Category Archives: Pop music

2012 ➤ A change of life for Gary Kemp: actor, popstar, biker, curator

Gary Kemp, cycling, Huffington Post, columnist

Gary Kemp: popstar as cyclist as online sports columnist

❚ HARD TO KEEP TRACK OF THE NEW DAY JOB as songwriter Gary Kemp turns his hand to, well, a portfolio of new careers. Since their year-long Reformation tour ended in 2010, it has become clear that any further life for Spandau Ballet as a band is dependent on the good will of singer Tony Hadley. Meanwhile, every other band member has taken Hadley’s cue to strike out in new directions and establish his own website and Twitter account through which to promote his own solo skill-set.

What’s the latest venture for 52-year-old Gary Kemp? This week, among other things, he is a sports columnist. Later this month he reverts to his popstar guise by unveiling a plaque to Ziggy Stardust, the definitive rock icon created by David Bowie, on the site of his seminal 1972 album cover photo in central London. Within recent weeks Kemp has also launched a book of his lyrics, curated a filmed Dickens tribute for a new culture website, and incidentally became father to a third son, Rex.

The commemorative wall plaque anticipates the 40th anniversary on June 6 of the release of The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The honour is being bestowed by, wait for it, The Crown Estate, which represents all property owned by the reigning monarch, the oldest dating from the Norman conquest of 1066. Today’s total is estimated to be worth £7billion.

Ziggy Stardust,Crown Estate, David Bowie, Brian Ward, plaque,

Commemorative wall plaque imminent in Heddon Street: Bowie photographed by Brian Ward in 1972 for the iconic Ziggy Stardust album sleeve. Gary Kemp describes the scene as a set for a film noir

The Estate is landlord of the building at 23 Heddon Street W1B 4BQ, where Brian Ward photographed Bowie in the rain beneath the yellow sign for the furriers K. West. (Shot in black and white, the cover pic was hand-tinted by the artist Terry Pastor which is why Bowie’s green stage jumpsuit here looks blue.) Today this is a pedestrianised strip of foodie destinations, yet a regular stream of Bowie fans makes the pilgrimage to this enclave off Regent Street to be photographed in the same pose on the same spot, thrilled also to find the red phonebox from the back cover still there. Undoubtedly at 9.45 on Tuesday 27th many more will be joining the speechifying at a press photocall as Gary Kemp pulls the unveiling cord.

➢ Update March 23: Hear Robert Elms interviewing Gary Kemp on BBC London, on the impact of Bowie’s creation Ziggy Stardust, and the concept album which sees a messiah arriving to save the last rock’n’roll star on planet Earth. All of which had peculiar resonance in the Cold War era, and on the teenaged Kemp in 1972 when many felt rock music was finished. Bowie’s album was, he says, “something to upset my parents with”

Yesterday, however, it was Kemp the cyclist who was announced as a sports columnist in the UK edition of the Huffington Post, the liberal-left American news website founded in 2005 by Greek-American Arianna Huffington and acquired last year by AOL for $315million. Born Arianna Stasinopoúlou, she attended Cambridge University in England, became president of the union, and met Britain’s most prolific newspaper columnist Bernard Levin who was twice her age and proved an inspired mentor during their nine-year relationship. She broke with him in 1980 and moved to New York, later marrying Republican congressman Michael Huffington, and divorcing him shortly before he disclosed he was bisexual. She campaigned as an independent candidate against Arnold Schwarzenegger to become governor of California in 2003. (Colourful background, huh?)

Gary Kemp, I Know This MuchBack to Kemp: his new column represents a novel way to express his undoubted literary talents which made his own book I Know This Much almost unique among rock autobiographies for being compulsively readable, as well as “a touching testament to spiritual growth”. Yesterday he introduced his passion for cycling in the HuffPost under the headline Bikes and Babies …

As birds begin to re-discover their song and Tarmac becomes sticky with the falling dew of budding trees, the Lycra-clad roadie reaches for his shaving cream and attempts to remove the thick, bee-catching hair that has formed around his legs during winter. This act will almost certainly upset my wife, who considers such things the territory of transvestites; but as I trickle blood down the plughole, the approval of my roadie peers is uppermost in my mind; after all, the aesthetics of riding, along with its tribal camaraderie, are why I came here in the first place.

‘Training’ has begun. Training turns cycling into a job of work; something earnest, painful; it eases our guilt — and oh boy, am I guilty! My wife and I have just increased our brood of young children to three, and chamois-creaming my crotch while she’s soothing the baby’s nappy rash just doesn’t seem right… / Continued online

Gary Kemp , Highgate Cemetery , Charles Dickens, John Waite, bicentenary, HiBrow, video,

Gary Kemp in Highgate Cemetery: discussing Charles Dickens with John Waite. (Videograb courtesy of HiBrow.tv)

But the big event of the week came on Monday when Kemp took his first steps to inherit the mantle of Melvyn Bragg and become an arts guru of the small screen by dreaming up a 200th anniverary celebration of the author Charles Dickens.

A classy new culture website called HiBROW was recently launched under the guiding hand of film-maker Don Boyd. He has invited an eclectic selection of professionals across the arts to play the role of curators and create original, high-definition video arts programming for exclusive viewing online. The first project Gary Kemp proposed was a live “post-modern” chat show, A Mighty Big If, hosted by 80s musician Richard Strange. Now Kemp can be seen prowling the snow-covered Victorian gravestones of Highgate Cemetery in search of Dickens’s family. With broadcaster John Waite, Kemp also discusses Tom Sayers, a Victorian champion bare-knuckle prize-fighter who attracted 10,000 mourners to his funeral there.

Joanna Lumley ,Simon Callow, Charles Dickens, bicentenary, Highgate Cemetery, HiBrow, video,

Simon Callow and Joanna Lumley in Highgate Cemetery: reading extracts from Charles Dickens. (Videograb courtesy of HiBrow.tv)

True,Gary Kemp, sheet musicWe also see Joanna Lumley and Simon Callow, famous thespian fans of Dickens, introduced by great-great-grandson Mark Dickens before they give readings from Charles’s work between the graves. Callow, who has depicted Dickens onstage acting out his stories, insists the author today would have been directing and starring in his own screenplays.

As for GK, all that’s left for him to try are tinker, tailor, soldier, spy!

➢ The true story of how love helped along The Lyrics of Gary Kemp

Gary Kemp , Spandau Ballet, Ivor Novello Award,

PS MAY 17: SUCCESS REAPS ITS REWARD

➢ May 17 update: Gary Kemp wins Outstanding Song Collection Award at the 2012 Ivor Novellos — “It’s made me feel very nostalgic for that 12-year-old boy, who in 1972 started writing songs alone in his bedroom and wondered if he was weird.”

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2012 ➤ All about reclusive Sade, the singer who trumps Adele in US list of top earners

Sade Adu, Letterman, TV shows,Billboard, Top 40 Money Makers,

Launching her album in Feb 2010: Sade meets US TV host David Letterman. (Videograb from his Late Show on CBS)

➢ Sade proves to be highest-earning British musical act in America last year — read Caspar Llewellyn Smith in today’s Guardian…

Viewers of the 2012 Grammys awards last month watched Adele, the 23-year old girl from Tottenham, north London, walk away with six awards, but the top-earning act from the UK in America last year was an artist who fans back home have to some extent forgotten.

BILLBOARD’S TOP EARNERS
1 Taylor Swift: $35.7m
2 U2: $32.1m
3 Kenny Chesney: $29.8m
4 Lady Gaga: $25.4m
5 Lil Wayne: $23.2m
6 Sade $16.4m
7 Bon Jovi: $15.8m
8 Celine Dion: $14.3m
9 Jason Aldean: $13.4m
10 Adele: $13.1m
[Touring and record sales 2011]

Sade raked in $16.4m (£10.5m) in 2011 on the back of her first tour in North America for a decade and the release of The Ultimate Collection. The 53-year-old singer came sixth on a list of the biggest-earning acts of last year, compiled by the American trade publication Billboard, eclipsing Adele, the only other Brit in the top 10, who earned $13.1m.

Sade [say it “Zhah-Day”] is the most successful solo female artist Britain has ever produced, selling more than 50m records in a career that stretches back to her 1984 hit Your Love Is King. Famously reclusive — nicknamed Howie by her friends, after millionaire hermit Howard Hughes — she toured the world for eight months last year, but the bulk of the tour was devoted to North America, where she played 59 shows. The tour started 18 months after the release of her US No 1 album Soldier of Love, a record that reached No 4 in the UK… / continued at Guardian Online

➢ Smooth Operator Sade is surprise US smash,
beating Adele and Take That to be Britain’s biggest music export
— today’s Daily Mail feature

➢ Billboard’s Top 40 Money Makers 2012

FLASHBACK TO SADE’S 2010 ALBUM LAUNCH

Rolling Stone described Sade’s studio album, Soldier of Love, as “unimpeachably excellent” … Billboard said: “It’s been 10 years since Sade released an album, but be forewarned – the giant has awoken” … People magazine said Sade’s enduring appeal was as “the voice of comfort to the wounded heart”

❏ In her American fan forums black guys are besotted with Sade, and here in an audience for a live TV performance we see doting female fans for whom she is a role model. On Jimmy Kimmel’s show in February 2010 (above), Sade performed Soldier of Love live as her eponymous album hit No 1 in the US (502,000 copies sold there in its first week — the best sales week for an album by a group since AC/DC in October 2008). Susan Boyle, the finalist from the Britain’s Got Talent contest, was holding steady at No 9.

❏ Backstage video interview with Sade by The Insider, June 2011 (above) — “I’m really a country girl. I don’t give too much of myself away. When I go in a studio I lose all my shyness.”

➢ Read Sade: The Billboard Cover Story by Mitchell Peters, August 19, 2011 — Preparing for a 100-plus-date international concert tour is daunting for even the most seasoned musical acts… “I do the opposite and pretend it’s not going to happen, immersing myself in the details of production as a way of distracting myself from reality,” says English singer Sade Adu. “When the time comes, I don’t test the waters — I just jump straight in.”

❏ Listen to The Moon and the Sky (remix featuring Jay Z):

SADE’S EARLY CAREER AT SHAPERSOFTHE80S

Sade’s debut with her own band in Aug 1983 at the Yow club, London, Paul Denman to the fore. Photographed © by Shapersofthe80s

➢ 1981 — Pix of fashion designer Sade’s Demob outfits during the first Blitz invasion of the US

➢ 1982 — Pix of Sade helping backstage during Steve Strange’s fashion show by Londoners in Paris

➢ 2010 — Her first interview in 10 years finds comeback Shard comfy as ‘Auntie Sade’ — On her new man, Ian Watts, who has been in turn Royal Marine, fireman and scientist: “I always said that if I could just find a guy who could chop wood and had a nice smile it didn’t bother me if he was an aristocrat or a thug as long as he was a good guy. I’ve ended up with an educated thug!”

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2012 ➤ Video celebrating Blur’s reunion at the Brit Awards

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❚ 90s BRITPOP BAND BLUR picked up the Outstanding Contribution To Music honour at the 2012 Brit Awards in London tonight. Before they stepped up to collect their award, this is the video that played, from Brixton-based
Blindeye Films. Blur, who have been together for more than 21 years, performed at the Brits in 1995, where they won four gongs: Best Band, Best Album, Best Single and Best British Video for their album Parklife.

➢ “Pulling Blur back together is like reassembling the A-Team for one last job” — Alex James writing in The Sun, vintage pix and all

+++
Sensationally rasping Phil Daniels duets with Damon (above) as Blur perform the title track from their 1994 album Parklife live at tonight’s awards.

➢ More video in STV’s report tonight — “As the band returned to the Brits stage to end tonight’s show with a medley of their hits, Damon Albarn delivered a heartfelt speech: “The last time we were here was 17 years ago and what happened that night seemed to have a really profound effect on our lives so it’s very nice to come back and say thank you very much for this honour … ” / continued online

➢ Celebrate with the new CD out this week, The Best Of Blur

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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2012 ➤ Adam Ant: sex, subversion, style, humour but don’t nobble me as a New Romantic

Adam Ant, interview, New Romantics,Proud Camden, photography, live concert

Adam Ant: intensely serious. (Photograph newly posted at Facebook)

➢ Adam Ant, Dandy in the Underworld is a retrospective photographic exhibition at Proud Galleries in London, being launched with a charity performance by Adam and band on March 6, 2012. Hence a superbly considered interview with Decca Aitkenhead in today’s Guardian about surviving stardom, dealing with bipolar disorder and stuff…

Ant still gets annoyed when anyone muddles him up with the early 80s New Romantic scene: “Cos New Romantic was nothing to do with Adam and the Ants. The Ants was a punk band, or a post-punk band if anything, and so historically it’s inaccurate. New Romantic was basically, in my mind, clubbers with too much makeup on with stupid clothes. I never set foot in any of their clubs, so I find it quite distressing to be nobbled into New Romantic, cos it was just a load of guys who looked like they’d had a row with their girlfriends’ makeup. There was nothing tough about it, nothing dangerous about it, it was soft electro stuff and it just looked a bit wet. And I didn’t like being associated with it.”

A man of 58 who still cares this much should probably come across as faintly ridiculous, but the intense seriousness with which Ant deconstructs these arcane distinctions conveys an impression of almost heartbreaking vulnerability… / continued online

“ I never set foot in the f***ing Blitz [club]
– I WOULD HAVE BOMBED IT ”

Adam Ant drawing his line in the sand with
the New Romantics
(Clink magazine, 23 March 2011)

MORE ON ADAM AT SHAPERSOFTHE80S

➢ 1981, How Adam stomped his way across the charts with six records in the same month to thwart the nascent New Romantics:

Adam Ant, Jordan, Jubilee, 1977

Instinctive punks, 1977: Adam and Jordan at the premiere for Jubilee

Shapersofthe80s has always drawn a clear distinction between Adam Ant and the New Romantics. As does Marco Pirroni, the Ants guitarist and co-writer of many of their hits. “Adam is glam-punk,” he told me emphatically at the bar of the Wag when Ant’s first solo single Puss ’n Boots was storming the chart in Oct 1983. “Americans don’t understand he was never a New Romantic.”

As if proof were needed, just gawp at the way Adam goes hoppity-skippiting through the video to Antmusic. The rent-a-crowd extras must have been the least stylish Londoners within earshot of the Blitz club. Gawp again at how these kids can’t dance either!

Yes of course Kings of the Wild Frontier went on to become one of the great slapstick albums of its time. No dispute. And with characters like Prince Charming and Puss ’n Boots, Adam treated us to year-round pantomime.

➢ Adam and Marco in battle of the bands — How I wrote Stand and Deliver, plus the early days of Ant music, plus all about Marco

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➤ Super Bowl’s gilded Madonna deconstructed as Babylonian goddess and emblem of illuminati

Madonna,Indianapolis, Super Bowl ,Halftime Show ,Babylon, goddess, Ishtar ,Illuminati

Super Bowl entrance: Madonna enthroned and hauled by hunky soldiers clad as if from ancient history. (Videograb from TheHumanSlinky)

❚ MADONNA ASTRIDE A GOLDEN THRONE made a spectacular entrance into the Indianapolis Super Bowl stadium on Sunday, hauled by 50 plumed soldiers in ancient Mesopotamian uniform. The Halftime Show at the most important football game of the year is the most viewed event on American TV. Most normal viewers would have recalled one great cinematic image — Cleopatra’s processional entrance into Rome in the 1963 epic starring Liz Taylor as the Queen of ancient Egypt.

Liz Taylor ,Cleopatra,Joseph Mankiewicz

Entrance into Rome: Liz Taylor as Cleopatra in Joseph Mankiewicz’s cinema epic, 1963

But no. The diehard conspiracist who blogs as The Vigilant Citizen has penned this fabulous dissection of Madonna’s 13 minutes of pop screened on TV around the globe…

Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess. Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution… Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Super Bowl ‘Day of Atonement’, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all… but understood by few… / continued at VC

➢ Madonna’s Super Bowl Halftime Show: a celebration of the grand priestess of the music industry, by The Vigilant Citizen — One conspiracy theorist’s take on 13 minutes of pop

➢ The Bavarian Illuminati — an Enlightenment-era secret society founded in 1776. A modern version is alleged to mastermind events in order to establish a New World Order.

MADONNA’S HALFTIME SHOW IN FULL

MORE SATANIC SYMBOLISM DECODED ON VIDEO

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