Tag Archives: 2011

➤ Up close and cool — Paradise Point’s first official video

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❚ THIS SIZZLINGLY COOL STUDIO VIDEO of the single Run In Circles is launched today at YouTube by Paradise Point, London’s teen livepop band who’ve been together now for six months. PP’s first concert review at Shapersofthe80s said of their debut: “Paradise Point are in the wide-eyed realm of Romeo and Juliet. They are great romancers, who cast the vocalist Cam as Romeo putting his heart through the Magimix for his Juliet.” Since then talent-spotter Callofthewyld has added: “Paradise Point are a 2011 take on classic boy bands such as Duran Duran, Spandau Ballet and even ABC. They surely must have been made in some manager’s laboratory … This lot are sex on legs and even if they weren’t actually any good they would still find it hard to walk on stage without being shrieked at. Fortunately their music is excellent too.”

Paradise Point, Run In Circles , video, Cameron Jones,pop musicThis hot and elegant new video for Run In Circles was directed by the bass player Roman Kemp, who studied film at sixth-form college. It was shot in the family “studio” — “My games room,” insists Roman’s dad, Martin — and the camera lingers so intensely on the singer Cameron’s lips that Boy George is said to have tweeted the sort of compliment we couldn’t possibly repeat here. Compare and contrast the new vid with their live debut before an audience at London’s Punk club last November, shot by Shapersofthe80s, below…

➢ Paradise Point’s next show will be filmed at the O2 Academy Islington, Wednesday, June 29 at 7pm, tickets £5 from Ticketweb

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➤ FHM says “Pass the sick bucket” after readers vote Andrej Pejic one of the “Sexiest Women”

Andrej Pejic

Pejic wears Tina Kalivas. Photography © Stephen Ward for oystermag.com

❚ THE US EDITION OF FHM magazine has posted an apology on its website for publishing offensive remarks about the 19-year-old Australian male model Andrej Pejic. Readers had voted him number 98 on its list, “100 Sexiest Women in the World 2011”, ahead of Lady Gaga. Following publication three weeks ago, yesterday the mag finally removed his online profile after complaints about its anti-gender-bender stance on the Haus of Andrej Pejic blog.

The original FHM text published May 5 [see below] written by the mag’s evidently chauvinist editors was indeed downright insulting, considering that Pejic’s androgynous appearance (stats: 6ft 2in tall, 36-in waist, UK shoe size 10)  had after all caught the fancy of FHM’s metrosexual readers in the first place.

Headed “Why we love Andrej Pejic”, the online text read: “Although his sexual identity is ambiguous, designers are hailing him as the next big thing. We think ‘thing’ is quite accurate. Tall, skinny and flat-chested . . . the blonde gender-bender has jumped the gun in hoping he might one day be signed as a Victoria’s Secret Model (Pass the sick bucket).” [Victoria’s Secret is a US retailer of chic and sexy women’s clothing.]

FHM magazine FHM’s apology blamed slackness in its own ranks: “Regrettably the copy accompanying Andrej’s online entry wasn’t subbed [ie, checked] prior to going live. FHM has taken steps to ensure this can never happen again.”

Dossier Journal, Andrej Pejic, censorship

In an earlier Pejic controversy, Huffington Post asked on May 16: Should this cover be censored? — 31% said Yes! Too racy for the magazine rack. 69% said No! It’s a shirtless guy. Big deal. (Dossier cover art by Collier Schorr)

FHM’s editorial debacle follows a separate anti-Pejic episode mid-month when Dossier Journal’s cover pictured the model wearing his blond hair rolled in curlers while removing his shirt. Elle.com reported: “News-stands are covering the image for being too risqué. Little do they know they’re censoring the image of a shirtless man. Katherine Krause, Dossier’s Editor-In-Chief, says that bookstores have been made aware of Pejic’s gender but will move forward with the censoring. What’s more, it’s Dossier’s financial responsibility to pay for the black poly bags with which their distribution people must cover the magazines.”

Bosnian-born Pejic told New York magazine’s Party Lines: “The question really isn’t the gender of the person on the cover, it’s whether it’s porn or it’s art. And clearly, it’s art, so art really should not be censored in a democratic society.”

FHM magazine, Andrej Pejic, 100 Sexiest Women in the World,

FHM's original profile of Andrej Pejic published online May 5, 2011. (Source: Haus of Andrej Pejic)

➢ FOOTNOTE — Topping the FHM 100 were 1 Rosie Huntington-Whiteley, 2 Katy Perry, 3 Rihanna

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➤ Knock-knock, fashion gems on a shoestring

Amwell Street Knocking Shop, pop-up-shop,vintage fashion,London

Faces behind the Amwell Street Knocking Shop: Chris McMillan, Princess Julia, Karlie Shelley, Josh Quinton, Mich Dulce, Felicity Hayward, Emily Rose England

❚ A POP-UP SHOP THAT RUNS FOR A MONTH, that’s The Amwell Street Knocking Shop. Strictly speaking, it’s open Fris–Sats–Suns, noon–8pm until Sun June 26 (weekdays by appointment only). Events and art installations are promised, plus celeb sales assistants, and cult film screenings downstairs chosen by guest curators. But the core business is selling archive and vintage clothing and accessories sourced by an impressive team of now tastemakers: Karlie Shelly, Felicity Hayward, Josh Quenton, Lauren Webb, Princess Julia, Yasmina Dexter, Pinkie Love, Pam Hogg, Joe Corre, Ben Westwood, Vivienne Westwood, Judy Blame, Flora Starkey, Noki, Mich Dulce, Noah Crutchfield.

Amwell Street Knocking Shop, pop-up-shop,vintage fashion,London,Alexander McQueen

Past bargains in Amwell Street: Alexander McQueen backless dress, plus assorted vintage items including books

Amwell Street Knocking Shop, pop-up-shop,vintage fashion,London,Vivienne Westwood

Past bargains in Amwell Street: Piers Atkinson studded blue beret, Vivienne Westwood two-buckle shoes

➢ Find The Amwell Street Knocking Shop at No 63, postcode EC1R 1UR, nearest tube Angel Islington (tel 020 7833 5512)

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➤ Brett on the love that created “a Suede landscape” in the tribal 80s

Brett Anderson, Suede, 2011, concerts, interview, beat magazine

Brett Anderson: “emulating people shouldn’t be about wanting to sound like them”

STRICTLY SPEAKING, Suede were a supercool guitar band of the 80s, having come together in 1989, though admittedly their hits followed in the 90s. Having reformed last year, alas without guitarist Bernard Butler, they released The Best Of Suede in November and tonight they play Suede’s music in sequence at the first of three gigs at London’s O2 Academy in Brixton May 19–21, plus Dublin’s Olympia Theatre, May 24–26. An interview with the current issue of BEAT magazine has singer Brett Anderson (“the lost boy of Britpop”) reflecting on the climate in which the band formed…

“As a teenager in the early 80s it was an incredibly tribal time, everyone at school was either a mod or a punk or a skinhead or a headbanger. Which gang you belonged to said who you were as a person. This was when I was thirteen or fourteen, when I first started buying records and I suppose that influenced the sort of band I wanted Suede to be, I wanted them to be the sort of band people would get tattooed. I wasn’t particularly interested in Suede just being liked; I was only really interested in Suede being loved.

Best of Suede, 2011, Brett Anderson“Suede was about the intense passion of being loved as a band and constructing a universe for people to dive into and that was all part of the iconography of the sleeves and the worlds I sang about and possibly the over-use of lots of the imagery was all part of it. Maybe it was all part of my need to belong somewhere. We established a Suede landscape, and I always loved those bands that did that. Maybe it’s a very much over-used reference point but I did grow up loving The Smiths records and loving what they did and the kind of tribalism they created.

“I never wanted to be The Smiths, emulating people shouldn’t be about wanting to sound like them. I was talking to Jamie from Klaxons and he said he was a huge Suede fan when he was growing up and that Suede were the reason he wanted to be in a band. You listen to Klaxons, and they don’t sound anything like Suede and that’s the biggest compliment. That they took something of the spirit of Suede, they didn’t rip off the cord sequences, they didn’t rip off the words and they didn’t dress like Suede.

➢ Read Brett’s full interview with
Daryoush Haj Najafi in BEAT

“They just took something of the spirit and sense of aiming to achieve something that was meant to be a little bit unachievable. And they created this incredible very original band. I’m really proud of that sort of influence. It’s the same with Bloc Party. There’s all these bands, that have told me that Suede have been incredibly influential, but they don’t sound like Suede, that’s almost like a double compliment for me.”

❏ Brett also deals with drugs, androgyny, Justine and Bernard — “I actually put an advert in the NME, that’s how I met Bernard. It read, ‘Must like Pet Shop Boys, The Smiths, David Bowie and Lloyd Cole and The Commotions. No musos, no beginners, some things are more important than ability’.”

➢ Suede headline July’s Latitude Festival in Suffolk

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2011 ➤ Barefoot Sade lets her hair down for Europe

Soldier of Love, world tour, Sade, R&B, soul music, Milan, By Your Side,

Sade seduces Italy: hair down, shimmering ivory gown and just a glimpse of a pink bra. (From MrAdamino85’s Milan video at YouTube)

♫ View the video of Sade singing By Your Side,
shot by MrAdamino85 in Italy

❚ “LOOKING EVEN MORE BEAUTIFUL — Sade letting her hair down along with the band sounding sublime.” So writes the 80s singer Andy Polaris on Facebook today after spotting this smooth video of Sade and her band performing their 2000 hit, By Your Side, in Milan earlier this month. As their Soldier of Love world tour comes ever closer to Ireland and the UK, fans can still find Sade tickets for the four dates: Wed 25 in Dublin from €55, May 27 in Manchester from £80, May 29 Birmingham from £44, and May 31 at London’s O2 arena from £80.

❏ Update May 31, former Animal Nightlife singer Andy Polaris writes: “Sade was superb tonight. The band were crisp and she looked and sounded better than ever — very confident. A rapturous greeting from the home crowd. Sophie Mueller’s stage design complemented the songs and gave them a visual punch from the use of stark silhouettes, city horizons and background footage of the band relaxing. One of the main standouts was Pearls where Sade’s silhouette walked onto a bare stage with a sunrise mirroring the harsh life of a woman from Somalia. It was simple but effective piece of staging and no need for the usual excess of dancers and pyrotechnics needed in arena shows… Lovely to have a brief chat at the after-party, as beautiful and gracious as ever. Great to see some old favourites Ollie, Matt Bianco, Mark, Gordon, Phil Polecat, Melissa, Jacqui, Paul Simper, Greg, Mark Powell, amongst others. Sade looked like she was having a ball and overall it was a triumphant return especially on home turf.”

❏ Deejay Princess Julia blogs: “I was intrigued to see Sade working her definitive style… I wasn’t disappointed on both counts. Sade rules, she really does… it’s all in the detail, precise, easy, she came on in a body con style outfit, plus signature polo neck (I’d already discussed her wardrobe with a few friends! Bolero jacket, cummerband and capri pants were all options). She arrived on stage hair slicked backed, big hooped earrings, my favourite look really, looking elegant, modern, understated and most of all really happy to be on stage in London.”

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