Tag Archives: Chris Sullivan

➤ Meet Smith & Sullivan, the wags behind the story of the heroic 80s

Wag telling tales: Sullivan in full flow at an earlier photography show by Smith, right. Photograph by Shapersofthe80s

Update Nov 22:

➢ Although the first edition of We Can be Heroes has sold out, a special cloth-bound edition is now on sale for £35, plus a Deluxe edition for £350, at the Unbound Publishing website

❚ HERE’S AN IRRESISTIBLE PARTY INVITATION. As their fund-raising barometer hits 60% of target, the authors of We Can Be Heroes, a ribald account of Britain in the 80s, announce another soirée
 to raise public awareness. Their nightlife peers changed the face of the UK club scene which created dozens of new bands, artists and designers. Born with the mutant party-animal gene, Graham Smith & Chris Sullivan are taking over Robert Pereno’s new Society Club in Soho for two reasons: to show off Graham’s stylish clubland photos, which will be selling there until Christmas; but chiefly to win over buyers who are dithering over investing £30 in their huge coffee-table book that is garnished with tall stories from Sullivan as well as 100 other club-world collaborators.

Come along next Friday to meet them over a drink and to hear the garrulous Welshman Sullivan “in conversation with eminent journalist Michael Holden” — in other words, talking hind legs off donkeys. Orders for the book can be placed only online at Unbound Publishing (where Graham has an explanatory video) so they won’t be prising your wallet open on the spot. Inevitably, a further high point of the evening will be a free-entry after-party where Sullivan will be deejaying classic club tunes from 1976-84 half a mile away at The Aviary Bar.

We Can Be Heroes, Graham Smith, Chris Sullivan, Unbound Publishing,photography,As of today there are only 16 days left to buy your prestige 
limited first-edition of We Can Be Heroes (there won’t be a second edition unless they reach 100% on the first) and you get your name printed in it. You’ll be within the same hard covers as starry contributors such as Robert Elms, Boy George, Gary Kemp and Steve Strange. The clock is ticking because of the new “crowd-sourcing” technique to raise funds. This is being pioneered in books by Unbound, a new offshoot of Faber, whose authors include Python Terry Jones, cultural taste-maker Jonathan Meades, and creator of TV’s This Life series, Amy Jenkins.

One of the reasons fund-raising has been a slow burn for S&S is that, uniquely on the Unbound list, We Can Be Heroes is the only photo-book, requiring quality paper and classy printing. Sullivan says: “Ours needed six times as many pledges as the other text-only titles.”

Smith says: “Dig out your espadrilles and book yourself a baby sitter now!”

➢ Exhibition and talk, Friday Nov 4 … 7–10pm at The Society Club, 12 Ingestre Place, W1F OJF … and afterwards 10–3am at The Aviary Bar, 17 Little Portland Street, W1W 
8BW … Graham Smith’s photos remain in exhibition and on sale here until Christmas

➢ Skimmable list of media coverage of We Can Be Heroes so far

We Can Be Heroes, Graham Smith, Chris Sullivan, Robert Pereno, Society Club , Soho ,books,Unbound Publishing,photography, exhibition,afterparty, Aviary Bar, Robert Elms, Boy George, Gary Kemp ,Steve Strange, Blitz Kids,Wag club,

Smith & Sullivan’s invitation to a party: click to enlarge

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2011 ➤ Pay now — so We Can Be Heroes goes ahead!

1980: Clare Thom, Philip Sallon and George O’Dowd on a coach trip to Margate. Photograph by Graham Smith/grsmith@mac.com.jpg from his book We Can Be Heroes

WE CAN BE HEROES
must be funded by November 12 17 [update]

❚ NOBODY IS BETTER QUALIFIED to chronicle the whirlwind six years between punk and the death of the New Romantics than Graham Smith through his eye-witness photography, and the writer Chris Sullivan, one of the core movers-and-shapers of his generation. UK music and style evolved out of all recognition in a mighty resurgence of youth subcultures that directly triggered a rejuvenation of mainstream media for the rest of the decade. Shapersofthe80s was on hand as an observer. But these two wags were in the thick of the action — major players in a spontaneous youthful collaboration to regenerate the UK’s ailing music and style scenes as 1980 dawned. With contributions by a galaxy of stars, who include Gary Kemp and Boy George, this will become the definitive story of one of the great explosions of creativity in British youth culture.

The authors aim to get their large-format 320-page coffee-table photobook We Can Be Heroes to you in time for Christmas. Their “crowd-funding” venture requires them to raise the cash first by asking YOU to buy your copy in advance, before 6pm GMT on November 12 17. Your reward is to see your name printed as a Supporter in the limited first edition. The clock is ticking.

View Graham’s video today at Unbound Publishing, a new company under the patronage of Faber, the most prestigious publisher in Britain. Here you can purchase your book and enjoy other perks such as an invitation to the launch party. Join the clubbers at Facebook who are submitting their own photos and tales of merriment.

➢ Twitter directly with the publisher, Unbound

READ WHAT HAS ALREADY BEEN SAID
ABOUT WE CAN BE HEROES

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➢ Unbound aims for 40 books in year one … Supported by Faber, the platform was created by QI writers John Mitchinson and John Pollard, and Crap Towns author Dan Kieran — The Bookseller

➢ Funded by the people — Channel 4 News video on “crowdfunding”, the process that decides when and how Graham’s book gets published

➢ Why creative clubbing ended with the 80s — the credentials that equipped Smithy, Sullivan and Elms (and a few other crazies) to start changing the world

➢ Boy George says the 70s were the best time ever to be a teenager — and Tweets that “it’s a brilliant book about the New Romantics! Really!” He has also written a foreword in We Can Be Heroes. (So have Gary Kemp, Steve Strange and Robert Elms)

➢ A slideshow of Graham’s Blitz-era gems at Guardian online

➢ Thirty years of punk and post-punk photo imagery — by Disneyrollergirl, one of The Times’ 40 bloggers who count

➢ Huffington Post: All about 1980s club kids — former Blitz Kid and Times fashion editor Iain R Webb writes about Bowie’s impact on the Blitz scene

➢ A legacy that has inspired each decade since the 80s — Princesss Julia, international deejay and fabulous Blitz Club coat-check girl, writes for i-D about stripping away the posers’ facade

➢ Update Nov 6: priceless storytelling about 80s mayhem with Elms and Sullivan on video

➢ Promo video for Blue Jean (1984) starring David Bowie as Screamin’ Lord Byron before a London clubland audience … Below is the alternate version of Blue Jean for MTV, starring Bowie and the Aliens, shot live before an audience in Soho’s Wag club, which was hosted for 19 years by Chris Sullivan

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➤ The Bowie factor at the Blitz: glamour, drama and collage couture

Iain Webb at St Martin’s School of Art in 1977 — photographed by fellow student Stephen Jones who went on to become an international hat-maker

❚ FOR TODAY’S HUFFINGTON POST, Iain R Webb, former Blitz Kid and later Times of London fashion editor, writes of the imminent photo-book about the tumultuous fashion and music scene that emerged from London’s Blitz Club in 1980. We Can Be Heroes by Graham Smith is a fascinating documentation of the demimonde nightclub scene from punk through New Romantic and out the other side… Webb writes:

It is certainly fitting that Smith has chosen the Bowie lyric as the title of his book because Bowie is to thank for inspiring the transformational theatrics employed by the Blitz Club regulars. In the early 1970s Bowie brought glamour and drama to rock music at a time when it was difficult to tell if the denim clad hairy on stage had nodded off during the drum solo. He was a shrewd style thief, an ardent advocate of collage couture. One of the only musicians to survive the vicious tongue-lashing of punk, it was Bowie who helped fuel the electro soundtrack of the 80s’ subterranean underworld. His Berlin trilogy of albums — Low, Heroes and Lodger — explored the neue world of Kraftwerk and machine Muzak. Although let’s not forget to credit Giorgio Moroder and Donna Summer who had been knocking out the electronic beats in the gay clubs of many a twelve-inch single / continued online

➢ A new book about 1980s club kids by Iain R Webb
at The Huffington Post

➢ When Iain met Stephen, London traffic stopped
and St Martin’s stood still

A sample spread from We Can Be Heroes by Graham Smith: his photos here show Blitz Kid style-leaders Kim Bowen, “Boy” George O’Dowd and Stephen Linard

THREE WEEKS LEFT TO RAISE THE CASH

❏ Will you help ensure publication of We Can Be Heroes by buying your personal copy today? Graham Smith’s book is the definitive history of early 80s nightclub music and style, which were the last manifestation of Britain’s collaborative youth culture. Alongside Graham’s superb photographs is racy text by Chris Sullivan, fabled host of Soho’s long-running Wag club, plus much other celebrity commentary.

Unbound is a new “crowd-funding” company run by three young dynamos well versed in publishing who are ensuring high-quality printing in Germany of this 320-page hardback using 180gsm paper, all in time for Christmas, priced £30. Visit Graham’s page at Unbound to discover why your immediate contribution towards the cost of the limited first edition is so important that the book will carry your name as an early supporter.

➢ £30 buys you the hardback first edition of We Can Be Heroes and your name printed inside — £50 buys an autographed copy and there are many other perks including a de luxe edition

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You be see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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2011 ➤ Leee Childers interviewed: risqué tales of Warhol, glitter and Iggy’s best feature

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❚ LAST NIGHT BRITISH PARTY PROMOTER Chris Sullivan sat in a new London gallery cafe to ask Leee Black Childers about his formative years leaving Kentucky for New York City and getting drawn into Andy Warhol’s Factory crowd of the late 60s and 70s. For more than an hour at The Society Club in Soho, Childers confessed all about his formative years when Warhol encouraged him to “say” he was a photographer, after which he snapped many informal early pix of David Bowie, Iggy Pop, Debbie Harry, Lou Reed, New York Dolls, Patti Smith, Jayne County. All the photographs on display are on sale for the next week.

Our two videos catch a few ribald moments verbatim. Other landmarks included Danny Fields and Andy Warhol taking him to see this “terrific new band”. Using the camera his brother had given him on his 17th birthday, Leee produced sensational pix of the young misfit Iggy Pop at the Stooges’ first New York concert. Leee lived for a year with Iggy. “You should know that he had a really great mind. He would talk about Schopenhauer and Nietzsche, and kept me awake talking about philosophy all night. He was also a very kind person and had one of the best penises I’ve seen.”

Lee attributes the birth of the glitter phenomenon in 1970 to Theatre of the Ridiculous director John Vaccaro’s production of Heaven Grand in Amber Orbit which was set in a circus, to which he brought “giant, huge barrels of glitter and he said, Put it everywhere, and everyone onstage was covered in glitter”.

Linda Clark, Leee, Nancy Spungen, Sid Vicious, Dee Dee Ramone. (Photo by Danny Fields)

In 1971 Leee visited London when Andy Warhol’s ground-breaking show Pork took over the Roundhouse with nude scenes that revelled in the recent abolition of theatre censorship in the UK. During this trip he met David Bowie performing at the Country Cousins nightspot in Fulham: “I’d never heard of him but I went because they said he wore a dress, but he wasn’t wearing a dress. We also met Angie Bowie who was not wearing a dress either. That show was pretty lame.” Yet when Bowie later came to play in New York, Leee was asked to be the vice-president of his US company. He subsequently travelled with Bowie through Russia in 1973 and was tour manager for Johnny Thunders and The Heartbreakers when they supported the Sex Pistols on their 1976 Anarchy tour across the UK.

Leee hung out with the Sex Pistols in both London and New York. Asked from the floor “Who killed Nancy?”, Leee replied: “Nancy killed Nancy. She created the situation where it was impossible to go on” — referring to her fractious relationship with Sid Vicious. Though Vicious was charged with her murder in 1978, Leee says: “We all know it was not Sid.”

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➢ Last week’s report: Leee Childers brings his slice of 70s New York to London

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❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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➤ Calling all heroes, zeroes and cowboys — this will be the party of the week

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Midnight Cowboy, Dustin Hoffman, Jon Voight, movies❚ FABLED WAG CLUB HOST Chris Sullivan swears: “We’re gonna recreate the party scene from Midnight Cowboy” — Friday Oct 21 at Switchblade, “the essential itinerant East End soiree” at Underbelly Hoxton Square, along with starry guest deejays Adam Switchblade, Barnzley Armitage, Pam Hogg and legendary Warhol acolyte, photographer Leee Childers, 11pm–3am

➢ See our slideshow — Warhol chronicler Leee Childers brings his slice of 70s New York to London

❏ iPAD & TABLET USERS PLEASE NOTE — You are viewing only a very small selection of content from this wide-ranging website on the 1980s, not chosen by the author. To access fuller background features and topical updates please view Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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