Tag Archives: Concert

2012 ➤ Boy George reunites with Culture Club for New Year’s Eve — and a new album

Culture Club, Roy Hay, Jon Moss, reunion, Boy Geoge, Mikey Craig,New Years Eve,Sydney Resolution,concert,video,interview

Culture Club on Sunrise this week: Roy Hay, Jon Moss, Boy Geoge and Mikey Craig

➢ Click the pic to view video interview with Culture Club on Sunrise, the breakfast show at Sydney’s Seven Television station

❚ HERE’S A PICTURE MANY SAID would never be taken: all four members of 80s supergroup Culture Club reunited. And a live concert imminent. In 1983 the New Romantic band with its gender-bending singer and unique reggae-based rhythms were prominent among the 18 new-wave bands who mounted the Second British Invasion of the US charts. In 1984 the band won the Grammy Award as Best New Artist and along with Princess Diana, Boy George became an international fashion emblem for the new Swinging London.

This week Boy George’s official website announces that the four original members of Culture Club have reunited for the first time since 2002 for a one-off concert in Australia on Jan 1. Before an audience of 30,000 at Sydney’s Glebe Island, overlooking the harbour, the band will play after the New Year’s Eve midnight fireworks on a bill with The Pet Shop Boys, Jamiroquai and other Australian acts.

More surprising is that the photo shows Roy, Jon, George and Mikey in a London recording studio where George said “we’re in the middle of writing for a new album” with their original producer Steve Levine. This first pic of the reunited Culture Club is grabbed from Sydney’s Seven Television in an interview on Tuesday when George said they’d include a couple of new songs in the “hit-packed” Sydney show. When Jon was asked why a reunion has taken so long, an agonisingly long silence followed until he managed to answer “I don’t know!” This did raise the laugh we see above, then he added “I think we have a ten-year cycle. It takes that long to recover from the last time we worked with each other.” Not a flicker of a smile from anyone. The six-minute exchange contained so many sidelong glances between the four and generally awkward body language that you might wonder whether they would survive the flight to Australia together.

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Romance blossoms: Drummer Jon Moss gives George a peck at Planets club in July 1981 way before Culture Club existed. Photographed © by Shapersofthe80s

Culture Club’s initial five-year career was blown apart after clocking ten Top 40 hits in the US, which included Karma Chameleon and Do You Really Want to Hurt Me. By 1986, however, George’s addiction to drugs was making tabloid headlines and his secret four-year romance with Jon was growing ever more explosive. A sanitised TV dramatisation titled Worried About The Boy provided an extremely one-sided version of events when aired last year. From 1998 a band reunion over four years yielded two chart hits and a platinum compilation album in the UK.

➢ NY Eve concert tickets are priced from $198 at Sydney Resolution

➢ Update: Boy George’s first live concert in ages, scheduled for Dec 8 in London, has been cancelled without explanation

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2011 ➤ Peter Frampton: how Bowie changed my life at Bromley Tech

Peter Frampton, Frampton Comes Alive,world tour 2011,1954 Les Paul Custom

Frampton then and now: the 1976 gatefold sleeve shot for Frampton Comes Alive! by Richard Aaron... and earlier this year playing live at Shepherd’s Bush Empire, photographed by Wenn... Both pictures are united by Frampton’s signature guitar, the solidbody “Black Beauty” 1954 Les Paul Custom, which was re-finished with three pickups by the Gibson factory in 1970. In fact the original Black Beauty (left) was lost in a 1980 cargo plane crash, after which Gibson’s crafted another guitar in the image of the 1954 Les Paul Custom but with a slim-carved neck profile for optimum speed plus ebony black finish (above right)

❚ 35 YEARS AGO BRITISH-BORN GUITARIST Peter Frampton was a rock god, given two Rolling Stone covers within months of each other, the second declaring him Rock Star of the Year. His appeal has evidently been reignited by this year’s 35th anniversary world tour of his multi-platinum album Frampton Comes Alive!, drenched as it always was with West Coast sunshine. The “better than ever” tour has been extended from this Friday with extra dates in the UK and Europe, and yet more in the US from February. There is no support and the show runs for three hours. FCA! is the first set, including a 14-minute arrangement of Do You Feel Like We Do to re-create his epic stadium concerts of 1976. The second half features newer work, but also earlier numbers that resulted from forming the supergroup Humble Pie with “little” Stevie Marriott of the Small Faces in 1969.

Peter Frampton, Rolling Stone, magazines, Rock Star of the Year,

Cover star: in April 1976 Frampton Comes Alive! won him the cover of Rolling Stone. Afterwards, he feared the shirtless photo by Francesco Scavullo “turned me into a pop idol” and would reduce his career to 18 months... Fortunately by the following February he was photographed by Annie Liebovitz as Rock Star of the Year

It has taken this comeback to remind us, or for most of us to reveal, that Frampton learned to play the rock classics at the feet of another Beckenham boy, David Bowie, when they were students together in south London.

➢ The Bowiezone website supplies these (and other) childhood details:
[Frampton] first became interested in music when he was seven years old. Upon discovering his grandmother’s banjolele (a banjo-shaped ukulele) in the attic, he taught himself to play, and later taught himself to play guitar and piano as well. At the age of eight he started taking classical music lessons.

Both he and David Bowie were pupils at Bromley Technical High School where Frampton’s father, Owen Frampton, was head of the art department. The Little Ravens played on the same bill at school as Bowie’s band, George and the Dragons. Peter and David would spend time together at lunch breaks, playing Buddy Holly songs.

At the age of 11, Peter was playing with a band called The Trubeats followed by a band called The Preachers, produced and managed by Bill Wyman of The Rolling Stones. He became a successful child singer, and in 1966, he became a member of The Herd, scoring a handful of British pop hits. Frampton was named The Face of 1968 by teen magazine Rave!.

➢ In an interview this summer with the Minneapolis Star Tribune, Frampton himself added this first-hand account:

I got to know [Bowie] when I was 12 and he was 14, 15, maybe. I said, ‘What music do you like right now?’ He said, ‘Buddy Holly.’ I said, ‘Teach me that.’ I remember sitting on the stairs at lunchtime with two guitars and him and George Underwood — who became the artist who did the covers of Ziggy Stardust and Aladdin Sane — and the three of us would hang out and play Eddie Cochran and Buddy Holly numbers.”

While in school, Frampton became lead singer and guitarist of the Herd. In 1969, he formed Humble Pie with Steve Marriott of the Small Faces and also did session work on albums, including George Harrison’s classic All Things Must Pass. After five LPs with Humble Pie, he went solo in 1971.

Bowie and Frampton in New York rehearsing for the Glass Spider Tour, 1987: Peter contributed to the album Never Let Me Down, Bowie’s follow-up to Let’s Dance, then played lead guitar on tour. Photograph by David McGough

The Bowie connection was rekindled in 1987 when Frampton was hired to play on the Never Let Me Down album and then as lead guitarist for that year’s Glass Spider Tour. Echoes of Bowie can often be heard in Frampton’s own vocals, especially his acoustic version of Baby I Love Your Way — shown below in impressive footage recently released from promoter Bill Graham’s archive.

➢ Bowiezone recently published an interview with Mick “Woody” Woodmansey, the drummer on Bowie’s early 70s albums

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➤ Toyah’s odyssey from Viennese Woods to Wicked Queen

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❚ AS TOYAH’S 30th ANNIVERSARY TOUR, From Sheep Farming To Anthem, comes to an end in London on Saturday after months on the road, let’s compare and contrast the manic bouncing Toyah from the Rainbow Theatre in 1981 (above) with the smiling mumsy Toyah 22 studio albums and a stage career later (having happily admitted to having had a facelift in 2008). Earlier this summer she seemed genuinely affected by the welcome War Boys received 30 years on (video below) … The hour-long Rainbow video is a brilliant reminder of what a force Toyah was in the singles charts of 1981 when her second album Anthem also went platinum — by year’s end she won the Smash Hits Reader’s Poll as both Best Female Singer and Most Fanciable Female. In 1982 she was voted the Best Female Singer at the Brits.

All of which had become a curious adventure following her lucky break aged 18 and fresh from drama school in Birmingham. In 1977 Toyah was cast in the role of Emma in Tales from the Vienna Woods at the National Theatre. The role required her to front a band they called Toyah wearing orange hair, and the rest is history. OK, a couple of edgy parts in Jubilee (video clip with Adam) and Quadrophenia helped too.

Toyah’s lucky year, 1977: playing Emma in Tales from the Vienna Woods, and a shaven-headed punkette in Derek Jarman’s film Jubilee

❏ Back in the present, Toyah can take only a short rest, however, before she’s back onstage, yeahhh! In panto, yeahhh! As the Wicked Queen in Snow White, boooo! Toyah says: “It’s a gift as an actress to play a baddie because you can be really nice and noone believes you, and you can be plain bad and noone loves you.” Panto comes to us all, darlings. Even Cliff Richard. Eventually.

➢ Snow White, Dec 9–Jan 1 at the Alban Arena, St Albans — Visit Toyah’s website for blog and plans of a spring tour

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2011 ➤ Duran Duran are the Wild Boys of Madison Square Garden

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❚ DURAN DURAN WOW NEW YORK covering Frankie’s Relax at their sold-out show at Madison Square Garden last night, in a 20th anniversary celebration for radio stars Scott & Todd of 95.5 WPLJ. Girl Panic! remains the stand-out single from the album All You Need Is Now.

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➤ Ferry Re-Makes/Re-Models himself as the Sinatra of the rock era

Bryan Ferry live at the Greek Theatre. Photograph Robert Gauthier / Los Angeles Times

❚ OUR MAN IN WEST HOLLYWOOD papped Bryan Ferry today snacking at the coolest pizzeria in town, Mozza on North Highland Ave (below). Last week of course he ended his first American tour in nearly a decade — with members of Duran Duran and Blondie in the Los Angeles audience on Saturday. The Olympia tour arrives in London with two gigs at the Shepherds Bush Empire on Dec 14–15.

➢ Craig Rosen reviews his closing US concert for SoundSpike …

Ferry’s show at the Greek Theatre in Los Angeles did more to promote the notion that he could be today’s greatest interpreter of songs from the rock era. That’s because the veteran crooner performed only two tracks from his album Olympia, instead devoting much of his set to performing songs made famous by other performers. That shouldn’t have come as too much of a shock, given that Ferry’s 2007 release was Dylanesque, an album full of Bob Dylan covers. Sure enough, Ferry wheeled out three songs penned by his Bobness — Just Like Tom Thumb’s Blues and Make You Feel My Love fairly early in the set, and a show-closing take of All Along the Watchtower.

In between, we got a blistering rendition of Neil Young’s Like a Hurricane, which closed the first set, a few soul nuggets — Wilbert Harrison’s Let’s Stick Together, Sam & Dave’s Hold On, I’m Comin’, an extremely sympathetic reading of John Lennon’s Jealous Guy, and a smoldering take of Screamin’ Jay Hawkins’ I Put a Spell on You… Saturday night, he proved to be the Frank Sinatra of the rock era. Instead of merely offering a carbon copy of the originals, when Ferry covers a song, he truly makes it his own. / continued online

➢ This week the Vinyl Factory released two remixes of the Olympia tracks Alphaville and Me Oh My in limited editions of 500 copies on heavyweight 180-gram vinyl, price £10.

➢ Fan-moist interview with Ferry, “the sultan of suave”, at The Quietus

ryan Ferry , Pizzeria Mozza

Papped! Bryan Ferry today at the sleb-haunt Pizzeria Mozza in West Hollywood

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