Category Archives: Youth culture

1980 ➤ Mankind’s first taste of musical freedom

Sony, Stowaway,Walkman, Regine,1980, 1986, TCS-300, roller-skating

Sony Stowaway: the pioneering stereo cassette-player was launched in London at Regine’s nightclub. Headphones replaced speaker to make model TCS-300 light enough not only for jogging but also the burgeoning fad of roller-skating

‘Whaddaya mean, you’ve never been hang-gliding in headphones?’ To the Californian who recently delivered that crushing putdown while visiting London, the true Brit can now reply in the affirmative. This week, the Stowaway arrived in Britain, having already started crazes in Japan and America. Made by Sony and selling for around £99, it comprises lightweight headphones and a cassette machine the size of a small tranny which, as roller-skaters and parachutists have found, leaves the hands completely free. Consider the possibilities. [Source: On The Line, Evening Standard, April 24, 1980]

Update The no-frills Stowaway lacked a Dolby noise reduction system so in one bound it turned portable music into the pre-web equivalent of a rubbish P2P download direct to your ears. It has blessed public transport ever since. That summer, 1980, one of London’s rare Stowaways announced itself in the next seat to mine on a flight to St Tropez where for two weeks a then unknown British band called Spandau Ballet had brought the look and sound of Swinging London to the Papagayo nightclub. “Tss-tss-tss-tss” went the soundtrack to my trip from the next seat (with odd moments mercifully punctuated by the divine Chaka Khan’s “I wanna be naughty with you-oo-ooooo”).

In opposition to the Japanese-made name “Walkman”, invented for Sony’s home market, it was launched as the Soundabout in the US and as the Freestyle in Australia. Yet within three months, in the UK the Stowaway (cool, sexy name) had been rebranded the Walkman (dumb, dorky name). Somehow, the marketer’s S-curve inexplicably took sales to a million. By 1984 the price had plummeted to £30 and by 1986 the word Walkman was accepted into the Oxford English Dictionary

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1981 ➤ Ballet on Broadway, leading the British invasion of America, spring 1981

Spandau provided the new British electropop, Axiom the radical London fashion show, while Tina Turner and Robert de Niro joined the coolest audience in Manhattan…

 Spandau Ballet, Blitz Kids, Jim Fourratt, Axiom fashion,Sade Adu,British invasion,

First published in the first issue of New Sounds New Styles in July 1981

Click here to read the full crazy tale of the Ballet on Broadway

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1983 ➤ Who’s who in the New London Weekend

By the summer of ’83, a new pop establishment ruled the mainstream music charts while a new executive ruled London’s burgeoning clubbing scene after dark. Meet the jacks and jokers who fronted the capital’s hottest nightclubs

➢➢ Click here to read Who’s who

Wag club, White Trash, Mud Club, Tasty Tim, Dirtbox,The Face magazine, Swinging 80s,Camden Palace,Batcave

First published under the monthly Nightlife tag in The Face, July 1983

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1983 ➤ 69 Dean Street and the making of UK club culture

69 Dean Street, Soho, nightlife,one-nighters,club culture, Bowie Night, Batcave, Gargoyle club, Gossip's club,The Face magazine, Billy's club, David Tennant, Gaz Mayall,

FACE-clubcult69 Dean Street is an address implanted somewhere in the folk memory of every Face reader. During the four years when the launchpad for musical experiment shifted from traditional rock gigs to the dancefloor, one Soho building became a factory farm that has fattened each passing cult en route to today’s richly flavoured mainstream…

➢➢ Click here to read The making of club culture, published in The Face, February 1983

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➤ Townshend waxes lyrical on Hendrix’s grace as the all-time guitar great

Jimi Hendrix,Rolling Stone, greatest guitarists ,

Townshend assesses Hendrix: “a very unremarkable-looking guy ... but onstage, very erotic”

❚ JIMI HENDRIX CAME TOP IN ROLLING STONE’S 100 Greatest Guitarists of All Time, compiled by David Fricke and the editors when announced in 2003. The Who’s Pete Townshend (himself positioned only at No 50) extolled at articulate length the profound spirituality of Hendrix, who died with the Swinging 60s at the age of 27…

I feel sad for people who have to judge Jimi Hendrix on the basis of recordings and film alone; because in the flesh he was so extraordinary. He had a kind of alchemist’s ability; when he was on the stage, he changed. He physically changed. He became incredibly graceful and beautiful. It wasn’t just people taking LSD, though that was going on, there’s no question. But he had a power that almost sobered you up if you were on an acid trip. He was bigger than LSD.

➢ Read: 100 Greatest Guitarists of All Time at Rolling Stone

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