Category Archives: London

2010 ➤ Robinson takes the Cowell shilling — so whose bum is on the throne at Popjustice?

X Factor, X magazine, launch, Kelly Clarkson, American Idol, Simon Cowell

From the makers of The X Factor: a new magazine, edited by the man who toyed with Kelly Clarkson like a cat with a mouse

❚ WE LOVE HIM, THEY LOATHE HIM, the worst of them. One of the most influential and passionate commentors on the pop scene appears to have jumped ship in the direction of Simon Cowell’s entertainment goldmine. Peter Robinson, the 30-something wag and one-man Girls Aloud fanclub, has made his Popjustice blog a compelling read for fans who favour his surreal version of the truth, but a gunk tank for stars who imagine there’s any such thing as an even break.

Yet this morning’s Media Guardian unequivocally describes him as “formerly” the editor of PJ, while announcing the launch of X magazine, whose own website gives him the title of Senior Editor there. Sounds like a golden-handshake welcome to X which is to be the weekly print offshoot of the Cowell TV franchise, The X Factor. A 100-page launch issue appears tomorrow to coincide with series seven of the ITV talent show, and distribution is initially through Tesco supermarkets, price £1.95, even when the show is off-air.

Peter Robinson, Popjustice, previously editor, formerly editor,Senior Editor, X magazine

"Senior Editor" of X magazine: no, not the Peter Robinson who dresses as Marilyn, the other Peter Robinson

A “surprising” level of access to contestants is promised, though Robinson is reported to have feared that X would be “pretty much a glorified fan magazine”. The big cheese at its publisher, Haymarket Media Group, convinced him that the owners were happy for X to “not always toe the party line”. Some might think this a risky ploy. Is the cheese actually familiar with the Robinson technique? Does the cheese know how often his notoriously cringe-making interviews must have turned a star to jelly? In fact, has the cheese read the all-time car-crash sofa-chat Robinson conducted with American Idol winner Kelly Clarkson? In which he provoked her to confess: “I’m not a man and I don’t claim to be.”

There hasn’t been a decent mag purely about pop since the upstart Smash Hits doled out respect and ridicule in equal measure. It ran for almost three decades as a fortnightly, shuffling off-stage only in 2006. Channel 4’s Popworld spin-off died after two issues in 2007. Nevertheless, according to another Haymarket cheese, women’s weeklies are reckoned to be on “vibrant” form, and Robinson is talking up his new title: “Our editorial team is the strongest of any British pop magazine in almost 20 years and this certainly feels like the biggest pop magazine launch in Justin Bieber’s lifetime.”

Robinson was working as a freelance in 2000 when, for the love of it, he founded Popjustice as a music site with attitude. He has overseen its successful monetisation in cahoots with w00tmedia, and bolted on a record label called Popjustice Hi-Fi. The Times reckons PR is one of the music industry’s Top 20 star makers while The Observer rated Popjustice the world’s most powerful music blog. So has he truly relinquished the crown after 10 years? No, of course not! What? Give up the most powerful throne in pop? That was just “a mistake/assumption on Media Guardian’s part” PR assures us. Not for nothing have hacks long dubbed it the good old “Grauniad”! So rest assured that a familiar bum stills sits in the PJ hotseat, while steering the pop universe with his left hand.

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2010 ➤ The xx steal away with the Mercury Music Prize … a quiet storm for uncertain times

The xx, Mercury Music Prize, cool, London

Tongue-tied winners, The xx tonight: very rare smiles from the ultra-cool Jamie Smith, Romy Madley Croft and Oliver Sim

❚ TONGUE-TIED, GANGLY, GAWKY and utterly lacking in stage presence — that’s the face of cool London in the 20-tens presented by The xx. This year’s £20,000 Mercury Music Prize was won tonight by the band of the moment, whose eponymous first album, xx, on the Young Turks label evokes a soulful yet haunting dreamworld of urban alienation. So musically spare are their songs — such as Islands, which instantly became Single of the Week on iTunes (UK) — that you can almost count the individual notes picked on guitar and synth. Their dark, hushed sound has been called “post-coital” yet they strenuously deny the lyrics are about sex. Which they are.

The Modfather Paul Weller was bookie’s favourite among the shortlisted best albums of the year which represent a dozen impressive strata of British musical tastes. Yet every web designer in Shoreditch, the creative media quarter of London, has been rooting for The xx since their album raised understated murmurs of approval in August 2009. By year’s end, Brick Lane habitués were declaring them “The Greatest Band of All Time”. No maybes, note.

The xx, video, Islands, indie music, pop,

Arch and absorbing: The xx’s video for Islands. Image © Young Turks Records

This year, Karl Lagerfeld chose their track VCR for his Fall/Winter fashion show, then The xx were chosen by Matt Groening to headline two nights at All Tomorrow’s Parties, one of the annual unsponsored festivals in England which was curated by the Simpsons creator in May. The BBC made them the sound-track to its general election coverage, so well do The xx capture the 20-ten zeitgeist.

Arch is one word for the band’s style. Absorbing is another. It’s their artfully choreographed videos which can intensify the music’s emotional effect considerably more than the live performance, notably Saam’s black-and-white take on Islands [view below]. In public the trio are uniformly clad in nihilist black, but this is neither 70s Goth, nor 50s Left-Bank. Nor 30s Fascism, though redolent of it. Their merchandising comes in similar colourways from Ts to tote bags to skateboard decks to a £150 light box, all in black emblazoned with a bold white X. The motif is insistently present. Does it signify a vote? A negative verdict? The chromosome that determines gender? Or love, as in kisses after a lover’s signature?

The xx, merchandising, lightbox

The ubiquitous X is on all merchandising, here a lightbox for £150

A low-key Generation Y ethos underpins the band’s rise, from Romy Madley Croft and Oliver Sim polishing lyrics over IM, Jamie Smith improvising on an Akai MPC beat synthesiser that was a birthday present, recording in a garage the size of a bathroom, and doing their own production, to headlining their own international tour which continues through October in North America.

Both onstage at the Grosvenor House receiving the prize from musician Jools Holland and later being interrogated on TV by deejay Lauren Laverne, the trio of 20-year-olds who went to school together in south-west London were visibly in shock, lost for words, their heads bowed in painful shyness. Frontman and guitarist Sim said “Wow”. Twice. Vocalist and guitarist Madley Croft said “Aaah… erm” while keyboardist Smith couldn’t get a word in edgeways through the gauche silences. Romy eventually managed: “I genuinely wasn’t expecting to hear our name, genuinely, genuinely.”

Simon Frith, chairing the Mercury judging panel, declared the winning album to be “a record of its time” that “captures a sense of the uneasy times we live in” and has “an astonishingly coherent sense of itself”. He nailed it: “They have that urban soundscape where they are not exactly secure… That late-night feeling where you like the city and it’s exhilarating, but you don’t know what’s going to happen.”

Spookily they said much the same about Burial, the dubstep hero who attended the same comprehensive, the Elliott School in Putney, and was a Mercury Prize nominee in 2008. He too called himself “a low-key person”. Perhaps there’s something in the local water.

➢ BBC 6Music dissects The xx’s debut album

➢ The xx’s North American tour dates through to October

➢ VIEW ♫ ♫ video guide to the 12 nominees for the 2010 Mercury Music Prize — Biffy Clyro, Dizzee Rascal, I am Kloot, Paul Weller, Corinne Bailey Rae, The XX, Villagers, Kit Downes Trio, Foals, Laura Marling, Wild Beasts and Mumford and Sons.

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2010 ➤ Index of posts for July-Aug

Kylie Minogue, Heaven,London,live,All The Lovers

All The Lovers, live: photograph © Christie Goodwin

➢ A big wink to i-D on its 30th birthday

➢ For one year only, £75m deal reunites Take That dormice with mega-millionaire Robbie Williams

➢ Kylie dazzles London with laser-love

➢ Cheers to Peter and Chris – two nice unassuming radio listeners (among the many) who clinched the rescue of 6Music

➢ Vince Clarke on how to make the perfect pop song

Save 6Music, 6Music, BBC, demonstration, Alison Gibbs

Too, too British: Save 6Music demonstrators outside Broadcasting House. Picture © Alison Gibbs

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➤ A big wink to i-D on its 30th birthday

i-d magazine,covers,30th anniversary, Then Now Next

Launched August 1980: who’d have guessed that 72 covers and almost as many winkers later the magazine would have arrived at the end of its first decade?

❚ A MONTH AFTER i-D MAG’S LAUNCH in August 1980, cub-editor Perry Haines was bright-eyed and bushy-tailed, fresh from the St Martin’s fashion journalism course. Armed with such axioms as “Pitch and stitch dance hand in hand”, he was launching his club night at Gossip’s in Soho, calling it the i-D Sink or Swim night, admission £2.50. “We play 100mph dance music,” he said, meaning sounds like James White and the Blacks. “People are waiting for something to run with. They’re at the starting blocks.” Shapersofthe80s was there like a shot.

Launched as a quarterly in A4 fanzine format, economically printed in black-and-white and stapled, i-D was soon dubbed the UK “manual of style” for inventing the so-called straight-up more or less on the hoof: kids were photographed full-length, as and where they were found on the streets of Britain, then captioned down to the last thrift-shop nappy pin. Today editor-in-chief Terry Jones celebrates identity as the theme that has sustained his unique mag for three decades by turning the 30th birthday pre-fall issue of i-D over to the talented photographer Nick Knight, who was appointed an OBE in the most recent Queen’s birthday honours. It is one stunning run of superb black-and-white portraits of 200 people the mag believes are brainy, beautiful and downright gorgeous — from The xx, Phoebe Philo, Sir Paul Smith, Florence Welch to a rude Cerith Wyn Evans and a raunchy Vivienne Westwood, both enjoying their age disgracefully, plus three alternative cover stars epitomising this issue’s title of Then, Now and Next, Kate Moss, Naomi Campbell and Lady Gaga.

The key question is: How many of i-D’s 100 People of the 80s from Knight’s fifth anniversary shoot have made it into the 20-tens?! Uh-oh, only 12 found so far. Still counting.

Nick Knight, i-D 30th anniversary, Then Now Next

Nick Knight, then and now, separated by 25 years: captured by yours truly during his first shoot for i-D, titled People of the 80s, on the magazine’s fifth anniversary ... right, this year’s self-portrait as one of the world’s most innovative fashion photographers, taken for i-D’s 30th anniversary issue which he also art directs. Photographs © Shapersofthe80s and Nick Knight

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2010 ➤ Kylie dazzles London with laser-love

➢➢ VIEW ♫ ♫ Get Outta My Way! – Ropey iPhone video of Kylie’s next single live at Heaven this morning, but a visual feast, jam-packed with energy:

❚ AN EYE-POPPINGLY CREATIVE LASER SHOW capturing every colour of the rainbow was hurled towards a bouncing audience of Londoners in the early hours of this morning at Heaven. A euphoric Kylie Minogue was making a surprise 40-minute PA in the sweltering heat of high summer. This week she launched her 11th studio album in the UK, the dance-driven Aphrodite which marks her return to joyous pure-pop, and moves her on from the tragic events of adult life she calls her “dark period”.

Kylie Minogue, Heaven,London,live,All The Lovers

All The Lovers, live today: photograph © Christie Goodwin

According to host Jeremy Joseph, Aphrodite had gone straight to No 1 in the album chart – her fifth No 1 album – and he produced a multi-candled cake by way of congratulations. He also reminded us all that this was Kylie’s tenth appearance at London’s G-A-Y venue since its predecessor Bang! became the mainstream gay mega-clubnight that virtually launched Kylie’s British pop career in 1988. Since then the Australian-born singer has become the most successful female artist in the UK charts and the second richest British popstar from the 1980s.

Onstage from 1.35 this morning she performed six numbers in a clingy-and-swishy shredded gold Cinderella dress plus golden knuckle-duster, then three encores in a bewitching mirrored black top with thigh-high Puss-in-boots, climaxing with her erotic new single All The Lovers elegantly framed by five of her beefcake dancers and as many more females. Heaven had, perhaps foolishly, handed out whistles to everybody in the audience, so whether you could hear Kylie’s vocals above the non-stop barrage became slightly theoretical – a fact she accepted by just letting the audience get on with the verses as well as choruses to almost every number.

When asked in a recent interview with Popjustice if Aphrodite would make a good farewell album, 42-year-old Kylie responded: “I think so. It’s joyful. It’s like the jus of all the best bits of my musical career.” We also discover exactly what “a Kylie moment” is.

Kylie Minigue, Heaven, London ,Aphrodite, interview

Kylie’s own tweeted pix: backstage at G-A-Y with her female dancers, and with the monster teddy presented by Jeremy Joseph to mark her becoming an auntie for the third time

➢➢ VIEW ♫ ♫ Delectable rendering of All The Lovers – Kylie Minogue on the Jonathan Ross show, June 25, 2010 (spot Dawn Joseph and David Tench in support) – Oops, this has been removed from YouTube. Instead here’s her UK TV performance one month later with Alan Carr:

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