Hello again, Alison Moyet: three-times Brit winner and Grammy nominee
➢ PJ’s verdict today: “Completely amazing in the 2010s – What we have before us in The Changeling is an extraordinary, very modern-sounding and effortlessly stylish comeback tune that teases Moyet’s first album in six years. You will note that her voice sounds completely sensational but that’s to be expected really isn’t it? The smart, decadent production is the work of Guy Sigsworth…”
➢ Utterly free download of Changeling, the first track to be premiered from a new album by 80s icon Alison Moyet – The Minutes is Alison’s first artist album since 2007 and was produced by Guy Sigsworth, known for his work with Robyn, Björk, Goldie and Madonna. The singer says: “I avoided listening to anything during the process of writing and recording this album, choosing instead to be lead by my own melodic voice, the one I now find myself with 30-years-in. Guy Sigsworth returns me to a programmer’s world and marries it with perfect musicality. I have been waiting for him. We have made an album mindless of industry mores that apply to middle-aged women and have shunned all talk of audiences, demographics and advert jazz covers. This has easily been my happiest studio experience.”
“It did all right, Culture Club, but, you know, move on” – Boy George the ex-singer
“Dance music is probably the most exciting it’s been in years” – Boy George the deejay
Philip Sallon partying with blue-faced George in 1980 when he was an obsessive record collector. (Photographed by Paul Sturridge)
❏ Feb 20 update: The new slimline beardie, tachioed George interviewed at the Brits:
“Twitter were very nice and got my name back [from somebody else] but Facebook won’t do it – so I actually don’t own my Facebook page. I’m Angela Gina Dust”
Boombox clubber: “attempting to look like their MySpace profile”
➢ So, Vice Future Week – what is it? – Alex Miller, Editor-In-Chief, Vice UK, writes: “Well it’s a series of blogs (or essays – that’s how I’ve explained it to people who I’m intimidated by) about THE FUTURE.” Right ºOº. Fortunately, the essays mostly prove compelling, so here are a few online soundbites from Alex’s more focused commentators…
➢ In The Year 2022: Looking Back at the Decade – “The Islamic Republic of Catalonia seemed new and scary to a lot of people, but Islamic city-states are hardly an innovation in Spain. Prime Minister Boris Johnson was such a laughline ten years ago, like Mayor Boris Johnson before, that I think most people were prepared for it…”
Soft fashion: weighing us down
➢ Things That Need to Die Before British Culture Can Move Forwards – “British culture is in a weird place right now. Teenagers are buying their drugs on the internet, but getting their clothes from Hollister. Hardbody MCs are beefing with each other about the merits of Ed Sheeran, and Mail Online’s Sidebar of Shame is a cultural staple on which careers are born and killed… There are many facets of our culture that are really weighing us down. The albatrosses slowly breaking our necks, the clips on our cultural wings. So let’s name those things: gentrified fun… cocaine… bedroom vanity… consensus cool… soft fashion…”
➢ The Future of Fashion – “I’d like to think I’d be braced for the following bombs to drop in the next decade: China is set to rise from consuming only ten per cent of the world’s international luxury goods, to 44 per cent… The internet means that very specific city-based subcultures are catching on globally… Shops “will become more like showrooms”… The effect new browser systems will have on fashion will be similar to how East London venue Boombox was “a nightclub full of people attempting to look like their pictures on MySpace”. People will “try to look 3D, or like a computer”…”
Inevitable: Prime Minister Boris Johnson and consensus cool. (Illustration by Julia Scheele)
➢ The Future of Guitar Music – “Guitar music, despite my best efforts, isn’t dead… Somehow, according to industry insiders at Radio One, NME and (that most respected and time honoured bastion of rock’n’roll) Kiss FM; without it ever having gone anywhere, the guitar is on its way BACK… Last year, Jack White, Linkin Park, Bruce Springsteen and Matchbox Twenty all scored Billboard number one albums in the US, while The xx, The Vaccines, The Killers and Muse all enjoyed number one records over here…”
+++ ❚ OOPS! RECENT RUSTLINGS IN THE DOVECOTE suggest all is not well between founder members of the 80s synthpop band Visage who gave the world The Anvil and a couple of other albums and confirmed Steve Strange as king of the pop posers.
Talks about talks to make their first album since Visage fell apart in 1984 have been going on for a year or more but the three founding members – synth pioneer Midge Ure, drummer Rusty Egan and vocalist Steve Strange – haven’t seen eye to eye since last summer. Then in November differences went public when Strange performed their biggest hit Fade to Grey on German TV [see video above] and in the ensuing interview he claimed that Midge Ure was still collaborating. At the three-minute mark Strange says: “We’re in the studio now doing a new fourth album with Midge Ure – Midge is writing the songs with me.” When a Tweeter asked if this was true, Ure’s denial was immediate: “He is deluded if he thinks that. He knows that isn’t happening.”
Before Christmas Egan suddenly went public with a serious allegation about Strange’s handling of a substantial Visage royalties payment (accumulated revenue intended for all members of the 80s band) which he had allegedly received in 2004. I asked Egan whether his move was a little unwise, and he replied: “Sorry to say but as Steve Strange is blaming the hold up of Visage on me. I just can’t listen to any more of his complete rubbish. There is NO VISAGE ALBUM. There is Steve Stange [sic] and some blokes cashing in on the success of Ultravox.”
The same day Strange tweeted [below]: “there are 2 sides 2 every story”.
Dozens of fans piled into Facebook to comment and in the first week of January Strange typed erratically: “thank you all 4 bringn 2my attention it s,ilegall slanderous lies by an ex member of Visage. As an agreement,we as a 4 piece ?4igned an agreement not 2 mention ,this story ? As this person is talkn in. public a lega restraining order is soon to be put in place .tThis Visage album will not be derailed .”
Only days later Strange announced to the world on Facebook “The New Visage Line up” in a glam studio portrait [below] which showed him beneath a marcel wave alongside Lauren Duvall, Steve Barnacle and Robin Simon. Strange commented on the pre-Christmas allegations: “There s always got ? Too be , the voice of doom n gloom. Not a band reunion a new lineup.” [sic]
This week a despairing Facebook follower asked Egan why the pair couldn’t resolve their differences. Yesterday Egan replied: “the way was to make a visage record and Steve repay ——* royalties. We failed.”
[* word deleted by Shapersofthe80s]
Dance-off Wigan fashion: The finale to the Nutter-Werth men’s collection at the Café de Paris. (Videograb from milavictoria)
❚ EXTRAVAGANT AND OVERSTATED could readily describe both the whole-body dance moves of Northern Soul fanatics, and the rock-and-roll men’s tailor Tommy Nutter, the Savile Row rebel who favoured gigantic hand-rolled lapels and Oxford bags. Last week the fashionistas attending a Café de Paris “runway” show during the London Collections for men certainly caught the uninhibited exuberance of the 1970s, as the videos here show.
An unexpected collaboration between high-street retailer Peter Werth and Nutters of Savile Row produced a show of two halves. It opened with regular jackety models in skinny pants who were upstaged by an explosion of casual soulboys in knitwear and baggies. The Café’s dancefloor suddenly became the fabled Wigan Casino, about 1975, climaxing with a jack-in-the-box dance-off to the stomping beats of Luther Ingram’s If It’s All The Same To You Babe.
+++
All very sporty for AW13 with classy fabrics and jaunty tailoring bringing a gentlemanly vibe to the look, described by designer David Mason as “Studio 54 meets Wigan Casino” (which closed in 1981). The dancers in fact turned out to be from the cast of a debut feature film titled Northern Soul, written and directed by Elaine Constantine, about two lads swept up in the subculture when they discovered uptempo American soul music. Creating a wardrobe for the film forged the alliance between the two London design houses. The current incarnation of Nutters decided it had to reach out to a ready-to-wear audience, and Peter Werth, today owned by JD Sports, is strong on working-class savvy.
❏ Tommy Nutter, the charmer and dandy whose father ran a North London caff, would no doubt have voiced some self-deprecating witticism at today’s move to widen his market. The young Nutter wanted to work for the 60s designer Michael Fish and when he bumped into him said, “Can I do something with you?” Fish said, “Don’t be silly. You’ve got your own style. Do something yourself.” Nutter died in 1992 aged 49, having designed for Elton John, David Hockney, both the Jaggers, the Rolling Stones, David Bowie (Pinups), and for three of the Beatles who wear his outfits on the Abbey Road record sleeve, likewise Jack Nicholson as The Joker in Batman, the 1989 film. Nutter shook up Savile Row by injecting softer cuts and bold fabrics into the bespoke man’s suit while respecting classic tailoring. His was the first shop on the prestigious Row to design for women such as his backer, the pop singer Cilla Black.
Tailor Timothy Everest concludes: “Tommy’s was a brand that people wanted to buy into but within that you could be an individual and I think that’s a very modern approach. That’s what bespoke is all about.”
British designer Tommy Nutter seen in New York
Nutter designs from 1969, 1973, 1977, 1982
Nutter suits for both Jaggers on their wedding day, 1971
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2026
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch up on Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 925 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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