1912–2012 ➤ My pal Tucker’s Titanic moment and the truth about the “Unsinkable” Molly Brown

A Night To Remember ,Tucker McGuire ,movies,Unsinkable Molly Brown,centenary, Titanic,Mrs James Joseph Brown,

“Come on girls!” — Tucker McGuire as the Unsinkable Molly Brown in A Night To Remember, 1958. (ITV Studios Home Entertainment DVD)

❚ TUCKER McGUIRE WAS SOMEBODY I’D KNOWN for years before we actually met in London in 1982. She was an American-born actress who’d made her home in England in the 1930s and she played 34 screen roles, according to IMDb, and hundreds more on radio. But the one I knew her from — along with thousands of other British cinema-goers — was her feisty performance in what endures today as the most thrilling version of the Titanic disaster, A Night To Remember, directed as an authentic docu-drama by Roy Ward Baker at Pinewood Studios not far from London in 1958.

As well as the stars Kenneth More and Honor Blackman, this J Arthur Rank mini-epic featured a galaxy of British character actors playing cameo roles from boiler-room to bridge. Tucker was cast as the American millionairess Mrs Margaret “Molly” Brown. And she delivers the scene-stealing line everybody remembers, moments after the mightiest ocean liner of its day slipped beneath the calm mirror-like North Atlantic 100 years ago today.

Though Lifeboat No 6 had capacity for 65 people, it held only 19 women and four men who now stared in horror and awe as the broken Titanic ultimately stood up on end, paused and then vanished in one vertical plunge. Unexpectedly, say eye-witness survivors, the clear night air was suddenly torn with an appalling crescendo of wailing from the hundreds of fellow-passengers struggling for their lives and drowning in the bitter freezing water.

A Night To Remember, DVD, Blu-Ray, Titanic,Roy Ward Baker,Pinewood Studios

A Night To Remember, 1958: the most accurate telling of the Titanic tragedy in its day thrilled audiences long before CGI effects were invented. This mighty mock-up of the doomed liner was built in a field at Pinewood and water scenes shot at Ruislip Lido. (2012 DVD cover from ITV Studios Home Entertainment)

In Rank’s movie, 44-year-old Mrs Brown grabs her oar and insists they turn their lifeboat round and return to save the desperate swimmers: “Come on girls! Row!” She is straight-away rebuked by quartermaster Robert Hichens, the 29-year-old crewman at the helm (who had been at the wheel of the Titanic itself at the liner’s moment of impact with the iceberg). He yells that turning back risked swamping the boat with too many people, whereupon the millionaire women’s rights activist becomes immortalised for ever as the heroic and “Unsinkable” Molly Brown. She tells him: “You get fresh with me son, and I’ll throw you overboard.”

It took 40 minutes after the Titanic sank for the wails of 1,514 doomed souls to be silenced. Hichens gloomily allowed the women to row around for a while, then his boat joined up with Lifeboat No 16 to await rescue in the silent night. With the dawn, a total of 710 survivors were taken aboard by the RMS Carpathia.

Titanic, Lifeboat No 6, Frederick Fleet , Carpathia, Robert Hichens, Unsinkable Molly Brown

Titanic’s Lifeboat No 6 approaches RMS Carpathia to be rescued in 1912: Quartermaster Hichens can be seen at the rear manning the tiller and Frederick Fleet, the look-out who first saw the iceberg, is seen at the bow preparing to catch a tow-line. Is it too fanciful to imagine the large hat at centre belonging to the “Unsinkable” Molly Brown? (Photograph by Louis Mansfield Ogden © Royal Museums Greenwich)

❏ Tucker McGuire is among 13 actresses, including Debbie Reynolds, to have portrayed the “Unsinkable” Molly Brown, and like so many thespians, proved to be a hugely entertaining character when we met 30 years ago. She had been widowed three years earlier so wanted to widen her social circle by joining an evening class I used to give in creative writing in central London. She didn’t let on about her most famous role for a long while, but when she did I knew exactly who she was, along with the rest of the nation’s vintage movie fans who had seen A Night To Remember on TV seemingly every other Sunday afternoon since 1958.

Though at 69 she was old enough to be granny to most of us, Tucker was vivacious company and after the class often invited the regulars for drinks at her basement flat where she’d show us snapshots from her career and her yearbook for the class of 1930 at Handley High School in Winchester, Virginia. As part of the written coursework she submitted an affecting review of Katherine Mansfield’s Taking the Veil, “an unhappy daydream with a happy ending — a perfect love story. It has drama and comedy and leaves one glad to have read it”. In March 1982 our group went to the Lyric Theatre in Hammersmith to see Patricia Routledge and Paul Eddington starring in the newest comedy by Michael Frayn. It proved achingly hilarious and Tucker’s verdict was, in true billboard tradition, that “this one will run and run”. How prescient: a brilliant revival of Noises Off is playing to packed houses at the Old Vic right now.

Tucker died in 1988. Despite her extrovert demeanour, she’d never talked about her family or why she had left America so young. Last month’s DVD rereleases of A Night to Remember gave new life to Tucker’s line “Come on girls!” and prompted a sentimental search session with Google which revealed a daughter Janie Booth, who is also an actress here in Britain. Anne Tucker McGuire was born in Winchester, Virginia, where her father was President of the American Medical Association. Tucker’s first mentions in England include playing in Three Men on a Horse at the Wyndham’s Theatre, London, and making the Albert de Courville film Strangers on Honeymoon, both in 1936.

Tom Macaulay,Dark Stranger, Tucker McGuire,

Tucker’s husband, Tom Macaulay, in Dark Stranger, 1946

Her old Harrovian husband called himself Tom Macaulay as an actor but his fuller name Thomas Macaulay Booth resonates with British history. The Macaulays included Zachary, the 18th-century slavery abolitionist, and Thomas Babington, the celebrated historian and Whig politician.

The Booth family was no less distinguished: Charles Booth was a 19th-century shipowner and social researcher whose study of working-class life in London led to the founding of old-age pensions. His greatest innovation, documented in Life and Labour of the People in London, included the socially coded Maps Descriptive of London Poverty 1898-99, and revealed that 35% were living in abject poverty. He was elected president of the Royal Statistical Society (1892–4).

A Night To Remember ,Tucker McGuire ,movies,Unsinkable Molly Brown,centenary, Titanic,Mrs James Joseph Brown

Two faces of Mrs James Joseph Brown: the real Denver socialite and women’s activist around 1912, and (right) feisty Tucker McGuire in the 1958 Titanic movie A Night To Remember

❏ Back in the real world of Mrs James Joseph Brown, “Molly” had been born Margaret Tobin in 1867 to Irish immigrants in Hannibal, Mo. From becoming a teen bride in Denver, she struck it rich with her husband, joint-owner of a Colorado gold mine, and enjoyed devoting her life to philanthropy and campaigning for labour rights and women’s suffrage. Mrs Brown eventually separated amicably from her husband and in 1912 went to explore Egypt along with Colonel John Jacob Astor and his wife Madeleine, stars of New York society.

On returning, all three boarded the Titanic at Cherbourg, along with their servants, for the voyage to the States. In the ship’s final hour, the chivalrous Colonel Astor kissed his wife goodbye, saw her into a lifeboat and went to his death smoking a cigarette by the bridge. He was the richest passenger aboard the Titanic, and left a $150 million fortune ($11.92 billion, today).

Mrs Brown died in 1932 pursuing another lifelong passion — acting. Incidentally, she didn’t use either of the famous nicknames Molly or “Unsinkable”. These were given her by a gossip columnist in her hometown of Denver, Colorado.

A Night To Remember,centenary, Titanic,John Jacob Astor,lifeboats

“Women and children first”: The Edwardian code of chivalry prevented men from boarding the Titanic’s 20 lifeboats before all the women had done so. The grim truth was that there was lifeboat capacity for only half the passengers and crew. The agony for American millionaire John Jacob Astor (depicted here) was deepened by knowing his wife Madeleine was pregnant with their first child. (Illustration by Fortunino Matania)

➢ Museum located in her Denver home tells story of Titanic survivor Molly Brown – by Colleen Slevin, Associated Press

➢ A Night to Remember (1958,digitally remastered DVD)

➢ Criterion Collection: Night to Remember (1958, Blu-ray US import)

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➤ Lest we forget the 907 Falklands dead and the 1,965 injured

Belgrano, sinking, Falklands, 1982

May 2, 1982: ARA General Belgrano lists heavily to port in the Atlantic Ocean, while its crew abandon ship. Sailor’s picture via Press Association

❚ TODAY WAS THE DAY 30 YEARS AGO that prime Minister Margaret Thatcher took Britain to war in the South Atlantic Ocean, all because a repressive dictatorship in Argentina had occcupied a tiny island with a handful of marines posing as scrap merchants. Since the 1800s, Britain had asserted sovereignty over the Falkland Islands (population 1,800) and its neighbouring dependencies, while Argentina repeatedly claimed its sovereignty over the colony it knew as the Islas Malvinas. They lie 300 miles away from Argentina and 8,000 miles from the UK.

Neither nation formally declared war on the other, yet the 74-day conflict led to the deaths of 649 Argentine and 255 British servicemen and 3 Falklands Island civilians. There were 1,188 Argentine non-fatal casualties and 777 British. The whole tragic saga was made more complex when the US declined to intervene because its Central Intelligence Agency had supported the military junta of Leopoldo Galtieri, the President of Argentina, against the Sandinistas in Nicaragua.

One month to the day after the Argentinian invasion, Sunday May 2, the British war cabinet headed by Margaret Thatcher, met at Chequers, the prime minister’s weekend retreat, and unanimously agreed to a naval order to sink the Argentine warship, General Belgrano, in the South Atlantic.

The Sun, Gotcha, 1982, Belgrano, Falklands War,Subsequently, to its eternal shame, Britain’s biggest selling daily paper The Sun boasted in its most notorious headline: “GOTCHA”. This rabid jingoism by middle-aged politicians and armchair media generals alike, as they relived memories of World War Two, drove a wedge into the generation gap that has never been equalled. Those of us under 40 — too young to remember WW2 — were appalled that a simmering 150-year-old squabble with Argentina over sovereignty of the Falkland Islands should now warrant military action by Britain. We were even more appalled at the near-total, gung-ho media hype that blessed it.

Britain initiated the first naval loss at 4pm that Sunday when the nuclear-powered submarine HMS Conqueror fired a pattern of torpedoes at the Belgrano which was patrolling south of the Falklands. Two struck the vintage light cruiser and within 20 minutes its captain ordered his men to abandon ship. It was more than a day before 770 were rescued from the open ocean. Meanwhile 323 crew had died.

In their superbly detailed chronicle The Battle for the Falklands (1983, republished 2012), journalists Max Hastings and Simon Jenkins report the reasoning of a senior British commander: “You have got to start something like this by showing that you’re bloody good and you’re determined to win.” After the sinking, a British destroyer captain said when he broke the news to his ship’s company: “There was a mixture of horror and disbelief. There certainly wasn’t any pride.” The legitimacy of this British action remains the subject of controversy today.

Retribution followed two days later, on May 4. An Argentine Exocet missile struck the British destroyer HMS Sheffield amidships, with devastating effect, ultimately killing 20 crew members and severely injuring 24 others. The ship sank six days later. In the Royal Navy, Hastings reported, officers and men were shocked at the ease with which a single enemy aircraft had destroyed a warship specifically designed for air defence.

On June 8, at Bluff Cove on East Falkland, Argentine aircraft bombed Britain’s civilian-manned landing ships Sir Galahad and Sir Tristram, causing the biggest loss of British forces in the conflict. A total of 32 Welsh Guards died, and 150 men suffered burns and injuries.

Bluff Cove, Falklands war,Sir Galahad,

Britain’s civilian-manned vessel Sir Galahad ablaze after the Argentine air raid on East Falkland, June 8, 1982. This videograb comes from newly unearthed footage shot by guardsman Tracy Evans, which is viewable on the BBC news website

➢ Welsh Guard’s film shows Falklands War scenes for first time (above)

➢ Falklands War 30 years on — by Simon Jenkins who co-authored the most detailed account of the conflict: “How British PM’s lucky gamble turned Thatcher into a world celebrity, not only repelled the Argentinian invasion but also paved way for her ideological reforms.”

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➤ Trimphone aside, can you spot the designs that changed the look of Britain over 60 years?

British Design,exhibition ,Innovation, Modern Age, Victoria & Albert Museum,

British Design catalogue collage: road signs, high-rises, Kodak cameras, postage stamps, computers and Henry Moore — all are exhibited here

“Britain has since 1948 sustained an extraordinarily vigorous creative culture, even against a background of manufacturers leaving the stage like the instrumentalists in Haydn’s Farewell Symphony. It’s an inclusive culture, hence tapestries and Jaguars. It’s a culture that swoops artfully between high and low. It’s a culture that could import, with characteristic fairhandedness, both John Betjeman and Nikolaus Pevsner. The one in thrall to the village, the other in thrall to steel and glass. Wonderfully, each was a founder of The Victorian Society. Their contrasting spirits dominate British design in the years before The Beatles’ first LP. Thereafter, the Britain of crumpets-with-vicar became the undisputed global capital of youth culture whose furious organic vitality still invigorates business life.”

➢ Stephen Bayley, former chief executive of the Design Museum, writing in The Independent

Denys Lasdun, University of East Anglia,architecture

Architect Denys Lasdun’s University of East Anglia, 1962-68: raised walkways, striking ‘ziggurats’ and no building on campus more than five minutes’ walk away

❚ AN EXHIBITION TITLED British Design 1948–2012: Innovation in the Modern Age, is bound to infuriate as much as it excites. The grimly claustrophobic galleries that host temporary shows at the Victoria & Albert Museum abound with iconic and nostalgic everyday objects, rather as a good car-boot sale does. Yet the omission of much imaginative British media is unforgivable — the template for newspaper colour supplements laid out by The Sunday Times plus a serious investment in photo-reportage, for example… the more-British-than-British essence with which the American Joseph Losey propelled a whole chapter of stylish cinema… the sci-fi television fantasies of The Prisoner or Doctor Who…

Twiggy , Mary Quant ,miniskirt,Swinging London, youth culture

Twiggy models the Mary Quant miniskirt, 1965: named after the designer’s favourite car, the mini encapsulated the youth culture of Swinging London — energetic and unconventional

What the V&A show’s three themes propose — under the headings Tradition & Modernity, through the Subversion of pop, to Innovation & Creativity — amounts to a vital module for every art or design student in the education system, whose forebears, thank goodness, benefited from the shake-up imposed in 1960 by the Coldstream Report.

Ignore most dithering reviews of this hot-and-cold exhibition. Instead, do savour the argumentative Stephen Bayley, writing in that onetime model of new newspaper design, The Independent. He nails the paradox of this show in a daydream: “I became drunk on memories of whimsy, charm, gentility, wit and Macmillan-era futurism. My imagination never turned to the ruins of industry, the loss of technological competence, the barrenness of every British city except London and the fact that the economy of our once-busy island workshop is now based on the theory and practice of a dodgy casino.”

Bayley then comes to the nub of the matter: “The tricky thing is ‘design’ itself. It’s often muddled not only with ‘innovation’, but with invention, fashion and taste-making, sometimes even with art. After more than 150 years of promoting design at the V&A, no one seems to have any very clear idea of what it is. If it is a real subject, it must have a discipline. But what discipline connects Spence’s Coventry Cathedral with Damien Hirst’s 1997 Pharmacy restaurant in Notting Hill, west London, each of which features here?

“If, as the design lobby often insists, ‘everything has been designed’, then everyone is a designer. So what special qualities do professional designers bring to any task?”

British Design,exhibition ,Innovation, Modern Age, Festival of Britain, Skylon, Concorde

Notions of modernity: at the Festival of Britain, 1951, the Skylon designed by Powell & Moya was rendered by the practice’s junior architect James Gowan as a monumentalised missile, and symbolised the dawning age of science. In 1979, BA’s sixth Concorde took off on its maiden flight

Aim Bayley’s question at three triumphs of design in the V&A show: the kinetic balancing act of the Festival of Britain’s Skylon structure; the bird-wing aerodynamics of Concorde miniaturised at the V&A in a 20-ft model; and the most thrilling artefact in the entire show: the skilfully lit Jaguar E-Type from 1961 which rival manufacturer Enzo Ferrari declared “the most beautiful car ever made”. Drop down to one knee and view the Jag diagonally from any corner and wonder at its lack of straight lines. One curve after another creates changing perspectives that conspire to emulate speed even as it stands motionless before you. Seldom will you hear both men and women purring over such a seductive silhouette! Seldom will you ever see such a thrilling manmade object.

There are a good number of breathtaking moments in this show that beg you to ask why and how an exhibit stopped you in your tracks, though not as many as you would wish.

Malcolm Sayer, Jaguar E-Type,sports car ,

Relish the curves: designed by Malcolm Sayer, the Jaguar E-Type 3.8-litre sports car was launched at the Geneva Motor Show in 1961 as a two-seat coupe or convertible, with a top speed of 150 mph. The car’s shape is the epitome of speed

➢ British Design 1948–2012: Innovation in the Modern Age, runs at the Victoria & Albert Museum, Mar 31 until Aug 12

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➤ Proustian frissons aplenty as Derek Ridgers’ photographs revisit three decades

Derek Ridgers, photography, exhibition, Society Club,Morrissey

Derek Ridgers in Soho last night: his portrait of Morrissey a bridge between two eras. Photographed by Shapersofthe80s

❚ SOME PHOTOGRAPHERS ARE as extrovert as their famous sitters, but Derek Ridgers has captured the essence of British street style and achieved a uniquely influential status by tip-toeing through the margins of life, feather-footed as the questing vole. Anyone who has followed the Punk and New Romantic scenes recognises the Ridgers types — “transient beings moving across an urban landscape, experimenters, flamboyant souls who cared more than anything about how they looked and whose greatest fear was of being ordinary”, as writer Val Williams noted in the Ridgers photobook of 2004, When We Were Young: Club and Street Portraits. His straight-up photographic style pinned those clubbing butterflies like curios into the display case labelled Swinging 80s. They trigger the involuntary remembrance of the texture of an era as readily as cake did for Marcel Proust: each image has the potential to become the “vase filled with perfumes, sounds, places and climates”.

Throughout April and May we may relish the Ridgers back catalogue in a new exhibition titled Unseen at Soho’s Society Club. The selection documents celebrities and street stylists from 35 years of commissions by music mags and national press. Here is an engaging mix of concert shots and powerfully intimate portraits in which eye-contact is key: Nick Cave, David Lynch, J G Ballard, Boy George, Tom Waits, The Cramps, Mick Jagger, plus the image of Keith Richards which is currently touring in the Sunday Times Magazine 50th anniversary show.

Another exceptionally striking portrait has the singer Morrissey eyeballing the Ridgers lens with an intense gaze that definitely says misunderstood but could just as easily be saying cussed. It was shot in London in 1985, year of The Smiths’ second album, Meat Is Murder, when Moz began raising the temperature with political views about the Thatcher government and the monarchy.

Derek Ridgers, photography, exhibition, Society Club, Keith Richards

Soho last night: Ridgers, Richards and a new snapper called Tracy Jenkins. Photographed by Shapersothe80s

Ridgers said: “He’s a bit of a strain to photograph in the sense that there is so little of his personality coming back at you. Or at least there wasn’t in those days. Maybe he was very shy but he seemed taciturn in the extreme. The two times we met, he gave the impression of not wanting to say boo to a goose. He honestly hardly said a word to me. Nothing at all like the extremely opinionated personality that comes across in interviews these days.”

The two characteristic Morrisseys of then and now — the one taciturn, the other curmudgeonly — bestride three decades which completely reinvented British notions of youth culture, music, sexuality and success, yet at last night’s preview it was salutory to be pulled up by a 26-year-old illustrator among the guests who had to ask: Who was Morrissey?

All the more reason to buy ourselves a cool black-and-white print as a Proustian trigger, either directly from the Ridgers Archive or from an earlier catalogue viewable at the Society Club. Titled Previously Unpublished, this takes us from an iconic 1982 lineup of the ever-evolving band The Fall, through Culture Club, John Galliano, Roddy Frame, Tim Roth, into the 90s of the Charlatans, Ray Winstone, Lee Scratch Perry and a pensive Kylie Minogue to a raunchy Boo Delicious and more in the new century.

Ridgers has published three books of photographs, has exhibited frequently, and was a judge in How We Are Now, an online photography project launched by Tate Britain in 2007.

➢ Derek Ridgers Unseen runs until May 31 at the Society Club, 12 Ingestre Place, London W1F 0JF

➢ Previously Unpublished can be bought in various formats from Blurb, “a creative publishing service”

➢ 50 Years of The Sunday Times Magazine is viewable in Bristol, Manchester and Birmingham until June

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➤ Uh-oh! Vice lifts the lid on the untold dramality of Dalston Superstars

Dalston Superstars, #Exposed , Vicedotcom,dramality, web TV,hipsters
➢ Click the pic to view the new #Exposed video

➢ Vicedotcom exhumes its hipster tragicomedy — and just look at the tags: Mark Ronson, Grace Dent, billie jd porter, Paul Morley

Dalston Superstars #Exposed is the untold story of the web series that changed everything. Back in 2011, Dalston Superstars was launched on an unsuspecting internet, clocking up a record three million Facebook likes.

At first glance the show appeared to be just another dramality show in the vein of TOWIE or Jersey Shore, but, on closer inspection, was Dalston Superstars more than that? Was it in fact a searing satire, not only of reality television, but also of the mindless young hipsters who populate East London’s streets? / Er, discuss at Vice online

❏ Top Commenter and bad speller Guy Turner declares at Vicedotcom: “I think you started it as a reality TV spin-off with your cool hipster freinds [sic] then realised they were nobs [sic] so pretended it was satire as the abuse came in from all quarters.”

➢ Catch up on the whole darn dramality of the original Dalston Superstars as it unfolded — only at Shapersofthe80s

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