Category Archives: Social trends

➤ Nathan Barley walks again in Vice’s video serial Dalston Superstars

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters,Sam
➢ Click the pic to run the video of Dalston Superstars at Vice.com

❚ IN EPISODE 2 OF DALSTON SUPERSTARS, Vice online’s no-holds-barred East London reality series, Sam, Anna, Maeve, Vee and Stefan try to heal the wounds after last week’s nightclub bust up. Maybe a night out will help? Unlikely, with Dalston’s numero uno sex vixen, Holly Wood, back on the scene. She’s got eyes for Sam — bad luck, Anna!

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters✰ Maeve learns from Stefan what a Yoko is.

✰ Sam scores a job as a cool-spotter — “I’m not here to make friends.”

✰ “Holly Wood thinks she is Courtney Love circa 94 but she’s actually more like Courtney Love circa 2010.”

✰ “When you come back from LA it’s sort of like you come back from a sauna”

✰ “Tell me what happened with Jared Leto” — “We were tweeting together so that’s like having a thing.”

✰ Anna stages a tantrum and wins the accolade “badass”.

[No scriptwriter gets an onscreen credit but all words and images above are
© 2011 Vice Media Inc]

➢ Catch up with Dalston Superstars, Episode One — “cool parties, cool people” and a fingerboard skate park

Dalston Superstars, Vicedotcom, Nathan Barley, video, hipsters,Stefan, Maeve

Dalston Superstars: Stefan and Maeve networking f2f in hipster London

❏ Subcultural decryption: Dalston is the area of east London that UK hipsters regard as, like, paradise. Unless they live a mile away in Shoreditch, then Shoreditch.

❏ Subcultural analogy: Nathan Barley was a UK television series featuring hipster role models for Dalston Superstars, like, six years ago

TBH, THE #COMMENTS AT VICE ARE
BETTER THAN THE SCRIPT

❏ “I hope this is a joke because as a joke it’s funny.”

❏ “Hipsters mocking hipsters is like Dawn French mocking fats. Doesn’t work.”

❏ “It’s like, funny thinking it’s not funny, because it’s like funny to like, not realise that it’s funny, but then also it’s not funny but it’s funny to pretend it’s not funny like it is funny, even though it isn’t.”

❏ “Stupid people think it’s Cool. Smart people think it’s a joke: also Cool.”

❏ “ ‘Realness’ is particularly hard to put your finger on.”

❏ “Fashankers ridiculing Fashankers… like double irony… or something.”

❏ “They all need a good wash and for someone to tell them they’re not unique, they’re clones of each other in different colour thriftwear.”

❏ “Sam has perfected the ‘confused gormless stare’. Robert Pattinson will be so pissed.”

❏ “This is not real, blatantly — why do people post serious comments on this?”

❏ “This is the funniest and the saddest thing ever. Funny because it’s hyperbole but sad because it’s only slightly exaggerated.”

❏ “Are these real humans?”

❏ Either that or it’s hashtag fail.

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➤ Katy’s Firework finally falls to earth but the gay kiss will live happily ever after

Katy Perry, Firework, pop video, censorship,gay kiss,MTV, awards

Fireworks in Firework: British TV viewers see only a pixelated version

❚ YESTERDAY KATY PERRY’S SINGLE FIREWORK finally fell out of the UK singles chart after 58 weeks, having left the US Billboard Hot 100 last July after 39 weeks, and selling 4.7m copies in the US. To date, the video has been viewed 253m times on YouTube, and picked up MTV’s video of the year award.

Despite depicting fireworks shooting from Perry’s chest, this daft yet lavish and cinematic promo video shot in Hungary was censored for British television because it captured the fleeting kiss shown above between two young men. Yet many another video has failed to raise such outrage. A year ago when Firework had reached No 4 in the UK chart, Shapersofthe80s went in search of 20 gay kisses in pop that did make it past the censor.

The UK leg of Katy Perry’s California Dreams Tour 2011 returned to the UK at Sheffield in October and ended in Dublin this week.

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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1984 ➤ Band Aid: The smash hit that earned 47 artists three platinum discs each

Band Aid , Do They Know It’s Christmas?

The Band Aid band, Nov 25, 1984: most of the pop stars who performed, plus artist Peter Blake who created the record sleeve for Do They Know It’s Christmas?

◼︎ SPANDAU BASSIST MARTIN KEMP REMINDS US via Twitter that on this day in 1984, he and about 40 other mainly British superstars went into the studio under the group name of Band Aid to record the fund-raising single, Do They Know It’s Christmas? This collabarative gesture in the name of charity held the record for 13 years as the UK’s biggest selling chart single of all time. It raised millions for the Ethiopian famine and led directly to Live Aid, the globally televised rock concerts in 1985. Kemp said today: “It still gives me a tingle when I hear it” and then proudly posted a picture of the three platinum discs he and every other participant received a year later after it had clocked more than 3 million sales in the UK.

➢ Band Aid ’84, when pop made its noblest gesture but the 80s ceased to swing
➢ Ure and Kemp on the shenanigans that led up to Band Aid

Martin Kemp, Band Aid,BPI, Do They Know It’s Christmas

Martin Kemp’s three platinum discs presented by the BPI for sales of Do They Know It’s Christmas?

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

➤ Student verdicts on the new Central Saint Martins, contrasted with LCC’s sad home

CSM ,vox pops, King’s Cross , art school, Central Saint Martins

CSM student vox pops on the King’s Cross campus: views range from “good to be under one roof” to “an architect’s ego trip”. Pictures by Matt Writtle for the Evening Standard

University of Arts , CMS,King’s Cross, St Martins, Grayson Perry❚ THE ARTS AND DESIGN GLITTERATI turned out last night to celebrate the official launch of the University of the Arts’s new home for Central Saint Martins at King’s Cross.

Around 1,000 guests partied in the Grade II listed Granary Building, which has been massively renovated and extended in a £200m scheme that can accommodate 4,000 students and staff. Transvestite artist and university governor Grayson Perry wore full make-up and a vast printed dress-cum-smock while announcing the building officially open. Guests were guided to the party by a colourful light display on the outside of the building, and serenaded as they arrived by Drama Centre London’s Choral Society.

University of Arts , CSM, Grayson Perry, launch party, King's Cross,

Age of the transvestite university governor: Grayson Perry declaring the fab new college open last night

➢ In tonight’s Evening Standard Emma McCarthy tests the temperature on campus: “ After 100 years, fashion’s fledglings have flown the Soho coop. They are coming to roost instead in the heart of King’s Cross, as tonight’s launch party marks the official opening of the new Central Saint Martins campus. The renowned college of art and design — previously spread across six London sites — leaves behind its two most frequented central London campuses in Charing Cross Road and Holborn’s Southampton Row… /continued online

➢ Cross Over is the first exhibition at CSM’s new campus, celebrating the work of  2011 graduates, and runs until Nov 24.

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now contrast north of the river with south

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❏ Today the University of Arts (UAL) released this sleek commercial [above] showing us inside CSM’s new building at King’s Cross, talked up in a string of soundbites from celebrity alumni such as Anthony Caro and Terence Conran… In sharp contrast [below], Hollie Cradduck, a third-year journalism student, reminds us in her own video that the London College of Communication in south London — which also belongs to the UAL trust — is in serious need of renovation.

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❏ Meanwhile fashion graduate Oleg Mitrofanov is still hoping to raise funds to finish I Hate My Collection, a film documenting the glorious impact of the old St Martin’s over the past half century…

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➢ Will the magical blasts from the past follow St Martin’s out of Soho? Special feature by Shapersofthe80s

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➤ Robert Pereno: My road to recovery in the recession

Robert Pereno , Society Club, cafe, gallery, Soho

The Society Club, Soho: Robert Pereno and tea hostess Daisy. Photograph by Rebecca Reid

◼ WHO ACTUALLY IS ROBERT PERENO? You won’t find him at Wikipedia but may remember him from Shock, a New Romantic music/mime/dance troupe who supported bands such as Gary Numan, Kid Creole and Depeche Mode in the early 80s and had the odd dance-floor hit with Angel Face and Dynamo Beat. In 1983 he metamorphosed into a vocalist with electronic club band Pleasure and the Beast, along with Lowri-Ann Richards from Shock. He became a bit-part actor and then nightclub promoter, notably with Tuesdays at Crazy Larrys in Chelsea. He kept fronting clubs though, in his own words, by the mid-90s his life fell to pieces. In 2005 he suddenly appeared in a TV documentary aptly titled Whatever Happened to the Wild Child? — in his case, a reference to a runaway teenager he married young.

Today a video interview with Pereno — one of those men who wear a hat indoors — has been posted at YouTube [2018 update: whole channel now deleted]. It seems to be the second in a talk-show series titled The Independent Session and it is effortlessly viewable. Pereno fesses up to his rocking past frankly, fearlessly and perhaps foolishly, should Lily Law be watching. He is vague on the intimate details of his downfall, but as he talks 19 to the dozen, you may not feel that you want to be the reconstituted Robert Pereno Mk2, but you grudgingly admire him for making a huge effort.

Robert Pereno, Shock troupe, Pleasure and the Beast, bands, Blitz Kids,

Pereno in Shock 1980 and in Pleasure and the Beast 1983

He tells us he’s a minor boarding-school Chelsea boy who was born in Turin, Italy, and grew up first in ex-pat Calcutta with a mother who was a nightclub singer, and later in the London pubs where X-Ray Spex and Adam Ant played in the late 70s. With Crazy Larrys “I catered for dysfunctional Chelsea girls and south-London black guys”. On the night it was raided and closed, he says, “it was packed with an extra 25% of people who were all police because there was a lot of drug-taking”.

This autumn he and his wife interior designer Babette opened a discreet little corner shop in Soho called The Society Club which sells literary memorabilia and multi-tasks as cafe and art gallery. Within minutes, namely, this week, it has been reviewed favourably by an Evening Standard restaurant reviewer (though hot meals are actually supplied by Café Soho next door). Pereno gets described as a “flaneur” and as he has a knack for reinventing himself always gives the impression of knowing everybody and being everywhere. In the video he talks energetically of hosting poetry readings, book launches, photo exhibitions (currently Graham Smith and with John Stoddart’s photos and Derek Ridgers’ to follow in the New Year), plus pop-up events including a vintage film club nearby in Soho.

At 54 Pereno is sanguine about the future. “I quite like a recession. I was involved in the warehouse scene — office blocks empty, throw a party. Now with a recession we’ve got a shop and done a deal with the landlord because times are hard. It’s a time for the outsider to make a move.” He gallops with his theme. “It’s probably healthy for the music business. Simon Cowell is already yesterday, because he’s part of what we’ve just had, which is an over-inflated economy. Now is the time for the maverick. I don’t even have a bank account, mobile or television. My wife gives me pocket money… Unfortunately I’m not very good at being single.”

➢ The Society Club shop/cafe/gallery is open daily at 12 Ingestre Place, London W1F OJF (tel 020 7734 3400)

➢ Update: The Promoter (2013), a documentary directed by Ed Edwards – “Robert Pereno should be a household name, but every time he is on the brink of greatness, he somehow manages to mess it up. This is his story.”

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