Category Archives: Media

2012 ➤ Gongs for newbies and oldies creating the UK’s new golden age of TV comedy

Hunderby, Sky Atlantic, Julia Davis, TV series, British Comedy Awards,

Hunderby, bowing in: “Daphne du Maurier on ketamine.” (Photo: Sky Atlantic)

➢ There was plenty to howl about at last night’s British comedy awards, and well-deserved gongs for The Thick of It and Hunderby – Bruce Dessau in The Guardian writes:

At the British Comedy Awards 57 judges, drawn from journalism, TV production and performers, shortlisted Olivia Colman against herself for best comedy actress in Rev and Twenty Twelve, only for her to go home empty-handed. She lost, however, to Rebecca Front, whose ministerial meltdown in The Thick of It was undeniably compelling television. It was a particularly good night for The Thick of It, with Peter Capaldi bagging best comedy actor for his portrayal of demented spinmeister Malcolm Tucker. The performances on The Thick of It were exemplary.

British Comedy Awards, TV series, Rebecca Front,Peter Capaldi , Thick of It

The Thick of It, bowing out with series 4 of the political satire: Best comedy actor awards for Peter Capaldi, left, and Rebecca Front, right (BBC)

A genuine shock was the double success of Hunderby. Julia Davis’s cold-hearted period piece, screened on Sky Atlantic, was a favourite to win best new comedy, but for it to win best sitcom too, beating Rev, The Thick of It and Twenty Twelve, was a vindication of Sky Comedy head Lucy Lumsden’s investment in original output. Not bad for a show that stretches the definition of sitcom to snapping point.

The real mystery though, was the absence of some shows that did not even pick up nominations. There has been frustration about Fresh Meat missing out, but it was no surprise that its posh boy Jack Whitehall won the Public Vote for king or queen of comedy… / Continued at Guardian online

➢ Why Hunderby is the best British period sitcom in 20 years – Matt Grundy writes: It’s set in the bleak 1830s somewhere in England after a shipwreck, where our Helena is brought back from the dead on the beach by a pastor. The two must have a baby within a year or they lose Hunderby. Strange, but it works. Hunderby is not only one the best British comedies of the last 20 years, it’s also the best period piece I’ve ever seen. Although I don’t watch many, to be honest… / Continued at Sabotage Times

➢ Guardian review of Hunderby and Davis’s “potty pen” Yes, sometimes it feels as if Davis is showing off, simply demonstrating that she dares to go to places no one else does (especially places “down there”).

Fresh Meat,British Comedy Awards ,TV series,Jack Whitehall

King of Comedy Award: Fresh Meat’s cast with Jack Whitehall, left. (Photo: Channel 4)

➢ Fresh Meat: behind the scenes of the new TV series Channel 4’s comedy drama about six students mismatched in a shared house was devised by Sam Bain and Jesse Armstrong, the creators of the sitcom Peep Show… The comedian Jack Whitehall, who plays the incorrigibly posh JP, wanders around the set in a vest and boxer shorts. The sneaker-clad feet of Joe Thomas, who plays Kingsley (an everyman similar to his character, Simon, in The Inbetweeners), stick out of one of the bedrooms (he’s trying to sleep off a hangover). Kimberley Nixon, the Welsh dentistry student Josie, ferrets around in a spotted dressing gown; Charlotte Ritchie, who plays the English-lit student Oregon, is in a long printed charity-shop dress; while Greg McHugh, who plays the bearded and bespectacled outsider Howard, struggles under the lights in a thick woolly jumper. “We haven’t come here to play some cool, foam-party-loving students living it up and having a great time,” says Zawe Ashton, who plays the tough-as-nails Vod” … / Continued online at The Telegraph

➢ VIEW Fresh Meat, Season 2, Oct 2012:
It’s a new term and the gang have returned to uni

INTERVIEW WITH THE GODFATHER OF 21C SATIRE

The Thick of It, Armando Iannucci ,Bafta Award,

Writer Armando Iannucci: collecting a Bafta for The Thick of It in 2010

➢ Armando Iannucci interviewed as The List’s hottest star after a triumphant year when The Thick of It won two Comedy Awards, his new show Veep broke in the US and he won an OBE

Whether we will ever be allowed to return to the dank soul of spinmeister Malcolm Tucker is uncertain now that the final series of The Thick of It went out in a blaze of recriminations and desolation earlier this year. While Iannucci admits that having thought he had severed himself from Alan Partridge a decade ago (a feature film with North Norfolk Digital’s foremost DJ is due out this summer) he can’t say for certain that he will never bring back Tucker, Nicola Murray, Glen Cullen and Co.

It was actually quite sad when the last couple of episodes went out, but it was the right point to draw a line under it. I just felt that with the phrases in The Thick of It being used by politicians themselves [Ed Milliband’s use of ‘omnishambles’ immediately springs to mind], there was a danger that if you didn’t stop, it would become too neat and cosy. So I thought stop now rather than carry on for another five years and have guest appearances from David Milliband and Michael Gove and then have a Christmas show with Alex Salmond… / Continued online at The List

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➤ RIP Patrick Moore: the last great Englishman, astronomer and xylophonist with a monocle

Patrick Moore ,astronomy, TV series, Sky at Night,xylophone

Sir Patrick Moore in 2009: a national treasure at home. (Photo: BBC)

❚ THE FAMOUSLY FASHION-BACKWARD astronomer and national treasure Sir Patrick Moore CBE, FRS, FRAS, has long been instantly recognisable from his signature XXL blazers, regimental tie, unkempt hair, lopsided eyebrows and monocle. He has died in his 90th year. As Nanny’s childhood lesson in tying a tie-knot grew ever more distant, his shirt-collar size became comfortably two inches larger than his neck size. The rise on a pair of gentleman’s trousers, he evidently believed, should reach to the chest – a mindset which presumably boosted his own rise to unrivalled heights in the realms of international astronomy and cosmology. His own early Moon maps helped the Apollo Mission plan their landings.

You can’t be interested in astronomy and not stumble across something that Patrick has done. It’s such a huge body of work
– Dr Marek Kakula, Royal Observatory, Greenwich

Since 26 April 1957 Sir Patrick has presented the BBC TV programme The Sky At Night for more than 700 editions, making him the longest-running host of the same television show ever. Moore’s dishevelled appearance and rapid-fire speaking voice are as much part of the nation’s fond attachment to his personality as the programme’s theme tune, Sibelius’s Pelléas et Mélisande.

On the show’s 50th anniversary, comedian Jon Culshaw impersonated him as the interviewer while Sir Patrick spoofed himself as a Time Lord. The astrophysicist and Queen guitarist Brian May, who wrote a book on astronomy with Sir Patrick, described him as a “dear friend, and a kind of father figure to me”.

➢ British astronomer and broadcaster Sir Patrick Moore has died, aged 89 … “he passed away peacefully this afternoon in his own home, Farthings, in the company of close friends and carers and his cat Ptolemy.”


➢ Moore’s instinctive eccentricity means that his entry at Wikipedia is a rare example of being compulsorily readable

➢ Space rock the final frontier: Sir Patrick Moore on cosmic pop – 2009 interview with The Quietus

➢ Vintage clips from 45th anniversary of The Sky at Night – Moore plays the music of astronomer Sir William Herschel at the piano.

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➤ David Frost salutes TW3, the TV show that pioneered satire 50 years ago tonight

Hugh Carleton-Greene, David Frost, TW3, BBC, satire, 1960s,Private Eye, Bernard Levin, JFK, Christopher Booker, Millicent Martin,

Satirists on their firing range: at left, David Frost leads the TW3 team in the studio

❚ THE MOST INFLUENTIAL TV SERIES in British history – the lodestar for all future comedy, and more – won no fulsome retrospective from the BBC on its 50th anniversary today. Only a brief item on the Today show reminded us how the earth tilted at 10:30pm on this night in 1962 with the launch of TW3 – the adopted shorthand for That Was The Week That Was. New research reveals that this politically insolent television voice of Britain’s nascent satire movement attracted complaints by the thousand. “No other programme has so many files in its correspondence section,” we were told this morning by historian Morgan Daniels on the Today programme. What it had done, according to Private Eye’s first editor Christopher Booker in his landmark 1969 book The Neophiliacs, was finally to break free from the Presbyterian straitjacket of Lord Reith, the BBC’s founder. Within weeks pubs started emptying on Saturdays as the nation made a ritual of rushing home to catch TW3’s 37 broadcasts which grew an audience of 12 million in less than a year.

A galaxy of leading “Northern Realist” writers and national newspaper journalists contributed razor-sharp sketches and what little remains available on video makes today’s comedy seem lily-livered. TW3 made the career of Sir David Frost who was its “classless” front-man at the age of 23. Though many satirists say they achieve no lasting change, on tonight’s Loose Ends radio show, Frost insisted that satire does have a knock-on influence in its day, even if it may not reform legislation in the long term. TW3’s second series was curtailed on December 28, 1963, for fears it would unbalance the general election campaign of 1964.

Roy Kinnear, David Frost, Lance Percival, TW3, satire, 1960s

At the TW3 bar: Roy Kinnear, David Frost, Lance Percival

TW3 captured a zeitgeist unique to the 60s before they began to swing. Booker argued in The Neophiliacs: “It was a final drawing together of almost all those threads which had been working for ‘revolution’ and sensation in the England of the previous seven years.” [Namely, since the election of 1955 when slippage of the tectonic plates supporting Britain’s centuries-old class system saw the subsequent rise of the “unposh” intellectual and of John Osborne’s “angry young man”] … “[TW3] brought the destructive force of the satire craze to a mass audience.”

Britain was changing. Deference was on the way out, The Beatles were on their way in. The satire boom was in full swing…/ Continued inside

➢ Read on inside for a fuller analysis by Shapersofthe80s
of the 60s satire boom – plus a gallery of rarely seen images from TW3, and more vintage videos


❏ Year-ending round-up of TW3 highlights, Dec 1963 (above) – includes notorious Mississippi number with black-and-white minstrels in the week a white protester walking from Alabama to Jackson was shot dead by the road … The consumer guide to religion … Timothy Birdsall draws the Duke and Duchess of Eastbourne … MPs who have not spoken in Parliament are named and shamed … Bernard Levin harangues a pride of lawyers with their failings.

➢ Click through to compare and contrast the satirists of the 60s with the “alternative comics” of Alexei Sayle’s generation when they formed the Comic Strip – Analysis by Shapersofthe80s from 1980

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2012 ➤ Soho’s nightowls revisit the club that sifted the Artex monkeys from Bowie’s Heroes

Cultural observer Peter York: eager for the Sullivan autograph on the new edition

❚ THE 80s BLITZ KIDS turned out in force last night. As Kitten Kouturist Franceska Luther King remarks today: “an elegant crowd, older, but still the same spirit.” Those clubbing compulsives who defined the sounds and styles of Soho 30 years ago, swarmed into the tiny steaming Artex-lined cellars of the St Moritz restaurant, the fit all the tighter thanks to a fair few middle-aged paunches. For three months in 1980 this was the site of their milestone one-nighter which signalled the first faction to break away from the futurists at Steve Strange and Rusty Egan’s pioneering electro-diskow, The Blitz. In host Chris Sullivan’s words, this was “the more alert end of the Blitz crowd” – in other words, the hardcore fashionistas.

Initially St Moritz’s music evoked interwar Berlin cabaret but the effect of Charles Fox, the theatrical costumiers, staging its closing-down sale in Covent Garden injected a huge Hollywood movie wardrobe. Sullivan notes:  “You could be a gangster, a geisha, or Geronimo.” The New Romantics had been born – just like that!

“No single shop sale ever had such an influence on street fashion before or since,” Sullivan writes in the fabulous photo-book, We Can Be Heroes. This ribald account of the dawn of UK clubbing in the 80s, led by the eye-popping photographs of Graham Smith, was the reason for last night’s beano. Soul-music diehards Smith and Sullivan graduated from The Blitz to become two of the St Moritz deejays (along with Robert Elms and Steve Mahoney) and half a lifetime on they were hosting yet another launch party. The book’s revised and amended second edition of 2,500 copies is released this week through regular retail outlets. Copies of last year’s limited edition are still available from the fund-it-yourself publisher Unbound.

St Moritz 1980: Chris Sullivan and Michele Clapton – from Smith’s book We Can Be Heroes

Back in the day, the St Moritz posse distinguished themselves from The Blitz by playing retro lounge-lizard tunes from Lotte Lenya or Nat King Cole. In today’s arts pages of The Times Sullivan recaps how, in their efforts to avoid the present, he and his cohort helped create the future: “We decided to oppose Blitz futurism and turn the clock back with music from Marlene Dietrich, Monroe, Sinatra and soundtracks from A Clockwork Orange, Last Tango in Paris and Cabaret. It was an alarming success.”

Rob Milton: Shooting the Pump in the deejay booth

♫ Click to hear Shoot the Pump in a new window

Fashions in music moved apace. Within a year successive London club-nights at Hell, Le Kilt and Le Beat Route were stirring into the club mix not only familiar 70s soul but the edgy new urban sounds of North America.

Choosing the soundtrack last night at St Moritz were the were the astute ears of David Hawkes, Christos Tolera and Sullivan himself, plus Dirt Box co-founder Rob Milton, who raked the dancefloor early in the evening with the crazed beats of Shoot the Pump. This intoxicating debut single from 1981 was a state-of-the-art fusion of emergent street sounds – rap, hip-hop and funk with a hint of mutant disco – from the “playin’ brown rapper” and graffiti artist J Walter Negro & the Loose Jointz (on Zoo York Records via Island). J Walter is urging his crew of Zoo Yorkers to spray docile citizens with the water from a fire hydrant: “You make like a monkey with monkey wrench, cos you feel a little funky, got a thirst to quench.” In 1980–81, something similar was pumping the adrenalin in London.

CLICK ANY PIC TO LAUNCH CAROUSEL:

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➤ Another knees-up while Amazon discounts We Can Be Heroes second edition

The reviewers said: “A gorgeous history of 80s London clubland” (Alex Petredis, Guardian) … “fascinating and definitive” (Robert Spellman, Sunday Express)

Graham Smith,Chris Sullivan, books,photography, youth culture, We Can Be Heroes , Swinging 80s, clubbing❚ TOMORROW SEES ANOTHER launch party, this time at 1980’s breakaway New Romantics nightspot St Moritz in Soho to celebrate publication of the second (unlimited) edition of the 320-page coffee-table photobook that chronicles the creation of 80s clubbing through Graham Smith’s eye-witness photography, and racy commentary from Wag club host Chris Sullivan. Read the full background to the characters behind the book We Can Be Heroes at Shapersofthe80s. On sale for £35 from its publisher Unbound, or discounted to £25.50 at Amazon (an even cheaper pre-publication offer has finished).

➢ View Shapersofthe80s’ videos of Chris Sullivan telling his “Ribald tales of excess” from the Blitz era

➢ More 80s yarns on video from Robert Elms

➢ Catch-up list of links to all last year’s publicity shenanigans

Making up the rules of 80s clubbing: Robert Elms, Phil Dirtbox and Chris Sullivan at last year’s exhibition of Graham Smith’s nightlife pictures. Photograph by Shapersofthe80s

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