Category Archives: Pop music

➤ Blue Rondo’s fat has been a long time a-chewing but May is now the month

Blue Rondo à la Turk,Chris Sullivan,remix, ,British, Latin-funk,1980s, dance music,

Me and Mr Sanchez: 1981’s debut chart hit for Blue Rondo à la Turk with cover art by former Wag club host Chris Sullivan

❚ PROMISES! PROMISES! All-round clubbing maestro Chris Sullivan has been faffing away for a year since he got his hands on the original master-tapes of his stand-out Latin-funk dance-band of 1982, Blue Rondo à la Turk. Going public on Facebook today, he dares to promise a re-release of their first album Chewing The Fat this spring (having originally mooted it for last spring), meanwhile posting online a punchy fresh mix of their debut chart single, Me and Mr Sanchez.

Sullivan said: “This is a remix we’ve done for our forthcoming bonus remix CD to accompany the first ever CD release of Blue Rondo’s first album Chewing The Fat on May 5.” Then comes the killer punch: “We’re looking to license it to a TV company for the World Cup… any ideas? It’s a no brainer and the original was used in Brazil by Globo TV for the 1982 World Cup but this is a better mix.”

A year ago he was downloading the whole Rondo catalogue fresh off the original tapes, saying: “First time anyone will have heard them digitally – other than disc dubs, of course. Looking back and listening to the tunes (especially the Heavens are Crying mix) what astonishes me is the f***-you-we’ll-do-our-thing approach.”

Since then Sullivan has released a handful of mixes from the putative new album, including an earlier mix of Mr Sanchez about which he acknowledged that the dean of swing, ex-Rondo guitarist Mark Reilly, “did the lion’s share”.

➢ Blue Rondo breathe fresh life into Mr Sanchez

➢ A brighter Bluer Rondo for the 20-tweens

➢ Sullivan and his hinterland 1982–2012

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➤ Prince live in London puts the afro back in fashion!

Prince, live, London, pop music

Last night’s secret gig: Prince live at the Electric Ballroom in London backed by his new band 3rdEyeGirl. (Photograph PA)

❚ HERE’S THE GODLIKE ONE live onstage in the Electric Ballroom at about 1am this morning all in black with a furry sleeveless top plus wild afro hair. Prince was backed by his new band 3rdEyeGirl and his audience consisted of whoever ventured out in last night’s lashing storm.

His first London gig since he played 20 nights at the O2 arena seven years ago opened with a slow version of I Could Never Take the Place of Your Man and Prince told the smattering of fans: “You sound like ten thousand. We love each and every one of you.” His manager Kiran Sharma tweeted: “If you were there… you know :) See you tomorrow! Same place.”

Prince, now aged 55, said he hoped to play “iconic” London venues such as Ronnie Scott’s jazz club and the legendary 60s club the Bag o’ Nails, where Jimi Hendrix performed and recently reopened.


According to the passionate lifelong Prince fan Goldies Parade a series of “guerrilla gigs”, which mark the release of the PlectrumElectrum album, is expected to be held at the Electric Ballroom for the remainder of the week. Info is sparce but leaked out following the long-awaited “press conference” in the Leyton, east London, living room of Lianne La Havas, the British soul singer whose debut album became iTunes Album of the Year 2012. There Prince played two acoustic tracks, Pretzelbodylogic and FunkNRoll, bathed in purple light.

The London jaunt is, he said, “open-ended – we’re going to be here until people don’t want to hear us any more”. 3rdEyeGirl consists of Danish bassist Ida Nielsen, Canadian guitarist Donna Grantis and American drummer Hannah Ford.

Ticketing for further dates is to be handled by one outlet, but to avoid touts cashing in, tickets for this week – price £6 !!! “because it’s a new band” – will be available only on the door and only one per person.

This year of course marks the 30th anniversary of Prince’s astonishing debut album Purple Rain.

➢ On video: the monster queue for tickets in Camden at 3pm!

Prince , live, concert, UK tour, Electric Ballroom, pop music

First pic tweeted last night: Prince live at the Electric Ballroom. Photograph @stephenbudd

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2014 ➤ Video gems unearthed by the Spandau Ballet biopic premiering at SXSW

Spandau Ballet

Spandau ahoy! Houseband of the New Romantics playing aboard HMS Belfast in 1980. Martin Kemp on bass, Steve Norman on guitar. (Photo by Virginia Turbett)

FEB 12 UPDATE FROM SPANDAU AT FACEBOOK:

Spandau Ballet (Official)
“Awesome Spandau meeting yesterday! 2014 and 2015 are shaping up rather nicely, I would say.”

“Look out for MORE exciting Spandau news coming very soon! This is just the start.”

❚ SEVERAL MOVIE DISCOVERIES have been made by the researchers on Spandau Ballet’s new biopic Soul Boys of the Western World, due to be premiered on March 12 in the USA at SXSW. One is footage of the band’s secret live performance aboard the World-War Two cruiser HMS Belfast. In order to emphasise the newness of their synthesised pop music, the band’s ground rule was never to appear at established rock venues. So for their seventh invitation-only date on July 26, 1980, a glittering horde of Blitz Kids descended on the warship moored in the Thames near the Tower of London.

Spandau Ballet, archive, HMS Belfast,SXSW,Blitz Kids

Precious footage of Spandau’s HMS Belfast gig, 1980: two reels of Super8 exhumed from the vaults by ex-Blitz Kid Nick Jones

Songwriter Gary Kemp says: “There are two pieces of archive that most surprised me. The first was the HMS Belfast performance from 1980. I never knew it existed until last year when our manager Steve Dagger had a vague memory that one of the Blitz Kids, Nick Jones, had a Super 8 camera. (He went on to play in the Latin-tinged dance-band Funkapolitan with Tom Dixon and Kadir Guirey, and today he’s a successful director of commercials.) It was some time before Nick could gain access to his storage and at first found nothing. Then we got sent the pic you see alongside.”

Kemp adds: “The footage is in beautiful Super 8 colour and shows the raw energy of that night inside the hot and steamy ship. It lasts eight minutes, but was enough to evoke the moment when Spandau were THE band of London, elusive, unique, magnificent.”

Petr Capaldi, Spandau Ballet, 1982,

Peter Capaldi at 23: comic support on Spandau’s 1982 Diamond tour. (Photo by Shapersofthe80s)

He adds: “The other archive that revealed itself, 33 years after being filmed, was the entire New York gig that we did in the Underground club in 1981.” This footage emerged after painstaking inquiries only last autumn and Spandau can be seen onstage in all their glory sporting their nomadic serfs garb from the Musclebound video.

Some of us also remember the 23-year-old Scottish stand-up who was invited to support Spandau Ballet on the Diamond tour of the UK in 1982. This was Peter Capaldi who has enjoyed spectacular success in the years since then and was revealed recently as the BBC’s 12th Doctor Who.

Kemp adds: “The new Doctor Who is definitely seen in the film – on a tour bus I believe – which explains his new Tony Hadley style as Doctor Who! Come and see the movie and enjoy our history.”

ENTRY TO SXSW EVENTS CANNOT BE GUARANTEED

❏ Plan before you travel: SXSW is an industry event which charges hefty registration fees, for example, Films-only registration costs $650 for walkups. However the website says if, after delegates with badges and wristbands are seated at film events, any seats remain, “single-admission tickets will be sold for $10 starting 15 minutes before showtime”.

SXSW update after the live gig is announced, Feb 21: “For the music portion of the event, the situation is very similar. There will most likely be tickets for sale at the door but it varies from venue to venue. Tickets may be sold if capacity allows. Our best advice is to get to the venue early or contact them to see if they will be selling tickets at the door and also see how long the wristband/badge lines are to judge if you could even get in.”

➢ 1982, How Spandau put Capaldi on the road to play
the new Doctor Who

➢ Spandau together again as their ‘surprise’ movie is slated for Texas premiere – more on SXSW 2014 at Shapersofthe80s

New Romantics,

Blitz Kids ahoy! A dazzling audience aboard HMS Belfast for Spandau Ballet’s seventh date. (Photo – Getty)

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2014 ➤ Reunion in the air for Culture Club – again

Culture Club, reunion, 2014,Mikey Craig, Roy Hay, Jon Moss, Boy George, pop music

January 2014: George with his old band-mates from Culture Club – clockwise, Roy Hay, Mikey Craig and Jon Moss (photo from Facebook)

➢ Boy George posts a new pic at Facebook Jan 31, and says:
Had a little writing session with the Club last week. Four degrees of pout! The plot thickens.” … His website adds: “Expect a new album and a tour from Culture Club by the end of 2014.

❏ The last time George announced a Culture Club reunion (2011 New Year’s Eve gig in Sydney, Australia) Jon Moss was also photographed in the studio rehearsals, but he couldn’t be there on the night. Update Feb 2014: In an entertaining new interview on YouTube (below) Jon explains why at around 12 minutes…


➢ 2014 George adds six new UK dates to his This Is What I Do tour including London Indigo

➢ George announces his new website, Jan 29 and Club Culture Radio, his new monthly podcast

Culture Club, 1982,Mikey Craig, Roy Hay, Jon Moss, Boy George, pop music

Early incarnation of Culture Club in 1982: described by George at Facebook as Mikey’s difficult “jumper” period

➢ Boy George at Facebook, Jan 24:
A lot of people don’t know I’m a DJ but I’ve been doing this for 30 years! They say, Oh you’re not the Boy George from the 80s though are you? and I say Yeah, there’s only one; it would have been dangerous to make two! The fan comments are even sharper, eg, “Do you do private weddings?”

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2014 ➤ Spandau together again as their ‘surprise’ movie is slated for Texas premiere

Spandau Ballet, Botanic Gardens, New Romantics, Blitz Kids, Birmingham.

Kilted leaders of the New Romantics in 1980: Spandau Ballet plus their entourage of Blitz Kids travelled to Birmingham’s Botanic Gardens to play their eighth live date. (Photograph by Shapersofthe80s)

[Updated Feb 12]

❚ WITH A TITLE AS ZEALOUS AS any of their New Romantic songs from 1980, Soul Boys of the Western World is the documentary movie about the time Spandau Ballet became the musical leaders of London’s underground clubland. For two years they were the trendiest creatures on the planet as they reshaped British music and fashion, believe it. The 102-minute biopic is to be premiered on March 12 in the 24 Beats Section of the prestige new-media conference SXSW in Austin, Texas, running March 7–16. To complete the first reunion of the whole band since their 2010 tour ended, singer Tony Hadley will be flying out to join Gary, Martin, John and Steve at the screening.

Fans who imagine they can gate-crash, however, will be seriously stymied by the price of registration for the film programme which increases to $650 the later you book. Before travelling to Austin, Spandau fans are advised to ensure they have secured a ticket. Hints from the Spandau team suggest there may be more news soon.

Spandau Ballet, New York, Underground club, 1981

1981 footage found: Spandau’s first New York performance recovered after this cameraman was traced. Photographed by © Shapersofthe80s

The film contains no present-day pontificating from the band’s famously garrulous entourage of talking heads, only through vintage film footage telling their story as it unfolds. Steve Dagger, Spandau’s manager and its sixth member since the band was created and now the film’s co-producer, is impressed and excited by the extensive research which has been fanatically pursued for the past three years. Initiated by archive producer Kate Griffith, this has turned up many true gems of previously unseen footage even of the landmark “First Blitz invasion of America” with the Axiom fashion collective in 1981 which was located in only the past three months. Offcuts from footage of the band’s followers shot in Le Kilt club for BBC Newsnight were also discovered in a box that remained unopened for 30 years. There are also clips from the band’s home movies.

Songwriter Gary Kemp is over the moon at the painstaking finesse of the production led by Scott Millaney, one of the iconic producers of 80s pop videos. Kemp said last week: “People should be really knocked out by some of the material we’ve discovered.”

Director George Hencken aims to takes audiences through the cultural, political and personal landscapes of Britain as the Swinging 80s burst from the recessionary gloom of the 70s. Soul Boys Of The Western World explores life inside the bubble of global superstardom when British pop music ruled the world. Spandau Ballet themselves believe the film to be “a brutally honest story of how friendships can be won, lost and ultimately regained”.

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Nomad warriors on the streets of north London, 1981: Spandau Ballet dressed for their Musclebound video. Martin Kemp called his the Mad Monk outfit. (Promotional pic for the documentary film, Soul Boys of the Western World)

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