Category Archives: Social trends

2011 ➤ The ghosts of Fac and Hac walk tall again

Hacienda, Manchester, clubbing, Tony Wilson, Peter Hook, Factory Records

The Hacienda today: the former nightclub’s dancefloor is a carpark beneath a block of flats. Click image to run rare video footage as Tony’s son Oliver Wilson reflects on the legacy of his father’s nightclub

❚ BIG NEWS OUT OF MANCHESTER, recently named the UK’s live music capital by the PRS. After a week or two of wrinkles comes a smart new website and the very clear announcement: “Haçienda Records is the official digital label of FAC51 The Haçienda and based exclusively at fac51thehacienda.com. Crossing all forms of indie and dance genres, the label has initially been an outlet to publish the output of Peter Hook but with the new revamp and full establishment of the label, Haçienda Records is also gearing up to release new and established artists on a monthly basis.”

❏ May 18–28, 2011 — Haçienda Records launches its new website with an exhibition of original memorabilia titled The Haçienda Then and Now, at the Richard Goodall Gallery in Manchester. Some FAC51 artworks on show are for sale at the gallery, along with original club posters.

Ben Kelly, Hacienda club, Manchester, clubbing, Peter Hook

Industrial light and magic: Ben Kelly’s design for the Haçienda interior in its heyday — plus that treacherous step onto (or off!) the dancefloor. Two views, idealised as silkscreen prints by Morph & Ben Kelly 2011, available through paulstolper.com

MUSIC HIGHLIGHTS TO PREVIEW AND PURCHASE

Haçienda Records initiates a new cataloguing series that starts with HAC 001, Man Ray’s Summer 88 EP (Jan 2010). The new website contains all Man Ray and Freebass releases to date, plus Basement Jaxx, 808 State and many other Factory mixes.

FAC 51, The Haçienda, record label, Factory Records, Hacienda club, Peter Hook❏ Man Ray’s new EP Tokyo Joe (Hac 006), released exclusively on the website, is a reworking of the version made for the opening of The Factory club in Manchester in February 2010.

❏ The Light’s debut EP 1102 /2011 is released May 16.

❏ Graeme Park, the Haçienda’s resident Saturday night deejay in the 80s, contributes a mix of classic and modern acid house and disco, as Then Haçienda Now, plus his Vinyl Fixation Vol 1.

❏ “Mancunian Rock Royalty” Hooky and Rowetta presided over world premieres of The Light’s rendition of Atmosphere and the unreleased Joy Division track Pictures In My Mind Friday on BBC 6 Music’s Radcliffe And Maconie Show, April 29.

❏ Haçienda Record’s releases for June and July are Humanizer’s This Tiny Universe EP, and Richie G’s Baum…./Titten, a double header of German and underground resistance-style instrumental techno.

Artists who wish to send material for consideration
should e-mail artists [at] fac51thehacienda.com

PETER HOOK ON THE FOLLY OF FACTORY

24-Hour Party People, Michael Winterbottom,Factory Records, movie trailer,

Face of Factory: Steve Coogan plays Tony Wilson in the all too ironic docu-drama, 24-Hour Party People

❚ BASSIST PETER HOOK was a co-founder of the rock band Joy Division in 1976, originally named Warsaw, with vocalist Ian Curtis, guitarist Bernard Sumner and drummer Stephen Morris. After the death of Curtis in 1980, the band reformed as New Order. Joy Division’s debut album, Unknown Pleasures, was released in 1979 on Tony Wilson’s nascent label Factory Records, the story of which became the most priceless rollercoaster ride in UK rock history. The label attracted a roster of idiosyncratic acts, plus luminous talents such as graphic designer Peter Saville and architect Ben Kelly who created the landmark nightclub the Hacienda, which opened 29 years ago next Saturday, dubbed with its product number FAC51, and with Hook as co-owner. All are parodied in Michael Winterbottom’s 2002 film 24 Hour Party People, and some feature in Anton Corbijn’s 2007 film Control about the life of Curtis.

Peter Hook,The Hacienda, How Not to Run a Club,paperbackIn 2009 Hook told the tale of FAC51, in The Hacienda: How Not to Run a Club, in a very personal memoir of the 80s which is far sadder, funnier, scarier and stranger than anyone could imagine. The Sunday Times Culture review called him “a born anecdotalist”. i-D has an interview here. In 2010, Hook opened a new venue in Manchester, FAC251, in the former office of Factory Records designed by Kelly. This week the digital record label follows.

➢ Peter Hook’s own website

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1982 ➤ Spot the faces at Phil and Rob’s bleeding-edge Dirtbox


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❚ HERE’S A NEW SLIDESHOW compiled by Ian Whittington, the original deejay at the Dirtbox — London’s itinerant underground warehouse party run by Phil X and Rob Y, which started life in March 1982 over an Earl’s Court chemists shop. By 1983 it was one of the four key club-nights that defined The New London Weekend in The Face magazine. In among the soulboys, soulgirls and rockabillies, look out for a young Sade, her musicians Stuart and Paul (then in the band Pride), Boy George and George Michael … Ian says the Nina S soundtrack was played at the Dirtboxes in London Bridge, King’s Cross, Stockwell Green, Titanic, Wandsworth and Bournemouth.

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1981 ➤ Ballet on Broadway, leading the British invasion of America, spring 1981

On this day 30 years ago, 21 Blitz Kids, average age 21, took Manhattan by storm. Spandau Ballet provided the new British electropop, the Axiom design collective provided the radical London fashion show, while Tina Turner and Robert de Niro joined the coolest audience in New York City to witness the new sounds and new styles of Swinging London…

 Spandau Ballet, Blitz Kids, Jim Fourratt, Axiom fashion,Sade Adu,British invasion,

First published in the first issue of New Sounds New Styles in July 1981

Click here to read what happened for seven days in May
when the Ballet hit Broadway

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2011 ➤ Soprano Jenkins tops pop’s young Rich List

Katherine Jenkins , Cheryl Cole, Sunday Times Rich List, 2011

Two richest under-30s: mezzo-soprano Katherine Jenkins, 30, and moonlighting Girl Aloud Cheryl Cole, 27

❚ THE TEASE TASTERS HAVE BEGUN for this year’s Sunday Times Rich List, which publishes on May 8. Today the UK’s new pop millionaires were announced with the 30-year-old Welsh mezzo-soprano Katherine Jenkins (worth £13m – $21m) topping the richest ten, only two of whom are male. In descending order this year’s other rich kids are: Cheryl Cole, Leona Lewis and Katie Melua with £12m each; Joss Stone £9m; Charlotte Church, Craig David £8m; Paolo Nutini £7m; Adele (see video below), Lily Allen, Natasha Bedingfield, Duffy, Amy Winehouse £6m.

All these artists fall into the category of “Richest British and Irish music stars under 30”, which is of course a sideshow to the main list of music-industry big-hitters. The top ten music millionaires is always headed by boring impresarios (big leap by Simon Cowell this year), so down at No 4 Paul McCartney remains the richest performer with £495m of assets ($812m), way ahead of the other veterans Elton John £195m, Mick Jagger £190m, Sting £180m, and Keith Richards £175m — all of whom have longevity in their favour. Sudden additions to the Rich List music millionaires include Brian Johnson (£50m), the lead singer of the rock band AC/DC, and John McColgan and Moya Doherty (£70m), husband and wife co-founders of Riverdance.

Among stars from the Swinging 80s, only George Michael (£90m – $147m), Mick Hucknall and Kylie Minogue survive, with their fortunes consolidated now at £40m each.

Daniel Radcliffe,Harry Potter, Out magazine, Rich List ❏ In the separate list of the UK’s richest people aged under 30, three filmstars lead the performing arts, Daniel “Harry Potter” Radcliffe at No 4 (worth £48m – $79m), Robert “Twilight” Pattinson at No 8 (£32m), and Keira “Pirates” Knightley (£30m). Princes William and Harry limp in at No 10 with a fortune of £28m derived from land and inheritances from their mother, Diana, and the late Queen Mother. (The boys’ grannie, HM Queen Elizabeth, is herself only moderately wealthy by UK millionaire standards, sitting at No 257 in the main Rich List and valued at £300m – $491m. The richest man in Britain for the past seven years has been Lakshmi Mittal, boss of the world’s largest steel producer, whose family is today worth £17,514m – $28,677m, despite massive losses after the global financial crisis.)

➢ This Is Money lists the full Top 50 Music Millionaires for 2011 — Despite Sade’s comeback album which topped charts both sides of the Atlantic during 2010, the Essex-raised singer-songwriter, composer and producer failed to reach the top 50.

➢ The 2010 Rich List put George Michael top of the popstars from the un-lucrative 80s

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2011 ➤ Rutter’s anthem affirms romance of the royal wedding

royal wedding, anthem, John Rutter, This is the day,

Choirs of Westminster Abbey and Her Majesty’s Chapel Royal, during today’s wedding of Prince William and Catherine Middleton

❚ VYING WITH MANY VISUAL TREATS TODAY at the wedding of Prince William and Catherine Middleton in Westminster Abbey was the well chosen and home-grown music. Three pieces were drawn from every Sloane’s wedding favourite, Hubert Parry, the 19th-century composer who knows how to tug at toff heartstrings. Despite which, he does rank among England’s finest and is best known for his rousing hymn Jerusalem, which inevitably followed the prayers today.

John Rutter, composer,

Spiritual: John Rutter

But to modern ears, the musical highlight was a soaringly beautiful choral anthem that followed the bride and groom’s marriage vows and preceded the Bishop of London’s address. Titled This is the day which the Lord hath made, the romantic three-minute piece was specially commissioned by the Dean and Chapter of Westminster for this service. Its uplifting theme wove together words from four Psalms (as published in The Book of Common Prayer) including these from Psalm 121 — “the sun shall not burn thee by day: neither the moon by night”.

The music was written by the English composer John Rutter (b 1945) who is also a conductor, editor, arranger and record producer with his own label, Collegium Records. The past day has seen reaction to the new anthem cause an immediate surge of hits at Google. Dr Rutter is said not to see himself as predominantly a composer of sacred music though he has set many psalms and carols and much of his work has a spiritual dimension. Most of his choral work has been subsequently transformed with an orchestral accompaniment so with luck this elegant piece too might be released in this way.
Listen here to the new anthem, as sung at the wedding by the choirs of Westminster Abbey and Her Majesty’s Chapel Royal, St James’s Palace, conducted by Mr James O’Donnell, organist and master of the choristers, Westminster Abbey. The organ is played by Mr Robert Quinney, sub-organist, Westminster Abbey.

➢ Among the music choices for the royal wedding, one was a stroke of genius — Chris Chivers singles out Parry’s Blest Pair of Sirens in The Guardian

APRIL 30 SOCIAL MEDIA UPDATE

❚ WHETHER YOU’RE A MONARCHIST OR NOT, the rest of the world went ape for the royal family yesterday. By 11am BST, 10 of the top 20 Google searches in the US related to the royal wedding. Likewise on Facebook, the top 10 keywords trending as public status updates in the US and UK were all wedding-related, led by Royal Wedding, Prince William, Prince Harry, Kate Middleton.

Grace Kelly , Prince Rainier

1956: Grace Kelly and HSH Prince Rainier of Monaco © Corbis

The royal wedding swept Twitter’s worldwide trending topics Friday morning. During the bishop’s address, all ten were related to the wedding: royalwedding, rw11, casamentoreal, William & Kate, QILF, Sarah Burton, Grace Kelly, Westminster Abbey, Rutter, Abadia.

By way of translation — “casamentoreal” and “abadia” mean “royalwedding” and “abbey,” respectively, in Spanish. QILF is a play on the acronym “MILF,” where “mother” is replaced with “queen.” Sarah Burton, number six, is the designer of Kate’s dress, and the creative director of British label Alexander McQueen. Kate’s dress and look were likened to those of the Hollywood actress Grace Kelly, who married the Prince of Monaco in April 1956. Number nine, Rutter, refers to John Rutter, who composed the anthem played during the wedding.

➢ The Official Royal Wedding photographs

Official Royal Wedding photographs,2011,Hugo Burnand,William & Kate,

The royal wedding group in the throne room at Buckingham Palace, April 29, 2011. The Duke and Duchess of Cambridge are flanked by their respective family members and attendants. Front row (left to right): Grace van Cutsem, Eliza Lopes, HRH the Duke of Edinburgh, HM the Queen, Margarita Armstrong-Jones, Lady Louise Windsor, William Lowther-Pinkerton. Back row (left to right): Tom Pettifer, HRH the Duchess of Cornwall, HRH the Prince of Wales, HRH Prince Henry of Wales, Michael Middleton, Carole Middleton, James Middleton and Philippa Middleton. Photograph: Hugo Burnand

FOURTH HIGHEST ‘KETTLE EFFECT’ EVER IN UK

INTERNATIONALLY, the advance estimate predicted two billion people would tune in to Friday’s TV coverage of the Royal Wedding between Prince William and Kate Middleton, though this figure has yet to be confirmed. About 8,500 journalists were in London for the event.

Princess Eugenie, Princess Beatrice , royal wedding ➢ IN THE UK, across the whole BBC, 34.7m viewers tuned in to watch some part of the wedding, including a million people online using BBC iPlayer. There was a peak of 6.1m viewers watching the coverage on ITV1 as the service began, the commercial broadcaster reported. Sky News had a peak of 661,000 viewers at 11am, with roughly one million people using its website.

➢ YouTube’s live feed brought the BBC’s pictures to a global online audience through its Royal Channel — which was the 23rd most-visited YT channel of the day, but trailed behind America’s Next Top Model and Top Gear.

➢ Surge in electricity demand suggests record television ratings — Daily Telegraph report
The surge in demand for electricity in the UK at the end of the royal wedding was the fourth-highest ever caused by a televised event. National Grid said that, when the couple reached Buckingham Palace after the ceremony at 12.40pm, demand for electricity increased by 2,400MW — the equivalent of nearly a million kettles being turned on at the same time. The surge was a third higher than that recorded after the wedding of Prince Charles and Lady Diana Spencer in 1981, which registered 1,800MW when 28m people had been watching in the UK.

Prince William, Kate Middleton, royal weddingThat dazzling dress effect: National Grid also registered a 1,500MW drop in demand when viewers had their first glimpse of Catherine Middleton’s wedding dress as she got into her car to the abbey — with such a drop (rather than a surge) indicating that people were flocking to their televisions rather than carrying on with more electricity-hungry activities.

Electricity demand surges do not directly correlate with TV ratings, because they indicate how many people got up to switch their kettles on to make a cuppa — rather than the total number of people watching to begin with.

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