Category Archives: Social trends

➤ Do they know? How modest Midge wrote the biggest selling pop single of his generation

Do They Know It’s Christmas?, Band Aid, Live Aid, Midge Ure, Bob Geldof, 1984,pop music, UK charts,

Pop artist Peter Blake’s Band Aid sleeve… The original vinyl can be yours today for £6.99, US$11.25, €8.60 at eil.com

◼ 1.1 BILLION VIEWS FOR GANGNAM STYLE at YouTube!!! Merry Christmas, pop pickers. Now spare a few minutes to listen to the original demo of the tune that in its day became the biggest selling UK single of all time. In 1984 was at No 1 in the pop charts.

Midge Ure: recording the Band Aid single, here with Paul Young and Tony Hadley © 1984 Mercury Records

Midge Ure: recording the Band Aid single, here with Paul Young and Tony Hadley (© 1984 Mercury Records)

It was recorded under the artist name of Band Aid by a megagroup recruited from 47 of the biggest hitters in British rock and pop. It raised huge funds for famine relief in Africa and a year later led to Live Aid, the biggest global rock concert ever, viewed by two billion people in 60 countries, who coughed up still more dollars. Live Aid is said to have raised £150m (about £400m or US$650m at today’s prices).

The idea for Band Aid was proposed by one down-on-his-luck musician, Irishman Bob Geldof, who had been moved by a horrifying BBC TV news report on the famine in Ethiopia. The project sprang out of a telephone call with Midge Ure of Ultravox when he was appearing on The Tube, the weekly pop TV show broadcast from Newcastle. The song was written and produced in a flash by Scotsman Midge, who has emerged as one of the most genuinely multi-talented shapers of the 80s.

WALKING OUT OF THE SHOPS

Do They Know It’s Christmas?, Midge Ure, Bob Geldof, Band Aid, Record Mirror, cuttings
❏ The Band Aid single became the fastest seller of all time in its first week of release, ironically keeping one of its participants, George Michael and his band Wham! off the coveted No 1 spot in the Christmas singles chart, which would have been their third No 1 in a row. Bob Geldof, mover and shaker behind the charity project, told Record Mirror in the December 1984 page shown here: “It’s NOT a Geldof plot to get back in the limelight as some people are claiming. It allowed people who understandably felt a sense of impotence about Ethiopia to express their support.” DTKIC endured as the biggest-selling single of all time in the UK for 13 years, until it was overtaken in 1997 by Elton John’s Candle in the Wind, released following the death of Princess Diana.

HERE’S MIDGE’S ORIGINAL SOLO DEMO…

AND HOW IT SOUNDED A YEAR LATER AT LIVE AID

MORE BAND AID STORIES AT SHAPERS OF THE 80S

➢ 1984, Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ 2001, Hear about the many lives of Midge Ure, the Mr Nice of pop

➢ Midge Ure and Gary Kemp lift the lid on the shenanigans that led up to Band Aid

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2012 ➤ Gongs for newbies and oldies creating the UK’s new golden age of TV comedy

Hunderby, Sky Atlantic, Julia Davis, TV series, British Comedy Awards,

Hunderby, bowing in: “Daphne du Maurier on ketamine.” (Photo: Sky Atlantic)

➢ There was plenty to howl about at last night’s British comedy awards, and well-deserved gongs for The Thick of It and Hunderby – Bruce Dessau in The Guardian writes:

At the British Comedy Awards 57 judges, drawn from journalism, TV production and performers, shortlisted Olivia Colman against herself for best comedy actress in Rev and Twenty Twelve, only for her to go home empty-handed. She lost, however, to Rebecca Front, whose ministerial meltdown in The Thick of It was undeniably compelling television. It was a particularly good night for The Thick of It, with Peter Capaldi bagging best comedy actor for his portrayal of demented spinmeister Malcolm Tucker. The performances on The Thick of It were exemplary.

British Comedy Awards, TV series, Rebecca Front,Peter Capaldi , Thick of It

The Thick of It, bowing out with series 4 of the political satire: Best comedy actor awards for Peter Capaldi, left, and Rebecca Front, right (BBC)

A genuine shock was the double success of Hunderby. Julia Davis’s cold-hearted period piece, screened on Sky Atlantic, was a favourite to win best new comedy, but for it to win best sitcom too, beating Rev, The Thick of It and Twenty Twelve, was a vindication of Sky Comedy head Lucy Lumsden’s investment in original output. Not bad for a show that stretches the definition of sitcom to snapping point.

The real mystery though, was the absence of some shows that did not even pick up nominations. There has been frustration about Fresh Meat missing out, but it was no surprise that its posh boy Jack Whitehall won the Public Vote for king or queen of comedy… / Continued at Guardian online

➢ Why Hunderby is the best British period sitcom in 20 years – Matt Grundy writes: It’s set in the bleak 1830s somewhere in England after a shipwreck, where our Helena is brought back from the dead on the beach by a pastor. The two must have a baby within a year or they lose Hunderby. Strange, but it works. Hunderby is not only one the best British comedies of the last 20 years, it’s also the best period piece I’ve ever seen. Although I don’t watch many, to be honest… / Continued at Sabotage Times

➢ Guardian review of Hunderby and Davis’s “potty pen” Yes, sometimes it feels as if Davis is showing off, simply demonstrating that she dares to go to places no one else does (especially places “down there”).

Fresh Meat,British Comedy Awards ,TV series,Jack Whitehall

King of Comedy Award: Fresh Meat’s cast with Jack Whitehall, left. (Photo: Channel 4)

➢ Fresh Meat: behind the scenes of the new TV series Channel 4’s comedy drama about six students mismatched in a shared house was devised by Sam Bain and Jesse Armstrong, the creators of the sitcom Peep Show… The comedian Jack Whitehall, who plays the incorrigibly posh JP, wanders around the set in a vest and boxer shorts. The sneaker-clad feet of Joe Thomas, who plays Kingsley (an everyman similar to his character, Simon, in The Inbetweeners), stick out of one of the bedrooms (he’s trying to sleep off a hangover). Kimberley Nixon, the Welsh dentistry student Josie, ferrets around in a spotted dressing gown; Charlotte Ritchie, who plays the English-lit student Oregon, is in a long printed charity-shop dress; while Greg McHugh, who plays the bearded and bespectacled outsider Howard, struggles under the lights in a thick woolly jumper. “We haven’t come here to play some cool, foam-party-loving students living it up and having a great time,” says Zawe Ashton, who plays the tough-as-nails Vod” … / Continued online at The Telegraph

➢ VIEW Fresh Meat, Season 2, Oct 2012:
It’s a new term and the gang have returned to uni

INTERVIEW WITH THE GODFATHER OF 21C SATIRE

The Thick of It, Armando Iannucci ,Bafta Award,

Writer Armando Iannucci: collecting a Bafta for The Thick of It in 2010

➢ Armando Iannucci interviewed as The List’s hottest star after a triumphant year when The Thick of It won two Comedy Awards, his new show Veep broke in the US and he won an OBE

Whether we will ever be allowed to return to the dank soul of spinmeister Malcolm Tucker is uncertain now that the final series of The Thick of It went out in a blaze of recriminations and desolation earlier this year. While Iannucci admits that having thought he had severed himself from Alan Partridge a decade ago (a feature film with North Norfolk Digital’s foremost DJ is due out this summer) he can’t say for certain that he will never bring back Tucker, Nicola Murray, Glen Cullen and Co.

It was actually quite sad when the last couple of episodes went out, but it was the right point to draw a line under it. I just felt that with the phrases in The Thick of It being used by politicians themselves [Ed Milliband’s use of ‘omnishambles’ immediately springs to mind], there was a danger that if you didn’t stop, it would become too neat and cosy. So I thought stop now rather than carry on for another five years and have guest appearances from David Milliband and Michael Gove and then have a Christmas show with Alex Salmond… / Continued online at The List

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➤ Swagger on up the Junction for Dalston’s Vintage Designer Sale

CLICK A PIC TO VIEW BARGAINS IN A CAROUSEL:


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❚ WHERE IS THE COOLEST OXFAM charity shop in the land? At Dalston Junction, naturally, where the coolest superstars chillax. Where are your smartest designer fashion bargains to be found next Sunday afternoon? At the Oxfam Dalston Vintage Designer Sale in London’s trendy E8. Who’s the local Mary Portas with an eye for a bargain, who has spent months selecting the right labels from donations to make this Christmas shopping event really hot? Step forward Andy Polaris, known to all 80s pop fans as the lead vocalist with pop-jazz combo Animal Nightlife.

“So far we have found 85 designer brands to pull in the discerning shopper, and many outfits are as new,” Andy says. “You’d have to go to Stratford Westfield to find this many under one roof. Even so, we’ll beat them on price. We’ve some nearly new Vivienne Westwood Red Label trousers, originally priced at £275, now going for £100.” Look at the highly collectable names pictured above, selling for between £20 and £100. There are Marc Jacobs, Rifat Ozbek, Katharine Hamnett, Dolce & Gabbana, Yves St Laurent, Betty Jackson, Roland Klein for women – and for men Gieves & Hawkes, Prada, Burberry, Ted Baker and such.

Animal Nightlife play Flick’s, Dartford: 1982 line-up with Leah Seresin, Andy Polaris and Chrysta Jones, just after releasing the single Love Is Just The Great Pretender. © Shapersofthe80s

As the volunteer who evaluates the donors’ bags, Andy and his aficionado’s eye hunt down the most fashionable labels. He is convinced that the 1,000 garments up for sale from noon on Sunday will walk out of the door. A similar event last summer had a queue forming before the shop had opened, and along with donations for light refreshments, the sale made a packet for charity.

What a great way to spend your Sunday. Awesome fashion. Menswear too. Mince pies. Christmas tunes. With Andy floorwalking and signing autographs, if you ask him nicely.

➢ Dalston Oxfam Shop, 514 Kingsland Road, London E8 4AR. Vintage Designer Sale, December 2, 12–5pm. Tel 020 7254 5318

➢ Time Out this year named Oxfam Dalston the best charity shop in London for books and music, which says a lot about the taste of the local donors!

Dalston, Oxfam, Vintage, Designer, Sale, fashion, menswear,charity, Andy Polaris

♫ Revisit the achingly cool Dalston Superstars webcast soap series, the Vicedotcom “structured reality” video about hipness in Hackney. Download a mix of its bleepy soundtracks put together by UK b-asstronaut Grant Armour. Here’s a taster …

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➤ David Frost salutes TW3, the TV show that pioneered satire 50 years ago tonight

Hugh Carleton-Greene, David Frost, TW3, BBC, satire, 1960s,Private Eye, Bernard Levin, JFK, Christopher Booker, Millicent Martin,

Satirists on their firing range: at left, David Frost leads the TW3 team in the studio

❚ THE MOST INFLUENTIAL TV SERIES in British history – the lodestar for all future comedy, and more – won no fulsome retrospective from the BBC on its 50th anniversary today. Only a brief item on the Today show reminded us how the earth tilted at 10:30pm on this night in 1962 with the launch of TW3 – the adopted shorthand for That Was The Week That Was. New research reveals that this politically insolent television voice of Britain’s nascent satire movement attracted complaints by the thousand. “No other programme has so many files in its correspondence section,” we were told this morning by historian Morgan Daniels on the Today programme. What it had done, according to Private Eye’s first editor Christopher Booker in his landmark 1969 book The Neophiliacs, was finally to break free from the Presbyterian straitjacket of Lord Reith, the BBC’s founder. Within weeks pubs started emptying on Saturdays as the nation made a ritual of rushing home to catch TW3’s 37 broadcasts which grew an audience of 12 million in less than a year.

A galaxy of leading “Northern Realist” writers and national newspaper journalists contributed razor-sharp sketches and what little remains available on video makes today’s comedy seem lily-livered. TW3 made the career of Sir David Frost who was its “classless” front-man at the age of 23. Though many satirists say they achieve no lasting change, on tonight’s Loose Ends radio show, Frost insisted that satire does have a knock-on influence in its day, even if it may not reform legislation in the long term. TW3’s second series was curtailed on December 28, 1963, for fears it would unbalance the general election campaign of 1964.

Roy Kinnear, David Frost, Lance Percival, TW3, satire, 1960s

At the TW3 bar: Roy Kinnear, David Frost, Lance Percival

TW3 captured a zeitgeist unique to the 60s before they began to swing. Booker argued in The Neophiliacs: “It was a final drawing together of almost all those threads which had been working for ‘revolution’ and sensation in the England of the previous seven years.” [Namely, since the election of 1955 when slippage of the tectonic plates supporting Britain’s centuries-old class system saw the subsequent rise of the “unposh” intellectual and of John Osborne’s “angry young man”] … “[TW3] brought the destructive force of the satire craze to a mass audience.”

Britain was changing. Deference was on the way out, The Beatles were on their way in. The satire boom was in full swing…/ Continued inside

➢ Read on inside for a fuller analysis by Shapersofthe80s
of the 60s satire boom – plus a gallery of rarely seen images from TW3, and more vintage videos


❏ Year-ending round-up of TW3 highlights, Dec 1963 (above) – includes notorious Mississippi number with black-and-white minstrels in the week a white protester walking from Alabama to Jackson was shot dead by the road … The consumer guide to religion … Timothy Birdsall draws the Duke and Duchess of Eastbourne … MPs who have not spoken in Parliament are named and shamed … Bernard Levin harangues a pride of lawyers with their failings.

➢ Click through to compare and contrast the satirists of the 60s with the “alternative comics” of Alexei Sayle’s generation when they formed the Comic Strip – Analysis by Shapersofthe80s from 1980

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2012 ➤ Shapersofthe80s clocks up half a million page views

❚ YESTERDAY THIS BLITZ KIDS WEBSITE hit a total of 500,537 page views since we launched in autumn 2009. Last year visitor numbers doubled. See what were the hottest topics at Shapersofthe80s during 2011.

HOW THE MUSIC CHANGED

❏ In 1980 Spandau Ballet were the houseband of the Blitz Kids, whose New Romantic manifesto insisted that style was as important as their new synthesised brand of dance music. When London’s Blitz club hosts Steve Strange and Rusty Egan invented the notion of the once-a-week clubnight, they changed British nightlife habits for ever. Spandau’s music made no less a dramatic gear-change by placing the bass guitar and the bass drum at the front of the sound, as a driving rhythm for dancefloor movers. Within a year of their first hit, To Cut a Long Story Short, the rhythm of the UK pop charts shifted from the lead guitar to the 4:4 dance beat of the bass drum.

New Romantics, Blitz Kids,Spandau Ballet, John Keeble, 1980

Spandau at Heaven 1980: Keeble on drums. Pictured by © Shapersofthe80s

Spandau songwriter Gary Kemp claimed at the time: “RnB was the backbone of pop music from 1962 to 1980. And since then, funk. Dance rhythms are the musical basis for all rock bands now. Really, you can’t say ‘rock band’ any more because the music isn’t rhythm-and-blues.”

John Keeble (left): “It’s the difference between listening to funk instead of the RnB they all played in the Sixties.”+++ +++

➢ Keeble: what changed the rhythm of the pop charts

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