2012 ➤ A change of life for Gary Kemp: actor, popstar, biker, curator

Gary Kemp, cycling, Huffington Post, columnist

Gary Kemp: popstar as cyclist as online sports columnist

❚ HARD TO KEEP TRACK OF THE NEW DAY JOB as songwriter Gary Kemp turns his hand to, well, a portfolio of new careers. Since their year-long Reformation tour ended in 2010, it has become clear that any further life for Spandau Ballet as a band is dependent on the good will of singer Tony Hadley. Meanwhile, every other band member has taken Hadley’s cue to strike out in new directions and establish his own website and Twitter account through which to promote his own solo skill-set.

What’s the latest venture for 52-year-old Gary Kemp? This week, among other things, he is a sports columnist. Later this month he reverts to his popstar guise by unveiling a plaque to Ziggy Stardust, the definitive rock icon created by David Bowie, on the site of his seminal 1972 album cover photo in central London. Within recent weeks Kemp has also launched a book of his lyrics, curated a filmed Dickens tribute for a new culture website, and incidentally became father to a third son, Rex.

The commemorative wall plaque anticipates the 40th anniversary on June 6 of the release of The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The honour is being bestowed by, wait for it, The Crown Estate, which represents all property owned by the reigning monarch, the oldest dating from the Norman conquest of 1066. Today’s total is estimated to be worth £7billion.

Ziggy Stardust,Crown Estate, David Bowie, Brian Ward, plaque,

Commemorative wall plaque imminent in Heddon Street: Bowie photographed by Brian Ward in 1972 for the iconic Ziggy Stardust album sleeve. Gary Kemp describes the scene as a set for a film noir

The Estate is landlord of the building at 23 Heddon Street W1B 4BQ, where Brian Ward photographed Bowie in the rain beneath the yellow sign for the furriers K. West. (Shot in black and white, the cover pic was hand-tinted by the artist Terry Pastor which is why Bowie’s green stage jumpsuit here looks blue.) Today this is a pedestrianised strip of foodie destinations, yet a regular stream of Bowie fans makes the pilgrimage to this enclave off Regent Street to be photographed in the same pose on the same spot, thrilled also to find the red phonebox from the back cover still there. Undoubtedly at 9.45 on Tuesday 27th many more will be joining the speechifying at a press photocall as Gary Kemp pulls the unveiling cord.

➢ Update March 23: Hear Robert Elms interviewing Gary Kemp on BBC London, on the impact of Bowie’s creation Ziggy Stardust, and the concept album which sees a messiah arriving to save the last rock’n’roll star on planet Earth. All of which had peculiar resonance in the Cold War era, and on the teenaged Kemp in 1972 when many felt rock music was finished. Bowie’s album was, he says, “something to upset my parents with”

Yesterday, however, it was Kemp the cyclist who was announced as a sports columnist in the UK edition of the Huffington Post, the liberal-left American news website founded in 2005 by Greek-American Arianna Huffington and acquired last year by AOL for $315million. Born Arianna Stasinopoúlou, she attended Cambridge University in England, became president of the union, and met Britain’s most prolific newspaper columnist Bernard Levin who was twice her age and proved an inspired mentor during their nine-year relationship. She broke with him in 1980 and moved to New York, later marrying Republican congressman Michael Huffington, and divorcing him shortly before he disclosed he was bisexual. She campaigned as an independent candidate against Arnold Schwarzenegger to become governor of California in 2003. (Colourful background, huh?)

Gary Kemp, I Know This MuchBack to Kemp: his new column represents a novel way to express his undoubted literary talents which made his own book I Know This Much almost unique among rock autobiographies for being compulsively readable, as well as “a touching testament to spiritual growth”. Yesterday he introduced his passion for cycling in the HuffPost under the headline Bikes and Babies …

As birds begin to re-discover their song and Tarmac becomes sticky with the falling dew of budding trees, the Lycra-clad roadie reaches for his shaving cream and attempts to remove the thick, bee-catching hair that has formed around his legs during winter. This act will almost certainly upset my wife, who considers such things the territory of transvestites; but as I trickle blood down the plughole, the approval of my roadie peers is uppermost in my mind; after all, the aesthetics of riding, along with its tribal camaraderie, are why I came here in the first place.

‘Training’ has begun. Training turns cycling into a job of work; something earnest, painful; it eases our guilt — and oh boy, am I guilty! My wife and I have just increased our brood of young children to three, and chamois-creaming my crotch while she’s soothing the baby’s nappy rash just doesn’t seem right… / Continued online

Gary Kemp , Highgate Cemetery , Charles Dickens, John Waite, bicentenary, HiBrow, video,

Gary Kemp in Highgate Cemetery: discussing Charles Dickens with John Waite. (Videograb courtesy of HiBrow.tv)

But the big event of the week came on Monday when Kemp took his first steps to inherit the mantle of Melvyn Bragg and become an arts guru of the small screen by dreaming up a 200th anniverary celebration of the author Charles Dickens.

A classy new culture website called HiBROW was recently launched under the guiding hand of film-maker Don Boyd. He has invited an eclectic selection of professionals across the arts to play the role of curators and create original, high-definition video arts programming for exclusive viewing online. The first project Gary Kemp proposed was a live “post-modern” chat show, A Mighty Big If, hosted by 80s musician Richard Strange. Now Kemp can be seen prowling the snow-covered Victorian gravestones of Highgate Cemetery in search of Dickens’s family. With broadcaster John Waite, Kemp also discusses Tom Sayers, a Victorian champion bare-knuckle prize-fighter who attracted 10,000 mourners to his funeral there.

Joanna Lumley ,Simon Callow, Charles Dickens, bicentenary, Highgate Cemetery, HiBrow, video,

Simon Callow and Joanna Lumley in Highgate Cemetery: reading extracts from Charles Dickens. (Videograb courtesy of HiBrow.tv)

True,Gary Kemp, sheet musicWe also see Joanna Lumley and Simon Callow, famous thespian fans of Dickens, introduced by great-great-grandson Mark Dickens before they give readings from Charles’s work between the graves. Callow, who has depicted Dickens onstage acting out his stories, insists the author today would have been directing and starring in his own screenplays.

As for GK, all that’s left for him to try are tinker, tailor, soldier, spy!

➢ The true story of how love helped along The Lyrics of Gary Kemp

Gary Kemp , Spandau Ballet, Ivor Novello Award,

PS MAY 17: SUCCESS REAPS ITS REWARD

➢ May 17 update: Gary Kemp wins Outstanding Song Collection Award at the 2012 Ivor Novellos — “It’s made me feel very nostalgic for that 12-year-old boy, who in 1972 started writing songs alone in his bedroom and wondered if he was weird.”

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2012 ➤ All about reclusive Sade, the singer who trumps Adele in US list of top earners

Sade Adu, Letterman, TV shows,Billboard, Top 40 Money Makers,

Launching her album in Feb 2010: Sade meets US TV host David Letterman. (Videograb from his Late Show on CBS)

➢ Sade proves to be highest-earning British musical act in America last year — read Caspar Llewellyn Smith in today’s Guardian…

Viewers of the 2012 Grammys awards last month watched Adele, the 23-year old girl from Tottenham, north London, walk away with six awards, but the top-earning act from the UK in America last year was an artist who fans back home have to some extent forgotten.

BILLBOARD’S TOP EARNERS
1 Taylor Swift: $35.7m
2 U2: $32.1m
3 Kenny Chesney: $29.8m
4 Lady Gaga: $25.4m
5 Lil Wayne: $23.2m
6 Sade $16.4m
7 Bon Jovi: $15.8m
8 Celine Dion: $14.3m
9 Jason Aldean: $13.4m
10 Adele: $13.1m
[Touring and record sales 2011]

Sade raked in $16.4m (£10.5m) in 2011 on the back of her first tour in North America for a decade and the release of The Ultimate Collection. The 53-year-old singer came sixth on a list of the biggest-earning acts of last year, compiled by the American trade publication Billboard, eclipsing Adele, the only other Brit in the top 10, who earned $13.1m.

Sade [say it “Zhah-Day”] is the most successful solo female artist Britain has ever produced, selling more than 50m records in a career that stretches back to her 1984 hit Your Love Is King. Famously reclusive — nicknamed Howie by her friends, after millionaire hermit Howard Hughes — she toured the world for eight months last year, but the bulk of the tour was devoted to North America, where she played 59 shows. The tour started 18 months after the release of her US No 1 album Soldier of Love, a record that reached No 4 in the UK… / continued at Guardian Online

➢ Smooth Operator Sade is surprise US smash,
beating Adele and Take That to be Britain’s biggest music export
— today’s Daily Mail feature

➢ Billboard’s Top 40 Money Makers 2012

FLASHBACK TO SADE’S 2010 ALBUM LAUNCH

Rolling Stone described Sade’s studio album, Soldier of Love, as “unimpeachably excellent” … Billboard said: “It’s been 10 years since Sade released an album, but be forewarned – the giant has awoken” … People magazine said Sade’s enduring appeal was as “the voice of comfort to the wounded heart”

❏ In her American fan forums black guys are besotted with Sade, and here in an audience for a live TV performance we see doting female fans for whom she is a role model. On Jimmy Kimmel’s show in February 2010 (above), Sade performed Soldier of Love live as her eponymous album hit No 1 in the US (502,000 copies sold there in its first week — the best sales week for an album by a group since AC/DC in October 2008). Susan Boyle, the finalist from the Britain’s Got Talent contest, was holding steady at No 9.

❏ Backstage video interview with Sade by The Insider, June 2011 (above) — “I’m really a country girl. I don’t give too much of myself away. When I go in a studio I lose all my shyness.”

➢ Read Sade: The Billboard Cover Story by Mitchell Peters, August 19, 2011 — Preparing for a 100-plus-date international concert tour is daunting for even the most seasoned musical acts… “I do the opposite and pretend it’s not going to happen, immersing myself in the details of production as a way of distracting myself from reality,” says English singer Sade Adu. “When the time comes, I don’t test the waters — I just jump straight in.”

❏ Listen to The Moon and the Sky (remix featuring Jay Z):

SADE’S EARLY CAREER AT SHAPERSOFTHE80S

Sade’s debut with her own band in Aug 1983 at the Yow club, London, Paul Denman to the fore. Photographed © by Shapersofthe80s

➢ 1981 — Pix of fashion designer Sade’s Demob outfits during the first Blitz invasion of the US

➢ 1982 — Pix of Sade helping backstage during Steve Strange’s fashion show by Londoners in Paris

➢ 2010 — Her first interview in 10 years finds comeback Shard comfy as ‘Auntie Sade’ — On her new man, Ian Watts, who has been in turn Royal Marine, fireman and scientist: “I always said that if I could just find a guy who could chop wood and had a nice smile it didn’t bother me if he was an aristocrat or a thug as long as he was a good guy. I’ve ended up with an educated thug!”

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➤ That Boy George bio-drama gets a repeat — take it all with a large pinch of salt!

Worried About The Boy, theBlitzClub,Boy George,Daniel Wallace,Douglas Booth,BBC, TV drama

Worried About The Boy: Queens of London’s Blitz Club and pioneers of the 80s New Romantic style, Christopher (Daniel Wallace) and George (Douglas Booth) as fictionalised in the BBC drama

❚ FOR VIEWERS CATCHING UP TONIGHT on the repeat of Worried About The Boy, the BBC’s sanitised drama about Boy George’s teen romancings, read how Shapersofthe80s canvassed the reactions of original Blitz Kids live during its first transmission in 2010.

➢ 2010, Here exclusively at Shapersofthe80s, ex-Blitz Kids give their verdicts on the TV drama Worried About the Boy

➢ 1980, Three key men in Boy George’s life — who was really who in the fictionalised BBC version of real life

➢ View WATB clips at the BBC TV website

GEORGE’S FINAL VERDICT, TWEETED MARCH 8:

Boy George, Twitter, March 2012, Worried About the Boy, BBC drama

Tweeted by Boy George, March 8, 2012

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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➤ Dan Stern keeps an eye on the street in London Fashion Week

❚ DAN STERN, A STYLE-WISE OLD OWL from the 80s, was described by his pal at LSE Robert Elms as “always a pioneer” in his book The Way We Wore. These days Stern has been making a new life as the lensman behind the year-old photoblog, Street Fashion Monitor. He claims it is “the next generation of online fashion monitoring, combining the immediacy of street style blogging with the search facility of subscription-based trend forecasting services”. Your search can be refined simultaneously by choosing from 200 categories that include the prevailing weather and accessories such as walking canes and eye patches.

Here we see some of his images of the Pam Hogg and KTZ collections shown in London Fashion Week which seek to fulfil his maxim, which is also that of Jean Paul Gaultier: “Clothes are only interesting when they are on a body in motion.” Stern believes he offers “a real insight into what people do once they purchase the garments to make them their own”.

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➢ View more London Fashion Week pix at Street Fashion Monitor

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1972 ➤ Berger’s Ways of Seeing revolutionised the way we view art and is still an eye-opener today

Ways of Seeing, 1972: John Berger takes a knife to Botticelli’s Venus and Mars

➢ CLICK ON THE PIC to run the video of Ways of Seeing, part one

❚ 40 YEARS AGO AN ART CRITIC TOOK A STANLEY KNIFE to a Botticelli masterpiece in the National Gallery, and cut the head of Venus out from the canvas. (No, not the real painting, but a reproduction, obviously.) And what he held in his hand was the typical picture postcard by which many of us know this beautiful and all-conquering goddess. The critic and iconoclast John Berger was making a point that it is through reproductions that most of us view the world’s great art. He argued that paintings had been stripped of their context to raise money through sales of reproductions.

“With the invention of the camera, everything changed,” he said, meaning the ways our perceptions shifted. “The days of pilgrimage are over. It is the image of the painting which travels now. The meaning no longer resides in its unique painted surface which it’s only possible to see in one place and at one time. Its meaning has become transmittable. It comes to you, like the news of an event.”

This is how Berger launched Ways of Seeing on Jan 8, 1972 — four pioneering TV films which themselves were extended into a Penguin Modern Classic (set entirely in a heavy Univers font for a reason the author explains), and itself in turn is considered a seminal university-level text for current studies of visual culture and art history.

John Berger, Ways of Seeing , Penguin, books, TV seriesYesterday’s BBC radio strand Archive on 4 made exciting listening of judicious extracts. Titled The Politics of Art, it teased out Berger’s then revolutionary way of discussing paintings as commodities, under the themes of society and context, the nude, the power of money and advertising.

The historian Tim Marlow, currently director of exhibitions at White Cube, shows how Ways of Seeing was provocative and up-to-date in seeking out the opinions specifically of women and children. He believes the politics still matter. Berger challenged 600-year-old notions of ownership. “Previously art celebrated wealth and power: gods, princes and dynasties were worshipped… But the European oil painting served a different kind of wealth. It glorified not a static order of things, but the ability to buy, to furnish and to own.” In the late 20th century Berger subjects art to a Marxist critique that reminds us of the role of the makers. Being naked, he argues, is to be oneself. But a woman posing nude “is to be seen as an object”.

John Berger, Ways of Seeing, art, TV series

Berger’s phwoarr factor: charisma and intellect

Marlow asks how far the message of this series is pertinent again today. As a powerful corrective to glibness in much contemporary culture, The Politics of Art is well worth catching on the radio iPlayer, for Berger’s own bluff opinions, and those of several pundits, including the British novelist Marina Warner who is hooked on his phwoarr factor as well as his intellect: “Physically he was a powerful, beautiful man. And then his Mick Jagger-like charisma: he’s a thrilling performer. It’s a shame this kind of sexual magnetism is rarely seen now on TV — because it’s not permissible”!

There’s also a priceless sequence where the patrician connoisseur Lord Clark (of Civilisation, the earlier landmark TV survey of Western art) confesses to incomprehension before Picasso’s gigantic anti-war painting, Guernica, which invokes the aerial bombing of a Basque town during the Spanish civil war in 1937. Then Berger the passionate ideologue gives an assured deconstruction of the images of slaughter, its screaming civilians and symbols of freedom.

Now aged 85, Berger said recently of his TV series: “The programmes seem as urgent now as then. That’s because what’s happening in the world hasn’t changed very much — it’s only got more extreme. This political approach was prophetic about the world today.”

➢ John Berger video interview with Michael Silverblatt
in October 2002

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