Category Archives: London

2010 ➤ The xx steal away with the Mercury Music Prize … a quiet storm for uncertain times

The xx, Mercury Music Prize, cool, London

Tongue-tied winners, The xx tonight: very rare smiles from the ultra-cool Jamie Smith, Romy Madley Croft and Oliver Sim

❚ TONGUE-TIED, GANGLY, GAWKY and utterly lacking in stage presence — that’s the face of cool London in the 20-tens presented by The xx. This year’s £20,000 Mercury Music Prize was won tonight by the band of the moment, whose eponymous first album, xx, on the Young Turks label evokes a soulful yet haunting dreamworld of urban alienation. So musically spare are their songs — such as Islands, which instantly became Single of the Week on iTunes (UK) — that you can almost count the individual notes picked on guitar and synth. Their dark, hushed sound has been called “post-coital” yet they strenuously deny the lyrics are about sex. Which they are.

The Modfather Paul Weller was bookie’s favourite among the shortlisted best albums of the year which represent a dozen impressive strata of British musical tastes. Yet every web designer in Shoreditch, the creative media quarter of London, has been rooting for The xx since their album raised understated murmurs of approval in August 2009. By year’s end, Brick Lane habitués were declaring them “The Greatest Band of All Time”. No maybes, note.

The xx, video, Islands, indie music, pop,

Arch and absorbing: The xx’s video for Islands. Image © Young Turks Records

This year, Karl Lagerfeld chose their track VCR for his Fall/Winter fashion show, then The xx were chosen by Matt Groening to headline two nights at All Tomorrow’s Parties, one of the annual unsponsored festivals in England which was curated by the Simpsons creator in May. The BBC made them the sound-track to its general election coverage, so well do The xx capture the 20-ten zeitgeist.

Arch is one word for the band’s style. Absorbing is another. It’s their artfully choreographed videos which can intensify the music’s emotional effect considerably more than the live performance, notably Saam’s black-and-white take on Islands [view below]. In public the trio are uniformly clad in nihilist black, but this is neither 70s Goth, nor 50s Left-Bank. Nor 30s Fascism, though redolent of it. Their merchandising comes in similar colourways from Ts to tote bags to skateboard decks to a £150 light box, all in black emblazoned with a bold white X. The motif is insistently present. Does it signify a vote? A negative verdict? The chromosome that determines gender? Or love, as in kisses after a lover’s signature?

The xx, merchandising, lightbox

The ubiquitous X is on all merchandising, here a lightbox for £150

A low-key Generation Y ethos underpins the band’s rise, from Romy Madley Croft and Oliver Sim polishing lyrics over IM, Jamie Smith improvising on an Akai MPC beat synthesiser that was a birthday present, recording in a garage the size of a bathroom, and doing their own production, to headlining their own international tour which continues through October in North America.

Both onstage at the Grosvenor House receiving the prize from musician Jools Holland and later being interrogated on TV by deejay Lauren Laverne, the trio of 20-year-olds who went to school together in south-west London were visibly in shock, lost for words, their heads bowed in painful shyness. Frontman and guitarist Sim said “Wow”. Twice. Vocalist and guitarist Madley Croft said “Aaah… erm” while keyboardist Smith couldn’t get a word in edgeways through the gauche silences. Romy eventually managed: “I genuinely wasn’t expecting to hear our name, genuinely, genuinely.”

Simon Frith, chairing the Mercury judging panel, declared the winning album to be “a record of its time” that “captures a sense of the uneasy times we live in” and has “an astonishingly coherent sense of itself”. He nailed it: “They have that urban soundscape where they are not exactly secure… That late-night feeling where you like the city and it’s exhilarating, but you don’t know what’s going to happen.”

Spookily they said much the same about Burial, the dubstep hero who attended the same comprehensive, the Elliott School in Putney, and was a Mercury Prize nominee in 2008. He too called himself “a low-key person”. Perhaps there’s something in the local water.

➢ BBC 6Music dissects The xx’s debut album

➢ The xx’s North American tour dates through to October

➢ VIEW ♫ ♫ video guide to the 12 nominees for the 2010 Mercury Music Prize — Biffy Clyro, Dizzee Rascal, I am Kloot, Paul Weller, Corinne Bailey Rae, The XX, Villagers, Kit Downes Trio, Foals, Laura Marling, Wild Beasts and Mumford and Sons.

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2010 ➤ Index of posts for July-Aug

Kylie Minogue, Heaven,London,live,All The Lovers

All The Lovers, live: photograph © Christie Goodwin

➢ A big wink to i-D on its 30th birthday

➢ For one year only, £75m deal reunites Take That dormice with mega-millionaire Robbie Williams

➢ Kylie dazzles London with laser-love

➢ Cheers to Peter and Chris – two nice unassuming radio listeners (among the many) who clinched the rescue of 6Music

➢ Vince Clarke on how to make the perfect pop song

Save 6Music, 6Music, BBC, demonstration, Alison Gibbs

Too, too British: Save 6Music demonstrators outside Broadcasting House. Picture © Alison Gibbs

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➤ A big wink to i-D on its 30th birthday

i-d magazine,covers,30th anniversary, Then Now Next

Launched August 1980: who’d have guessed that 72 covers and almost as many winkers later the magazine would have arrived at the end of its first decade?

❚ A MONTH AFTER i-D MAG’S LAUNCH in August 1980, cub-editor Perry Haines was bright-eyed and bushy-tailed, fresh from the St Martin’s fashion journalism course. Armed with such axioms as “Pitch and stitch dance hand in hand”, he was launching his club night at Gossip’s in Soho, calling it the i-D Sink or Swim night, admission £2.50. “We play 100mph dance music,” he said, meaning sounds like James White and the Blacks. “People are waiting for something to run with. They’re at the starting blocks.” Shapersofthe80s was there like a shot.

Launched as a quarterly in A4 fanzine format, economically printed in black-and-white and stapled, i-D was soon dubbed the UK “manual of style” for inventing the so-called straight-up more or less on the hoof: kids were photographed full-length, as and where they were found on the streets of Britain, then captioned down to the last thrift-shop nappy pin. Today editor-in-chief Terry Jones celebrates identity as the theme that has sustained his unique mag for three decades by turning the 30th birthday pre-fall issue of i-D over to the talented photographer Nick Knight, who was appointed an OBE in the most recent Queen’s birthday honours. It is one stunning run of superb black-and-white portraits of 200 people the mag believes are brainy, beautiful and downright gorgeous — from The xx, Phoebe Philo, Sir Paul Smith, Florence Welch to a rude Cerith Wyn Evans and a raunchy Vivienne Westwood, both enjoying their age disgracefully, plus three alternative cover stars epitomising this issue’s title of Then, Now and Next, Kate Moss, Naomi Campbell and Lady Gaga.

The key question is: How many of i-D’s 100 People of the 80s from Knight’s fifth anniversary shoot have made it into the 20-tens?! Uh-oh, only 12 found so far. Still counting.

Nick Knight, i-D 30th anniversary, Then Now Next

Nick Knight, then and now, separated by 25 years: captured by yours truly during his first shoot for i-D, titled People of the 80s, on the magazine’s fifth anniversary ... right, this year’s self-portrait as one of the world’s most innovative fashion photographers, taken for i-D’s 30th anniversary issue which he also art directs. Photographs © Shapersofthe80s and Nick Knight

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2010 ➤ Kylie dazzles London with laser-love

➢➢ VIEW ♫ ♫ Get Outta My Way! – Ropey iPhone video of Kylie’s next single live at Heaven this morning, but a visual feast, jam-packed with energy:

❚ AN EYE-POPPINGLY CREATIVE LASER SHOW capturing every colour of the rainbow was hurled towards a bouncing audience of Londoners in the early hours of this morning at Heaven. A euphoric Kylie Minogue was making a surprise 40-minute PA in the sweltering heat of high summer. This week she launched her 11th studio album in the UK, the dance-driven Aphrodite which marks her return to joyous pure-pop, and moves her on from the tragic events of adult life she calls her “dark period”.

Kylie Minogue, Heaven,London,live,All The Lovers

All The Lovers, live today: photograph © Christie Goodwin

According to host Jeremy Joseph, Aphrodite had gone straight to No 1 in the album chart – her fifth No 1 album – and he produced a multi-candled cake by way of congratulations. He also reminded us all that this was Kylie’s tenth appearance at London’s G-A-Y venue since its predecessor Bang! became the mainstream gay mega-clubnight that virtually launched Kylie’s British pop career in 1988. Since then the Australian-born singer has become the most successful female artist in the UK charts and the second richest British popstar from the 1980s.

Onstage from 1.35 this morning she performed six numbers in a clingy-and-swishy shredded gold Cinderella dress plus golden knuckle-duster, then three encores in a bewitching mirrored black top with thigh-high Puss-in-boots, climaxing with her erotic new single All The Lovers elegantly framed by five of her beefcake dancers and as many more females. Heaven had, perhaps foolishly, handed out whistles to everybody in the audience, so whether you could hear Kylie’s vocals above the non-stop barrage became slightly theoretical – a fact she accepted by just letting the audience get on with the verses as well as choruses to almost every number.

When asked in a recent interview with Popjustice if Aphrodite would make a good farewell album, 42-year-old Kylie responded: “I think so. It’s joyful. It’s like the jus of all the best bits of my musical career.” We also discover exactly what “a Kylie moment” is.

Kylie Minigue, Heaven, London ,Aphrodite, interview

Kylie’s own tweeted pix: backstage at G-A-Y with her female dancers, and with the monster teddy presented by Jeremy Joseph to mark her becoming an auntie for the third time

➢➢ VIEW ♫ ♫ Delectable rendering of All The Lovers – Kylie Minogue on the Jonathan Ross show, June 25, 2010 (spot Dawn Joseph and David Tench in support) – Oops, this has been removed from YouTube. Instead here’s her UK TV performance one month later with Alan Carr:

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2010 ➤ Cheers to Peter and Chris – two nice unassuming radio listeners (among the many*) who clinched the rescue of 6Music

* Added to the heading to reflect protests by Peter and Chris

What do we want? – We’d quite like our rather good 6Music station not to be axed by the BBC, please.
When do we want it? – After our jolly nice picnic and a couple of flutes of champagne, if that’s OK with you.

Save 6Music, 6Music, BBC, picnic, Claire Cant, Gillian Reynolds, Daily Telegraph,Tim Davie,Sir Michael Lyons ,Steve Hewlett,,

Militant picnickers: Save 6Music campaigners plot their strategy – somewhere amid the champagne drinkers Peter Crocker is lurking. Picture © Claire Cant

VICTORY FOLLOWS A VERY BRITISH KIND OF PROTEST

❚ TODAY IT WAS REVEALED TO RADIO 4’s AUDIENCE that the BBC decided not to axe its digital music station 6Music as the result of a thoroughly British campaign strategy hatched over a couple of drinks and the odd outdoor picnic. 6Music campaigners like to boast that a bunch of marketeers called the CoolBrands Council (yes, seriously!) have dubbed it the coolest radio station in the land – easier perhaps to think of it as “rhythms for thinking persons”. Since March some “quite lively” street protests have surrounded Broadcasting House in London where the more strident slogans included “More 6 please, we’re British” … “Lord Reith would be vexed” … “Down With This Sort of Thing” and “6 into 2 doesn’t go” (a reference to merging with mainstream Radio 2). But afterwards, heads were put together to come up with a seriously cunning plan.

Peter Crocker told the tale on today’s Feedback, the Radio 4 listener soapbox. He describes himself as a “video restorer and member of the Doctor Who Restoration Team”. Also a Belle and Sebastian fan, he is passionate about 6Music and became incandescent in March when he heard of the BBC management’s threat to shut it down in a strategic review of BBC services.

He wrote to Feedback and was invited onto the weekly programme in March when he declared: “As with Radio 3, 6Music is unique. We need a serious modern non-orchestral music station.” This kick-started a process which ended up with him having a breakfast meeting with the chairman of the BBC Trust Sir Michael Lyons, who was tasked with considering the management proposals.

Crocker modestly insists his role was minor and points out that many, many others were involved in the campaign to save 6Music. The Facebook protest group, for example, is the “modern equivalent of a village hall”, he says, and it attracted 180,000 supporters.

Save 6Music, 6Music, BBC, demonstration

Too, too British: Save 6Music demonstrators outside Broadcasting House

What he did do after turning up to a demo was to meet up for occasional drinks with some of the other committed protesters “in hostelries around west London”. Here he met Chris Wiper, a Pixies fan (according to his Facebook profile), who proposed conducting a survey of 6Music listeners and 655 responses from adults yielded one eye-opening claim. As Crocker reported today: “For every £1 the BBC spent on 6Music, the station generated £13 for the UK economy”!

From Wiper’s survey the purchasing activity of the station’s listeners was analysed by Matt Forman and Colin Hammond who showed that 58% of their music purchasing in the previous year had been influenced by 6Music, resulting in an average spend of £134 that year on albums and singles. In other words, when extrapolated against the one-million weekly audience reached by the station, this amounted to a significant contribution towards the music industry’s coffers. (Further modest mutterings have ensued from Wiper, too: “My contribution was a very small part.”)

6Music, age distribution, listeners, ILF, survey, BBC

6Music listener ages: Mean 32.2, median 31, according to online petition data commissioned by ILF

Hence the bending of the Trust chairman’s ear and a reversal this week of the decision to axe the station.

Hammond has since offered further insights: “Sir Michael Lyons said that the cultural value argument had to be made. Alan Yentob made a speech that stated that the BBC yardstick was £2 of economic activity for £1 of BBC spend. We had had already several conversations about how many CDs etc we had bought solely from 6, Chris Wiper had set up a Facebook group and then his website. At my hunch that there was something in this, Matt Foreman did the maths for the initial ILF submission which the Trust were most interested in and so we encouraged more people to come forward, which gave the great final survey number.”

Result – even BBC director-general Mark Thompson declared on April 20: “It’s become clear to me that the station is completely unique and has significant cultural worth.”

As a successful campaigner, cheer-leading substantially through the web, Crocker today offered four golden rules: (1) don’t shout into a vacuum; (2) research your subject; (3) stick to facts not personal opinion; (4) enlist teamwork by meeting up in real life.

Let’s be on guard for the next round, however. Announcing 6Music’s reprieve on the BBC News Channel last Monday, Sir Michael Lyons also said: “It [6 Music] has opened up a much bigger debate about the need, first, to sort out the greater distinctiveness about the very popular Radios 1 and 2 and to make sure they are more different from each other and different from what’s available in the commercial sector. And even more important, to actually develop a coherent strategy for digital radio, which the BBC can’t do in isolation. It needs to do (that) with government and the commercial sector.”

A can of worms is about to be opened in the radio marketplace. In her weekly column in the Daily Telegraph, Gillian Reynolds was later to conclude: “ ‘Stick to facts.’ Please remember that when the dreaded BBC Director of Audio and Music Tim Davie returns, fully strategised.” The Facebook group cannily reminds us of future trends. Listen to 6Music online, it urges, so the powers-that-be can measure how many are listening. “BBC6 was not designed to be linear.”

➢➢ Listen to today’s Feedback and read presenter Roger Bolton at the Radio 4 blog

➢➢ Independent Listeners Forum – Final Submission to the BBC Trust, May 22 – Search sidebar for ILF Evidence, then click Economic Value Update

➢➢ Gillian Reynolds in the Daily Telegraph, July 12 – “The present digital delay, I think, is more a failure of markets than management”

Save 6Music, campaign,6Music, BBC, demonstration,Steve Ransome

Thinking music persons: Save 6Music protestors show their strength outside Broadcasting House. Picture © Steve Ransome

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