2010 ➤ Grace Jones turns her back on London ;-)

❚ GRACE JONES WAS TRULY IN THE PINK tonight for a one-off concert at London’s Royal Albert Hall as a long-awaited top-up to last year’s Hurricane tour. The video above gives a taste of her finale to the old Piaf song La vie en rose, shot by yours truly. See if you can spot the colour of her… lipstick.

Grace Jones, London, 2010, Hurricane

Hurricane 2010 at the Albert Hall: Grace Jones becomes the title track from her album. Photographed © by Shapersofthe80s

Grace Jones, London, 2010, © Shapersofthe80s.com

Love is the drug: Grace as a shimmering silver heart imprisoned by lasers

❚ “HEADS ARE GONNA ROLL!” declared Grace Jones over her headset, backstage at the Albert Hall. “WHERE is my mannequin?” Last summer in Hollywood when she sang her opening words to Astor Piazzolla’s nuevo tango classic, Libertango, “Strange, I’ve seen that face before / Seen him hanging round my door”, ice-cool Ms Jones glided onstage dancing with a lifesize bust – of herself. Instead, sans mannequin, in London she had to embark on a solo tango, pleading for one of her entourage to join her and “drag me across the floor”. This video, again shot by yours truly, catches the improvisation.

Grace Jones, Mark Moore

Awww, look who got to go back stage – photo courtesy of himself © Mark Moore

❏ The Grace Jones Hurricane collection of costumes created by the Japanese designer Eiko Ishioka were all photographed © by shapersofthe80s.com during her London concert, 2010

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➤ For two weeks, Grace goes on dazzling

Grace Jones, 2010, Chris Levine, Vinyl Factory , London

Grace Jones in 3-D: you can play with this lenticular print online © by Chris Levine

❚ FOR TWO WEEKS ONLY, Grace Jones can be viewed in a groundbreaking show of 3-D holographic portraits by light artist Chris Levine, titled Stillness at the Speed of Light. The work is for sale at this free immersive multimedia exhibition which involves lightboxes, lasers, video and a specially commissioned soundscape at The Vinyl Factory in Poland Street, London, from April 30 to May 14. This show also launches Grace’s new video Love You To Life, which Levine directed.

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2010 ➤ Rich List puts George Michael top of the popstars from the un-lucrative 80s

❚ ONLY THREE MUSICIANS FROM THE 1980s are included in the annual Rich List of Britain’s top 50 music millionaires, published today by The Sunday Times. The richest musician of the decade who holds his own amid the older gods of rock is singer-songwriter George Michael who is worth £90m ($138m) today. He sits at No 25 in the ST’s top 50. George is pictured above in Wham!’s Club Tropicana video (where “the drinks are free”). His group’s “pure pop” epitomised the sybaritic style which by 1983 was signalling the divide in British music between electronic earnestness and full-on hedonism.

Rich List, 2010The other two richest stars from the 80s are each estimated to be worth a relatively puny £35m ($54m). They are Lancastrian Mick Hucknall of Simply Red (their summer tour climaxes with a farewell concert on Dec 19 and is booking now), and pop diva Kylie Minogue who found fame in the UK through the Australian TV soap, Neighbours. The Sunday Times justifies Kylie’s presence in this UK list, as someone who often seems “more British than the British”. She herself has regarded the UK as “my adopted home” almost since 1988 when her debut single, I Should Be So Lucky, went to No 1 and set her on the path to becoming the most successful female artist in the UK charts. She was honoured by the Queen with an OBE in 2008.

Mick Hucknall

Simply Red’s Hucknall: a December farewell

Since the 2009 Rich List, three 80s stars have dropped out from the top 50 musicians: Annie Lennox, Simple Minds vocalist Jim Kerr and Sade – though her sensational album comeback this year is likely to be reflected in next year’s list. Astonishingly the creative genius behind Kylie and the huge stable of Stock Aitken and Waterman acts – Pete Waterman – last appeared in the Rich List in 2007.

Should we assume creativity does not equate to profitability? From a musician’s perspective the 80s have been the least lucrative decade in pop history, apart from the Noughties from which only TV impresario Simon Cowell emerges as a multi-millionaire (£165m). Inevitably, older musicians have had longer in which to sell records and accrue proceeds, so the 1960s yield 20 musicians in the Rich List who are still millionaires today, led by Sir Paul (£475m, $731m), Sir Mick (£190m) and Sir Elton (£185m). From the 1970s there are ten in the top 50, with Sting way out in front (£180m).

Among the richest artists from the 90s is Victoria (“Posh Spice”) Beckham (£145m whose fortune the ST oddly entwines with her footballing husband’s). Robbie Williams is now worth £85m and Gary Barlow £35m – both started out in boyband Take That. The Gallagher brothers of Oasis are worth £55m, and Jay Kay of Jamiroquai £35m.

Kylie Minogue, 1987, Lucky

Getting lucky in 1988: Kylie went straight to No 1 and never looked back. Photograph © by PAL Productions Ltd

The Rich List names 13 moguls ruling the UK biz, led by former songwriter and Warner Music Group chairman, the American Edgar Bronfman who has made his home in London, and is worth £1,640m ($2,522m). The ST reports him as being “well placed to snap up the beleagured EMI”, effectively Britain’s last homegrown record company, founded in 1931.

Leaders among the younger British businessmen are Simon Fuller (£350m, $540m), the former Spice Girls manager who struck gold as creator of TV’s Idol franchise which has been sold worldwide during the past decade, and Jamie Palumbo (£150m, $231m) who founded the Ministry of Sound clubbing empire.

➢➢ Summary of The Sunday Times Rich List Musicians 2010

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2010 ➤ In Australia, Spandau make Jason feel like a kid again: one true pop fan reviews their show

Jason Buchanan, Melbourne, 2010

Applying his New Romantic face: Jason prepares for an evening with Spandau

❚ SHAPERS OF THE 80s SENT ITS OWN SPECIAL REPORTER to relive his teeny-pop years when Spandau Ballet and Tears for Fears performed at the Rod Laver Arena in Melbourne, Australia, on Wednesday April 21. Jason Buchanan is Melbourne’s No 1 fan of British music, bar none. Here’s a taster of his fan’s eye view of the Reformation tour . . .

“… Then came my all-time favourite number, Instinction. Martin Kemp introduced the band’s wonderful female vocalist, Dawn Joseph, who sang and danced like a charm all night. What I noticed through this track and in fact the whole show was Martin constantly with a smile on his face and looking so seriously happy to be playing his instrument. Steve Norman was giving his all, too. His talents were all-embracing as he played guitar and percussion and saxophone with precision and passion – while running around with so much energy he looked like he was having the time of his life.

“Tony Hadley was having fun with John Keeble on drums by jumping onto his rostrum to join in, miming his frenzied stick-action through the fast numbers. Watching Tony as a front man, it’s clear he has such an unpretentious sense of humor and really doesn’t have a dull moment. The whole band were SO British on stage when they spoke, it was a delight to witness…”

➢➢ “Orange vinyl and radical synths”
– Read Jason’s full Melbourne memoir inside

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2010 ➤ What a tear-jerker! McLaren mashes up his own musical ‘Requiem to Myself’

LISTEN TO MCLAREN’S REQUIEM
EXCLUSIVELY AT SHAPERS OF THE 80S

Hitchcock , Vertigo, The Mekons,

Romance and anguish: James Stewart and Kim Novak in the psycho-drama Vertigo (top), and the post-punk Mekons

◼︎ TWO UNEXPECTED RECENT VIDEOS have acquired poignant new life in the wake of Malcolm McLaren’s death, Svengali of punk that he was. Few people could have guessed that the soundtrack to one of last month’s Paris ready-to-wear fashion shows [in the video above] would be McLaren’s final creative achievement.

It was completed after his diagnosis of cancer and possibly in acceptance of his own mortality.

What seduces the listener is the overwhelming melancholy McLaren evokes, in what suddenly amounts to a Requiem to Myself. It was commissioned by Dries Van Noten – to set a deliberately discomfiting mood for his runway show amid the gilded opulence of the Hôtel de Ville in Paris on March 3.

After McLaren’s funeral, his partner Young Kim described the piece to Shapers of the 80s as “quintessential Malcolm McLaren – an entirely original and powerful, elegant but punk collage”. She gave us permission to run the full 13-minute mash-up in clean mp3 format, featuring the Vertigo theme, Mekons, Roxy, Raincoats and Burundi Beat.

➢ CLICK HERE for the full McLaren/Dries Van Noten soundtrack and background report on its creation on our inside page

➢ The Raincoats perform The Raincoats for Don’t Look Back in London, May 20, 2010, at The Scala in London

➢ More at Shapersofthe80s: Svengali of Pistols and punk remembered by those who knew him

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McLaren on how to fail brilliantly
in this ‘karaoke world’

◼︎ “THIS WORLD WE LIVE IN TODAY is no more than a karaoke world, an ersatz society, which provides us with only the opportunity to revel in our stupidity… A karaoke world is one in which life is lived by proxy.” So said Malcolm McLaren last October, only days before he discovered he was unwell. He was presenting a keynote speech to 1,000 delegates in London at the Handheld Learning Conference 2009 about the future of learning and education.

➢ Details from the Learning Conference also on our inside page

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2010 ➤ Punk glitterati see McLaren noisily to his grave

Malcolm McLaren ,funeral, punk, 2010, London

Black horses, black plumes, black-toppered pall-bearers: In Camden, a tattooed punk honours the hearse carrying McLaren while sporting a God Save the Queen souvenir from his hero’s Jubilee collection of 1977. Picture © AP

❚ THE ARCHITECT OF BRITISH PUNK was buried in bright sunshine in London’s Highgate Cemetery this afternoon, not many plots away from that other revolutionary, Karl Marx. For all the cheering and irreverence and mild expressions of anarchy that made this an exuberant funeral for Malcolm McLaren, the former manager of the Sex Pistols, few people beyond the fashion world appear to have discovered his last musical creation, an astonishing romantic soundtrack to a Paris fashion show, aired only the month before he died. It can be heard in part on the fashion video in the post dated April 23 (above) and in full as an mp3 audio stream. The music now assumes near gut-wrenching poignancy.

funeral , Malcolm McLaren, 2010, London, Jordan, Mark Moore

Seeing Malcolm off: At the church club deejay Mark Moore met up with McLaren’s punk protégé Jordan, the platinum-blonde who appeared in Sex Pistols shows and starred in the movie Jubilee. Today she works as a veterinary nurse. Photograph © by Richard Law

Music was a constant accompaniment to today’s events. When told the mourners would be asked to sing You Need Hands, which McLaren immortalised in the Sex Pistols film The Great Rock’n’Roll Swindle, his ex-partner, fashion designer Vivienne Westwood said: “It’s actually better when you hear Malcolm’s version. He sang it so well and so beautifully. I’ve been playing that song more than anything since he died. It makes me cry.”

Boy George had sent a wreath of crimson flowers shaped in an A for anarchy sign which sat on the horsedrawn hearse during its four-mile procession from a secular gathering at the deconsecrated church of St Mary Magdalene in Marylebone, central London, northwards through Camden Town. Sex Pistol Sid Vicious’s version of My Way blared from the bus carrying celebrants.

Dozens of punks followed the black coffin sprayed with the mantra “Too Fast To Live Too Young To Die” — the name of the Chelsea shop McLaren opened in 1972 with Westwood. Joseph Corré, McLaren’s son with her, asked that people mark his passing with a “minute of mayhem” at midday. Among the selection of mayhems reported at Guardian Online was one from Gareth100 who wrote: “I managed to shrug my shoulders in apathy for a full minute. Now I’m going for a nap. Will this do?”

➢➢ McLaren’s funeral cortege videoed by irencid

➢➢ View the ITN video of McLaren’s funeral

➢➢ View The Guardian picture gallery of McLaren’s funeral

➢➢ Tributes following McLaren’s death, from those who knew him

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