Category Archives: journalism

2025 ➤ Here’s to those Faces who created a new breed of journalism for the 1980s

Swinging 80s, Club Culture, Nick Logan, Steve Dagger, photography, exhibitions, London, National Portrait Gallery, Face Magazine,

Kings among influencers: Nick Logan and Steve Dagger, at the NPG private view. (Photo © Shapersofthe80s)

❚ AN EXCEPTIONAL CHAMPAGNE PARTY last night launched a compelling exhibition celebrating The Face magazine’s role as Britain’s “style bible” (*see below) for just over 20 years. A thorough display of photos and glass-boxed showcases of the magazine itself confirmed what a revolution in fashion and design took place between 1980 and 2004. And London’s National Portrait Gallery invited several generations of survivors to revisit their contributions, chief among them Nick Logan, founding owner and editor of The Face, as sociable yet bashful as he’s ever been, along with his partner Mia.

His gift, apart from investing £3,500 of his savings, was to put cool design and quality writing to the fore, at a time when Britain’s four weekly rock newspapers were a very narrowly acquired taste. Logan’s brief also went way beyond music into all aspects of culture and anthropology. That’s the main reason that both he and his radical designer Neville Brody – *who in five years established an inspired new visual language in print – both reject the description “style bible”, just as none of the New Romantics has ever owned up to that name dumped on them by the media.

Click any pic to enlarge in a slideshow:

No less a king influencer was Steve Dagger whose band Spandau Ballet changed the dreary noise of 70s pop into a new kind of dance music for the 80s. Two more such kings who helped shape the Swinging 80s were the St Martin’s graduate milliner Stephen Jones whose hats graced the heads of the first Blitz Kids then went on adding bazzazz to designer collections across the globe… And Peter Ashworth whose super-lit photographs have captured musical and fashionable excess just as far across the globe ever since.

Other vintage faces included Lesley White (the first front-desk copytaster at The Face’s various offices), St Martin’s star fashionista Fiona Dealey, clubland deejay Jeremy Healey, film-maker and musician Jamie Morgan, pioneering music journalist Paul Simper, and Derek Ridgers the straight-up photographer whose pictures illustrated many of my own nightlife reports in The Face’s early years.

Swinging 80s, Club Culture, photography, exhibitions, London, National Portrait Gallery, Face Magazine, Nick Logan, Neville Brody, Kathryn Flett

NPG talk about the Face exhibition: editor Nick Logan, art director Neville Brody and from 1987 the mag’s first fashion editor Kathryn Flett. (Photo © Shapersofthe80s)

Swinging 80s, Club Culture, photography, exhibitions, London, National Portrait Gallery, Face Magazine, Chris Sullivan, Ollie O'Donnell

Face exhibition video display: Who’s Who in clubland reportage by Yours Truly, featuring Chris Sullivan and Ollie O’Donnell. (Photo © Shapersofthe80s)

➢ The Face Magazine: Culture Shift exhibition
(20 February–18 May 2025 at the National Portrait Gallery) brings together the work of 80 photographers, featuring 200 photographs as a unique opportunity to see many of these images away from the magazine page.

Swinging 80s, Club Culture, photography, exhibitions, London, National Portrait Gallery, Face Magazine, Neville Brody,

Wise words from the man who subverted graphic design. (Photo © Shapersofthe80s)

➢ Previously at Shapersofthe80s:
1980, Power brokers of the fourth estate

➢ Also at Shapersofthe80s: 1980, How three wizards
met at the same crossroad in time

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2025 ➤ 50 years on: Celebrating the world’s first pose band

Nice Style, Bruce McLean, live sculpture, Pose Band, Baroque Palazzo, contemporary art,

Nice Style posing at the Gallery, 1974: High up on a Baroque Palazzo. McLean himself is at top left. Photo by Craigie Horsfield

❚ SCOTTISH SCULPTOR BRUCE MCLEAN set out to satirise modern art in October 1974 with Nice Style, “the world’s first Pose Band”, pictured here. Read more about this startling occasion on our inside page along with the riveting review written by the Evening Standard’s art critic Richard Cork…

In the autumn of ’74 art critic Richard Cork took me to the Gallery in Covent Garden to witness one of the most exciting live performances I can recall, staged in a largish space full of ropes and pulleys, ladders and flapping doors, by four animated artists calling themselves Nice Style, “the world’s first Pose Band”, led by Bruce McLean. Stopping, posing and re-starting in 3-D for a full hour, three days a week, they were electric, fascinating and hilarious. We were being invited to laugh in an art gallery!

➢ Click to read more about Nice Style satirising modern art,
elsewhere at Shapersofthe80s

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2024 ➤ London’s Evening Standard publishes my obituary of Linard the wild child of UK fashion

Stephen Linard, Blitz Kids, fashion, New Romantics, Swinging80s,

Photo by Kate Garner

❚ A LAVISHLY DESIGNED OBITUARY of Stephen Linard written by me appears in today’s Evening Standard online and stands as a well-deserved memoir for one of my best friends…
➢ The life of Stephen Linard – A flamboyant Canvey Island boy who went on to shape the Blitz Kids silhouette in the 1980s

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2024 ➤ Pilger’s fearlessness is what journalism still needs today

John Pilger, Daily Mirror, Rupert, Murdoch, Robert Maxwell, Mirrorscope, Journalism, tributes
❚ ONE OF THE GREATEST post-war crusading journalists has died after a lifetime of championing frank journalism and regularly criticising the mainstream media. In 2002, John Pilger said that “many journalists now are no more than channellers and echoers of what Orwell called the official truth”.

Though aged only 28 when named in the British Press Awards as Journalist of the Year 1967, Pilger became the backbone of the Daily Mirror’s revolutionary investigative Mirrorscope sections – four-pagers twice a week – when the tabloid respected for its humanity was selling 5million copies a day (long before The Sun posed any kind of threat), the world’s highest English-language circulation.

Pilger was already a mentor for me in 1969 when the paper created its glossy mid-week Mirror Magazine and I joined in my first Fleet Street job, surrounded by the giants of the day.

Pilger spent 23 years with the Mirror, through what proved a golden age for British journalism. It was not to last. In a landmark New Statesman column in December 1991 he reflected on how popular journalism had been hijacked by both “the monster” Robert Maxwell, who lucked into buying the Mirror after a management cock-up and reduced its sales to an all-time low, and by Rupert Murdoch whose Sun had overtaken its rival’s sales by creating an agenda of sexism, racism and voyeurism. Pilger savaged the journalists in both camps for their cynicism.

His later career included more than 60 hard-hitting ITV documentaries which won Bafta and Emmy awards. The activist Noam Chomsky said of him: “John Pilger’s work has been a beacon of light in often dark times.” Playwright Harold Pinter described him as “fearless”. Pilger’s is a voice we still need to hear.

John Pilger, 9 October 1939 – 30 December 2023

➢ The Guardian’s robust obituary of the fervent critic of US and British foreign policy – “Why do many journalists beat the drums of war regardless of the lies of governments?” Pilger asked in 2010”

➢ The Times: Critical obituary of the “left-wing anti-American journalist” … “denounced as a dupe of the eastern bloc”

➢ Pilger’s own informative website

➢ Heroes Paperback – 1 Feb 2001 – John Pilger’s autobiography

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2023 ➤ Join me recalling the heady days of Fleet Street’s newspaper industry

journalism history newspapers, press, library, Evening Standard, Shoe Lane, hot metal,

The Evening Standard newsroom in 1969: viewed from the features desk where Yrs Truly worked… Editor Charles Wintour is just visible on the back bench before the far windows at about two-o’clock [© Shoe Lane archive]

❚ I’LL BE ONE OF FOUR PEOPLE discussing the heyday of Fleet Street newspapers when I worked at the Evening Standard in the 1970s and 80s – on Monday 6:15-7:45pm in the Shoe Lane Library, behind the former Daily Express building on Fleet Street. Remember my trendy column titled On The Line? All free, so do join us.

The day titled Information is Close at Hand is organised by artist Eloise Hawser and it starts 12:30pm with a local walk informed by the working lives of newspaper distributors on Shoe Lane.

From 3:30-5pm there’s Hot Mettle, a hands-on session in the library using 1970s hot-metal printing objects and paraphernalia to create newspaper collages.

Shoe Lane is a back-street deeply connected to the industries producing printed news, the one-time home to the headquarters of the Daily Sketch, the Evening Standard, and the International Press centre. It was also a base for the various allied trades involved in printing and distribution.

Shoe Lane Library is at 1 Little New Street, London, EC4A 3JR. Nearest stations Blackfriars, Chancery Lane and City Thameslink

Journalism, Evening Standard, Shoe Lane, hot metal, library talk, Eloise Hawser, Vic Wilson, David Johnson

Update – Shoe Lane Library talk, L-R: Vic Wilson (Standard distribution veteran), journalist David Johnson and event organiser Eloise Hawser, with the Standard newsroom onscreen

➢ All about the event Information is Close at Hand

Information is Close at Hand, event, Evening Standard, Shoe Lane, hot metal, Eloise Hawser, Mental Fight Club, history newspapers, press, library,

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