➤ 40 years on from Abba, Austria fields a bearded drag artist for Eurovision

Tom Neuwirth, Conchita Wurst, Eurovision , sexuality, drag

Conchita aka Tom: a bearded lady in the Eurovision Song Contest in Copenhagen

❚ THE PRIVATE PERSON TOM NEUWIRTH was born in Austria in 1988 and the art personality Conchita Wurst in 2011, the same year Tom graduated from the Graz School of Fashion. In last night’s second semi-final of the Eurovision Song Contest, the bearded drag performer Conchita won her place to represent Austria in Saturday’s final by singing what could pass gloriously as a Bond theme, Rise Like a Phoenix.

The homophobic backlash could have been predicted from conservative nations such as Ukraine, Belarus and Russia where petitions have urged her removal from the competition. Russian politician Vitaly Milonov called her a “pervert” adding: “It is not normal but a person cannot be punished in Russia for being homosexual, or to live with a dog, with a horse, with a sheep, whatever.”

Ms Wurst answered her critics: “I can only say ‘Thank you for your attention’. If this is only about me and my person, I can live with it. I’m just a singer in a fabulous dress, with great hair and a beard.

“I created this bearded lady to show the world that you can do whatever you want,” she said at a press conference in Copenhagen. Although the German word Wurst routinely means “sausage”, its idiomatic meaning is “irrelevant” so signalling that Conchita’s sexuality is a non-issue. She makes a statement for tolerance and acceptance while 25-year-old Tom’s motto is: “Be the best version of yourself rather than a bad copy of someone else.”

➢ Conchita interviewed by Brendan O’Connor on the Irish Saturday Night Show

➢ Live video meet and greet with Conchita Wurst in Copenhagen: “Shoot for the moon. Even if you miss you’ll land among the stars. That’s the way I live”

➢ Ich will einen Grammy” – Conchita wird von deutschem Fernsehen auf dem roten Stuhl interviewt: “Ich bin in Kolumbien geboren, am Bogota. Ich wurde genannt meine Grossmutter, Conchita. Und Wurst, bei mein Vater natürlich Alfred Knack von Wurst”

BEFORE: TOM NEUWIRTH …

… AFTER: CONCHITA WURST

HOT UPDATE MAY 10 – CONCHITA WINS!!!

Tom Neuwirth, Conchita Wurst, Eurovision , sexuality

Conchita Wurst victorious: she was second favourite to win going into the contest (PA)

➢ BBC News reports: Austrian drag act Conchita Wurst has been crowned the winner of the 59th Eurovision Song Contest: “The singer, whose real name is Tom Neuwirth, won with the song Rise Like a Phoenix, collecting 290 points. The Netherlands finished second with 238 points, with Sweden in third place with 218 points. Wurst had been the second favourite to win behind Sweden going in to the competition, with many predicting the act could be too divisive among voters. However she was the clear winner, with her victory announced after 34 of the 37 countries had submitted their scores.”

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➤ Fab Abba, a far cry from the days of Ward-ahloo

❚ ON THE 40TH ANNIVERSARY of Abba winning the Eurovision song contest with their Waterloo wall of sound and their self-selected kitsch costumes from the age before stylists had been invented we celebrate how this deeply uncool Swedish group turned into a much-loved cult. From the vaults we’ve dug out The Sunday Times’s assessment of Abba published in its encyclopedic Abba-to-Zappa partwork 1000 Makers of Music in 1997 – the decade of Britpop in which they were suddenly rehabilitated by music’s opinion formers.

FROM 1000 MAKERS OF MUSIC, 1997

Abba, pop music, Eurovision

1000 Makers of Music: Abba assessed by The Sunday Times

Abba
Swedish, 1973-82, vocal group
As cheesy now as when they won the Eurovision song contest singing Waterloo, Abba embody a perennial contradiction: you may make the quintessential pop music of the decade but you must remain for ever a bad joke if that era proves as tasteless as the 1970s. Abba’s lovingly coupled foursome – the acme of glitz in their satins and flares – were derided because Benny Andersson and Björn Ulvaeus, as journeymen songsmiths, wrote singalong melodies epitomising Europe’s dreaded folkloric tradition. Worse, their sentimental lyrics about love and money – in English – nauseated purists who preferred Anglo-American guitar heroes who mouthed youthful dissent.

Yet Abba scored eight consecutive No 1 albums in Britain and 25 Top 40 singles so catchy that everybody can hum one. In 1992 Abba’s hits were revived ironically by Erasure and ingenuously by a tribute band called Björn Again. Today Abba enjoy cult status in Britain as new generations, numbed by the joylessness of techno, recycle yesteryear’s kitsch to discover ecstasy in pure pop.

Keywork: Knowing Me, Knowing You (1977)

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➤ Launching tomorrow, Soho’s new radio station gives Sullivan the wag a place in its shop window

Wag club, London, nightclubbing, Chris Sullivan,1980s,

On TV in 1984: Wag club host Chris Sullivan talks of his love for jazz (BBC)

❚ DEEJAY AND WAG CLUB FOUNDER and reinventor of the zoot suit Chris Sullivan writes today: “My first radio show on Soho Radio tomorrow from 4 till 6pm …. Tune in online for an afternoon tickle…. and please like the page if you can. I’d be most grateful.”

➢ His Presenter page at Soho Radio reads like his job app to me:

Soho Radio, online,London, UK The show would be called Sullivan Suits and would cover all the music I come across each week on my quest as a DJ that might be Scorpio by Dennis Coffey, You and Me By Slave, Hustlers Convention by the Last Poets or re-edits by Joey Negro such as Same Old Scene by Roxy or stuff that I refind such as Manhattan Fable by Babs Gonsales, Light My Fire by Erma Franklyn. These would be backed up by old favourites such as A Boy Named Sue by Johnny Cash, Wonderful World by Louis Armstrong, Kooks by David Bowie. Howling Wolf, Little Walter, Aretha etc etc.

I’d throw in odd facts, stories and hoaxes. All in all it would be whatever suits me and the listener that day. I would also get a guest from time to time and get them to pick a few tracks – Mark Powell, Phil Dirtbox, Kevin Rowlands, Bernie from Groucho, Mark Hix etc and perhaps discuss Soho and swop stories.

❏ Launching at 2pm Weds May 7, Soho Radio is a new independent radio station with 24/7 live streaming and pre-recorded programming from its own shop/cafe in Great Windmill Street, next to Paul Raymond’s Windmill Club. Wave to the Cuban Brothers and later to Sullivan through the studio’s large shop window onto the street. The station says it aims to provide an eclectic mix of the vibrant and diverse which this district of central London is renowned for – breaking underground acts and bringing together musicians, artists, film makers, chefs, poets and local piano tuners. Nowhere does the website says who’s behind the radio station, so until it proves itself we’d better assume it’s some Russian oligarch, as usual these days.

TALKING OF THE WAG, HERE’S A RARE OLD VIDEO

❏ Newly posted at YouTube, here’s a supercool glimpse inside Chris Sullivan’s Wag club on Wardour Street when it was London’s landmark nightspot during 1984. Monday nights were given over to the clubland’s most fashionable music craze – jazz! This segment comes from the BBC2 Whistle Test music programme on the Jazz Room when David Hepwoth ventures into the Wag to meet clubland’s jazz deejay Paul Murphy, old-timers Slim Gaillard and Will Gaines, Jerry IDJ, Dr Bob Jones, Robert Elms, among others. While club dudes complain “There’s no good pop music around at the moment” we see the American vocalist and true legend Slim Gaillard boogeying on the Wag’s dancefloor and also in a great vintage clip from 1946 singing his “groovy orooney” number, Dunkin’ Bagel.

Chris Sullivan comments: “I’ve never seen this … but then again I really didn’t like the interviewer hence my lack of enthusiasm in our chat.”

Wag Club, London, 1980s, Paul Murphy, nightclubbing,Slim Gaillard

At the Wag in 1984: jazz deejay Paul Murphy, and American trouper Slim Gaillard (BBC)

➢ Previously at Shapersofthe80s: When the Wag club shaped the New London Weekend

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➤ Mad man dies after skewering the American Dream and bequeathing us Alfred E Neuman

Al Feldstein , Mad magazine, Alfred E Neuman , comics, satire, American Dream,

Al Feldstein in 1972 © Photograph by Jerry Mosey/Associated Press

❚ THE CREATIVE GIANT WHO EDITED America’s most influential satirical magazine has died. From 1956 Al Feldstein took the circulation of Mad from 400,000 to a peak of 2,850,000, and spent 29 years not only making a young generation laugh but fearlessly challenging sacred cows and urging scepticism about the American Dream and its furshlugginer advocates (a not-Yiddish word invented for the purpose). One issue a few years ago contained contributions from ten Pulitzer-winning cartoonists. In creating an American institution, Feldstein paved the way for National Lampoon, Saturday Night Live, The Simpsons, South Park, The Onion – and for Britain’s Viz magazine, according to its editor Graham Dury, creator of the Fat Slags…

Al Feldstein , Mad magazine, Alfred E Neuman ,

Mad magazine’s trademark, the grinning gap-toothed Alfred E. Neuman created by Feldstein: as an American icon, he is the face of every cover star

➢ The soul of Mad magazine dies at 88 –
by Bruce Weber in the New York Times:

The founding editor, Harvey Kurtzman, established its well-informed irreverence, but Al Feldstein gave Mad its identity as a smart-alecky, sniggering and indisputably clever spitball-shooter of a publication with a scattershot look, dominated by gifted cartoonists of wildly differing styles.

In his second issue, Mr Feldstein seized on a character who had appeared only marginally in the magazine — a freckled, gaptoothed, big-eared, glazed-looking young man — and put his image on the cover, identifying him as a write-in candidate for president campaigning under the slogan “What, me worry?”
At first he went by Mel Haney, Melvin Cowznofski and other names. But when the December 1956 issue, No 30, identified him as Alfred E. Neuman, the name stuck.

He became the magazine’s perennial cover boy, appearing in dozens of guises, including as a joker on a playing card, an ice-skating barrel jumper, a totem on a totem pole, a football player, a yogi, a construction worker, King Kong atop the Empire State Building… Neuman signaled the magazine’s editorial attitude, which fell somewhere between juvenile nose-thumbing at contemporary culture and sophisticated spoofing… / Continued at NYTimes

Click any pic to launch slideshow


➢ He was not a warm and fuzzy guy –
David Colker in the LA Times:

The goofy, cartoon face of Alfred E. Neuman looked out from the cover of Mad magazine for decades in various guises, always with the same message: “What, Me Worry?”

“He looked like a boob, but he had a very interesting philosophy,” said Al Feldstein, who as editor built Mad from near-obscurity in the 1950s into a satirical powerhouse, “meaning no matter how bad things get, if you maintain a sense of humor, you can get through it.” Under Feldstein, who edited Mad from 1956 to 1984, the magazine skewered presidents, the Cold War, the tobacco industry, Madison Avenue advertising, Hollywood and numerous other targets. And its legacy from that time lives on.

“Basically, everyone who was young between 1955 and 1975 read Mad,” comedy writer/producer Bill Oakley said in the book The Simpsons: An Uncensored, Unauthorized History. “That’s where your sense of humor came from… / Continued in LA Times

Mad magazine, Alfred E Neuman, Lego issue ➢ Today, Mad is published by DC Entertainment – The latest issue No 526 is the Lego issue (right), after the number one movie in America.

➢ 15 things Mad magazine gave the world:

Comics in the 50s didn’t encourage people to question anything – everything was more about being pleasant and not rocking the boat. Mad came along and started picking holes in the American Dream, suggesting the products Americans were buying were crap, their leaders were clueless and that the people were being treated like dicks. These days everyone’s a cynical bastard, but Mad invented it… / Continued at Anorak online

➢ The UK edition of Mad Magazine, published by Thorpe and Porter, began in 1959 – Over the years there were a number of UK sourced covers and sometimes UK produced interior stories. View a few Mad UK covers from the 1970s with such topics as British Rail, Doctor Who, the Royal Family… even the long-running TV soap opera Coronation Street.

Mad magazine, Alfred E Neuman , comics

Feldstein’s spirit still alive and well in recent issues of Mad

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➤ Martin Kemp’s new hooligan movie all a bit too Lock-Stock for us!

Martin Kemp, posters, Leo Gregory,film , Top Dog
❚ TO BE HONEST the trailer for Top Dog was way too visceral for Shapersofthe80s to view out from behind the sofa. Martin Kemp’s latest film as a director for Richwater films is described by its producer Jonathan Sothcott as “the definitive hooligan movie”. If you insist on watching the “all a bit Lock-Stock” trailer, be warned: gratuitous macho swaggering from the outset, plus bodies being broken! The Strong Men at GQ have this to say about it …

➢ Click to view Top Dog trailer at GQ magazine

The British gangster genre is a tough nut to crack. Channel Four got it right with the excellent Top Boy, but cinema has often fallen short of the mark. For every Layer Cake and Wild Bill, there’s a thousand more films that just aren’t tough enough to survive in the world of dodgy East-End pubs and expertly tailored football hooliganism. Thank goodness, then for the release of Top Dog, a new British thriller adapted from the novel of the same name by Green Street’s Dougie Brimson. Starring Leo Gregory (a veteran of the genre after roles in Green Street and EastEnders) as a football firm leader who takes on more than he can handle when he tries to reclaim his family’s pub from a group of no-nonsense gangsters. While it may do little to change Britain’s reputation as a nation of football hooligans, for those looking for something to fill the void left by Gary Oldman’s 1989 original of The Firm and 2005’s Green Street, Top Dog is a tense, Elijah Wood-free alternative.

Top Dog is released in cinemas May 23 and on Blu Ray and DVD May 26.

➢ Previously at Shapersofthe80s: Catch up on the warts-and-all biopic about Spandau Ballet premiered in Texas

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