Bonnie Elizebeth Parker and Clyde Chestnut Barrow: the gangsters enjoyed a long-standing relationship, but never married
❚ MORE NEW SOUNDS THIS WEEK from Fin Munro, the London-based deejay, producer, musician and founder of Bad Sex, a “cutting-edge, controversial and entirely hedonistic edgy club night”. Five months ago he launched an electro-synth duo with drama-studies graduate Charlotte Mallory. Her voice wafted languidly over one lovey-dovey song titled Way to the Heart, but brought rather more attack to another titled Friend/Lover – “Don’t want to be a friend/ I want to be a … lover” – in a very 80s layered mix of harmonies topped with a drum snap.
The act’s name, Thief, took as its promotional image the famous last snapshot taken in 1933 of Bonnie and Clyde, before their lethal police ambush as leaders of a notorious American gang of outlaws and murderers. Their exploits were romanticised in the 1967 biopic produced by the 29-year-old Warren Beatty, who also starred alongside Faye Dunaway. Thief’s Facebook page is plastered with a score of other baddies from history. So what’s that all about?
This week comes Satine Repeat. Could this curious title possibly be referencing Duchess Satine, the human female pacifist from the Star Wars saga with a soft spot for Obi-Wan Kenobi with whom she set out heroically to warn the Galactic Senate of the menace presented by Death Watch? Or possibly not.
This time Charlotte is telling Fin “You cannot have my love” over his brittle and pacily syncopated rhythms. Charlotte’s austere voice delivers the odd dying fall – “You’re dragging me dow-ow-ow-own, dow-ow-ow-own” – one of Fin’s familiar lyrical devices last heard in his previous band Lu-u-u-ux. All of which does prove quite mesmeric. Of course, Satine did meet a tragic end at the point of Darth Maul’s dark sabre…
Latest pic of Thief, April 2013: Fin and Charlotte
The first room at the V&A exhibition gives this glimpse of a pre-Bowie Davie Jones, aged 18, possibly filmed in Tin Pan Alley, London, in 1965… Click on pic to read the full story by Shapersofthe80s and view the home movie discovered in 2011
The V&A’s new exhibition David Bowie Is: “a grand stage for an inspirational artist who reshaped a generation”
MAR 20: PROFESSOR OF FASHION IAIN R WEBB
ON THE OPENING PARTY
❏ Just spent a blissed out evening at the V&A David Bowie is exhibition. It blew my mind! It is indeed a remarkable show… and to see all those pretty things that I’ve looked at in photos over and over again over the years is something akin to a religious experience… Not only is the clever curation of memorabilia and associated artefacts an inspiration (a lipstick stained tissue anyone?) but I got to personally thank both Mr Mick Rock and Mr Kansai Yamamoto for their wondrous workloads that helped transport me from village idiot to le freak! As the post-show party relocated from the V&A museum to The Rembrandt hotel across the road, the assembled fashion freaks, who also included fashion writer Judith Watt and costume designer Fiona Dealey, went crazy when Mr Yamamoto, who was responsible for many of Bowie’s flamboyant stage designs, entered. The fervour that greeted the legendary designer was akin to the Bowie-mania witnessed earlier in the evening when guests queued around the block to attend the private view.
“ In the opening room of the V&A’s new exhibition David Bowie Is, there is a four-second clip of film of a 17-year-old Bowie striding through the streets of Soho. The sun is shining, and as he catches sight of the camera he turns his bright blond head and smiles before vanishing from sight. The film was found on an old Super 8 camera. The amateur cameraman had been filming his wife in the Soho sunlight; it was quite by chance that he caught the nascent superstar. What is extraordinary is how, even then, Bowie behaves like the idol he was to become. If a camera is running, it must want to catch him in its lens. The mystery of David Bowie, the confidence that inspired a quiet boy from Bromley to become one of the most significant artists of his generation, hangs quietly over this entire show…
“ Geoffrey Marsh, a co-curator, says he is the first musical figure to be examined on such a scale: “This museum was set up to show how art and design work, to reveal the process. Although there have been a huge number of books about Bowie, they are by rock journalists and may not be of interest to the general public. The reason he is interesting is that he is more than a rock star”…
“ All the exhibits, presented using cutting-edge technology by – among others – the team behind the video projection at the opening ceremony of the Olympic Games, add to that sense of a fertile intelligence, changing constantly, shaping the world. You can see how firmly Bowie was in charge of everything he did.
“ The sheer grandeur [of the final room] brought tears to my eyes. I felt as I felt when I first saw Bowie live – simply glad to be in the same building as a man who could make music like this… ” / Full review at Telegraph online
➢ David Bowie is a retrospective exhibition of 300 possessions drawn from Bowie’s personal archive displayed at London’s Victoria & Albert museum, March 23–Aug 11.
Snowy Bowie, March 20: The Next Day debuts at #1 on charts in 12 countries and tops iTunes charts in 60. This week’s photo by Jimmy King
“ We admire the way Justin doesn’t appear until the boring bit, thus ensuring that music channels have to play the entire video when, had he featured in the main bit of the song, most of them would have chopped it off after the proper song finishes… His dancing around is a bit silly and there are no two ways about that, sorry… ” / Continued at Popjustice
MIXES OF THE MOMENT, MARCH INTO APRIL
♫ 2013 has already seen some exciting moments with the triumphant returns of The Knife, Destiny’s Child, Ciara and Justin Timberlake to the OG Sugababes. Now the Dazed April playlist features James Ferraro, MikeQ, The Knife, Sugababes plus new sounds from Bishop Nehru, MikeQ & Brenmar-produced Tigga Calore, Iggy Azalea, Cosmin TRG, James Ferraro and the new one on-cult label L.I.E.S.
♫ This week i-D online teamed up with “the hottest rising label in contemporary dance Blasé Boys Club” to co-host a monthly club night at The Shoreditch Butchery above XOYO. Sebastian Burford played an eclectic mix of dance classics, then deejay MNEK got the dance floor moving with tracks like Montell Jordan’s This Is How We Do It and Fatman Scoop’s Be Faithful. The climax of the evening came in the live performance of Duke Dumont’s new single Need U (100%), with live vocals provided by A*M*E [video interview above]. – More by Declan Higgins at i-D online plus ♫ the i-D February Mixtape
Former Blitz Club co-host and deejay Rusty Egan, pictured then and now
♫ Welcome to the Dancefloor: a fresh club set remix from Rusty Egan:
+++V&A video trailer for the new exhibition, David Bowie is
➢ David Bowie is the enigmatic title of a retrospective exhibition of 300 possessions drawn from Bowie’s personal archive displayed at London’s Victoria & Albert museum, March 23–Aug 11. Appropriately, this week his first album in ten years, The Next Day, sits at No 1 in the Official UK Album Chart. It’s his ninth UK No 1 album (though spookily neither of his recent singles releases is anywhere near the singles chart). Before the V&A show launches, ticket sales exceed 42,000, more than double the advance sales of previous exhibitions at the museum. A few tickets are still available by booking online, in person in Kensington, or by phone +44 (0)20 7907 7073.
FROM THE BOWIE COMMENTARIAT
➢ David Bowie, the Return – Tony Parsons, Miranda Sawyer and La Roux’s Elly Jackson discuss Bowie’s music and influence for Radio 4’s Front Row (broadcast March 7, available on iPlayer for a year). Presenter John Wilson is guided through the V&A exhibits by the show’s curators Victoria Broackes and Geoffrey Marsh.
➢ The Duffy Collection of iconic Bowie images – which include three of his most famous album covers – goes on display May 2–June 4 at the White Cloth Gallery in Leeds LS1 4HT. The show documents Duffy’s special relationship with Bowie over ten years.
“ Jon Abbott at graphic design studio Barnbrook said of the book David Bowie Is: “We wanted to create an engaging pop-object for an audience who have come to expect the unconventional” … The book’s body typeface, Priori Serif, is one from Jonathan Barnbrook’s own foundry, Virus Fonts. Drawn by Jonathan Barnbrook and Marcus Leis Allion, the typeface was influenced by British typographers Gill and Johnston, and fittingly it found one of its first outings on the cover of Bowie’s 2002 album, Heathen … ” / Continued at Creative Review
➢ The day that lightning struck Aladdin – In 1973, Celia Philo directed the photo shoot for David Bowie’s album Aladdin Sane. The result was one of the most iconic images ever created. She talks to Stylist magazine, 2013:
“ Sometimes, when you’re doing something that you know is going to be good, it’s because it’s come from an extreme end of the spectrum of experience: either it’s incredibly hard work, or it comes together almost effortlessly. The photographic shoot for the cover of Aladdin Sane happened like magic. Its success was the result of a lucky collaboration of people … ” / Celia Philo, continued at Stylist
Setting out as Swinging 60s Mod: Bowie promo shot in 1966 for his first single on Pye, Can’t Help Thinking About Me, with his band The Lower Third which included producer Tony Hatch on piano. The NME decided: “Absorbing melody, weakish tune”
➢ Iain R Webb: How David Bowie liberated my wardrobe – As a 14-year-old boy living in a West Country village, Webb, the former Blitz Kid and fashion editor and now RCA professor, thought David Bowie’s style statements were a gift. And so have generations of fashion designers. Read feature in The Independent, March 16, 2013:
“ Bowie’s influence on my life has been major, from the fundamental desire to never be labelled or pigeonholed to my profound love of glitter and penchant for a spikey haircut. And I am not alone … ” / Iain R Webb, continued at The Independent
➢ Glam! The Performance of Style (Feb 8–May 12) is a seriously well-curated multi-media show at Tate Liverpool surveying the 1971–75 phenomenon on both sides of the Atlantic, across the whole spectrum of painting, sculpture, installation art, film, photography and performance. The in-depth survey comes in two halves, drawing a clear distinction between the playful subversion of pop music and fashion that characterised the British glam wave, and the American, which was driven much more profoundly by gender politics. Well worth a daytrip to Liverpool.
Berlin 1976: Bowie with moustache, Tony Visconti and assistant engineer, Edu Meyer, taken in the control room of Hansa Studios by Meyer’s wife, Barbara
♫ BBC Radio 6Music celebrates the life and work of David Bowie throughout Easter week, March 25–31. Gems from the archive feature concerts and interviews which have not been heard in 30 years.
♫ 2013, Shock and awe verdicts – Shapersofthe80s rounds up critical opinion on Bowie’s born-again single Where Are We Now? and the masterful new album The Next Day – “beautiful, obsessive and deliciously cruel”.
♫ News of special vinyl release at Bowie’s website – His second 2013 single, The Stars, is scheduled for a limited edition vinyl 7inch 45 Record Store Day release on April 20. Backed with Where Are We Now?
❏ Music video for the 1979 song DJ (above) sees Bowie sporting a pink onesie dungaree outfit designed by Willy Brown and walking through London streets being snogged by fans, both boys and girls.
❚ CAN’T RESIST THE “HOME-MOVIE” for this week’s Number One on the UK singles chart, One Direction’s charity mash-up for Red-Nose Day, One Way Or Another which has clocked 26m views at YouTube, despite the prime minister’s cringe-making moment in the spotlight
➢ March 15 marks the 25th anniversary of Red Nose Day – Join in Comic Relief’s fundraising from bake sales to sponsored silences and loads more. Since the charity was launched in 1985, Comic Relief has raised over £750m
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
➢➢ Shapers of the 80s ➣➣ 