “carcrash music tailored by Burtons”. Two new songs Burning Car and Miles Away charted later the same year. As a pathfinder who imagined himself to be “the Marcel Duchamp of electropop”, he has always enjoyed cult status among the emergent new wave of electronic musicians.

A decade ago Foxx embarked on a new lease of life and Short Circuit will reunite him with former Ultravox guitarist Robin Simon to perform songs from Systems of Romance.

➢ At BBC News online, Tim Masters writes:

❏ Foxx wants his festival of electronica to capture the spirit of a concert he attended in 1967. “It was like a glimpse of the future,” says Foxx, who hitchhiked down from his native Lancashire to attend the 14-hour Technicolor Dream at Alexandra Palace in London. “I watched Pink Floyd with Syd Barrett, Lennon was around, and Brian Jones, and I saw European art movies like Un chien andalou for the first time — so it was really a life-changing event.” With its art displays, video installations and deejay sets, Foxx promises Short Circuit will be “a sort of hallucinogenic musical afternoon”.

➢ Short Circuit 2010 is curated by John Foxx at
The Roundhouse on June 5

30th anniversary boxset

John Foxx,Metatronic, boxset, electropop Metatronic is a wonderful survey of one man’s post-glam responses to urban dislocation through modernist music that can be as jarring as it is also seductive. Released this month as double CD, plus DVD of relevant promo vids including the early hits Underpass and No-One Driving

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2010 ➤ Grace Jones turns her back on London ;-)

❚ GRACE JONES WAS TRULY IN THE PINK tonight for a one-off concert at London’s Royal Albert Hall as a long-awaited top-up to last year’s Hurricane tour. The video above gives a taste of her finale to the old Piaf song La vie en rose, shot by yours truly. See if you can spot the colour of her… lipstick.

Grace Jones, London, 2010, Hurricane

Hurricane 2010 at the Albert Hall: Grace Jones becomes the title track from her album. Photographed © by Shapersofthe80s

Grace Jones, London, 2010, © Shapersofthe80s.com

Love is the drug: Grace as a shimmering silver heart imprisoned by lasers

❚ “HEADS ARE GONNA ROLL!” declared Grace Jones over her headset, backstage at the Albert Hall. “WHERE is my mannequin?” Last summer in Hollywood when she sang her opening words to Astor Piazzolla’s nuevo tango classic, Libertango, “Strange, I’ve seen that face before / Seen him hanging round my door”, ice-cool Ms Jones glided onstage dancing with a lifesize bust – of herself. Instead, sans mannequin, in London she had to embark on a solo tango, pleading for one of her entourage to join her and “drag me across the floor”. This video, again shot by yours truly, catches the improvisation.

Grace Jones, Mark Moore

Awww, look who got to go back stage – photo courtesy of himself © Mark Moore

❏ The Grace Jones Hurricane collection of costumes created by the Japanese designer Eiko Ishioka were all photographed © by shapersofthe80s.com during her London concert, 2010

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➤ For two weeks, Grace goes on dazzling

Grace Jones, 2010, Chris Levine, Vinyl Factory , London

Grace Jones in 3-D: you can play with this lenticular print online © by Chris Levine

❚ FOR TWO WEEKS ONLY, Grace Jones can be viewed in a groundbreaking show of 3-D holographic portraits by light artist Chris Levine, titled Stillness at the Speed of Light. The work is for sale at this free immersive multimedia exhibition which involves lightboxes, lasers, video and a specially commissioned soundscape at The Vinyl Factory in Poland Street, London, from April 30 to May 14. This show also launches Grace’s new video Love You To Life, which Levine directed.

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2010 ➤ In Australia, Spandau make Jason feel like a kid again: one true pop fan reviews their show

Jason Buchanan, Melbourne, 2010

Applying his New Romantic face: Jason prepares for an evening with Spandau

❚ SHAPERS OF THE 80s SENT ITS OWN SPECIAL REPORTER to relive his teeny-pop years when Spandau Ballet and Tears for Fears performed at the Rod Laver Arena in Melbourne, Australia, on Wednesday April 21. Jason Buchanan is Melbourne’s No 1 fan of British music, bar none. Here’s a taster of his fan’s eye view of the Reformation tour . . .

“… Then came my all-time favourite number, Instinction. Martin Kemp introduced the band’s wonderful female vocalist, Dawn Joseph, who sang and danced like a charm all night. What I noticed through this track and in fact the whole show was Martin constantly with a smile on his face and looking so seriously happy to be playing his instrument. Steve Norman was giving his all, too. His talents were all-embracing as he played guitar and percussion and saxophone with precision and passion – while running around with so much energy he looked like he was having the time of his life.

“Tony Hadley was having fun with John Keeble on drums by jumping onto his rostrum to join in, miming his frenzied stick-action through the fast numbers. Watching Tony as a front man, it’s clear he has such an unpretentious sense of humor and really doesn’t have a dull moment. The whole band were SO British on stage when they spoke, it was a delight to witness…”

➢➢ “Orange vinyl and radical synths”
– Read Jason’s full Melbourne memoir inside

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2009 ➤ Onstage, Spandau’s Hadley and Kemp finally get huggy

Hell had frozen over, Tony Hadley said in 2007, and ruled out any chance of reunion for his band. So it’s all the more magnanimous that today he can say onstage “We are very happy boys”…

Spandau Ballet, Reformation tour, Tony Hadley,Gary Kemp, Martin Kemp, Steve Norman, John Keeble,David Tench, Dawn Joseph, 2009, comeback, live concert, Dublin, With the Pride, © by Shapersofthe80s

The picture they said could never be taken: a big hug between Spandau Ballet’s Tony Hadley and Gary Kemp during the band’s 2009 comeback concert in Dublin, after duetting With the Pride from 1984. Photographed © by Shapersofthe80s

❚ EXTRAORDINARY. UNEXPECTED. From the off, the Dubliners roared a loud, exuberant and warm welcome to the band that hadn’t played together for 19 years. They cheered the best bits by each musician – John, Steve, Gary, Martin and vocalist Tony. They cheered whenever closeups appeared on the monster live video backdrop. Within a day, amateur videos on YouTube [see below] were vividly testifying to the energy the event generated.

Spandau Ballet’s comeback Reformation tour began at the O2 arena in Ireland’s capital city on October 13, 2009, with a huge flickering video montage to remind us of the way the world was when they set the style as electro-pop innovators in 1980. Headlines announced “Recession”, “Unemployment” … “and Dreams”. Then a jabbing finger on an early synthesiser triggered a chugging high-octane version of their oh-so-cool first hit, To Cut a Long Story Short…

➢➢ Click to continue reading full concert report…

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