2012 ➤ Why Brains, Parker and Lady P stayed cults long after Thunderbirds had Gone!

Gerry Anderson, Thunderbirds,Supermarionation, TV series, 1960s,

Futuristic puppet stars: Gerry Anderson with Virgil, Brains, Lady Penelope and Parker the chauffeur. (Picture: David O’Neill / Rex)

➢ Thunderbirds creator who made some of the most popular children’s TV shows of the 1960s – Gerry Anderson obituary at The Guardian

Gerry Anderson, who has died aged 83 after suffering from Alzheimer’s disease, was the main mover behind a number of puppet series commissioned by Lew Grade’s Independent Television Corporation. They made the company a fortune from the space age: perhaps the best known was Thunderbirds (1965-66), and among the others were Fireball XL5 (1962-63), Stingray (1964) and Captain Scarlet and the Mysterons (1967-68).

Factoid: Thunderbirds hero Jeff Tracy and
his sons John, Scott, Virgil, Alan and Gordon were all
named after early American astronauts

Gerry Anderson, Thunderbirds,Supermarionation, TV series, 1960s,

Captain Scarlet as Royal Mail postage stamp last year

The pre-ITV world of the early 50s had been one of puppets such as Muffin the Mule and the Flowerpot Men, a mirror for a Britain on extremely visible strings. Rocket men, on BBC radio, Radio Luxembourg and in the Eagle comic, meant Dan Dare and Jet Morgan – recycled Biggles and Battle of Britain pilots. After Anderson, they were destined for the galactic dole queue, just as Eagle’s demise was hastened by the arrival of Anderson spin-offs such as TV Century 21 (1965-71). “Everything we did,” Anderson told his biographers Simon Archer and Marcus Hearn, in What Made Thunderbirds Go! (2002), “was in an endeavour to sell to America”, and Grade spectacularly achieved that with Fireball XL5, a US network sale to NBC. Thunderbirds, shown across the world and more than a dozen times on British TV, is the show that defines the Anderson achievement, yet never attracted a US network… / Continued at Guardian Online

➢ F-A-B gallery of Gerry Anderson creations at Guardian Online

➢ 2011, Brains explains “lenticular” Thunderbirds postage stamps

Gerry Anderson, Thunderbirds

Thunderbirds’ secret base at Tracy Island: model kit comes with miniature versions of the Thunderbird 1, 2, 3, 4, and 5. “Some assembly required.” From Dragon Models USA, $115

‘Anything can happen in the next half hour’

➢ Paul Hammans on the extraordinary dynamics of Stingray:

Gerry Anderson, Stingray,Supermarionation, TV series, 1960s,

Stingray’s Troy Tempest and “Aqua” Marina (Photo: ITV)

Anderson’s third series in Supermarionation brought a new level of emotional literacy to the genre, albeit one difficult to define. Gradually the move had been made and puppetry was continuing to move toward greater realism, but let’s not get this out of proportion; it was not the end of innocence. Puppetry of the Gerry Anderson variety, despite being set in an imaginary future began to appear more relevant at a deeper level for the audience of the day. The transaction in any learning process depends upon emotional involvement and increasingly the puppet series got you involved… / Continued at Cult Britannia

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➤ Do they know? How modest Midge wrote the biggest selling pop single of his generation

Do They Know It’s Christmas?, Band Aid, Live Aid, Midge Ure, Bob Geldof, 1984,pop music, UK charts,

Pop artist Peter Blake’s Band Aid sleeve… The original vinyl can be yours today for £6.99, US$11.25, €8.60 at eil.com

◼ 1.1 BILLION VIEWS FOR GANGNAM STYLE at YouTube!!! Merry Christmas, pop pickers. Now spare a few minutes to listen to the original demo of the tune that in its day became the biggest selling UK single of all time. In 1984 was at No 1 in the pop charts.

Midge Ure: recording the Band Aid single, here with Paul Young and Tony Hadley © 1984 Mercury Records

Midge Ure: recording the Band Aid single, here with Paul Young and Tony Hadley (© 1984 Mercury Records)

It was recorded under the artist name of Band Aid by a megagroup recruited from 47 of the biggest hitters in British rock and pop. It raised huge funds for famine relief in Africa and a year later led to Live Aid, the biggest global rock concert ever, viewed by two billion people in 60 countries, who coughed up still more dollars. Live Aid is said to have raised £150m (about £400m or US$650m at today’s prices).

The idea for Band Aid was proposed by one down-on-his-luck musician, Irishman Bob Geldof, who had been moved by a horrifying BBC TV news report on the famine in Ethiopia. The project sprang out of a telephone call with Midge Ure of Ultravox when he was appearing on The Tube, the weekly pop TV show broadcast from Newcastle. The song was written and produced in a flash by Scotsman Midge, who has emerged as one of the most genuinely multi-talented shapers of the 80s.

WALKING OUT OF THE SHOPS

Do They Know It’s Christmas?, Midge Ure, Bob Geldof, Band Aid, Record Mirror, cuttings
❏ The Band Aid single became the fastest seller of all time in its first week of release, ironically keeping one of its participants, George Michael and his band Wham! off the coveted No 1 spot in the Christmas singles chart, which would have been their third No 1 in a row. Bob Geldof, mover and shaker behind the charity project, told Record Mirror in the December 1984 page shown here: “It’s NOT a Geldof plot to get back in the limelight as some people are claiming. It allowed people who understandably felt a sense of impotence about Ethiopia to express their support.” DTKIC endured as the biggest-selling single of all time in the UK for 13 years, until it was overtaken in 1997 by Elton John’s Candle in the Wind, released following the death of Princess Diana.

HERE’S MIDGE’S ORIGINAL SOLO DEMO…

AND HOW IT SOUNDED A YEAR LATER AT LIVE AID

MORE BAND AID STORIES AT SHAPERS OF THE 80S

➢ 1984, Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ 2001, Hear about the many lives of Midge Ure, the Mr Nice of pop

➢ Midge Ure and Gary Kemp lift the lid on the shenanigans that led up to Band Aid

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1970s ➤ Yowsa! A crackly festive vinyl top ten from Chic, James, Minnie, Funkadelic and friends

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❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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➤ Smash Hits and other mould-breakers of the 80s

Neil Tennant ,Smash Hits, Radio 4, documentary

1983: Neil Tennant as Smash Hits writer. (Photo by Virginia Turbett)

❚ ANOTHER NICELY PACKAGED Radio 4 documentary today celebrated the crucial years 1982–85 which Neil Tennant describes as “the golden age of 80s pop”. They luckily coincided with his tenure as a writer on Smash Hits magazine before stepping into the pop charts himself as half of the Pet Shop Boys. Obviously in a prog titled Neil Tennant’s Smash Hits Christmas Tennant and his cronies were full of back-slapping at the moulds they broke with the mass-selling fan mag, driven initially by two selling points – song lyrics and pull-out pinup posters.

Smash Hits, Radio 4, documentary,Pete Murphy

1982: Peter Murphy of Bauhaus (you really don’t want to see its Christmas cover star)

Launched in Nov 1978 as a monthly title, Smash Hits trailed “The words to 18 top singles” as its key feature. The mag was the invention of former NME editor (and later founder of The Face) Nick Logan who conceived it on the kitchen table and initially toyed with the title Disco Fever, presumably in homage to that year’s horror movie Saturday Night Fever. He chose the Belgian new-wave joker Plastic Bertrand for the cover of a pilot issue in the post-punk vacuum when any new direction seemed significant, but actually launched with Blondie. Smash Hits soon went fortnightly, ran for 28 years, and died with Celebrity Big Brother’s Preston gracing its last cover in 2006. In his Guardian obituary for the mag, Alexis Petridis wrote: “The period between the rise of Adam and the Ants and the collapse of Stock, Aitken and Waterman’s ‘Hit Factory’ empire may prove to be the last truly great pop era, in that it produced not just great pop music, but great pop stars.”

Tennant ignores the fact that 80s classic pop began with the music of Spandau Ballet and Adam Ant a couple of years earlier than his joining the mag. Also unmentioned in today’s doc was that the mould-breaking writing of this era was actually led by The Face and the subcultural flagship magazine New Sounds New Styles, which gently parodied the posers of the New Romantics movement and closed in 1982 through lack of promotion by its publisher Emap, who also happened to publish Smash Hits. The fresh rebel writers of NSNS had adopted a tongue-in-cheek tone which kickstarted a shift of power away from stars and their publicists into the hands of writers themselves. Once the 80s had revived the long-dead credibility of pop music – dubbed “pure pop” in vigorous public debates – Smash Hits took its cue by adopting a knowing approach to pop journalism and providing a cheeky foil to Britain’s four seriously po-faced weekly rock-music newspapers. We cannot underestimate how its humour helped sophisticate the Smash Hits reader, pragmatically described by Tennant as “the 12-year-old girl in Grantham”. Which was a neat way of deflating his own pomposity.

Spookiest quote today came from Toyah, after remarking that the pop scene has lost the airy optimism of the 80s: “We now view fame as something dark and faintly abusive.” Oo-er.

Neil Tennant ,Smash Hits, Radio 4, documentary, Pet Shop Boys

April 1985: Tennant as cover star and Pet Shop Boy with Chris Lowe

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2012 ➤ Gongs for newbies and oldies creating the UK’s new golden age of TV comedy

Hunderby, Sky Atlantic, Julia Davis, TV series, British Comedy Awards,

Hunderby, bowing in: “Daphne du Maurier on ketamine.” (Photo: Sky Atlantic)

➢ There was plenty to howl about at last night’s British comedy awards, and well-deserved gongs for The Thick of It and Hunderby – Bruce Dessau in The Guardian writes:

At the British Comedy Awards 57 judges, drawn from journalism, TV production and performers, shortlisted Olivia Colman against herself for best comedy actress in Rev and Twenty Twelve, only for her to go home empty-handed. She lost, however, to Rebecca Front, whose ministerial meltdown in The Thick of It was undeniably compelling television. It was a particularly good night for The Thick of It, with Peter Capaldi bagging best comedy actor for his portrayal of demented spinmeister Malcolm Tucker. The performances on The Thick of It were exemplary.

British Comedy Awards, TV series, Rebecca Front,Peter Capaldi , Thick of It

The Thick of It, bowing out with series 4 of the political satire: Best comedy actor awards for Peter Capaldi, left, and Rebecca Front, right (BBC)

A genuine shock was the double success of Hunderby. Julia Davis’s cold-hearted period piece, screened on Sky Atlantic, was a favourite to win best new comedy, but for it to win best sitcom too, beating Rev, The Thick of It and Twenty Twelve, was a vindication of Sky Comedy head Lucy Lumsden’s investment in original output. Not bad for a show that stretches the definition of sitcom to snapping point.

The real mystery though, was the absence of some shows that did not even pick up nominations. There has been frustration about Fresh Meat missing out, but it was no surprise that its posh boy Jack Whitehall won the Public Vote for king or queen of comedy… / Continued at Guardian online

➢ Why Hunderby is the best British period sitcom in 20 years – Matt Grundy writes: It’s set in the bleak 1830s somewhere in England after a shipwreck, where our Helena is brought back from the dead on the beach by a pastor. The two must have a baby within a year or they lose Hunderby. Strange, but it works. Hunderby is not only one the best British comedies of the last 20 years, it’s also the best period piece I’ve ever seen. Although I don’t watch many, to be honest… / Continued at Sabotage Times

➢ Guardian review of Hunderby and Davis’s “potty pen” Yes, sometimes it feels as if Davis is showing off, simply demonstrating that she dares to go to places no one else does (especially places “down there”).

Fresh Meat,British Comedy Awards ,TV series,Jack Whitehall

King of Comedy Award: Fresh Meat’s cast with Jack Whitehall, left. (Photo: Channel 4)

➢ Fresh Meat: behind the scenes of the new TV series Channel 4’s comedy drama about six students mismatched in a shared house was devised by Sam Bain and Jesse Armstrong, the creators of the sitcom Peep Show… The comedian Jack Whitehall, who plays the incorrigibly posh JP, wanders around the set in a vest and boxer shorts. The sneaker-clad feet of Joe Thomas, who plays Kingsley (an everyman similar to his character, Simon, in The Inbetweeners), stick out of one of the bedrooms (he’s trying to sleep off a hangover). Kimberley Nixon, the Welsh dentistry student Josie, ferrets around in a spotted dressing gown; Charlotte Ritchie, who plays the English-lit student Oregon, is in a long printed charity-shop dress; while Greg McHugh, who plays the bearded and bespectacled outsider Howard, struggles under the lights in a thick woolly jumper. “We haven’t come here to play some cool, foam-party-loving students living it up and having a great time,” says Zawe Ashton, who plays the tough-as-nails Vod” … / Continued online at The Telegraph

➢ VIEW Fresh Meat, Season 2, Oct 2012:
It’s a new term and the gang have returned to uni

INTERVIEW WITH THE GODFATHER OF 21C SATIRE

The Thick of It, Armando Iannucci ,Bafta Award,

Writer Armando Iannucci: collecting a Bafta for The Thick of It in 2010

➢ Armando Iannucci interviewed as The List’s hottest star after a triumphant year when The Thick of It won two Comedy Awards, his new show Veep broke in the US and he won an OBE

Whether we will ever be allowed to return to the dank soul of spinmeister Malcolm Tucker is uncertain now that the final series of The Thick of It went out in a blaze of recriminations and desolation earlier this year. While Iannucci admits that having thought he had severed himself from Alan Partridge a decade ago (a feature film with North Norfolk Digital’s foremost DJ is due out this summer) he can’t say for certain that he will never bring back Tucker, Nicola Murray, Glen Cullen and Co.

It was actually quite sad when the last couple of episodes went out, but it was the right point to draw a line under it. I just felt that with the phrases in The Thick of It being used by politicians themselves [Ed Milliband’s use of ‘omnishambles’ immediately springs to mind], there was a danger that if you didn’t stop, it would become too neat and cosy. So I thought stop now rather than carry on for another five years and have guest appearances from David Milliband and Michael Gove and then have a Christmas show with Alex Salmond… / Continued online at The List

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