Category Archives: Social trends

2025 ➤ No telling how often I fell in love at Maggie’s…

Maggie Jones’s, Princess Margaret, Restaurants, British food , roast beef, Maggie JonesMaggie Jones’s, Princess Margaret, Restaurants, British food , roastbeef, Maggie Jones’s Restaurants Restaurant,

Reopening today: Maggie’s which gained its name from Princess Margaret back in the Swinging Sixties. Photo by Shapersofthe80s

❚ BEST NEWS OF THE WEEK is to hear of the return of a legendary restaurant… The place I grew up in when eating out was cheap and cheerful, and the one that confirmed my taste for classic British farmyard food was Maggie Jones’s which closed over two years ago following a fire. Now it reopens after a total gutting and returns with all those baskets and flowers and rural tools hanging from the ceilings, but best of all those high-backed wooden booths guaranteeing privacy for you and your loved one(s).

Which is why, soon after its opening in 1964, Princess Margaret popped in routinely from nearby Kensington Palace, using the name Maggie Jones for anonymity – being wife to Anthony Armstrong Jones at that time, later created Lord Snowdon. There she established a celebrity haunt for her circle of aristos and socialites such as Peter Sellers and various extra-marital lovers as her marriage unravelled. Most recently it has been owned and managed for more than two decades by Christine and husband Greg. – Welcome back.

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Classic farmyard fair: the traditional Maggie Jones’s menu returns

➢ Find Maggie Jones’s at 6 Old Court Place, off Kensington Church Street, London W8 4PLL

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2025 ➤ Finally a candid insight into the glittering New Romantics revolution

Photography, fashion, clubbing, exhibitions, Social trends, Swinging 80s, Youth culture, newbook, New Romantics, Blitz Club, Nightlife Rebels, Blitz Kids, Derek Ridgers, Kim Bowen, David Johnson, John Maybury,

Contributors to Nightlife Rebels: Derek Ridgers, Kim Bowen, David Johnson and John Maybury. (Photo by David Jenkins)

❚ DURING THE SWINGING 80s two seasoned eye-witnesses watched Britain’s young ignite a glittering New Romantics revolution… Myself David Johnson as a Fleet Street journalist explored their intriguing carnival of style-setting cults across Britain, Paris and New York, while straight-up photographer Derek Ridgers captured the libertines in their dark dens.

Our new illustrated hardback NIGHTLIFE REBELS reveals the candid history of the celebrated Blitz Club’s hedonists who insisted “One look lasts a day”. Featuring unseen photos, stats, a unique timeline and Who Really Was Who.

Last week the book’s four chief contributors gathered for a team picture at London’s Design Museum where an exhibition about Blitz culture runs for six months and our book is on sale in its shop – The Design Museum

WHAT EACH OF US SAYS ABOUT THE 80s

“Some nights it was like walking into Hieronymus Bosch’s Garden of Earthly Delights” – Photographer Derek Ridgers, top left

Photography, fashion, clubbing, exhibitions, Social trends, Swinging 80s, Youth culture, newbook, New Romantics, Blitz Club, Blitz Kids,“A full night-time economy flourished around these clubs where graphic designers, artists, deejays, writers, producers and musicians of every kind refined and developed their skills by working with club-owners” – Stylist and costume designer Kim Bowen, former Queen of the Blitz, second left

“In the shabby Blitz wine bar on Tuesdays precocious 19-year-olds presented an eye-stopping collage, posing away in wondrous ensembles, emphatic make-up and in-flight haircuts. This spectacle shouted newness” – Journalist David Johnson, third along

“Being photographed served as a kind of affirmation that your particular ‘look’ set you apart as a somebody” – Video artist John Maybury, and former Blitz star, pictured right

Photography, fashion, clubbing, Social trends, Swinging 80s, Youth culture, newbook, New Romantics, Blitz Club, Blitz Kids, David Johnson, Design Museum, Blitz Club exhibition,

There’s our book on the second shelf at the Design Museum: Dare we assume the two lads thumbing through the options might have been Blitz Kids back in the day? (Photo by Shapersofthe80s)

➢ Previously at Shapersofthe80s: Here’s an extravaganza of a show to confirm the Blitz Kids’ place in history

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2025 ➤ Here’s an extravaganza of a show to confirm the Blitz Kids’ place in history

Blitz Kids, Clubbing, exhibitions, Fashion, influencers, London, New Romantics, Swinging 80s, Youth culture, Blitz Kids, Design Museum,

Blitz Club host Steve Strange: Posing outside his club with Visage and friends in 1979 – today promoting an exhibition. (Detail from photo by Sheila Rock)

❚ A HANDFUL OF EVER-STYLISH CLUBLAND POSERS stepped forward this week to help London’s Design Museum to announce its autumn exhibition titled Blitz: the club that shaped the 80s. It has been developed in close collaboration with the leading Blitz Kid and later costume designer Fiona Dealey, plus broadcaster Robert Elms, Spandau Ballet’s manager Steve Dagger and music executive Graham Ball, formerly one of Dagger’s firm – three clubland contemporaries who were the least like die-hard Blitz Kids! The trendy Tuesday clubnight which opened in Covent Garden’s Blitz wine bar in 1979 is best known as home to the New Romantics movement which revolutionised Eighties youth culture across fashion, music, media, film, art, design and retail.

The chapter some of us dubbed the Pose Age launched the careers of many talents, from hosts Steve Strange (who died in 2015) and deejay Rusty Egan to popstars Spandau Ballet, Visage, Boy George, Sade, Andy Polaris, and Marilyn, as well as key influencers Perry Haines, Chris Sullivan, Midge Ure, Iain Webb, and stylist Kim Bowen, couture milliner Stephen Jones and Game of Thrones costume designer Michele Clapton, deejay Princess Julia, Darla Jane Gilroy, Stephen Linard, Melissa Caplan, Judith Frankland, Dinny Hall, John Maybury, Cerith Wyn Evans, Simon Withers, Ollie O’Donnell, Richard Ostell, Paul Sturridge, Franceska King, Milly Dwit, Vivienne Lynn, Theresa Thurmer, Lesley Chilkes, David Holah and a hundred more.

Blitz Kids, Clubbing, exhibitions, Fashion, influencers, London, New Romantics, Swinging 80s, Youth culture, Blitz Kids, Design Museum,

Press call: Tim Marlow, Robert Elms, Danielle Thom and Rusty Egan

The exhibition will feature over 250 items, many unseen by the public, ranging from clothing and accessories, design sketches, musical instruments, flyers, magazines, furniture, artworks, photography, vinyl records and rare film footage.

Yesterday’s press launch at the Groucho club proved one of the liveliest in a long while with spontaneous banter between the Museum director Tim Marlow, Robert Elms, Rusty Egan and curator Danielle Thom. They promised a sensory extravaganza which will surprise us when we walk into the exhibition.

Among other things, Elms reminded us how young his pals all were: “We were called Blitz Kids because we were kids, almost no one over the age of 21 – some of us 16/17… Most of us were really young and creative but also really mischievous. One of the things about the Blitz is that it’s sometimes portrayed as a bit po-faced, all these people posing – we were certainly doing that but it was anything but po-faced. It was scurrilous, dangerous, naughty, it was sexy, all those things.

Blitz Kids, Clubbing, exhibitions, Fashion, influencers, London, New Romantics, Swinging 80s, Youth culture, Blitz Kids, Design Museum,

The Last Word: Robert Elms entertains museum director Tim Marlow (not to mention Groucho Marx, at rear)

“Rusty provided this wonderful backdrop. He never played too loud, so people could dance but at the front end you could still talk. I could get Steve Dagger in my ear saying ‘We’re going to take over the world!’ It wasn’t a disco but a club in the best sense of the word, of like-minded individuals.”

Egan proved as sentimental as ever, reminding us of the legacy of the 1970s: “A hundred kids were coming in on a Tuesday night in the Winter of Discontent. It was a very miserable time, it was also really miserable to be not sure if you’re a boy or a girl but ‘Hey man, Let’s go out into the night’ – and as a DJ I played songs which said ‘He was a she and then, Hey babe, take a walk on the wild side’ … Lyrics were very important as they were for the Rolling Stones in 1977 when disco was get up, stand up, boogie oogie. We wanted lyrics.”

Elms had the last word on the Blitz as the event came to an end: “My mates were quite cool. There were a couple of hundred Herberts and urchins, over-dressed, undervalued, who actually went on to define the decade. This is our place in history and this exhibition is overdue. It’s a recognition that this wasn’t just a load of silly kids with high hair.”

➢ Blitz: the club that shaped the 80s runs from
20 Sept 2025 until 29 March 2026 at the Design Museum
in Kensington. Tickets on sale now.

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2025 ➤ Here’s to those Faces who created a new breed of journalism for the 1980s

Swinging 80s, Club Culture, Nick Logan, Steve Dagger, photography, exhibitions, London, National Portrait Gallery, Face Magazine,

Kings among influencers: Nick Logan and Steve Dagger, at the NPG private view. (Photo © Shapersofthe80s)

❚ AN EXCEPTIONAL CHAMPAGNE PARTY last night launched a compelling exhibition celebrating The Face magazine’s role as Britain’s “style bible” (*see below) for just over 20 years. A thorough display of photos and glass-boxed showcases of the magazine itself confirmed what a revolution in fashion and design took place between 1980 and 2004. And London’s National Portrait Gallery invited several generations of survivors to revisit their contributions, chief among them Nick Logan, founding owner and editor of The Face, as sociable yet bashful as he’s ever been, along with his partner Mia.

His gift, apart from investing £3,500 of his savings, was to put cool design and quality writing to the fore, at a time when Britain’s four weekly rock newspapers were a very narrowly acquired taste. Logan’s brief also went way beyond music into all aspects of culture and anthropology. That’s the main reason that both he and his radical designer Neville Brody – *who in five years established an inspired new visual language in print – both reject the description “style bible”, just as none of the New Romantics has ever owned up to that name dumped on them by the media.

Click any pic to enlarge in a slideshow:

No less a king influencer was Steve Dagger whose band Spandau Ballet changed the dreary noise of 70s pop into a new kind of dance music for the 80s. Two more such kings who helped shape the Swinging 80s were the St Martin’s graduate milliner Stephen Jones whose hats graced the heads of the first Blitz Kids then went on adding bazzazz to designer collections across the globe… And Peter Ashworth whose super-lit photographs have captured musical and fashionable excess just as far across the globe ever since.

Other vintage faces included Lesley White (the first front-desk copytaster at The Face’s various offices), St Martin’s star fashionista Fiona Dealey, clubland deejay Jeremy Healey, film-maker and musician Jamie Morgan, pioneering music journalist Paul Simper, and Derek Ridgers the straight-up photographer whose pictures illustrated many of my own nightlife reports in The Face’s early years.

Swinging 80s, Club Culture, photography, exhibitions, London, National Portrait Gallery, Face Magazine, Nick Logan, Neville Brody, Kathryn Flett

NPG talk about the Face exhibition: editor Nick Logan, art director Neville Brody and from 1987 the mag’s first fashion editor Kathryn Flett. (Photo © Shapersofthe80s)

Swinging 80s, Club Culture, photography, exhibitions, London, National Portrait Gallery, Face Magazine, Chris Sullivan, Ollie O'Donnell

Face exhibition video display: Who’s Who in clubland reportage by Yours Truly, featuring Chris Sullivan and Ollie O’Donnell. (Photo © Shapersofthe80s)

➢ The Face Magazine: Culture Shift exhibition
(20 February–18 May 2025 at the National Portrait Gallery) brings together the work of 80 photographers, featuring 200 photographs as a unique opportunity to see many of these images away from the magazine page.

Swinging 80s, Club Culture, photography, exhibitions, London, National Portrait Gallery, Face Magazine, Neville Brody,

Wise words from the man who subverted graphic design. (Photo © Shapersofthe80s)

➢ Previously at Shapersofthe80s:
1980, Power brokers of the fourth estate

➢ Also at Shapersofthe80s: 1980, How three wizards
met at the same crossroad in time

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2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Paul Edmond,

Kahn & Bell in their heyday, photographed by Paul Edmond

❚ IT’S GOOD TO SEE how trendsetters in Birmingham have been reminding the world of the city’s reputation for creativity. Only last December people with long memories succeeded at finally getting a blue plaque erected on the site of the legendary nightspot, the Rum Runner, birthplace of the international supergroup Duran Duran during the Swinging 80s, and a vital platform for Annie Lennox, Fine Young Cannibals, Dexys, Fashion and Sigue Sigue Sputnik.

No less famous than the Rum Runner were Jane Kahn and Patti Bell, the fashion duo with their boutique at 72 Hurst Street from 1976 to 1986, which became an epicentre for the alternative music and fashion scene. Their penchant for fantasy and theatricality found them designing hand-made clothing for Duran Duran, the dance group Shock and even Eurovision winners Bucks Fizz. One of their models who worked in the shop as a teenager was the local drag legend Twiggy.

K&B have been described as Birmingham’s equivalent to Vivienne Westwood and the New Romantic magazine New Sounds New Styles observed in 1981: “When similarities to London designers were seen in their collections it was considered that Birmingham had copied London.” This was by no means the case. Duran’s photographer Paul Edmond preferred to describe Patti and Jane as “the queen and princess of the Birmingham New Romantic scene… Patti was the Vivienne Westwood, with Jane as Zandra Rhodes. Jane was perhaps slightly more refined in her fashion design and Patti was the more outrageous one, the most outgoing”.

Even so, in 2006, Duran’s Nick Rhodes created the compilation album Only After Dark to celebrate the music played at the Rum Runner, and lamented with hindsight: “Allegedly this was the UK’s second city, but you couldn’t help but wonder at the gaping disparity with the capital. If this was the second city, what might life be like in the thirteenth?”

Click any pic to enlarge as a slideshow:

In tribute to the iconic designers, an exhibition titled “It’s Not Unusual: a photographic homage to Kahn & Bell” has being curated by the National Trust with input from local photographer Gary Lindsay-Moore, at a quaint terrace of restored shops known as the Back to Backs Museum in Hurst Street. It opens on 9 June though visiting hours are very confusing on the B2B’s complex website so better ring for specific information, as booking seems necessary.

Today no less than in the Eighties, Brum remains Britain’s “second city”, as a focus for a population of more 4 million people in the wider West Midlands, the largest metropolitan county outside the capital. Its fashionable Digbeth scene has been compared to London’s Shoreditch. Likewise Brindleyplace, the Hurst Street village and Broad Street, where a Brummie version of Hollywood’s Walk of Fame once saw large brass stars set into the pavements on both sides honouring local showbiz heroes and institutions. Sadly, this year I counted only a handful remaining. The whole of Broad Street was resurfaced in the recent extension of the metro tram route westwards and most of the brass plates in the Walk of Stars were ripped out.

If we feel rightly sentimental about our past so that a gilded statue of those industrial pioneers Boulton, Murdoch and Watt stands prominently on Broad Street only yards away from the Black Sabbath Bridge – recently renamed after the local rock band – why are David Bintley, Jeff Lynne, the Birmingham Royal Ballet and the Aston Villa Team of ’82 among the only star names to remain embedded in the pavements? To have lost the Walk of Stars as mementoes of the city’s history is a crying shame.

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One of the few surviving brass stars still visible in Broad Street’s Walk of Stars, this one a tribute to Aston Villa FC

➢ It’s Not Unusual exhibition runs 9 June-17 Dec, at B2B Museum at 61 Hurst Street, Birmingham, B5 4TE

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Rum Runner,

The blue plaque finally awarded to the site of the Rum Runner nightclub in Birmingham

Updated 23 July 2023… NEW SOUNDS, NEW STYLES is a live panel discussion just announced for Friday 25 August at 6.30pm in the Birmingham Back to Backs at £5 per ticket. Linking with the museum’s exhibition on Kahn and Bell, this event will explore the culture of the punk and New Romantic scenes in Birmingham in the late 1970s and 80s. The discussion will be chaired by Jez Collins of Birmingham Music Archive and panel guests will include Carl Phillips, Dylan Gibbons and Carol Maye.

➢ Buy NSNS tickets from Birmingham Back to Backs

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Hurst Street’s terrace of vintage shops now home to the National Trust’s Back to Backs Museum in Birmingham

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