Category Archives: Pop music

1963 ➤ Where were The Beatles the day Kennedy was shot?

Beatles, UK tour, 1963, Globe theatre, Stockton-on-Tees, Beatlemania, Paul McCartney, John Lennon, CBS News, video, JFK, assassination, President Kennedy, Nov 22,

Beatles live onstage in Stockton, Nov 22, 1963: George Harrison at the microphone on the night Kennedy was shot. Note the amplifier perched on a chair!

60
YEARS
ON

❚ WHERE? LIVE, ONSTAGE IN STOCKTON-ON-TEES. Count the simple Vox amps behind the band and note how one is perched on a chair! This picture was taken on Friday Nov 22 1963 at the 2,400-seat Globe theatre when the Beatles played the art-deco venue on their first nationwide tour. The band’s half-hour set during twice-nightly performances at 6.15 and 8.30 was supported by seven other acts with tickets priced from 6 shillings to 10s 6d, when a workman’s weekly wage might be £7….

➢ Read on at Shapersofthe80s:
1963 ➤ With The Beatles the day Kennedy was shot

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2023 ➤ Fans vote for Bowie’s Top 26 best videos

Favourite Bowie Videos, David Bowie, Ashes to Ashes, David Mallet, Tony Visconti, pop music, jazz

❚ THE OFFICIAL DAVID BOWIE WEBSITE has polled his fans to elect their five favourite videos by the musical genius whose career transformed pop music over 50 years. No surprise perhaps that Ashes to Ashes came out top, capturing a crucial turning point in Bowie’s own progress in 1980 and becoming his second No 1 UK single and an international hit. It was an arty track from his 14th studio album, Scary Monsters, with a funky bassline, refined lyrics reaching back to his debut single Space Oddity and its astronaut Major Tom, while its dreamy solarised visual effects also reflected Bowie’s own experiences with drugs. Several critics declare Ashes to be among Bowie’s best songs musically and for inventiveness, and the video itself stands at number 44 in Rolling Stone’s 100 best.

For both its sleeve and video, Bowie commissioned a Pierrot pantomime costume. Significantly, the video starred four overdressed figureheads (including Steve Strange) from London’s nightlife scene, which was exploding into a gloriously colourful new subculture as a reaction to the bleakness of punk. Let’s not forget that Ashes was the most expensive music video made to date, costing £35,000 (about £140,000 in today’s money) and MTV had yet to be launched. [Read the full background story behind recruiting and filming the Blitz Kids for Ashes here at Shapersofthe80s.]

The team at DBHQ doff their hats to video director David Mallet for achieving nine entries in their video top 20, more than a third.

BEST VIDEOS HIS FANS VOTED FOR

#01 – Ashes to Ashes 1980 – David Bowie and David Mallet
#02 – Life on Mars? 1973 – Mick Rock
#03 – Boys Keep Swinging 1979 – David Mallet
#04 – Jump They Say 1993 – Mark Romanek
#05 – I’m Afraid of Americans 1997 – Dom and Nic
#06 – ★ Blackstar – 2016 – Bo Johan Renck
#07 – DJ 1979 – David Mallet
#08 – The Hearts Filthy Lesson 1995 – Samuel Bayer
#09 – Lazarus 2016 – Bo Johan Renck
#10 – The Stars (are out Tonight) 2013 – Floria Sigismondi
#11 – The Next Day 2013 – Floria Sigismondi
#12 – Let’s Dance 1983 – David Mallet
#13 – Look Back in Anger 1979 – David Mallet
#14 – Strangers when We Meet 1995 – Samuel Bayer
#15 – China Girl 1983 – David Mallet
#16 – Loving the Alien 1985 – David Bowie and David Mallet
#17 – Little Wonder 1997 – Floria Sigismondi
#18 – Blue Jean / Jazzin’ for Blue Jean 1984 – Julien Temple
#19 – Fashion 1980 – David Mallet
#20 – Wild is the Wind 1981– David Mallet
#21 – Thursday’s Child 1999 – Walter Stern
#22 – Where are We Now? 2013 – Tony Oursler
#23 – Absolute Beginners 1986 – Julien Temple
#24 – Space Oddity 1972 – Mick Rock
#25 – The Jean Genie 1972 – Mick Rock
#26 – Be my Wife 1977 – Stanley Dorfman

AMONG THE COMMENTS AT FACEBOOK:

Adam Paramore: Great list, interesting that there’s nothing from Ziggy Stardust (IIRC, some concert clips were used as music videos), no Labyrinth tracks, no Modern Love, and no Dancing in the Street with Bowie & Jagger.
Anthony LeBaron: One notably absent video from the list I would add is No Plan. Released a year after his passing, it captures the enormous loss and despair I still felt at losing him.
Rudy Fuentez: Ashes to Ashes is probably his best video, but to me his best song is too hard to decide. Cat People (Putting out the Fire), Always Crashing in the Same Car, Young Americans, Absolute Beginners, This is not America… too many songs. Might as well ask what do you think is the brightest star in the heavens.
Andrew Seear: I agree. Always Crashing in the Same Car I think is an astonishing piece, even by Bowie’s standards. I’ve never heard despair expressed so elegantly.
Stacey Rich: Coolest thing was cycling to Pett Level [where Ashes was filmed] – totally unchanged on the day, a little overcast, the beach empty. Grew up in America & never realised it was an actual place but had shown my partner the video and he recognised the beach immediately. Actually teared up.
Stephen Oldfield: The lyrics and music on this track [Ashes] are stunning. The closing synthesiser must be the greatest on any song ever.

PLUS TWO VERY SPECIAL
PERFORMANCES ON VIDEO

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In December 1979 Saturday Night Live aired the most immaculate performance of TMWSTW by Bowie, Klaus Nomi, Joey Arias, Stacey Hayden on guitar and Jimmy Destri on keyboards, which some say was the night “he transformed live television”. This nine-minute clip also includes brilliant versions of TVC 15 with Bowie in skirt and heels, plus a hilarious performance of Boys Keep Swinging where he sports a life-sized nude puppet costume. Click on the picture to view, though don’t be surprised if you cannot reach the video. For rights reasons, this unrivalled video keeps being removed from the web by its broadcaster, so we stay on our toes scouting for alternative postings!

❏ I TOTALLY AGREE with the first three videos topping this DB poll, and draw special attention to Mick Rock’s remarkable promo for Life on Mars. Another that haunts my imagination is 2014’s Where are We Now? Moving on, I’d urge those who haven’t seen two other very special performances by Bowie to seek them out. One is an exquisite interpretation of his enigmatic song The Man who Sold the World which some claim “transformed live television” [pictured above]. Admittedly this is not a promotional video and yet it was uniquely choreographed and costumed for live performance on American TV’s Saturday Night Live in 1979 before its audience of millions. Idiosyncratic backing singers Klaus Nomi and Joey Arias provide immaculate support, while carrying Bowie forward as a kind of giant pierrot, clad in an oversized black plastic dinner jacket over a tapered tubular body – all inspired by artist Sonia Delaunay’s designs for a subversive Dadaist play from 1923. When written in 1970, the lyrics and the singer were evidently sharing an identity crisis and since his death Rolling Stone has regarded this number as “essential”.

❏ HERE’S A SECOND profoundly affecting video that’s often ignored yet it reveals the extraordinary range of Bowie’s singing voice. Possibly the purest experimental jazz number of his career, the nerve-tingling Sue (or in a Season of Crime) was created in 2014 during a session with 17 jazz soloists including saxophonist Donny McCaslin, all improvising under Maria Schneider’s guidance and running beyond seven minutes. The role of jazz in Bowie’s musical temperament seldom gets discussed, though his producer Tony Visconti says the jazz influence had always been there in the music but beneath the surface. The haunting four-minute video was directed in monochrome by Tom Hingston to promote Bowie’s “best-of” collection, Nothing Has Changed.

All taking place as Bowie was being diagnosed (discreetly) with liver cancer, Sue evokes a discomfiting tale of infidelity inspired by the poet Robert Browning, in which the narrator murders his wife and the last verse begins with the phrase “Sue, I never dreamed”, the title of the first song he recorded in 1963. Such a weepie. (An edgier, punchier, superior re-recording of Sue followed on Bowie’s final album Blackstar, released two days before his death.)

➢ Previously at Shapersofthe80s:
12 January 2016, David Bowie is dead

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2023 ➤ Glorious pop sleeve artwork that is pure Gold

David Band, artwork, Swinging Eighties, The Cloth, Spandau Ballet, Gold single, pop music, singles

David Band’s collaged sleeve for Spandau Ballet’s single Gold

40
YEARS
ON

ENJOY THIS SENSATIONAL ARTWORK! I’ve never before seen this sleeve design for Spandau Ballet’s single GOLD launched today 40 years ago and it shows artist David Band at his best! This image was revealed today by Andrew Dineley of The Cloth, a cool studio of fashionista artists during the mid-Eighties within which Band was a leading light and a regular designer of Spandau artwork who thus helped rebrand the group’s image in the post-Blitz era.

It was revealed today on the anniversary of the single’s  release in a post at Facebook where Dineley says: “Band created a collage using paper, pencils, pastels and paint. The artwork was conceived to be folded three times to reveal just 1/6 of the piece on the front-side of the sleeve. The complete collage was shown in full on the back of the standard single cover and in full on the limited edition poster bag.”

So not a lot of people will have known that! Or have ever seen this superb creation before.

➢ Gold sleeve artwork by David Band, as posted today at Facebook by Andrew Dineley

David Band, artwork, The Cloth, Swinging Eighties,

David Band with his artwork for Spandau in May 1984. (Photo © Shapersofthe80s)

David Band, artwork, The Cloth, Swinging Eighties,

David Band with his artwork in 1985. (Photo © Shapersofthe80s)

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1980 ➤ Out of the blue, Duran’s first gig pictured at the Rum Runner

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Duran Duran: Who’s who in this debut line-up on 16 July 1980 onstage at the Rum Runner in Birmingham? (More to the point, who actually took this photo?)

❚ NEVER SEEN BEFORE! Or so I thought a few days ago! This superb colour photo of Duran Duran’s debut gig introducing Simon Le Bon on vocals and Andy Taylor on guitar has just been published on Facebook. The band are captured live on 16 July 1980 at Birmingham’s stylish nightspot the Rum Runner and fans have been amazed at a certain blondness and general skinniness of the performers, but after all their average age is only 20. From the left: Yes Simon is blond, yes “Tigger” John Taylor looks truly gangly on bass, yes Andy is in leopard-print pants, and yes Nick Rhodes is playing the Crumar synth at rear. (Drummer Roger Taylor is sadly not visible.)

This sensational picture arrived on the Durantastic World page at Facebook on the 43rd anniversary of the gig and I was one among many fans who had never seen it before. Yet the DW Admin couldn’t say who took it. One follower, Emma Leigh, attributed the image to a photographer who goes only by his Twitter handle @Birmingham_81 (currently unused) and otherwise remains anonymous! Baffled and amazed by suddenly discovering that any photo of Duran’s live debut existed, I embarked on a prolonged Google search.

As the day went on I actually unearthed FOUR photos of that 1980 gig – now published here on this page – which were buried perhaps unsurprisingly in one official Duran website dating from 2015, and another encyclopedic online history of the band in 2018, so all the more puzzling that they haven’t spread widely across social media circles. The best pic, shown here at the top, has sat in DD’s album page at Facebook since 2015, unforgivably dated wrongly to 12 March 1980, months before Le Bon joined the band.

A second pic was also posted by DD at Facebook in 2018 on the correct anniversary of the debut. This is the frontal view in which we can just see Roger on drums, though really too small to enlarge very successfully. Further googling led us through Not Your Mother’s Playlist, a blog by Christina, a 25-year-old pop culture addict from San Francisco who pictured the key photo without comment in 2019, and on to Duran Compilations which uniquely revealed two further pix from DD’s debut in 2018 while showing all four on one page – see below – again without special comment or hint of a source! This website detailing the band’s unofficial history was “compiled and developed by Ansgar Thomann in dedication to the 40th anniversary of Duran Duran’s birth”. He based the anniversary on 1978, when the idea of DD was born!

All four images make a fascinating testament to DD’s sense of style, especially Le Bon. Sad that nobody seems sure who took these landmark photos.

IMAGES SCARCELY SEEN BEFORE – CLICK TO ENLARGE

Core band members had been employed for a year or more around the Rum Runner by its owners, the brothers Michael and Paul Berrow, as bouncers, deejays and glass collectors, while a series of new musicians were tried out and let go.

Cristina’s NYMPL reports: “In 1978, cool kids Nicholas Bates and Nigel Taylor (who would then become Nick Rhodes and John Taylor) handed the Berrows a demo tape for their fledgling band Duran Duran and the rest is history; they held auditions until D-Squared became a full-fledged band with a guitarist and everything, and the Berrows became their managers.”

She adds: “Guitarist Andy Taylor recounts many interesting things in his book Wild Boy (a fantastic read). He talks about the wild behaviour of the club-goers – how flamboyantly they dressed, how behaviour norms didn’t apply and how sex, drugs, and glam rock were paramount. He also talks about the aptly named ‘Sex Offender’s Room’ (‘People weren’t politically correct, then,’ he writes), where the Durans and the Berrows dragged in a nice fluffy bed in a vacant corner, and then would purposefully walk in on one another when they were enjoying the, uh, intimate company of their guests.”

Simon Le Bon told Quietus in 2011: “I had some pretty amazing sex-and-drugs combined occasions. Which, ultimately, were very rock’n’roll. Just thinking back to the Rum Runner, what a place that was for five guys. . . it was probably illegal. In fact, a lot of it was definitely illegal.”

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DuranCompilations pulls out the plums, 2018: two more new images to make four DD debut pix scarcely ever seen

Once the 1980 line-up was finalised, it then took DD another six months as the club’s house band before landing a contract with EMI. During this time London’s New Romantic heroes Spandau Ballet notched their first chart single before year’s end. In February 1981 DD’s first single Planet Earth charted at number 12 with the phrase “New Romantic” unsubtly woven into the lyrics, while cool London bands refused to subscribe to the term.

Both Spandau and DD followed the image-conscious practice of pioneering stylish music videos with savvy directors such as Russell Mulcahy and Godley & Creme, which fuelled the British invasion of the US by British bands just as MTV was launched in August 1981. The first person we see in Duran’s first video, Planet Earth, is Roger Taylor who also told Quietus: “I think [director] Russell Mulcahy had a bit of a crush on me: ‘OK, get your shirt off, you’re the first one, lie back’.”

Perry Haines, ex-Blitz Kid, producer and first editor of i-D, told me in 1982: “Duran Duran were destined to be mass market. I styled their first photo session in Milton Keynes in frilly Axiom shirts with bolero jackets and silk Antony Price suits. It was a street-level look with the cut and style of Antony.”

Rolling Stone magazine recorded the brothers’ ambition: “They said, We want a good-looking poser band. . . somewhere between Chic and the Sex Pistols.”

COMMENTS AT DW FACEBOOK THIS WEEK:

Bill Rosich: The 16 July set list was: 1, I Feel Love; 2, Girls on Film; 3, Amy a-Go-Go (later Rio); 4, Night Boat; 5, Tel Aviv; 6, Late Bar; 7, Secret Success.
James Barr: It’s funny, but they’re basically in the exact same stage arrangement that they remain in to this day: Simon out front with John on his right and Andy (or the guitar player) on Simon’s left. Nick is then back and to the left and Roger back and to the right.
Lance Lowe: Was there. I played bongos for 5 minutes. It was a jazz dance night. Paul Berrow asked me to stand behind the bongos with the rest of the band for press shots at the Rum Runner. I just wanted to dance to music by Lonnie Liston Smith.

➢ Durantastic World page at Facebook

➢ Previously at Shapersofthe80s: 1981, Birth of Duran’s Planet Earth

New Romantics, Swinging 80s, Birmingham, Duran Duran, Rum Runner,

A broody looking Duran Duran en route to stardom: the band pose outside the glam entrance to the Rum Runner nightspot

➢ Previously at Shapersofthe80s: 2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion
➢ 1981, Inside the Rum Runner nightclub – by the people who were there

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2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Paul Edmond,

Kahn & Bell in their heyday, photographed by Paul Edmond

❚ IT’S GOOD TO SEE how trendsetters in Birmingham have been reminding the world of the city’s reputation for creativity. Only last December people with long memories succeeded at finally getting a blue plaque erected on the site of the legendary nightspot, the Rum Runner, birthplace of the international supergroup Duran Duran during the Swinging 80s, and a vital platform for Annie Lennox, Fine Young Cannibals, Dexys, Fashion and Sigue Sigue Sputnik.

No less famous than the Rum Runner were Jane Kahn and Patti Bell, the fashion duo with their boutique at 72 Hurst Street from 1976 to 1986, which became an epicentre for the alternative music and fashion scene. Their penchant for fantasy and theatricality found them designing hand-made clothing for Duran Duran, the dance group Shock and even Eurovision winners Bucks Fizz. One of their models who worked in the shop as a teenager was the local drag legend Twiggy.

K&B have been described as Birmingham’s equivalent to Vivienne Westwood and the New Romantic magazine New Sounds New Styles observed in 1981: “When similarities to London designers were seen in their collections it was considered that Birmingham had copied London.” This was by no means the case. Duran’s photographer Paul Edmond preferred to describe Patti and Jane as “the queen and princess of the Birmingham New Romantic scene… Patti was the Vivienne Westwood, with Jane as Zandra Rhodes. Jane was perhaps slightly more refined in her fashion design and Patti was the more outrageous one, the most outgoing”.

Even so, in 2006, Duran’s Nick Rhodes created the compilation album Only After Dark to celebrate the music played at the Rum Runner, and lamented with hindsight: “Allegedly this was the UK’s second city, but you couldn’t help but wonder at the gaping disparity with the capital. If this was the second city, what might life be like in the thirteenth?”

Click any pic to enlarge as a slideshow:

In tribute to the iconic designers, an exhibition titled “It’s Not Unusual: a photographic homage to Kahn & Bell” has being curated by the National Trust with input from local photographer Gary Lindsay-Moore, at a quaint terrace of restored shops known as the Back to Backs Museum in Hurst Street. It opens on 9 June though visiting hours are very confusing on the B2B’s complex website so better ring for specific information, as booking seems necessary.

Today no less than in the Eighties, Brum remains Britain’s “second city”, as a focus for a population of more 4 million people in the wider West Midlands, the largest metropolitan county outside the capital. Its fashionable Digbeth scene has been compared to London’s Shoreditch. Likewise Brindleyplace, the Hurst Street village and Broad Street, where a Brummie version of Hollywood’s Walk of Fame once saw large brass stars set into the pavements on both sides honouring local showbiz heroes and institutions. Sadly, this year I counted only a handful remaining. The whole of Broad Street was resurfaced in the recent extension of the metro tram route westwards and most of the brass plates in the Walk of Stars were ripped out.

If we feel rightly sentimental about our past so that a gilded statue of those industrial pioneers Boulton, Murdoch and Watt stands prominently on Broad Street only yards away from the Black Sabbath Bridge – recently renamed after the local rock band – why are David Bintley, Jeff Lynne, the Birmingham Royal Ballet and the Aston Villa Team of ’82 among the only star names to remain embedded in the pavements? To have lost the Walk of Stars as mementoes of the city’s history is a crying shame.

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Walk of Stars, Aston Villa Team of 82,

One of the few surviving brass stars still visible in Broad Street’s Walk of Stars, this one a tribute to Aston Villa FC

➢ It’s Not Unusual exhibition runs 9 June-17 Dec, at B2B Museum at 61 Hurst Street, Birmingham, B5 4TE

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Rum Runner,

The blue plaque finally awarded to the site of the Rum Runner nightclub in Birmingham

Updated 23 July 2023… NEW SOUNDS, NEW STYLES is a live panel discussion just announced for Friday 25 August at 6.30pm in the Birmingham Back to Backs at £5 per ticket. Linking with the museum’s exhibition on Kahn and Bell, this event will explore the culture of the punk and New Romantic scenes in Birmingham in the late 1970s and 80s. The discussion will be chaired by Jez Collins of Birmingham Music Archive and panel guests will include Carl Phillips, Dylan Gibbons and Carol Maye.

➢ Buy NSNS tickets from Birmingham Back to Backs

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Back-to-Backs Museum, National Trust,

Hurst Street’s terrace of vintage shops now home to the National Trust’s Back to Backs Museum in Birmingham

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