➤ Enigmatic Scott Walker lets loose a revealing rush of answers

Scott Walker ,Dazed & Confused,interview,30 Century Man,Culture Show,Rod Stanley

Scott Walker 2011: “Maybe one day I’ll surprise myself and actually walk out on a stage again.” Photograph © Jamie Hawksworth

Scott Walker, the former pop baritone with 60s heart-throbs The Walker Brothers who subsequently evolved into the low-key genius of underground music, proves unusually talkative in a brisk but exceptionally informative interview with Rod Stanley in October’s 20th anniversary issue of Dazed & Confused. Now aged 68, Scott finally acknowledges he is a Composer of the Absurd, and says what it would take to drag him onto a stage again. Here’s a taster…

❏ FOR THE PAST COUPLE OF DECADES, Scott Walker’s unsettling, experimental and occasionally downright disturbing music has drawn on such diverse narrative sources as Elvis Presley’s stillborn twin brother, the films of Ingmar Bergman, and the public execution of Mussolini’s lover. As viewers of the documentary 30th Century Man will recall, during the recording of his 2006 masterpiece, The Drift, his long-suffering percussionist was even made to pummel the side of a piece of pork to get just the disquieting, meaty thud that the composer could hear in his head.

D&C: Detractors of your more recent work point to the unrelenting horror and misery, but 
I argue they miss its humour. Would you agree your work always retains a fundamental sense of its own absurdity, in the best possible sense? How ‘real’ is the extreme emotional content of your work, and how much is performance?


Scott Walker: You’ve understood the work perfectly. It’s about balance. It is indeed difficult to separate the emotional from the performance, or the ‘character’ as I’d like to call it. I usually try not to rehearse or learn the vocal before attempting to sing it. I just leave it rolling round in my head. I simply want to try and catch immediacy and discover afresh what might be going on in that way.

➢ Read more at Dazed & Confused

➢ The on-off brotherly rivalry that drove John and Scott Walker apart — Shapersofthe80s on the death of John

➢ Brian eno and other fans heap respect upon Scott — Culture Show interview from 2006 (below):

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2011 ➤ Jubilant Seattle welcomes back Wild Boys Duran, spiced with a touch of Frankie

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❚ DURAN ARE ELECTRIC in the first fan vid to hit YouTube at 2am Seattle time. A student at SHS High called Kristy was testing her new cell phone at the Everett WA gig and caught this blazing first-night performance of their 1984 smash, Wild Boys — with a halfway break-out for Relax!, the Frankie Goes To Hollywood hit from 1983. And Simon Le Bon sounds back on fine form after suffering dramatic vocal problems that enforced a four-month break in the All You Need Is Now world tour, halfway through its North America leg.

Everett WA,Seattle Herald,multimedia,video,live concert,Duran Duran, John Taylor, interview, US tour,All You Need is Now,

John Taylor at the Everett Comcast Arena, grabbed from video by kristy34a at YouTube

In yesterday’s Spinner.com interview, SLB said: “I did go to a vocal coach but I didn’t find that that was really the right thing for me. It was a voice therapist that really helped me. I’ve got a very individual style of singing. Coaches tend to have an idea in their mind of the right way to do it, and I don’t think that necessarily is the case.”

In another interview, for the Seattle Herald, bassist John Taylor promised America a “sparkling new multimedia spectacle with screens synchronized to the music”. Thanks go to Kristy for two more vids in HD, below.

❏ Seattle set-list: Before The Rain/ All You Need Is Now/ Hungry Like The Wolf/ A View To A Kill/ Blame The Machines/ Come Undone/ Safe/ Notorious/ Other People’s Lives/ Leave A Light On/ Tiger Tiger/ The Reflex/ Ordinary World/ The Man Who Stole A Leopard/ Planet Earth/ Sunrise/ Wild Boys/ Relax/ (Encore) Girl Panic!/ Girls On Film

➢ For latest news of the AYNIN tour — Keep checking
Duran Duran’s website

➢ Shapersofthe80s celebrates Duran’s return by choosing ten killer videos that transform key AYNIN numbers into visual feasts

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❏ CATCH-UP: Shapersofthe80s wraps up Duran’s 2010-11 comeback with links to the Unstaged online concert March 23 at the Mayan theatre, Los Angeles, plus vital links and video interviews

❏ CATCH-UP: 30 years ago the 80s supergroup’s debut single Planet Earth peaked at No 12 in the UK chart

❏ CATCH-UP: Shapersofthe80s tells how Duran’s road to stardom began in the Studio 54 of Birmingham, UK, in 1980

❏ iPAD & TABLET USERS PLEASE NOTE — You are viewing only a very small selection of content from this wide-ranging website on the 1980s, not chosen by the author. To access fuller background features and topical updates please view Shapersofthe80s.com on a desktop computer

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➤ Boy George flashes the cheekbones and gives the pop scene a tongue lashing

Boy George ,Turn 2 Dust , video,tolerance,Decode Records,Club Lotus, Macau,
♫ CLICK TO VIEW the video for Boy George — Turn 2 Dust (Official)

❚ GET AN EYEFUL OF THOSE long-lost cheekbones! Hello! We haven’t seen you since the late 90s. Well, Boy George has been Twittering away for months about his fad diets, his gym routine and doing 100 squats at a time, and this week he unveiled the result — at least from the neck up. And yes, this studio video for Turn 2 Dust does suggest that a few pounds seem to have been shed.

Boy George ,Turn 2 Dust , video,tolerance,Decode Records,

Turn 2 Dust: two dancers among many turns in Boy George’s video

OK the camera is angled from above looking down throughout the three-and-a-half slickly edited minutes. OK he’s shot wearing black and artfully lit in a black void. OK somebody has been paid a fortune to get the maquillage just so. But hey. It’s a start. Welcome to the muscle marys club, George.

This reggaefied version of the highly danceable Turn 2 Dust derives from the track on his MP3 album Ordinary Alien released in March. It’s one of those heartfelt, political George numbers about the outsider “with only truth as my defence” and it pleads for tolerance: “All hatred must turn to dust.” And there’s a break, just for a moment, where you could swear the voice is Bowie’s, oh yes. This very cool video is shot in a no less cool London nightspot, the Lightbox, where George threw his 50th birthday party last June.

The vid is promoting an MP3 package of 11 remixes released this month. To underscore the song’s message, the video features a provocatively camp cast of comic clubbing characters, so it is no surprise that George can scarcely keep a straight face. Cheekbones and all.

MENTION OF LADY GAGA’S NAME
SETS GEORGE OFF, KERPOW!

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❏ Yesterday Boy George was in Macau, the administrative region of China famed for its casinos, to present a deejay session at Club Lotus, preceded by this live videoed press conference. When a journalist asked whether his current musical collaborations might include Lady Gaga, the question seemed to trigger a good-humoured but impassioned rant [scroll forward to the 4-minute mark]. Here’s just a part of it…

I’m more interested in working with people in the dance field. I’m talking about house music, not pop. I’m not really involved in pop music — I haven’t been for a long long time. I don’t have anything to do with the modern pop scene. It’s not for me. It’s an alien thing to me. I just don’t get it, don’t feel part of it, don’t understand it. The dance world is more fun — you have more freedom… Pop music is very restricted. Everybody is making the same record, everybody is using same vocal sound, nobody’s singing about anything any more, it’s all crap…

That’s a very extreme statement but that’s how I feel. There’s nobody speaking to me in pop music. Everybody just wants to wear the fur coat and drink champagne and talk rubbish. Where’s the David Bowies? Where’s the Boy Georges? Where’s the passion? There isn’t really any.

QUIZZED ON THE PRICE OF HIS £499 PHOTOBOOK

Boy George ,Club Lotus, Macau,King of Queens ,coffee-table book,photography, Kitchen Sink Publishing, ❏ Boy George has a chunky 18×12-inch coffee-table picture book titled King of Queens coming out on Dec 12 in a limited edition of 999 signed copies, which includes a 10-inch vinyl anthology of unreleased music, all in a clamshell clothbound case, from Kitchen Sink Publishing, price £499. At the Macau press conference a journalist thought this was very expensive. George replied:

“ It’s 90 pages of photographs, very personal things from my collection, things people have never seen, a beautifully bound collectors’ book. It’s very expensive. But you don’t have to have it. It’s like saying you should put down the price of a Porsche because I want to have it. You know, some things in life, you can’t have.

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➤ Aaaah, bricolage, stealing and pasting — all the fun of postmodernism on show at the V&A

Grace Jones, maternity dress,Jean-Paul Goude , Antonio Lopez, V&A, blockbuster, exhibition, Postmodernism,bricolage,

Branding the V&A exhibition: Grace Jones in a maternity dress, 1979, designed by Jean-Paul Goude and Antonio Lopez © Jean-Paul Goude

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➢ View Sarfraz Manzoor’s Guardian video in which he meets co-curator Jane Pavitt and others at the V&A’s new show in London, poses such questions as “What does Grace Jones’ maternity dress have in common with a Day-Glo toaster and a chair made from a gas pipe?” and elicits these insights…

❏ The godfather of postmodernism, architect Charles Jencks, dates the end of modernism and hence birth of postmodernism to the blowing up of Pruitt-Igoe, a housing estate in Missouri from the 1950s, based on Le Corbusier’s work. It was demolished on March 16, 1972 — “at 3.32pm, a fact repeated so often it became a social truth”.

❏ The ceramicist Carol McNicoll admits she realised as a student in 1985 that suddenly “decoration was fine and people liked it — no more bentwood — lots of silly plastic”.

❏ Co-curator Glenn Adamson says: “Postmodernism culminates in the act of performance. It’s is all about adopting a pose: you wouldn’t have Lady Gaga without Grace Jones.”

➢ Postmodernism: Style and Subversion 1970–1990 runs at the Victoria & Albert Museum in London, Sep 24–Jan 15, 2012

➢ Discover the many forces that shaped deconstruction, structuralism and postmodernism, from Derrida, Foucault, Lyotard, Rorty, Baudrillard, Jameson

➢ Patrick Hannay reflects on the waste and diversion of energy by a movement that purported to cure a cultural malaise — at the Times Higher Education supp

➢ The Victoria & Albert Museum’s latest blockbuster-style exhibition is … “both a horrible mess and a hypnotic snapshot embracing some unspeakably hideous pieces of furniture alongside some sublime drawings and film clips” — Edwin Heathcote at The Financial Times

“It’s Po-Mo … postmodern … all right, weird for the sake of weird” — The Simpsons

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➢ “The Consensus of Stasis: Rationalism and Sontagist camp”
— one of five million meaningless essays randomly generated since 2000 by the Postmodernism Generator

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➤ None is more singular than the chap who knows his Stephen Potter (*wink*)

Middle Class Handbook,Mercurial,conversation,pedantry,grammar,Not Actual Size
➢ From today’s Middle Class Handbook, a blog written under the auspices of a London-based creative agency called Not Actual Size — although since it was begun in 2009, it has taken on a certain life of its own, with regular contributions from people who who are not directly connected with the company.

*wink* — The Theory and Practice of Gamesmanship: Or the Art of Winning Games Without Actually Cheating, by Stephen Potter, illustrated by Frank Wilson (published by Hart-Davis in 1947)

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