Tag Archives: Interview

2011 ➤ Open your wallet for a Vintage sting on London’s Southbank

Princess Julia, Chris Sullivan, deejays, Vintage 2011,Southbank Centre, clubbing

Vintage deejays at Vintage 2011: original Blitz Kids such as Princess Julia and Chris Sullivan will be spinning the vinyl to recreate legendary 80s club soundtracks from the Blitz to the Wag

+++
❚ VINTAGE 2011 IS A MUSIC AND DRESS-UP festival indoors at London’s Southbank Centre (so without the mud), curated by Wayne and Gerardine Hemingway. This three-day party from Friday July 29 celebrates seven decades of British cool from the 1920s to the 80s. Taking its lead from the Festival of Britain (1951), the blurb says there is no single creative focus, just hours of music, fashion, film, art, design and dance each day.

Vintage 2011 , SBC, RFH,Wayne Hemingway,London, Southbank Centre , music, fashion, festivalAll levels of the Royal Festival Hall are transformed into a multi-venue playground, with ten vintage nightclubs such as The Soul Casino, Let it Rock, The Torch Club and The Leisure Lounge. New this year are The Studio, Prohibition Room, The Bunker Club and the North South Divide. In total there’ll be 70 live performances, 150 deejays, exclusive catwalk shows with Jo Wood and Pearl and Daisy Lowe; decade specific make-overs; vintage food and cocktails and 250 sellers at the vintage marketplace. Each day sees a major Revue in the main auitorium: Heaven 17, Alan Wilder and Thomas Dolby, for example, in Friday’s Electronic Revue… Percy Sledge in Saturday’s Soul Revue… David McAlmont, Sandie Shaw and more in Sunday’s Hit Parade.

Sue Tilley, Leigh Bowery, biographer

Sue Tilley: catwalk show celebrating 80s nightlife

Now take a deep breath. On the Friday at 6pm Cavalcade of the 80s is a catwalk fashion show presented by Sue Tilley, Leigh Bowery’s biographer and Lucian Freud model. Sue says: “Bodymap are showing about six outfits with models including Barry Kamen and Les Child… There is going to be an Antony Price dress… Kim Jones is lending some Leigh Bowery originals… Rachel Auburn is recreating one of her outfits. And there’s the second performance this year after 28 years of the 80s club sensations The Trindys.” The models will include friends from the 80s plus new club kids Daniel Lismore and Felicity Hayward. [“My idea of the 80s” — Sue Tilley interviewed at Dazed Digital]

On Saturday the RFH Penthouse venue goes “back to the futurists” and the New Romantic Blitz Club era with 80s three genuine Blitz Kid super-deejays Princess Julia, Jeffrey Hinton and Mark Moore.

At her blog The World of Princess Julia, the doyenne of clubland deejays gives a quick rundown on how she graduated from the Blitz Club cloakroom to the wheels of steel and says of Vintage: “I think I’ll play a mixture of music that has played a part in my deejay career. It will range from post-punk electronica, disco, retro pop, dance and anything else I find at the bottom of my handbag.”

➢ View slideshow of previously unseen 80s pix by Shapersofthe80s at ClashMusic

Classic Album Sundays and Bowers & Wilkins present the Best British Albums at Vintage in four two-hour listening sessions each day in the St Paul’s Pavilion. At 7.30 on Saturday Mark Moore will be introducing Joy Division’s Closer album and the record will be played in its entirety (from vinyl of course) over fab B&W audio kit.

Chris Hill, Robbie Vincent, clubbing,funk, soul DJs, dance music,

Funk royalty: Chris Hill (left) plays the Vintage festival, but what about Robbie Vincent?

For Sunday night in the Penthouse Chris Sullivan — the original Wag Club host for 19 years and Uber-Shaper of the 80s — recreates the funkier, post-Romantic spirit of Le Beat Route (1980–83, zoot suits) and the Wag (1982+ ripped jeans and Celebrity Squares) along with other gods among dance deejays Paul Murphy and Jay Strongman (who also plays Warehouse on Friday and Let It Rock, Saturday).

Over in the Soul Casino the funk legend that is Chris Hill joins the legends who are Norman Jay and Colin Curtis. Tsssss! Have the Hemingways got any inkling of exactly how many galaxies of star quality they have booked?

In all likelihood, Sullivan says: “There might well be a bit of dancing.” When asked what he’s going to play first to get feet kicking, he responded: “Might well be one of THE great recordings, Eddie Kendricks – Keep on Truckin. Lyrically it’s just there. What a Bobby dazzler!”

Ticket prices are frankly a sting, starting at £60 (wince!), since you are the star turn at this DIY event, but dedicated followers of fashion not yet squeezed by the recession aren’t likely to complain.

➢ Ticket without evening show £60, with Vintage Revue from £75 upwards, Fri–Sun July 29–31, full details at the Southbank Centre

➢ July 22 update: We should celebrate Britain’s role in clubbing — Wayne Hemingway in the Independent, sadly getting his London club memories muddled

FRONT PAGE

➤ Nick Davies declared “the greatest living British journalist” as Carl Bernstein declares “Murdoch’s Watergate?”

 Nick Davies, News of The World, phone-hacking, journalism

The Guardian’s Nick Davies: giving evidence to the Commons media committee in 2009. Photograph by PA

◼ BRITAIN’S BIGGEST-SELLING NEWSPAPER, the tabloid News of the World, closes tomorrow, a victim of its own phone-hacking scandal. First published 168 years ago, this hugely powerful title became the most toxic media brand in the land, all within the week. And much of the cause was down to the work of one investigative journalist, Nick Davies of The Guardian newspaper.

“ I have no doubt at all that Nick Davies is the greatest living British journalist ” — Peter Oborne, chief political commentator on the rival newspaper, The Daily Telegraph, speaking on Radio 4 tonight

➢ Listen to Jonathan Maitland’s profile of Nick Davies,
on BBC Radio 4 (July 9 and on iPlayer)

➢ “Cameron is in the sewer” — Peter Oborne at his
Daily Telegraph blog

Nick Davies is considered one of Britain’s leading investigative journalists. 
He has broken numerous stories, mostly for The Guardian. His scoops include the story about the nurse turned serial child murderer, Beverley Allitt, and the recent WikiLeaks revelations in classified US military and diplomatic documents. He it was who tracked down Julian Assange and persuaded him not to post his latest secrets on the WikiLeaks website but to hand them over to The Guardian. 
Among his published books, Flat Earth News accuses British newspapers of what he calls “churnalism”, churning out stories based entirely on PR, press releases or wire copy, without further fact-checking.

One irony is that in this year’s Society of Editors awards, Davies lost the award for News Reporter of the Year to Mazher Mahmood (the “Fake sheikh”) of the News of the World, whose winning submissions included exposing the Pakistan cricket match-fixing ring, and the claim that Fergie “sells” Andy for £500k. [Update July 10: In the NoW’s final issue, “crimebuster” Mahmood reminds us of the 250 successful prosecutions his investigations have achieved over 20 years, from paedophiles, arms dealers, drug peddlers and people traffickers to bent doctors and lawyers.]

Among the awards listed in his Debrett’s People of Today profile, Davies is cited as Feature Writer of the Year 1997, Journalist of the Year 1998, Reporter of the Year 1999, Martha Gellhorn Award 1999, European Journalism Prize 2003.

The Milly Dowler story changed the politics of the whole saga and made it impossible for anybody to defend the News of the World and that included the prime minister and the Tory leadership… And so they’ve switched sides, specifically on the question of whether there should be a public inquiry.
➢ Davies on pursuing the phone hacking investigation — on video at Guardian online

Davies decided to become an investigative journalist after seeing the brilliant film All the President’s Men, about the US journalists who cracked the Watergate conspiracy that brought down president Richard Nixon in 1973 and helped indict and jail numerous Nixon aides…

All the President’s Men, Dustin Hoffman, Robert Redford

All the President’s Men, 1976: Dustin Hoffman and Robert Redford playing the Woodstein investigative team in a film studio

➢ VIEW the terrific trailer for All the President’s Men

◼ OF ALL THE MOVIES ABOUT JOURNALISM the best by far is All the President’s Men. It tells the real-life story of how two young reporters on the Washington Post saw the corrupt American president Richard Nixon out of office. Robert Redford and Dustin Hoffman play the “Woodstein” team of Bob Woodward and Carl Bernstein, both hitting 30 when they pulled off their scoops about conspiracy in the White House. The Oscar-winning film is a gripping thriller that also gives the most authentic view of newspaper life yet, shot in an exact replica of the colour-coded Washington Post newsroom, built by knocking together two Warner soundstages in Burbank and ensuring all the coffee-cups and paperwork came from the real office 2,000 miles away.

Jason Robards won the 1976 Oscar as Best Supporting Actor for his charismatic depiction of the executive editor Ben Bradlee. “WOODSTEIN!!! Get in here!” At the press screening this writer attended, he raised repeated cheers for his oh-so-true-to-life rigour as he harried the young reporters again and again when they failed to convince him they had the scoop of the century. Our hearts sank, along with theirs, as Bradlee took his pen to their report and deleted line after line after line. We’ve all had bosses like him. “Get some harder information.” – “We haven’t had any luck yet.” – “Get some.” This film excels for showing how good newspapers work.

➢ Read: Murdoch’s Watergate? by Carl Bernstein FOR Newsweek

Watergate ,Bob Woodward , Carl Bernstein ,Washington Post

The real thing: Bob Woodward and Carl Bernstein in the Washington Post offices at the height of the Watergate investigation. (Associated Press)

◼ TODAY ON NEWSWEEK’S WEBSITE Pulitzer Prize-winning Carl Bernstein draws a comparison between Nixon’s downfall and the anything-goes approach of News of the World owner Rupert Murdoch and how it threatens to undermine the influence he so covets…

The hacking scandal currently shaking Rupert Murdoch’s empire will surprise only those who have wilfully blinded themselves to that empire’s pernicious influence on journalism in the English-speaking world. Too many of us have winked in amusement at the salaciousness without considering the larger corruption of journalism and politics promulgated by Murdoch Culture on both sides of the Atlantic.

The facts of the case are astonishing in their scope. Thousands of private phone messages hacked, presumably by people affiliated with the Murdoch-owned News of the World newspaper, with the violated parties ranging from Prince William and actor Hugh Grant to murder victims and families of soldiers killed in Iraq and Afghanistan.

➢ How The Guardian broke the story — Murdoch papers paid £1m to gag phone-hacking victims

➢ Yesterday’s Media Talk podcast: Alan Rusbridger, Nick Davies, Roy Greenslade and Janine Gibson

➢ A message for the times we live in: How good journalism worked at the Washington Post

News Of The World, final issue,first issue,

48-page freebie: today’s News Of The World includes a souvenir of famous pages since the paper was first published on Sunday October 1, 1843, including “Crippen’s life at sea” as the killer doctor fled abroad in 1910 and “Prince Harry’s racist video shame” in 2009. During the 1950s — under its slogan Henry James’s phrase “All human life is there” — sales averaged 8.4m copies weekly. Its latest average sale was 2.6m copies

➢ News of the World doubles print run to 5m for final issue and all proceeds go to charity — Sunday update: local shop sent 50 copies instead of its usual six. The website notw.co.uk will be free to the public all July 10

FRONT PAGE

➤ Jarvis takes his lyrics to Eliot’s publisher Faber

+++
❚ FABER AND FABER EXCITEDLY ANNOUNCE they are to publish Jarvis Cocker’s Mother, Brother, Lover: Selected Lyrics, in October 2011. Only days earlier the prestigious publisher of T S Eliot, the leading poet of modernism, unveiled their monumental digital milestone The Waste Land for iPad, itself probably the mightiest poem of the 20th-century. Now they have signed Pulp’s singer and songwriter, as a spry chronicler of Britain’s common people fast achieving the status of a national treasure. In the video [above] Jarvis talks to Faber publishing director Lee Brackstone about writing lyrics, his inspiration, habits and thoughts on putting together his first published collection.

It was shot on the day he’d signed the contract, three weeks before today’s announcement and right after the reunited Pulp’s triumphal UK comeback at the Isle of Wight festival after a nine-year absence. Jarvis is visibly thrilled to bits and he gives a hugely entertaining interview. “I fell into the thing of writing lyrics when I was 15 because nobody else would. It was like homework, it was as appealing as that. The first lyric I ever wrote started, Shakespeare rock, Shakespeare roll.”

He tackles the risk of writing cosmic bilge, his breakthrough precipitated by an accident when his gaze shifted to the everyday, and the influence of Scott Walker who married realism to cinematic orchestration: “I liked his song The Amorous Humphrey Plugg [deft and witty lyrics by Walker from his 1968 album Scott 2] which is about slipping on a newly waxed floor… a humdrum everyday thing with a massive orchestral backing. I’d been looking for the epic in the everyday. I don’t think everyday life is mundane. I’m curious about what keeps people functioning.”

➢ Pulp’s reunion concerts continue through the summer, with their headline gig at the Wireless Festival in Hyde Park this Sunday, returning to the UK for Reading and Leeds festivals in August

FRONT PAGE

➤ Martin Kemp’s Stalker set for autumn release

Martin Kemp, Anna Brecon, Black & Blue Films, Stalker

Martin Kemp turns manic murderer? No, just directing his star Anna Brecon on the set for Stalker

❚ WONDERING WHAT HAD HAPPENED TO Martin Kemp’s debut as a horror movie director? Keen readers of Shapersofthe80s will recall a video interview last summer in which Spandau Ballet bassist Kemp discussed his movie mogul plans for the production company Black & Blue Films. Now Variety reports that the Hammer-style psycho-drama Stalker will be the first release this autumn on B&B’s own DVD label. [Update August 25: Stalker gets two cinema premieres, Oct 7 in Manchester, Oct 15 in London, and goes on general release October 10.]

Kemp’s partner, 30-year-old producer Jonathan Sothcott who was previously head of programming for The Horror Channel, said: “I have always intended to grow Black & Blue into a mini studio.” His indie outfit recently announced a nine-film co-production deal with Soho based post-production company The Mews, and it will include the upcoming horror spoof Strippers Vs Werewolves as well as Stalker. The DVD arm is being launched in the UK with indie distributor 4Digital Media.

Stalker is about a best-selling author, played by TV actress Anna Brecon, who moves into an old dark house to get her creative juices flowing. “People start dying,” says Sothcott and Kemp adds: “All in one house. That’s a good premise for low-budget film.”

Sothcott told Dread Central: “We had an amazing cast — a bona fide Hollywood star in the brilliant Jane March, a versatile leading lady in Anna Brecon, and a really offbeat turn from Billy Murray as a slippery journalist. And Martin directed them all with real skill, drawing out subtle performances of the type you don’t often get in this genre.”

Stalker, Martin Kemp, Black & Blue, DVD,cinema release, horror movie

Poster for Stalker: due for October cinema release in the UK. (Publicity photo by Harleymoon Kemp)

➢ View the trailer for Stalker

➢ Update: Behind-the-scenes pictures of Stalker

➢ Update: Interview with Stalker producer Jonathan Sothcott
at aintitcool

FRONT PAGE

2011 ➤ When Shirl asked Peps if she fancied an arena tour, Peps said to Shirl, Why not?

❚ ON THE EVE OF THE HERE & NOW TOUR, Shirlie Kemp from 80s pop duo, Pepsi & Shirlie, talks to Vanessa about reuniting with Helen “Pepsi” DeMacque after 20 years — and why the reunion took so long. Answer: “Because when I had my daughter I realised that was all I wanted. I had a beautiful husband, Martin Kemp, a beautiful baby, and I wasn’t going to risk losing that.” Shirlie (née Holliman) also recalls how she joined Wham! as a backing singer to two of her former schoolmates, Andrew Ridgeley and George Michael. When Pepsi & Shirlie went their own way in 1986 their debut single Heartache went to No 2 in the UK singles chart and the American dance chart.

➢ The Here and Now 10th anniversary seven-city tour runs June 24–July 2, 2011, taking in Birmingham’s LG and London’s O2. Starring Boy George, Jason Donovan, Jimmy Somerville, Belinda Carlisle, Midge Ure, Pepsi & Shirlie and A Flock of Seagulls

FRONT PAGE