Category Archives: Youth culture

2011 ➤ Duran’s round-the-world adventure reaches the UK

SXSW, interview, John Norris, Duran Duran

Duran interviewed at SXSW in March: Simon Le Bon checks a runaway thought before the audience jumps to the wrong conclusion (SXSW video grab)

❚ UPDATE, JULY 1: Following the postponement of Duran Duran’s European arena tour owing to singer Simon Le Bon’s vocal problems, consult the band’s website for news… DD have rescheduled all eleven UK concerts to run from Nov 30 Brighton to Dec 17 Newcastle.

❚ UPDATE, MAY 29: Duran Duran now offer a fulsome apology for having to cancel their current UK tour dates — not, as sceptics suspected, because of unsold tickets but because of singer Simon Le Bon’s continuing “laryngeal problems”. Their website today reports: “Following a consultation with both a vocal coach and his team of ENT specialists today, Simon Le Bon has been advised that he needs to continue to rest his voice… Devastated by the news that they will not be able to resume the tour as planned on Tuesday, Simon said ‘We’ve been postponing shows with very little notice, in the hope each day that the improvement would have been significant enough for me to sing again without risking any long-term damage’.”

View John and Nick’s special video apology at YouTube . . . Today too, Roger Taylor blogs on the DD website on the horrible irony of Woody Allen’s famous quotation “If you want make God laugh, tell him about your plans” and he makes the promise: “I know that all the shows are very close to being re-scheduled later in the year.” . . . Read Simon Le Bon’s blog at DD’s website on June 1: “I reckon I got 6 semi-tones wiped off the top of my range and … it’s very difficult not to worry about it.”

❏ Here’s a sparky interview with the band just released by the SXSW festival, recorded in March. With former MTV reporter John Norris in the chair, Nick Rhodes says he still sees Duran as an art-school band and John Taylor reflects on the golden era of MTV. Stills from this interview have been posted at Flickr

Duran Duran, L'Uomo Vogue,Pierpaolo Ferrari
❏ This stylish tuxedoed shot by Pierpaolo Ferrari comes from the current “Long Live the 80s” issue of L’Uomo Vogue, with a feature on DD by former Wag club host Chris Sullivan, translated for the Italian edition.

HERE’S A CATCH-UP ON PREVIOUSLY POSTED
DURAN NEWS FROM THE YEAR SO FAR

❏ It was 30 years in March since the 80s supergroup’s debut single Planet Earth peaked at No 12 in the UK chart… This year their 14-track CD of AYNIN spent five weeks on the UK album chart.

❏ View highlights from Duran Duran’s Unstaged online concert March 23 at the Mayan theatre, Los Angeles, in 1080p HD at the band’s Vevo channel on YouTube /DuranDuranVEVO. Click here to find which global regions are licensed to view highlights at YouTube. The four DD Unstaged concert tracks most viewed via Vevo in the first three weeks after the live webcast drew more than 1.5m views — these are All You Need is Now with 700,930 views, then Notorious 298,505, Planet Earth 290,477, and Friends of Mine 274,935 way out ahead of all other tracks, most of which pulled only four-figure audiences.

John Taylor, Nick Rhodes, Duran, Facebook Live, interview, thequietus, SXSW❏ Rhodes and Taylor give a 30-minute video interview on Billboard.com including live Q&A (right) on March 30, 2011.

❏ Rhodes and Le Bon give a seven-minute video history of DD for ABC News, Jan 2011 — “Rio was the album that made us the biggest band in the world. It made us big in America”

❏ Duran have been blessed by an interview at Quietus, its holiness the online magazine whose touchstone is “reverence” and claims “we’re not afraid of surprising our readers”. Writer Simon Price delivers two surprises. Plus this list of post-80s albums the band think most deserve to be listened to: The Wedding Album (1993) … Pop Trash (2000) … Medazzaland (1997) … Astronaut (2004).

❏ On the current AYNIN tour Duran Duran played North America and Mexico March 16–April 27, just before their 11-date UK tour from Newcastle to Sheffield May 18–June 4. They take in Berlin on May 26 and continue across Europe, Paris to Bergen June 10–Aug 28. [Update — These were the original plans, which were substantially cancelled in May and June.] In between they return to the UK for the V Festival on both Aug 20 and 21.

Duran Duran, All You Need Is Now, video, Nick Egan
♫ View Nick Egan’s Bacofoil video for All You Need Is Now, DD’s comeback single at Yahoo Music — available worldwide on iTunes. A 14-track CD package of the same name was released in March for most of Europe, Australia, Far East and North America with South America following in April.

♫ Listen to two new Duran tracks premiered on NYC’s East Village Radio.

➢ Elsewhere at Shapersofthe80s — 1980, How Duran Duran’s road to stardom began in the Studio 54 of Birmingham

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2011 ➤ The ghosts of Fac and Hac walk tall again

Hacienda, Manchester, clubbing, Tony Wilson, Peter Hook, Factory Records

The Hacienda today: the former nightclub’s dancefloor is a carpark beneath a block of flats. Click image to run rare video footage as Tony’s son Oliver Wilson reflects on the legacy of his father’s nightclub

❚ BIG NEWS OUT OF MANCHESTER, recently named the UK’s live music capital by the PRS. After a week or two of wrinkles comes a smart new website and the very clear announcement: “Haçienda Records is the official digital label of FAC51 The Haçienda and based exclusively at fac51thehacienda.com. Crossing all forms of indie and dance genres, the label has initially been an outlet to publish the output of Peter Hook but with the new revamp and full establishment of the label, Haçienda Records is also gearing up to release new and established artists on a monthly basis.”

❏ May 18–28, 2011 — Haçienda Records launches its new website with an exhibition of original memorabilia titled The Haçienda Then and Now, at the Richard Goodall Gallery in Manchester. Some FAC51 artworks on show are for sale at the gallery, along with original club posters.

Ben Kelly, Hacienda club, Manchester, clubbing, Peter Hook

Industrial light and magic: Ben Kelly’s design for the Haçienda interior in its heyday — plus that treacherous step onto (or off!) the dancefloor. Two views, idealised as silkscreen prints by Morph & Ben Kelly 2011, available through paulstolper.com

MUSIC HIGHLIGHTS TO PREVIEW AND PURCHASE

Haçienda Records initiates a new cataloguing series that starts with HAC 001, Man Ray’s Summer 88 EP (Jan 2010). The new website contains all Man Ray and Freebass releases to date, plus Basement Jaxx, 808 State and many other Factory mixes.

FAC 51, The Haçienda, record label, Factory Records, Hacienda club, Peter Hook❏ Man Ray’s new EP Tokyo Joe (Hac 006), released exclusively on the website, is a reworking of the version made for the opening of The Factory club in Manchester in February 2010.

❏ The Light’s debut EP 1102 /2011 is released May 16.

❏ Graeme Park, the Haçienda’s resident Saturday night deejay in the 80s, contributes a mix of classic and modern acid house and disco, as Then Haçienda Now, plus his Vinyl Fixation Vol 1.

❏ “Mancunian Rock Royalty” Hooky and Rowetta presided over world premieres of The Light’s rendition of Atmosphere and the unreleased Joy Division track Pictures In My Mind Friday on BBC 6 Music’s Radcliffe And Maconie Show, April 29.

❏ Haçienda Record’s releases for June and July are Humanizer’s This Tiny Universe EP, and Richie G’s Baum…./Titten, a double header of German and underground resistance-style instrumental techno.

Artists who wish to send material for consideration
should e-mail artists [at] fac51thehacienda.com

PETER HOOK ON THE FOLLY OF FACTORY

24-Hour Party People, Michael Winterbottom,Factory Records, movie trailer,

Face of Factory: Steve Coogan plays Tony Wilson in the all too ironic docu-drama, 24-Hour Party People

❚ BASSIST PETER HOOK was a co-founder of the rock band Joy Division in 1976, originally named Warsaw, with vocalist Ian Curtis, guitarist Bernard Sumner and drummer Stephen Morris. After the death of Curtis in 1980, the band reformed as New Order. Joy Division’s debut album, Unknown Pleasures, was released in 1979 on Tony Wilson’s nascent label Factory Records, the story of which became the most priceless rollercoaster ride in UK rock history. The label attracted a roster of idiosyncratic acts, plus luminous talents such as graphic designer Peter Saville and architect Ben Kelly who created the landmark nightclub the Hacienda, which opened 29 years ago next Saturday, dubbed with its product number FAC51, and with Hook as co-owner. All are parodied in Michael Winterbottom’s 2002 film 24 Hour Party People, and some feature in Anton Corbijn’s 2007 film Control about the life of Curtis.

Peter Hook,The Hacienda, How Not to Run a Club,paperbackIn 2009 Hook told the tale of FAC51, in The Hacienda: How Not to Run a Club, in a very personal memoir of the 80s which is far sadder, funnier, scarier and stranger than anyone could imagine. The Sunday Times Culture review called him “a born anecdotalist”. i-D has an interview here. In 2010, Hook opened a new venue in Manchester, FAC251, in the former office of Factory Records designed by Kelly. This week the digital record label follows.

➢ Peter Hook’s own website

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1982 ➤ Spot the faces at Phil and Rob’s bleeding-edge Dirtbox


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❚ HERE’S A NEW SLIDESHOW compiled by Ian Whittington, the original deejay at the Dirtbox — London’s itinerant underground warehouse party run by Phil X and Rob Y, which started life in March 1982 over an Earl’s Court chemists shop. By 1983 it was one of the four key club-nights that defined The New London Weekend in The Face magazine. In among the soulboys, soulgirls and rockabillies, look out for a young Sade, her musicians Stuart and Paul (then in the band Pride), Boy George and George Michael … Ian says the Nina S soundtrack was played at the Dirtboxes in London Bridge, King’s Cross, Stockwell Green, Titanic, Wandsworth and Bournemouth.

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1981 ➤ Ballet on Broadway, leading the British invasion of America, spring 1981

On this day 30 years ago, 21 Blitz Kids, average age 21, took Manhattan by storm. Spandau Ballet provided the new British electropop, the Axiom design collective provided the radical London fashion show, while Tina Turner and Robert de Niro joined the coolest audience in New York City to witness the new sounds and new styles of Swinging London…

 Spandau Ballet, Blitz Kids, Jim Fourratt, Axiom fashion,Sade Adu,British invasion,

First published in the first issue of New Sounds New Styles in July 1981

Click here to read what happened for seven days in May
when the Ballet hit Broadway

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➤ Did London’s £15m security cameras really fail to record attack on Boy George’s best friend?

Philip Sallon, nightclubbing, homophobic attacks,

Birthday party 2010: clubworld entrepreneur Philip Sallon seen last November at Home House, courtesy pandemonia99.blogspot.com

❚ LAST WEEKEND BANG ON PICCADILLY CIRCUS one of London nightclubbing’s most familiar superstars — a leading club promoter and party planner for the past 30 years — was beaten senseless at about 3.30am. Police say two people kicked him in the head repeatedly and ran off. They fractured his skull. So far, however, neither the Metropolitan Police nor Westminster City Council have reported any surveillance video footage of the incident. On Piccadilly Circus.  The most famous, most brilliantly lit traffic roundabout in our 24-hour capital city.

Philip Sallon, club promoter, party planner

Sallon as few of us have ever seen him, pictured last year by Nigel Howard

Tuesday’s Evening Standard carried the headline: Boy George appeals to catch attackers of ‘oldest and closest friend’. The report said: “Philip Sallon, 59, a flamboyant figure on the West End club scene, is recovering in hospital after the assault near Piccadilly Circus in the early hours of Saturday. Mr Sallon, from St John’s Wood, who founded the Mud Club in the Eighties, was stamped on and kicked in the head and suffered broken bones in his face.”

The fact that Sallon is an overtly gay man has raised suspicions that the attack was motivated by homophobia.

Pop star George O’Dowd told the Standard: “I am very upset. He is my oldest and closest friend. He is a colourful character but certainly not aggressive. He is not someone who would have got into a fight. He is a bit like me and just goes out on his own.”

➢ Meet at the Eros statue on Piccadilly Friday night/Saturday morning April 15–16, from midnight to 03:30 to distribute witness appeal flyers, to talk to potential witnesses and to show your support. Alice Shaw, Tamara Adair, Benjamin Till have organised the Facebook group Supporting Philip Sallon.
➢ April 8 update: Guardian Online reports a change to the precise location where Sallon was attacked. “The victim was found outside Ripley’s Believe It or Not exhibition,” police told The Guardian. This is housed in the triangular building once known as the London Pavilion, directly across Shaftesbury Avenue from Gap, which was mentioned in early reports.

April 16 update — Only about 30 of the 127 Facebookers who said they would attend this morning’s rally had arrived when Sallon sympathisers carrying posters bearing the victim’s photo departed from the Eros steps just after midnight to seek witnesses in nearby streets. One of the three Westminster policemen accompanying them was vague about where Sallon had been found on April 2. He seemed to think Sallon had staggered north to Regent Street before collapsing, whereas the Standard had police reporting he was found outside Gap and The Guardian outside Ripley’s, which has five security cameras on various parts of its Piccadilly facades. Among many building works in progress around the Circus, five more CCTV cameras can be seen within line of sight of Eros himself, which makes it all the more surprising that no footage of the attack has come to light.

George appealed for witnesses to come forward: “The police are dealing with it but apparently there is no CCTV footage.”

The scandalous irony is that half a mile away, Westminster Council celebrates the glory of its CCTV system with a plaque in Meard Street, Soho, on the wall of the former nightclub “Gossips formerly Billy’s”. This legendary cellar club is where Sallon and O’Dowd’s generation gave birth to the once-a-week clubnight that transformed British clubbing at the dawn of the 80s, and made London a dance destination for the young people of Europe. [Read The Making of UK Club Culture, from The Face, 1983]

The inscription on the plaque, which was unveiled only last year, pays tribute to the late Ian Wilder, a Westminster councillor: “In recognition of his pioneering work in proposing Westminster’s Wi-Fi system, this site can be seen throughout the world 24/7”. Opposite the plaque, a Wi-Fi enabled camera hangs from a lamp-post so that the world may view the reasonably tranquil pedestrian walkway that is Meard Street. Seemingly, Piccadilly Circus which teems with people and traffic most nights at 3am does not qualify for such 24/7 surveillance.

CCTV,Westminster Council, Meard Street, Soho, security, WiFi

Visible on camera 24/7: Westminster Council’s plaque in Meard Street

Councillor Wilder saw how wireless technology was being deployed during a visit to the United States. In 2004 he initiated the installation of a pilot wireless network and four wireless TV cameras in Soho, portable enough to be moved to potential troublespots and slung from lamp-posts without attracting attention. They cost a fifth as much as traditional fixed-line CCTV cameras.

Within two years, the Wireless City Project had become a network of 40 wireless cameras, and in Soho, eight remote monitoring stations, as well as mobile applications for food and licensing inspectors, housing estate officers, and parking attendants. These cameras were integrated into Westminster’s existing £15million monitoring system of wired CCTV cameras. The council has long believed that its street surveillance network is one of the most efficient in the world, capturing high-quality, scalable data that can provide viable evidence in the law courts.

A video report at Guardian Online shows us inside Westminster’s CCTV control centre, where a supervisor talks confidently about being able to identify “aggressive beggars, illegal street trading — we can see it all” while enjoying “full talkthrough with police on the ground”. And yet. No sign of two thugs beating Philip Sallon unconscious, apparently. He is still in hospital.

Meanwhile in today’s Evening Standard fashion editor Laura Craik cites the police statistic that homophobic incidents in London have increased by 28 per cent over the past four years — “and that only reflects the ones that were reported”.

❚ @BoyGeorge on Twitter “My friend was brutally attacked & hospitalized on Saturday in Piccadilly, someone called an ambulance? Was it you?” — If you witnessed Philip Sallon’s beating last Saturday at about 3.30am, contact Westminster Serious Violence Team on 0207 321 9315, ref 65 1803/11, or Crimestoppers on 0800 555 111.

Philip Sallon, George O'Dowd, 1980

Philip Sallon with George O’Dowd, 1980: as mentor and guiding light, Sallon gave George his first break as a deejay at Planet’s nightspot and urged him to form a pop group. Photographed at one of Paul Sturridge’s houseparties in Harlesden

➢ Who’s who in the New London Weekend — The Face in 1983 picks Philip Sallon’s Mud Club as one of the four prime movers making London swing again

➢ View video of The Cruella Diaries — Philip Sallon in performance mode… “I’m wearing British ethnic at the moment”

➢ June 8 update: Wise-cracking Sallon shimmies back onto London’s party scene

Siouxsie Sioux, Steve Severin, Bromley Contingent, Philip Sallon, punks, Bill Grundy

Epic picture of the Bromley Contingent, 1976: Cricklewood-born style leader Philip Sallon wears plastic shorts, second right. The Bromley Contingent were the core Sex Pistols fans who popularised early punk looks. They included Siouxsie Sioux, Steve Severin, Simone Thomas and Simon “Boy” Barker who appeared on teatime TV when the Pistols were interviewed by Bill Grundy in December 1976. Between them they uttered a series of expletives live on-air, achieved lift-off for the punk movement and catapulted Grundy out of his job. (Photographed © by Ray Stevenson)

➢ 2012 update: Six rewrites punk history with an outlandish claim about the Not-Really-From-Bromley Contingent

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