Tag Archives: iPad

2012 ➤ Hockney paints Hawking — watch a glittering new portrait emerge as a movie

David Hockney,iPad portrait,Brushes,exhibitions , Stephen Hawking,London, Science Museum

David Hockney at work on his iPad portrait of Stephen Hawking, showing from today at London’s Science Museum. Photograph © Judith Croasdell

Britain’s best-known painter meets the world’s best-known scientist. The outcome is a dazzlingly intimate birthday portrait of the wheelchair- bound Prof Stephen Hawking, captured in February at his office in Cambridge looking serene and fascinating with strangely luminous violet eyes. Today’s Science Museum blog reports:

IMAGINE BEING ABLE TO SEE the British artist David Hockney create a new work, stroke by stroke, before your very eyes. Now imagine this work is a portrait, providing an insight into the way Hockney composes his famous likenesses. Even better, the subject is none other than the distinguished Cambridge University cosmologist, Stephen Hawking.

For the next three weeks the Science Museum will display an animated version of Hockney’s portrait, running on the artist’s own iPad for more than three minutes and showing exactly how it was created. Visitors can see how his skill has evolved since he was first introduced to the Apple iPhone in late 2008 and then the iPad. Hockney draws with an app called Brushes which removes the need to cart around supplies, easel and palette… It is exhibited alongside a rarely seen Hockney line-drawing, dating from 1978, owned by Hawking’s first wife, Jane… / continued online

➢ Stephen Hawking: A 70th birthday celebration display at London’s Science Museum until April 9 … The book that made a celebrity of cosmologist Hawking in 1988, A Brief History of Time, broke records by staying on the Sunday Times best-sellers list for 237 weeks.

➢ More on Hockney at Shapersofthe80s: 1983’s landmark interview when he revealed “Suddenly I see cubism differently, more clearly”. Plus more of his iPad art

Ubermensch ,sculpture,Stephen Hawking, Jake Chapman, Dinos Chapman

Ubermensch 1995, by Jake and Dinos Chapman: Hawking as Fiberglass “Superman”

➢ Thin line between art and hate: is this the most repellent work of modern art? “The Chapman brothers’ sneering sculpture of Stephen Hawking sickened me in 1995, and still does now. What do you think is the most hateful work of modern art?” — Guardian art critic Jonathan Jones writing in January … and Jones again today: “Hockney’s portraits of Hawking are important documents of what really mattered in the culture of our time. Like Epstein’s Einstein, they will still be looked at when much art that makes headlines is utterly forgotten.”

➢ Professor Stephen Hawking has filmed a cameo for TV sitcom The Big Bang Theory, due to be aired next month in the US (May in the UK) — BBC News reports: The famous physicist will appear in a scene with socially awkward scientist Sheldon Cooper, played by Jim Parsons. He previously recorded voice-overs for animations The Simpsons and Futurama. Last year, he fronted his own TV series Brave New World for Channel 4, which looked at new developments in science and how they might benefit mankind … / continued online

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2012 ➤ Hockney tops bigger paintings than ever with hi-tech moving photo-collages

David Hockney, Bigger Picture, Yorkshire, landscapes,art, Royal Academy, exhibition, Arrival of Spring in Woldgate,reviews

British artist David Hockney posing yesterday at the Royal Academy of Arts in London with his painting The Arrival of Spring in Woldgate, East Yorkshire in 2011. Photograph by Luke MacGregor, Reuters

➢ Hockney’s high-tech pictures open eyes at Royal Academy — by Martin Gayford, chief art critic for Bloomberg News, Jan 16…

The Royal Academy of Arts in London has never been host to an exhibition quite like David Hockney’s A Bigger Picture. The academy has a history dating to 1768. The one-man show, which runs from Jan 21 to April 9, is a tour de force. It consists almost entirely of new work, using both low-tech media such as painting and the latest high-tech tools. Hockney approaches the time-honored subject of nature in a fresh, contemporary way. The result is spectacular.

Hockney has also come up with a more hi-tech kind of picture created by multiple, high-definition cameras set at slightly different angles. The result is a moving photo-collage: a bigger picture because it sees more, from varying points of view. Most of the films on show are landscapes, though the most recent is a dance spectacular, shot on 18 cameras in Hockney’s studio. It gives a wonderful festive finale to the exhibition, in which Hockney paints the stage in sumptuous color, and shoots the action like a combination of Pablo Picasso and Busby Berkeley … / continued online

➢ Blue-sky painting, by Jackie Wullschlager,
in the Financial Times, Jan 13

[Hockney] is commanding new technologies in a countercultural quest to prove that painting, in an age dominated by conceptualism and installation, can be as theatrical and monumental as any 21st-century spectacle.

Winter Timber 2009, David Hockney, Royal Academy, Bigger Picture, reviews,art,

“Stump and logs as reminders of mortality ... Hockney has transformed a humdrum wintry scene into a gateway to the afterlife” — David Hockney, detail from Winter Timber, 2009. Oil on 15 canvases. (Private Collection. © David Hockney. Photo credit: Jonathan Wilkinson)

➢ Whatever game David Hockney is playing eludes me,
says Alastair Sooke in The Daily Telegraph

Hockney is best known as the raunchy Californian sensualist who painted sun-kissed boys gliding through the azure swimming pools of Los Angeles in the Sixties. And yet here he presents himself as a modest pastoralist, content to hymn the bounty of nature with quiet exultation – dancing, like Wordsworth, among the daffodils. Once inspired by distant destinations such as Egypt, China and America’s West Coast, he now seems happy pottering about a neglected nook of England. The prodigal son has returned to within 65 miles of Bradford, where he was born in 1937, and settled down. The internationalist has turned parochial. The radical has come over all conservative … Perhaps it’s a generational thing, but I don’t understand paintings like these. Fresh, bright and perfectly delightful, they are much too polite and unthinkingly happy for my taste: if they offer a vision of arcadia, it is a mindless one… / continued online

HOCKNEY REVEALS A ‘new vision of the world’
IN OUR OWN INTERVIEW 30 YEARS AGO

David Hockney, London, 1983, Roger Shattuck,painting, interview, cubism, Proust

Hockney at his London studio, July 3, 1983: after a pause of two years, new canvases indicate the urgency with which he has resumed painting. Photographed © by Shapersofthe80s

❚ WHILE IN LONDON FOR A FORTNIGHT in 1983 David Hockney says that he has resumed painting after a two-year break pursuing photography. The freshly primed canvases in his London studio testify to the urgency with which he wants “to deal with the ideas that are bubbling away”. He lobs in a shocker: “I’ve looked at some cubist paintings for 25 years without understanding them. Suddenly I see cubism differently, more clearly. And my experiments have led me to a couple of theories of my own . . .”

➢ Only at Shapersofthe80s, exclusive photographs and long, fascinating interview from 1983 at the time of his
London show, New Work With A Camera

➤ On iPads, mobiles and tablets, you’re not even seeing half the story

Shapersofthe80s, British, youth culture,Ashes to Ashes, David Bowie
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