Category Archives: London

2012 ➤ This happy breed of Brits: keeping kings and queens in line and knowing how to throw a party

Morecambe, the Lancashire seaside resort: By the Eric Morecambe statue, rain doesn’t stop people celebrating the Diamond Jubilee. (Photo: Rachel Adams)

➢ A stoical nation parties to the Queen’s Diamond Jubilee
in the rain, says Daily Telegraph

Yesterday, more than 10,000 street parties were held across the UK. Special credit must go to the two villages that celebrated the Jubilee together, thus creating the country’s longest street party, stretching from Goring in Oxfordshire across the bridge to Streatley in Berkshire. Yes, the weather turned rotten, but there’s nothing we British like better than an opportunity to display our “mustn’t grumble” hardiness. As John Bishop, the comedian, put it on Twitter: Anyone can enjoy a carnival in the sun. Only the British can enjoy a carnival in the rain … / Continued online

On the Thames: the Spirit of Chartwell as royal barge for a day (Photo: Getty)

❏ The major event celebrating Queen Elizabeth II’s 60 years on the throne was the seven-mile long flotilla of boats making up the Thames River Pageant through London, where 1.2 million people had gathered to watch. Apart from the heavens opening late in the day to drown a distinguished chorus of floating opera singers, the big wince of the day came early in the BBC’s dumbed-down coverage, when a commentator called the Queen “Her Royal Highness” — a crime for which her predecessor Her Majesty Queen Elizabeth I would have dispatched him to the Tower with the command “Off with his head.”

Much is made of how well the British mount large-scale ceremonials, which always rest heavily on our love of dressing up. This tradition starts and ends with the monarch and centuries of practice, which means that in the modern era the relevance of a monarchy is always subject to review. At such times the nation turns to our oldest daily paper, The Times (est’d 1785) and of all the national newspapers this morning The Thunderer rose best to the occasion. Dedicating a whole page to its editorial, the paper invoked Shakespeare’s “this scepter’d isle” speech to offer an appreciation of our 1,200-year history during which rebel barons forced King John to grant us basic liberties through Magna Carta in the year 1215. Sadly, since the paper began charging for online access, most Brits will not have read this stirring and unsentimental analysis. Here’s an extract…

➢ A Happy Breed: After 60 years on the throne the Queen is more than ever an embodiment of our pride — The Times, June 4, 2012

© The Times, June 4, 2012 — click to read more

➢ In addition to Shakespeare’s Cleopatra, The Guardian invokes Conrad’s Heart of Darkness to note how contemporary London offends as well as dazzles and so can the monarchy:

Elizabeth II owes her unarguably special hold on British life not simply to heredity but also to the fact that she, like the little ships, is a living connection to modern Britain’s founding wartime myth. That connection cannot endure indefinitely. The past may be another country. But so is the future.

And then there is London and its river. What message do they send today, especially to the rest of Britain? Much was made, in the build-up and the coverage, to the sense of continuity which Sunday’s pageant was intended to evoke. It was the biggest flotilla since the time of Charles II. But the complacent continuity of unified Britishness is more myth than fact. A monarch in a barge like a burnished throne, sailing down London’s river from Chelsea, home of oligarchs and plutocrats, to the City, home of the unpunished financial sector for whose misdeeds the rest of us are paying, cannot be a value-free act. Contemporary London offends as well as dazzles. So can the monarchy.

London is a pragmatic city in a nation short of certainties. The Thames tells many stories, not always glorious ones. And this also, says the narrator of Heart of Darkness from aboard a Thames yawl, has been one of the dark places of the earth. It’s a pity about the rain, because the event — and the Queen — deserved better. It was a colourful occasion on a grey day. It was full of spirit. But whether the nation which it affected to embody actually exists is another matter ” … / Full text online

In the Thames flotilla: A Shetland yoal manned by Kingston Grammar School veterans upstages a boat full of Brunels (Photo: Anthony Devlin)

➢ The Queen’s Diamond Jubilee Thames Pageant fired the public imagination in remarkable fashion, said The Daily Telegraph and cited Pepys’s diary:

The Thames Pageant, the centrepiece of the Diamond Jubilee festivities, was the most spectacular such event since the Aqua Triumphalis, the arrival along the Thames in 1662 of Charles II’s bride, Catherine of Braganza, accompanied by a flotilla of 10,000 vessels. Samuel Pepys wrote in his diary about “the most magnificent triumph that ever floated on the Thames, considering the innumerable boates and vessells dress’d and adorn’d with all imaginable pomp”, with “musiq and peals of ordnance from both ye vessels and the shore”.

The pageant was an imaginative masterstroke. It celebrated our maritime past on our most famous waterway, what the historian David Starkey has called the “liquid history” that runs through our national story. But it embraced much, much more. For this was also about the warp and weft of life as it is lived in this country by ordinary people. It was about the clubs, the societies, the associations, the guilds who cherish these wonderful vessels and keep them afloat – and yesterday had the chance to show them off. And didn’t they look magnificent? It is this spirit, writ large, that is such an important part of what we are. At our best we pull together to get things done.

Yesterday also showed how we like a party. For there was nothing po-faced about this marvellous spectacle: it was a truly joyous occasion. If anything, the gloomy weather seems to have made people even more determined to go out and enjoy the show … / Continued online

Deepest Somerset: Jubilee party goers get into full swing (Photo: Guy Harrop)

PS: GRACE IN HULA HOOP — DON’T ASK WHY!

Slave to the Rhythm: Grace Jones at the Diamond Jubilee Concert. (Photo: Ian West)

➢ Update: Monday night’s Diamond Jubilee Concert with Buckingham Palace as the backdrop featured schmaltzy music from all six decades of the Queen’s reign and much limp humour which backfired on almost every comedian linking the acts except Peter Kay whose fooling proved him to be the compleat court jester. Musical standouts included opener Robbie Williams, JLS, Sir Tom Jones, Kylie, Madness performing Our House from the palace roof and Sir Paul McCartney’s closing set. Wackiest performance was Grace Jones, glazed from top to toe as if ready for basting and singing Slave to Rhythm while hula hooping. Priceless. She’s 64, you know. The most lavish son et lumière firework display for years capped the lot.

➢ Tuesday update: two-minute timelapse video — Guardian photographer David Levene captures the Queen’s Diamond Jubilee Procession on the final day of celebration

➢ Wednesday update: Daily Telegraph poll on BBC coverage of the Jubilee — Did you agree that it was “lamentable” and “mind-numbingly tedious”?
+++

❏ Former BBC Radio 4 controller Mark Damazer told Radio 4’s Today programme: “All that went wrong was the very conscious attempt to make the whole event informal and to use the modern idiom.”

❏ Gillian Reynolds, the Daily Telegraph’s radio critic, responded by saying viewers would have preferred more informative commentary rather than “fun” coverage: “I could not reconcile the marvellous framing of the shots — beautiful photographs — with the words that were coming out. Nobody explained what Dunkirk was. I know what Dunkirk was — I remember it — but nobody explained it. Nobody explained what the Little Boats did was perfectly extraordinary. I felt a bit let down.”

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➤ Fresh pix from the “14 months” of punk and the last word on what it all meant

Punk’s Dead , Derek Dunbar ,, Jordan,

Jordan the queen of punk: pantone matched first samples fresh from the printers on Derek Dunbar’s Facebook page today

❚ HOW MUCH MORE IS THERE TO KNOW ABOUT PUNK? Not much, you might think. Yet today Derek Dunbar — the King’s Road fixer, model, singer, Jarmanite and McLaren acolyte, now styling himself as project manager — announced on Facebook that he is producing some T-shirts emblazoned with Jordan’s image (Jordan the queen of punk, immortalised in Derek Jarman’s movie Jubilee). “These are the first samples we will produce once Six has finished at his exhibition in London so I hope to start in 3 weeks or 4 weeks.”

Exhibition? Six? Who? Those in the know know that Six is aka Simon and Simon was the quiet one in among Susan Dallion (later Siouxsie Sioux), Steve Severin, Debbie Juvenile and Soo Catwoman in those seminal 1976 snaps of the Bromley Contingent — first followers of the Sex Pistols and the Chelsea retail outlets of Malcolm McLaren and Vivienne Westwood. Some of the Contingent became headliners in the punk explosion, Simon playing his part by appearing with the Pistols on the infamous teatime TV show that lost television journalist Bill Grundy his job. More discreetly, as a resident of the St James’s Hotel in Westminster, Simon provided a refuge for punk’s suburban protagonists.

Punk’s Dead , books,photography, Simon Barker , Jordan

1976: Jordan and Simon Barker aka Six (from Derek Dunbar’s Facebook album)

Under his pseudonym Six, he now reveals: “In 1976, I bought myself one of the cheapest pocket cameras available. Fully automatic, with no controls or settings… Subconsciously I concentrated on the women and artists at the heart of what would later be known as punk in London. The photos you see were spur-of-the-moment shots taken by myself for myself and, up until now, I used to think they weren’t good enough to show people.”

Far from it. A quick google reveals these early snapshots to be “a rare and intimate account of punk’s ability to mint newness” and they evince “the cool stillness of seeming to live beyond the end of history.” Ohhhhh!!! Orgasmic! And you’re asking, Who said THAT?

Michael Bracewell,books,England is Mine, Pop LifeGoogle, please tell. The verdict comes from Michael Bracewell (author of England is Mine: Pop Life in Albion from Wilde to Goldie, 2009), one of those writers whose cultural observations you know are worth the effort to read, wrapped though they are in ripely purple prose. And in a recent article about Six, he announces what these days is the official line, that “Punk lasted in the UK for little more than 14 months, between 1976 and the Jubilee summer of 1977.” Anything later was accounted an offshoot of punk, or dubbed simply New Wave!!!

You raise an eyebrow, salivating for more. And more is delivered in his Independent piece from last March…

➢ Beneath the headline Anarchy in the UK, Bracewell declares
these FIVE PRINCIPLES OF PUNK:

  • 1 To some, punk was primarily political in its energy, carrying class war or a reclamation of the Situationist desire to ‘wreck culture’ to the brutalist Britain of the pre-Thatcher 1970s.
  • 2 To others, it was an avant-garde fashion parade: a damply British reclamation of the Zurich Dada or the Ballets Russes.
  • 3 And to yet others it was the gleeful desecration of rock music’s Church of Authenticity, in which had been worshipped the sanctity of the Blues.
  • 4 Speaking with Malcolm McLaren – arguably punk’s architect – shortly before his death in 2010, the case was put more simply: if punk could lay any claim on historic status, he said, it would best be remembered as ‘like doing the Twist in a ruin’.

Sensational, whichever way you take your pick! But he’s warming to his own conclusion:

  • 5 Punk … appeared to confront the stagnation of cultural consumerism – by describing, in a language of self-parody, the notion of modernity itself reaching critical mass and unsurprisingly imploding. Hence, perhaps, the slogan above the door of the SEX boutique at 430 King’s Road in Chelsea: ‘Modernity Killed Every Night’.

Divine! We can go to our graves sure about the meaning of punk, once and for all. Or rather, five times and for all.

Punk’s Dead , books,photography, Simon Barker,Little Nell, Adam Ant

1977: Little Nell with Adam Ant at a Butler’s Wharf party. Photographed by Six

Punk’s Dead , books,photography, Simon Barker , Siouxsie Sioux

1977: Siouxsie Sioux at the St James hotel. Photographed by Six

➢ Punk’s Dead by Simon Barker is an exhibition of his intimate punk photographs, open for a month from June 7, at Divus Temporary Gallery, 4 Wilkes Street, London E1 6QF.

➢ Punk’s Dead the book by Simon Barker is published by Divus

Punk’s Dead , books,photography, Simon Barker

Six in Prague: Barker demonstrating with Slovenian philosopher Slavoj Žižek who has become the zeitgeist interpreter of social phenomena in the 20-tweens

The Year Of Punk 19/12/77

Six, Simon Barker, Punk 1977, LWT, Janet Street-Porter, video

“You don’t have to be a fantastic musician”: Six explains the magic at 7:15 in Janet Street-Porter’s LWT documentary, The Year of Punk, 1977 … Click pic to view video at YouTube

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➤ Ziggy’s 40 fabulous years of being not alone, cos you’re won-der-ful

Ziggy Stardust,Spiders from Mars,David Bowie,albums,anniversary,

Backside of the album that inspired generations: Bowie as the alien Ziggy about to call home from a phone box in Heddon Street, London. (Photography © Brian Ward)

❚ THE KING OF UK POP HITS HIS 40th ANNIVERSARY, just as HM The Queen completes her sixth decade on the throne, but we don’t imagine she planned it that way. The most famous Martian in history landed on Earth on June 6 1972 with the release of his album, The Rise and Fall of Ziggy Stardust and The Spiders from Mars. He created a new breed of quintessentially British pop star and expanded the realm of rock-and-roll by injecting melodrama, fantasy and glitz.

A wistful older generation was yearning for the energy of the 60s. A teen generation faced a paranoid future threatened by nuclear apocalypse. The playfully androgynous Ziggy Stardust astonished both audiences by introducing a knowing sense of decadence rooted in individual style and a repertoire of life-skills to see us through whatever adversity. Laying down a bunch of wonderful melodies, the vocals enunciate the manifesto with clarity throughout — Five Years, Moonage Daydream, Suffragette City especially.

It was a bravura, theatrical strategy for pursuing what you wanted to get out of life, and capitalised on the iconoclasm of the 60s which had subverted society’s traditions of role play and “knowing your place”.

Ziggy himself was an entirely invented persona, an outsider rock-star created by the not-then-famous David Bowie who expressed through Ziggy a grand vision and through the Spiders consummate musicianship — not a note out of place, and Mick Ronson at his most snarlingly brilliant. The album is a pinnacle of arch originality like few others, and its fierce riffs and hooks have influenced almost every innovative performer since.

➢ Review of the album The Rise And Fall Of Ziggy Stardust etc at BBC Music — “It sounds like a cliché, but to an entire generation this album has become a yardstick by which to measure all others. Why the hyperbole?

David Bowie, Starman, 1972, Top of the Pops, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson. Video © BBC

The 40th-anniversary celebrations and media activity are not entirely industry hype, but genuine tributes to an artist of undoubted genius. None the less, EMI is releasing a compilation of brilliantly remastered tracks on Monday June 4 on both CD and vinyl, and all are available to stream free at the NME which is trailing special features in next week’s issue…

♫ LISTEN at the NME — David Bowie streams a remastered
Rise and Fall of Ziggy Stardust in full

ONLINE AND ON THE AIRWAVES

Nick Rhodes, Gary Kemp,  Ziggy Changed My Life, 6Music, Radio2,

A picture they once said could never be taken: Nick Rhodes of Duran Duran at the home of Gary Kemp of Spandau Ballet, brought together by the radio documentary Ziggy Changed My Life

❏ Not for nothing do the next week’s highlights come from the Ten Alps stable, one of the UK’s leading factual programme-makers. From midnight tomorrow BBC 6 Music kicks off with a two-hour assessment of Ziggy as the Pied Piper who shaped the dreams of Gary Kemp, Nick Rhodes and others. This thoroughly researched doc tells tales from a host of their peers and is recycled in a couple of other slots of more manageable duration…

Click to read Kemp’s article in The Times

➢ Ziggy Changed My Life: full two-hour radio documentary on BBC 6 Music, midnight BST June 2–3 — Songwriter Gary Kemp explains how David Bowie created Ziggy, how the album changed his life and influenced a generation of performers. Guests include: Trevor Bolder, bass player for The Spiders from Mars; Woody Woodmansey, drummer for The Spiders from Mars, Nick Rhodes from Duran Duran, Suzi Ronson, Leee Black Childers, Lindsay Kemp, Kevin Cann, Kris Needs, Ken Scott, Terry Pastor, George Underwood and Anya Wilson.

➢ Ziggy Played Guitar on BBC Radio 2, at 10pm June 6 — Reduced one-hour version of Ziggy Changed My Life

➢ Ziggy Changed My Life — Abridged 23-minute version broadcast last month on BBC World Service and available online at iPlayer “until 1 Jan, 2099”

➢ Inspirational Bowie: clip from 65th birthday broadcast last January on Radio 2 — His influences on Boy George, Peter Hook, Marc Almond, Annie Lennox, Debbie Harry, Guy Garvey, Jarvis Cocker

➢ David Bowie Archive concert (2000) on BBC radio iPlayer — Live in concert at Glastonbury in 2000.

ZIGGY DISSECTED FROM TOP TO TOE

David Bowie, Starman,

“After Starman, everything changed” — Woody Woodmansey, drummer and Spider

➢ Pushing Ahead of the Dame: David Bowie, song by song — incomparable blog by Chris O’Leary

FOUR ESSENTIAL BOOKS ABOUT BOWIE

Man Who Sold the World,David Bowie ,Peter Doggett,books ➢ The Man Who Sold the World: David Bowie and the 1970s by Peter Doggett (Bodley Head 2011)

A song-by-song analysis shows how David Bowie embodied a decade. A work of impeccable scholarly exegesis, The Man Who Sold the World is about as far removed from conventional biography as its subject is from run-of-the-mill rock’n’roll. Still, it is hard to imagine another book telling you more of what really matters about David Bowie than this one … / Continued online

Strange Fascination,David Bowie, David Buckley, books ➢ Strange Fascination: David Bowie, The Definitive Story by David Buckley (Virgin 2005)

Written by the only biographer to get his PhD with a thesis on David Bowie, Strange Fascination is an exhaustive chronicle of Bowie’s career as one of rock’s most influential stars. In a combination of interviews, exclusive photographic material and academic analysis, Buckley examines Bowie’s life and music with an unparalleled level of detail. It’s a book written by an unapologetic fan. Buckley is a better writer than any of those to have tackled Bowie to date. If you read only one Bowie book ever, this should be it … / Continued online

Any Day Now, David Bowie,books, Kevin Cann ➢ Any Day Now: David Bowie The London Years (1947–1974) by Kevin Cann (Adelita 2010)

A feast of Bowie-ana served up like La Grande Bouffe, in ever more tempting waffeur-thin slices… It is impossible adequately to acknowledge the trainspotterish, yet deeply rewarding scope of this sheer labour of love that has amassed 850 pictures — friends, lovers, costumes, contracts, doodles, laundry bills, performances, candid snaps — on 336 pages … / Continued at Shapersofthe80s

Starman, David Bowie , Paul Trynka ,books ➢ Starman: David Bowie by Paul Trynka (Sphere 2011)

As befits an erstwhile editor of Mojo, Trynka is good on the musical development of a pop star whose early albums, David Bowie (1967) and Space Oddity (1969), were both little more than confused collections of ill-matched songs, and showed little hint of the confidence and brilliance that was to follow. Beginning with Bowie’s childhood as plain David Jones in post-war Brixton, Trynka tells a tale that has perhaps been told too often to surprise any more, but that nevertheless intrigues in its mixture of ruthlessness, shifting loyalties, monumental drug taking, decadent behaviour and, for a while, undiminished musical invention … / Continued online

JUST FOR TRAINSPOTTERS

➢ 65 crazy facts and bizarre myths about Bowie at the Daily Mirror — Did Bowie help start the credit crunch? He certainly says he was moonwalking years before Michael Jackson…

 Kansai Yamamoto ,V&A ,exhibition, British Design, Ziggy Stardust, David Bowie,costumes

Ziggy stage costume: the Japanese fashion designer Kansai Yamamoto described Bowie in 1972 as “neither man nor woman”. This outfit, similar to one worn with a boa in Ziggy’s last performance at Hammersmith Odeon, is currently on show until August 12 in the V&A exhibition, British Design 1948–2012

MORE BOWIE AT SHAPERSOFTHE80S

➢ Where to draw a line between glitter and glam

➢ If David Jones hadn’t become Bowie what would have become of the rest of us?

➢ Behind Bowie’s “lost” Jean Genie video

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➤ Edison’s wax cylinder throws beatboxer Singh back to the age of acoustic recording

Aleks Kolkowski ,beatboxer, Jason Singh,wax recording,phonograph

Wax recording at the Science Museum: Aleks Kolkowski tending his Fireside phonograph from 1909, while beatboxer Jason Singh improvises his mix of electronic samples and vocal sculpture through a speaker. (Photographed © by Marizu Okereke)

❚ SOUND ARTISTS IN RESIDENCE ARE, it seems, all the rage. Not only has London’s Victoria & Albert Museum got one (that’s him, the cool barefoot dude, above right), but so too has the Science Museum (the less cool dude from another planet, above left). And this week they got together to make some wax recordings on the kind of two-minute cylinders our great grandparents used to dance to. The big diff is the kind of beatbox sounds Jason Singh makes — scratchity screechity hoppity whack rhythms made using nothing but his mouth, lips and tongue. He styles himself a “vocal sculptor” since essentially it’s his voice making sinuously textured percussive music, the role of a microphone being simply to help amplify it.

The reverse diff for him was not using a mic, but instead sticking his head deep inside a 7ft-long acoustic horn that channelled his voice down to a Mica membrane pressing on a flat-edged sapphire stylus, the vibrations from which cut a hill-and-dale spiral groove on a wax cylinder revolving at 160 rpm on a wind-up clockwork Edison phonograph Fireside model A, made in about 1909. His recording engineer was the shaggy professional musician, Aleks Kolkowski, who is running a series of experimental demonstrations during the next month on the art of acoustic recording. Each lunchtime session features a distinguished guest musician, artist or writer who will record acoustically by speaking or playing sounds without the aid electricity.

wax recording,phonograph

Edison cylinders: the earliest blanks were beeswax brown

In Jason Singh’s case, his performance was a piece of magic before the recording began. His sound test had you looking round the room for an orchestra and a chorus of jungle animals. It was unbelievable that everything we heard came from inside this lanky young man himself. Aleks warmed the cylinder with a red lamp to soften its ceresin and stearic wax mix. Jason’s head vanished inside the horn while his extremities twitched to his turntablist rhythms and the stylus cut the acoustic recording. It was unexpectedly thrilling to witness, with swarf flying off the recorder, though Jason’s voice was slightly too muffled inside the horn for the audience to judge the quality, so it was agony to have to wait to hear the outcome while the cylinder was set aside to cool.

A second session saw Jason mixing samples and loops at a console, these more complex sounds then feeding out through a regular loudspeaker which faced into the same acoustic horn. This utterly different sonic landscape was nearer to musique concrète which treats pre-recorded sound as raw material.

Aleks Kolkowski ,beatboxer, Jason Singh,wax recording,phonograph

Playback at the Science Museum: Jason Singh and Aleks Kolkowski are as keen as the audience to know if the wax recording has worked. (Photographed © by Marizu Okereke)

Playback time arrived. Jason and Aleks positioned their ears on either side of the phonograph, now equipped with a pick-up stylus and a huge antique brass concert horn. From a low register, Jason’s human beatboxing slowly grew into distinct and intricate musical patterns, but suffused and somehow wonderfully other-wordly. He was rewarded with rapturous applause. His own verdict: “Wicked!” Aleks wondered whether the second more experimental recording would prove as successful, and indeed moments did give the effect of wind howling across the Arctic tundra. Jason’s verdict: “Exorcist!”

The best recording will soon be posted on Aleks’s archive website Phonographies where you can hear digital transfers of his many other recordings made on contemporary wax cylinders.

Aleks Kolkowski ,wax recording,phonograph

Armed with a brush: Aleks Kolkowski clears his Fireside phonograph of flying swarf during the recording process on to wax. (Photographed © by Marizu Okereke)

➢ The series of Phonographies, Wax Cylinder Recording Demonstrations, continues through June at the Science Museum, London SW7 2DD. They will feature an author, a wildlife sounds curator and a thereminist. Events are free but booking is advised through the museum line 0870 870 4868

➢ Jason Singh is Sound Artist-in-Residence at the V&A

➢ Introduction to Standard Beatbox Notation

Batteries not needed: This 1909 Edison Gem D cylinder phonograph, better known as the Maroon Gem, was auctioned for $4,305 in May 2012

FOOTNOTES TO PHONOGRAPHIC HISTORY

❏ Above: Edison Home Phonograph model A, No 825 made in 1879, playing a comic song by Scottish music-hall star Harry Lauder

➢ The Edison Speaking Phonograph Company was established on January 1878 to exploit the inventor Thomas Edison’s new machine by exhibiting it. He received $10,000 for the manufacturing and sales rights and 20% of the profits.

Ada Jones,Billy Murray, wax recording, phonographIn the late 1890s Edison began mass-producing cylinder phonographs though by 1905 flat-disc 78rpm machines began to outsell their cylinder rivals. Columbia, one of Edison’s chief competitors, abandoned the cylinder market in 1912. However, the Edison Company continued to make Blue Amberol cylinders until the demise of the company in 1929.

❏ Listen to Ada Jones & Billy Murray sing Come Josephine in My Flying Machine on an Edison Blue Amberol cylinder from 1911 (© Linda C. Joseph)

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2012 ➤ Central Saint Martins fashionistas graduate with street vibes, fantasy and outlandish colours

Central Saint Martins, fashion,BA,fashion, catwalk

First BA fashion show at CSM’s new King’s Cross campus, 2012: Designs by Natalija Mencek, Ruoxin Jin and Erin Hawkes who won the L’Oréal Professionnel Award award

➢ Central Saint Martins fashion design graduates presented an optimistic and upbeat offering at their swish new headquarters last night — Daily Telegraph report:

136 design students are graduating from the BA course this year, and the ultra modern postindustrial building they moved to last September has undoubtedly had an influence. The work was brighter, more optimistic and upbeat than it has been for years. Models actually smiled! Prof Jane Rapley, OBE, retired after 25 years at St Martin’s, six as Head of College … / Continued at Telegraph online

All 41 graduate collections for 2012
on the catwalk

➢ Will the magical blasts from the past follow
St Martin’s out of Soho?

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