Tag Archives: Video

➤ How Roman Kemp helped his dad Martin to pick up the bass again

Paradise Point in rehearsal, above: Roman, Johnnie, Cameron, Adam

❚ “I’M THRILLED FOR ROMAN’S BAND. It’s one of the most exciting bands I’ve heard for a while. They’ve been rehearsing downstairs in my games room for the past year and they’ve turned out really well. Their sound reminds me a lot of Duran Duran, but the singer Cameron looks like Tony Hadley when he was younger and he’s got the vibe of Tony. He’s got a great voice, very expressive — he’s got a long way to go this boy.”

Roman Kemp, Martin Kemp, Paradise Point, livepop,The Face club

On the town: Roman and Martin Kemp a couple of years back. Photograph © Dave Hogan

OK, if that sounds like a doting father, yes it is. Martin Kemp is best known as one of British TV’s most popular actors after his stint as a villain in the leading soap, EastEnders, but the past year of course was spent touring as bass player with Spandau Ballet, his reformed 80s supergroup.

This Friday, the fourpiece called Paradise Point is unveiled at London’s coolest club-night, The Face, and Martin’s 17-year-old son Roman Kemp follows his father by opting to play bass. This group’s claim to novelty is that they all play their instruments live and their music is pop. They are the vanguard for a return to real Brit pop.

Martin says: “I’m just pleased for Roman that he’s in a proper band, rather than a boyband where five people stand up singing while working out when they’re going to sit on the stools. His band is very polished. If I think of the level Spandau had reached at their age, they’re well ahead of us, much more polished than Spandau were then.

“They look fantastic as well. It’s a band that’s made for girls to pin on their walls, which we haven’t had for a long time. That’s what needs to come around again.

“The whole thing of saying ‘Let’s be famous’ before you have a reason to be famous has meant being in a boyband is much easier than putting in the time and effort, learning to play your instrument, then finding mates who can play bass and the drums, bringing round the gear. That whole thing is a slog. But what you get out of that setup is a bonding experience with your band, which you’ve all been through. And that has disappeared at the moment. For me, it’s nice to see Roman inside a band where he’s got some real mates.”

Paradise Point, Cameron Jones, Firework,livepop
➢ Teen musicians call time for
 Cowell and his X-culture — First interview with Roman Kemp on
Paradise Point’s livepop debut this week

Paradise Point are determined to return credibility to teen pop music by playing their own instruments live onstage. They offer a determined farewell to the X-culture inflicted on the singles charts by Simon Cowell and his cloned songbirds. PP have had enough of manufactured pop idols and prancing boybands

Spandau Ballet had already broken up by the time Roman was born but with a pop-star mother too — Shirlie Holliman from Wham! — there was always music in the house. Martin says: “I taught him to play guitar when he was about six, then he got into rap for a while. Like all kids, this killed learning any kind of instrument, because they’re into the gangsta rap words.

“Then he picked up his guitar again and now he’s playing bass. He’s doing all right. He’s got a much better ear than I have, it’s brilliant. To tell you truth, when I was going back on tour with Spandau, after 19 years out, I couldn’t work out how I used to do some of the riffs. So I got Roman down to listen to the Spandau track to work out the fingering.

“He’s turning into a good bass player, a lot like John Taylor. Yes, from Duran! I don’t mind who he wants to turn into. If your kids go into the entertainment business, success isn’t about how much money you make — it’s about turning your hobby into your job. For me, that is success. If he can do that fantastic.”

So, Martin, are you coming down to The Face to see Paradise Point? “Absolutely. I’ll be roadying. Back to my original job with Spandau.”

➢ Four audio tracks and more by Paradise Point at MySpace
➢ Four audio tracks by Paradise Point at Facebook
➢ On the road with Martin: Shapersofthe80s’ coverage of Spandau Ballet’s 2009-10 Reformation tour

Pepsi & Shirlie, Holliman, Roman Kemp

Musical family: Roman Kemp’s mum Shirlie (right) in her glory days beside Pepsi with Wham!

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➤ 20 gay kisses in pop videos that made it past the censor

❚ CENSORSHIP! OH DEARIE ME! Digital Spy reports this weekend that the lavish video for Firework — the single currently No 4 in this week’s UK chart by American singer-songwriter Katy Perry — has been censored for British television channels. The ludicrous widescreen promo, which they say “plays out the song’s message of self-belief” (yuk), shows fireworks shooting from Perry’s chest, and from the bodies of prancing extras. More shocking, apparently, are the pyrotechnic depictions of a mugging, a cancer patient, a woman giving birth and two men kissing. The two-second “gay kiss” has been pixelated, presumably to save embarrassing the children, in a version of the video directed by Dave Meyers for delivery to TV channels under a cross-promotional deal with Deutsche Telekom. The European telecommunications group recruited fans from all over Europe to appear in the video when it was shot in Budapest.

It’s all too much. Why, this weekend too, fansites have been twittering that Katy Perry and BFF Rihanna got into an argument over Katy’s new hubby, the amoral buffoon Russell Brand (double yuk). The only good news is that Katy has at least vowed never to strip for Playboy.

Katy Perry, Firework, pop video, censorship,gay kiss,

Fireworks in Firework: British TV viewers see only a pixelated version

According to the star herself, Firework is influenced by Jack Kerouac’s novel about male bonding, On the Road. Digital Spy’s reviewer Nick Levine even accords the song the accolade of being a “straight up self-empowerment anthem”. Pass the sickbag, James.

OK, OK, boys and girls. In Frankie Goes to Hollywood’s immortal words, relax. For any TV viewers feeling deprived of the knee-trembling kiss in the Perry video, which is of course viewable in full 1080p HD on YouTube, there’s plenty more where that came from. The web is replete with more pop videos flaunting gay kisses than mum and dad might wish for. The following links round up the most notorious from both genders — four are viewable only behind age-restricted gateways. And because it’s so darn funky, Shapersofthe80s has thrown in the Pet Shop Boys’ most notorious Bruce Weber video for Being Boring, which contains naughtiness on any number of levels, but you’re going to need gimlet eyes to spot the gay kiss. You’re very welcome to propose your own favourite pop kisses. Thanks to Jobe, we’re up to 20 vidz now.

Lady Gaga, Telephone, pop video, gay kiss

Lady Gaga: a jailbird’s perk in the video for Telephone

Lady Gaga, Stephen Gately, Boyzone, Blink-182

Pop smackers: Lady Gaga in Lovegame, Stephen Gately in Boyzone’s Better, two vamps in Blink-182’s I Miss You

♫ Christina Aguilera’s Beautiful

♫ Lady Gaga’s Lovegame

♫ Lady Gaga’s Telephone

♫ Blink-182’s I Miss You

♫ Peter Doherty’s Last Of The English Roses

♫ Black Eyed Peas’ I Gotta Feeling

♫ Yehonathan’s On a Hot Summer Night

♫ Adam Lambert tongue-diving in concert

♫ Tatu’s All the Things She Said

♫ George Michael’s Outside (uncut)

♫ Matt Alber’s End of the World

♫ Kylie’s All the Lovers

♫ The Strokes’ Juicebox

♫ Paul Oscar’s International

♫ Madonna’s American Pie

♫ Scissor Sisters’ Filthy/Gorgeous

♫ Boyzone’s Better

♫ Pet Shop Boys’ Being Boring — a film by Bruce Weber

Pink, Raise Your Glass, gay kiss, pop video
♫ In at No 19 (thanks, Rob): Pink’s Raise Your Glass — “Don’t be fancy, just get dancey”!

♫ And one more makes 20 (thanks, Jobediah Ingram): Macklemore & Ryan Lewis’s Same Love

++++++

➢ Read on in the New York Times:
For Gays, New Songs of Survival

“These artists represent a new wave of young (and mostly straight) women who are providing the soundtrack for a generation of gay fans coming to terms with their identity in a time of turbulent and confusing cultural messages.”

➢ Elsewhere at Shapers of the 80s… Update Nov 2011 – Firework falls out of UK chart after 58 weeks

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➤ Was the Band With No Past truly wafted here from Paradise?

Paradise Point, pop group,

Paradise Point: Roman, Adam, Cameron and Johnnie

❚ THEY’RE BROODY, A TOUCH SULKY, they’re very fresh and very photogenic in black and white. Four songs online show they play their instruments with startling energy — bass, rhythm guitar, syndrums and synth. Their music is high-octane power pop on one track called The Only One. Furious upbeat emo on another called Tears. Whiffs of Duran Duran on Unbearable Without You. The singer does also happen to have a voice, bone structure, mad hands, attitude. Can’t be more than 18. There’s no evidence on their website of ever playing in public. This is the Band With No Past.

Where do bands like this come from, fully formed, straight from the egg? A whisper tells you they’ve already landed a deal, but that can’t be true. Google the name Paradise Point and all you find is a Palm-dotted beach in San Diego.

The Face, Neo Romantics, clubbing, London, Rosemary TurnerSomebody else tells you PP are Brits, playing their first date this month, live with, er, actual instruments. Hang on. These aren’t indie scruffs or thrash rockers. These kids are in their teens, unashamedly popsters, writing songs and making their own music like real pop groups used to before boy-bands — and before the Cowell X-culture robbed the pop charts of a generation of musicians. We have to reach way back into the heritage for groups who could play their own pop.

It turns out to be Steve Strange who’s showcasing Paradise Point at The Face, the bleeding-edge Neo-Romantic clubnight of the 20-tens, but hang on again, you wouldn’t call this band Romos, they don’t dress like Alejandro Gocast. Yet. OK, they sing of angsty love, like in two more tunes they’ve covered on video and posted today — live versions of Katy Perry’s Firework, and Rihanna’s Only Girl in the World, just to show they can big-time it. Straight to-camera demos, in one take, in fashionable black-and-white, understated and fearless and fizzing with energy. Don’t say Busted. Don’t say McFly. Really, there’s no need to wince.

Roman Kemp, Paradise Point

Strange, I’ve seen that face before ... the one on the right’s called Roman, and he somehow reminds me of her

So far, there’s no press coverage on the band. There’s no info, even of any kind, on Paradise Point’s MySpace page or at Facebook. Apart from four names in alpha order: Cameron Jones (vocals), Roman Kemp (bass), Adam Saunderson (guitar/synth), Johnnie Shinner (drums). So, Watson, what do you deduce? Kemp’s face, Holmes, looks familiar, seen it somewhere before. By jove, Watson, you’re right — some pretty high-powered friends on MySpace, as well, Lady Gaga top of the list. There’s a clue in their YouTube tags too: if you like the tags, you’ll probably like the Band With No Past. Better trek down to The Face Friday fortnight, see what they amount to…

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➤ Classics of 80s graffiti revived by campaigning collective in New York

graffiti, Subway Art History,Joan of Arc, Hand of Doom, Martha Cooper ,Henry Chalfant

Joan of Arc at a warehouse along a Brooklyn canal: the graffiti collective Slavery is paying homage to a 1980 work that read “Hand of Doom”. © Robert Wright for The New York Times

[From the New York Times, October 26, 2010]

❚ ANYONE WHO HAS BEEN LOST in the last few weeks around the southern reaches of the Gowanus Canal in Brooklyn could be excused for experiencing a powerful Koch administration flashback. On the wall of a brick warehouse there, a huge mural unfurls itself, a loving, seemingly spray-by-spray re-creation of one of the more infamous pieces of graffiti ever to ride the subway: a 1980 work by the artist known as Seen that covered the length of a No 6 train car with the ominous phrase “Hand of Doom”.

It is the work of a newly formed collective of (mostly) former graffiti writers in their 20s and 30s, who have embarked on an unusual citywide campaign to summon 50 or more of the most famous pieces of old-school graffiti out of the history books and back onto the streets. The project, called Subway Art History, is unusual not only because the artists are making the pieces with the permission of businesses, schools and other perhaps nostalgic owners of blank vertical space, but also because of the nature of the pieces themselves. They are expressions of homage in a subculture that has almost always been defined by fierce competition, intense striving for originality and a kill-the-elders attitude toward the past.

“In graffiti it’s like a teenage thing: No way am I going to become my father, no way am I going to make anything that looks like anyone else’s. — Then, of course, you become your father,” said a 32-year-old former graffiti writer who helped form the collective.

➢ Read Graffiti of New York’s past, revived and remade
— in the New York Times

❚ View video — 25th anniversary of Subway Art, bible of the graffiti movement, by Martha Cooper and Henry Chalfant:

➢ The book: Subway Art, bible of the graffiti movement

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➤ Cool 21st-century branding for Channel 4, but when will it junk those clunky Bladerunner idents?

C4,idents,rebranding,Rudd Studio, TV
❚ SENSATIONAL! Rudd Studio is behind this refreshing brand update for Channel 4 in the UK and builds on the splintering figure 4, the logo created by Martin Lambie-Nairn for the channel’s launch in 1982. The new look went live on October 22 with a series of channel stings for book-ending commercial breaks and trailing upcoming shows. Here’s Rudd’s own video compilation of the new split-screen animated graphics, with mood music by Oscar Gonzalez. Now all we can pray for is an end to those tiresome scenic station idents, contrived from barbaric housing estates and levitating supermarket trolleys.

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