Category Archives: Media

2011 ➤ Spandau and Duran square up for battle just like the old days

Spandau Ballet, 2009, press conference, HMS Belfast, pop music, free CD

Spandau Ballet in 2009: answering our questions at their reunion press conference

❚ EVEN AS A UNIQUE CD COMPILATION of Spandau Ballet’s landmark hits is set for massive free distribution with The Mail on Sunday next weekend, Duran Duran announce a global concert live online at YouTube only days later, along with their own album release on CD. It could be the 80s all over again when the two arch-rival bands vied for the title of leaders of Britain’s New Romantics movement. So which veteran band will score the bigger hit in 2011?

Duran Duran, 2011, All You Need Is Now, YouTube, live stream, pop music

Duran Duran earlier this year: US and European tours, plus a live concert stream. Picture courtesy duranduran.com

Spandau’s special-edition CD features 12 tracks — half, including True and Gold, are remastered from their originals, with six live tracks coming from their show at London’s Sadler’s Wells in 1983, including the club anthem Chant No 1. The cover-mounted disc will be delivered free across Britain with every copy of the MoS, presumably because its marketing director expects Spandau to boost the paper’s circulation well past its average of 1,924,589 copies. Last Sunday Gary Kemp recalled the 80s for MoS readers: “It was madly competitive as we were all tribal. Duran Duran wanted to be more successful than us, we wanted to be more successful than ABC, or Culture Club, or Duran themselves. We spurred each other on.”

Duran Duran, David Lynch,poster,YouTube,Amex, Unstaged,concert, Los Angeles,Meanwhile today, Duran Duran announce that David Lynch — fabled director of the movies Eraserhead and The Elephant Man — has been enlisted to direct a live DD concert to be streamed online on March 23/24 to launch the second season of Unstaged, a music series sponsored by American Express and Vevo. Amex has pushed this internet venture to team breakthrough artists with influential filmmakers using interactive social media as the outlet (full details at Billboard).

During a Facebook Live chat from SXSW John Taylor admitted that how Lynch intended to video the show was still a mystery but “we know it’s not going to look like any concert film has looked before”. Audiences around the world will be able to switch between the director’s high-definition main stream and alternate “Lynchian” artistic viewpoints when they tune into YouTube on Wednesday in the US at 10pm EDT / 7pm PDT — which is Thursday at 02:00 UTC. The concert will also be rebroadcast for the UK on YouTube at 7pm on March 24. (Check here for regions where Unstaged will be viewable live. The Los Angeles concert will then remain online for a month.)

Can Duran attract a bigger audience than Spandau’s 2million Mail readers? With their US tour starting this week, DD’s comeback album is released in the US as a physical disc next Tuesday. The video of its title track All You Need Is Now has scored 629,689 views since it was posted on YouTube on Dec 20, so it’s anybody’s guess how many fans will tune in for the live webcast. What’s yours?

WHAT THE RIVAL BANDS SAY

Talking up the imminent free CD, Spandau Ballet told last week’s Mail on Sunday what the tracks meant to them…

Spandau Ballet, Reformation tour, John Keeble, Dublin

John Keeble: Dublin sound-check as Spandau’s Reformation tour kicks off 2009

Martin Kemp “We gave Instinction to producer Trevor Horn who really turned it on its head. It became a monster.”

Steve Norman on Lifeline “We knew we couldn’t stay an underground band for ever – the mainstream pop charts beckoned and we knew we had to deliver. Cue smiles and kisses to camera!”

John Keeble “Only When You Leave was the lead single from the Parade album as the band established a more rock-based edge. It opened doors to a new group of fans and gave me the chance to rock a bit harder on the drum kit.”

Tony Hadley “Sadler’s Wells was one of the best venues for us. It was an intimate gig and perfect to showcase tracks from our album True, such as Foundation – a slice of white soul-boy funky pop – Communication – a great upbeat number – and Pleasure, which really captures the essence of the era.”

Duran Duran ,All You Need Is Now,Nick Rhodes, video

Nick Rhodes: last November's video for the comeback single, All You Need Is Now. Courtesy duranduran.com

Over in the States, Duran founder and keyboardist Nick Rhodes discusses the David Lynch webcast with Billboard today:

“The stranger it is, the more beautiful it will be. What appeals to us very much about working with David is that we like the way he thinks about things and how he’s always gone out on a limb to make things different. He works completely outside of the system, and that’s what we try to do. I think the combustion between us and David should create something that nobody’s ever seen before, something mysterious and magical and surprising.”

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➤ Gary Kemp puts his neck on the block — Spandau ‘the best live British band of the Eighties’

Gary Kemp, interview, Mail on Sunday, Spandau Ballet
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“I’m going to stick my neck out and say that we were the best live British band of the Eighties. Spandau Ballet’s records are an important part of the evolution of British pop music, and I’m enormously proud of them. We were part of the golden age of pop. We were a gang who made records.”
— Gary Kemp on Spandau Ballet in their heyday
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➢ Read today’s bold interview with Spandau’s songwriter Gary Kemp in the Mail on Sunday … In the zoot-suited shadows of Le Beat Route club, student journalist Dylan Jones — today the editor of GQ magazine — watched Kemp shoot the video that would launch Spandau Ballet to stardom. Thirty years later, they meet again

Jones writes:
Kemp’s band was more than just timely – the music they made was genuinely groundbreaking. No, the critics were not kind, painting them as dim, inner-city mannequins, yet their songs resonated with a generation of young men and women who were determined to explore social mobility in much the same way that their parents did in the 60s. Their most important record from this early period was Chant No 1 (I Don’t Need This Pressure On), a song that mirrored Ghost Town by the Specials.

“Chant No 1 was all about urban paranoia,” says Kemp. “I wanted to make a Soho film-noir song, something that was evocative of an urban experience. Dark shadows, dark corners. A fear of living on the edge in an urban environment as a young man. The early 80s were rough for most people, and I wanted to reflect that in the song. It’s a very dark track and one that mirrored the economic plight of the time.”

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➤ Haunting video catches grim carnage of the Japanese tsunami

➢ VIEW: Full three-minute aerial news footage as today’s tsunami races through the fields of Fukushima (BBC News website)

Japan, tsunami, Fukushima, news video,NHK World

Fukushima district: waves of black sludge carry buildings over fields of crops

➢ VIEW: Extended NHK World raw footage at YouTube of the same tsunami over-running dwellings at Fukushima
➢ VIEW: Even more appalling nine-minute tsunami sequence “as live” on NHK World
➢ VIEW: Shorter CNN clip as tsunamis hit Fukushima
➢ VIEW: Russia Today’s added helicopter view of successive giant tsunamis
➢ VIEW: Another YouTube version of the same tsunami over-running dwellings at Fukushima
➢ VIEW: Edited video package includes tsunami sequence at Guardian Online

❚ THE MOST DISTRESSING news footage of the day is this prolonged aerial sequence as an NHK news team pursues the grim rampage of the tsunami crossing the coastline of Japan to devour the farmland beyond. Nothing so visceral and horribly mesmerising has unfolded effectively in real time since 9-11 when we watched the wretched victims inside the Twin Towers trying to escape the flames.

Sendai, Japan, earthquake,map,USGSHere the flying camera witnesses the murderous progress of the tsunami through the Fukushima district after being triggered by an enormous undersea earthquake 80 miles offshore. A series of ferocious 20-ft high waves surge up the beaches to grab burning houses, boats and cars, shred them and speed all in a waterborne avalanche across the fields. We watch a river being engorged and surmounted within seconds, while the captive boats and swirling sludge career on towards motorists and pedestrians who we can see from above will be next to be consumed. It is heart-rending.

All along the seaboard, villages have been flattened, railway trains swept away, an oil refinery reduced to a hellish inferno, and you know thousands must be dead. Then came an eye-opening video, as if more proof were needed of the sheer might of water. The news footage below was shot at street level in Kesennuma City in north-eastern Japan where the camera operator risks joining the furious black torrent thrusting lorries and debris through the streets with incredible speed and force. The only course of action when a tsunami is announced is to head inland for high ground as fast as you can. Worth knowing when we, as fortunate observers of today’s horrors, take our next holiday anywhere in the Pacific.

➢ VIEW: More distressing scenes of the entire town of Tagajo in Miyagi on the rampage as a man videos his neighbours fleeing from the advancing debris
➢ VIEW: Submerged street scenes as the tsunami sweeps whole vehicles through Kesennuma City

Japan, tsunami, Fukushima, news video,BBC

Kesennuma City: the unstoppable torrent sweeps vehicles along streets

➢ Update March 13: Unimaginable series of satellite photos at the New York Times contrasting Japan’s coastal towns before and after devastation by tsunami

Sendai, Japan, Arahama, satellite photos, tsunami, devastation

The Arahama area of Sendai, Japan: satellite photos taken a year ago and yesterday by GeoEye. At the New YorkTimes website you can move the blue slider to and fro to appreciate exactly how uninhabitable is the wasteland left by the tsunami

➢ British Red Cross Japan Tsunami Appeal: “More than 500,000 people have been evacuated and are being housed in temporary centres”

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1981 ➤ The day Duran’s fortunes really took flight

❚ HAPPY 30th ANNIVERSARY to Planet Earth. On March 5, 1981, Duran Duran made their first appearance on the nationwide TV show Top of the Pops, a vital consequence of their debut single hitting the UK Top 40. Along with Spandau Ballet and Visage, Duran were the third British band to confirm the gathering force of the New Romantic movement, and TV’s pop flagship was to showcase a rush of new bands as springtime blossomed. Duran’s strongly contemporary electronic style is attributed to producer Colin Thurston, who had co-engineered David Bowie’s “Heroes”, and on his death in 2007 John Taylor paid tribute to Thurston as “a major catalyst for the 80s sound” which he was to reinforce on the band’s first album. “Without Colin’s depth of vision, we would never have become the band we became.”

Duran Duran, Simon Le Bon, Rum Runner, 1980, New Romantics,Planet Earth, video

Simon Le Bon: live on video at the Rum Runner in 1980

In the Planet Earth video mix above we see original footage of DD performing in 1980 at the Rum Runner, home of Birmingham’s then underground New Romantic scene.

The futuristic and stylish official video, shot later in a studio by director Russell Mulcahy, has been spliced in, all overdubbed with the audio track recorded at EMI’s Manchester Square studio with lyrics refreshed opportunistically to include the line Like some New Romantic looking for the TV sound (available as the Manchester Square Demo on the debut Duran Duran album remastered in 2010). One of Duran’s earliest songs, Late Bar, completed the B-side of the single released on Feb 2, 1981. An alternative arrangement of Planet Earth was also released on a 12-inch extended remix as what DD called a “night version” for the dancefloor. The single spent 14 weeks in the chart, peaking at No 12 in late March.

Among comments at YouTube, Jeremy Thirlby, musician and school friend of Nick Rhodes, points out that the dancers we see during the filming at the club were “drafted in actors” because for some reason “most regulars were excluded”! Unknown to everyone at Birmingham’s Rum Runner the very week when Duran were being filmed in July 1980, London’s ITV station was to air its 20th Century Box documentary about the Blitz club house band, Spandau Ballet. Bang! This was the starting gun that signalled the record-industry race to sign up the first of the New Romantic bands.

New Romantics, Duran Duran, Rum Runner, video, 1980, Planet Earth

New Romantics in full fig at the Rum Runner in July 1980: note the tell-tale moves in the Planet Earth video, such as the Ballet sway at 1:20, crucial handpasses at 2:18 and Pierrot’s wonky head at 3:06

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➤ Index of posts for February

People’s Palace, Valentine Ball, New Romantics, Astoria Finsbury Park

Frills, tassels and hats: Arrivals at the New Romantics ball, 1981. Photographed © by Caroline Greville-Morris

➢ 1981, New Romantics have their day — rearranging the deck-chairs at the posers’ ball

➢ 1944, “Go to work, Slim” — Lauren Bacall offers a musical treat for Valentine’s Day

➢ Guardian makes Shapersofthe80s an internet pick of the week

➢ 1961, No wonder The Beatles changed the shape of music after 456 sessions practising in public

Beatles, Hamburg, Astrid Kirchherr, Stuart Sutcliffe

The Beatles’ beat look, 1960: honed in Hamburg by photographer Astrid Kirchherr who took this picture when guitarist Stuart Sutcliffe was in the lineup

➢ The Kemp Brothers cook up a mystical morsel

➢ EMI chief confirms record company sale highly likely

➢ Rivals sniffy about Murdoch’s Daily — more an iPad magazine than a newspaper

➢ 1981, Birth of Duran’s Planet Earth — when other people’s faith put the Brummies into the charts

Duran Duran, New Romantics

Duran Duran in 1980: Birmingham’s fluffiest New Romantics

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