Category Archives: Media

➤ All milk and honey as Paxo and Dawkins dispute myth versus truth

Jeremy Paxman, Richard Dawkins , Newsnight,Magic of Reality , interview,

Paxman v. Dawkins on Newsnight: nine priceless minutes of television (BBC)

❚ TOP-CLASS NEWSNIGHT INTERVIEW LAST NIGHT! Did you know “Darwin’s Rottweiler”, aka the evolutionary biologist Professor Richard Dawkins, could laugh? Or that British television’s one-man Spanish Inquisition, Jeremy Paxman, could even contemplate a honeyed whisper? Well not only did the pair dance through a good-humoured sparring-match about the poetic merits of fairytales and/or science — “the false” versus “the true” in the Prof’s universe — but each managed to make the other laugh.

Paxo kept the debate brisk with his cogent interventions, though when he suggested that religions tend to make societies hang together, the Prof riposted with a smile: “You don’t believe that, do you?” As rewarding a TV interview as you’ve seen in ages; nine priceless minutes well worth catching on the iPlayer.

Magic of Reality, book title, Richard Dawkins, Dave McKean,Dawkins has written a new book called The Magic of Reality which is aimed at the young as a warning against “believing in anti-scientific fairytales”, whether those are myths from ancient civilisations or, if we need reminding, religious doctrines such as creationism. Last night’s TV parley was careful not to revisit the Prof’s pet topic published as his 2006 book The God Delusion, which he calls “probably the culmination” of his campaign against religion.

When Paxo maintained that mythology makes for better stories than straight fact, Dawkins said he wasn’t knocking storytelling, but genuinely thinks man’s evolution is more exciting and poetic than, say, Judeo-Christian myth. “We started off on this planet, this speck of dust, and in four billion years we gradually changed from bacteria into us. That is a spell-binding story.”

Some might say Dawkins the militant atheist was being unreasonably reasonable! He genially confessed he finds the Bible’s Book of Genesis affecting — “as a story, as long as you don’t think it’s true. The trouble is that 40% of the American people think it’s literally true”.

➢ Newsnight for Sep 13 is available on the iPlayer for a week

➢ The Magic of Reality: How we know what’s really true, by Richard Dawkins (Bantam Press £10) — Novelist Philip Pullman says: “It’s the clearest and most beautifully written introduction to science I’ve ever read.”

➢ The non-profit organisation the Richard Dawkins Foundation for Reason and Science (RDFRS) was founded in 2006

Lalla, a footnote to history

Doctor Who, Lalla Ward, Tom Baker, Douglas Adams, Leisure Hive,

Lalla Ward and her Doctor Who, Tom Baker: on Brighton beach filming The Leisure Hive episode (1980)

Richard Dawkins, tie, Lalla Ward,❏ Prof Dawkins mentioned last night that the extracts from his book were being read on Newsnight by “Lalla”. This refers to Lalla Ward, once the wife of actor Tom Baker, the fourth and most memorable Doctor Who from the 1970s, opposite whom she played Romana the Time Lady. It was her long-standing friend Douglas Adams, a Monty Python and Doctor Who scriptwriter best known as the cult author of The Hitch-Hiker’s Guide to the Galaxy, who in 1992 introduced Lalla to his good friend Dawkins, and they married within the year. The joker and the boffin had formed a brilliant Doug & Dick double-act, appearing at sci-fi and no-fi science gatherings where they would robustly debate the merits of technology (Doug) and evolutionary theory (Dick). Not many people know that apart from being a nifty illustrator, embroiderer and knitter, Lalla makes all of hubby’s batik ties which are decorated with zoological imagery. Last night he was wearing one showing a fierce bird of prey diving to the attack.

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1922–2011 ➤ Richard Hamilton: second thoughts about his definition of Pop Art

Swingeing London 67,Richard Hamilton,  Tate,Robert Fraser  ,Mick Jagger

Swingeing London, a great modern history painting from the Swinging 60s: in the back of a police car on their way to court Hamilton’s art dealer Robert Fraser and Rolling Stone Mick Jagger sit shielding their faces against the media glare. The image is based on a press photograph published in the Daily Sketch and the title is deliberately spelt with an E, referring to the judge’s pronouncement on the “swingeing sentence” he handed down as a deterrent after both were convicted on drugs charges. For many, this occasion typified the moral backlash against the liberalisation of the 1960s. (Above, detail from Swingeing London 67 (f) 1968-69, acrylic, collage and aluminium on canvas © Richard Hamilton, in the Tate collection)

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❚ “ RICHARD HAMILTON, the most influential British artist of the 20th century, has died aged 89. In his long, productive life he created the most important and enduring works of any British modern painter… Hamilton has a serious claim to be the inventor of pop art… Driven by intellect and political belief, Hamilton created undying icons of the modern world.”
➢ Read Jonathan Jones at The Guardian online

IN 1957 HAMILTON DEFINED THE EVERYDAY
COMMONPLACE VALUES OF POP ART…

“ Pop Art is:
Popular (designed for a mass audience)
Transient (short-term solution)
Expendable (easily forgotten)
Low cost
Mass produced
Young (aimed at youth)
Witty
Sexy
Gimmicky
Glamorous
Big Business ”

❏ His definition appeared as part of a long rumination on post-war art in a letter to Peter and Alison Smithson, published online at Warholstars.org, but taken from The Collected Words 1953–1982 by Richard Hamilton (Thames & Hudson 1982)

IN 2002 HE ADMITTED WHERE HE WAS WRONG

➢ John Tusa interviewed Hamilton for Radio 3 — Listen and read the transcript at the BBC website

Richard Hamilton, pop art , painter, John Tusa, interview

Hamilton: a lesson learnt from Warhol

TUSA:“Your definition hasn’t, as you said, stood the test of time because pop art as we now know it and as it became, has ended up being anything but transient, expendable and commercial. It’s been in a way co-opted by the systems and the commercialism of the fine-art world itself.”

HAMILTON: “When I made that list I thought what are the characteristics of what we call pop art, and then I listed them, big business and so on; the record system, Hollywood and all the other things. Then I looked at this list that I had made, which had nothing to do with fine art or anything that I was painting or doing and said, is there anything in this list which is incompatible with fine art? And my answer was no, except for one thing and I said, Expendable. Now, is fine art expendable? And I thought, no; I can’t quite stomach that. Everything else, OK, but expendability as a throwaway attitude is not something that can be acceptable as pop art, and I was proved wrong. Warhol approached art from the point of view of expendability, so I admire him enormously for having brought my attention to the fact that I was wrong.”

HAMILTON AS COMMENTATOR ON
A FABLED DRUGS BUST

❏ Hamilton’s Swingeing London series of paintings and prints were his response to the arrest of his art dealer Robert Fraser and his imprisonment for the possession of heroin. This followed the now fabled police raid on a party at the Sussex farmhouse of Keith Richards, of the rock group the Rolling Stones, in February 1967. There they found evidence of the consumption of various drugs and in June, Fraser and Mick Jagger (the band’s lead singer) were found guilty of the possession of illegal drugs. This gave rise to the sarcastic newspaper headline “A strong sweet smell of incense” which Hamilton incorporated into a huge collage of the resulting newspaper cuttings which he titled Swingeing London 67 — Poster.
➢ Read Keith Richards’ account of this raid and the truth about the infamous Mars bar

❏ Video above: This Is Tomorrow (1992), clip from a C4 television documentary by Mark James in which the Father of Pop Art Richard Hamilton talks about his time as a tutor to pop star Bryan Ferry at Newcastle University art school

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2011 ➤ Duran win Lifetime Achievement gong in GQ Men of the Year awards

DD with their GQ award last night: it was presented by Alex James from Blur at London’s Royal Opera House. Photograph: Rex

The online men’s magazine GQ.com says today:

❏ “After 30 years the perennially stylish supergroup Duran Duran are still producing the goods, with new Mark Ronson-produced album All You Need Is Now joining the likes of Notorious and Rio as essentials in any man’s collection.”

❏ Nick Rhodes says “Our original manifesto has been to collaborate with fashion, art, photography, design and architecture. I guess I’ve always thought of Duran Duran as a kind of ongoing art project.”

❏ GQ.com highlight “The supermodel power summit: bringing together Cindy Crawford, Naomi Campbell, Eva Herzigova, and Helena Christensen with director Jonas Akerlund for the upcoming video for Girl Panic!”

➢ DD’s acceptance speech: “I think we should have an award just for putting up with each other for 30 years” — Simon Le Bon

➢ View the videos of Jonas Akerlund

➢ Read Jonas Akerlund interview on Lady Gaga

➢ Read the full Duran interview plus all the GQ Men of the Year 2011 coverage in the October issue of British GQ

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2011 ➤ i-D Now reveals trade secrets and catches up with Scarlett from Cha-Cha

i-D NOW, pop-up exhibition ,Red Gallery ,photography, fashion,style,

i-D NOW: a pop-up exhibition at the Red Gallery in Hoxton

❚ THE ORIGINAL FASHION AND STYLE BIBLE, i-D, has decided to celebrate its 31st birthday with i-D NOW. This is a pop-up exhibition of historic covers, plus interactive events featuring industry-leaders, in conjunction with the Taschen anthology, i-D Covers 1980–2010, which was published last year. The event aims to give a behind-the-scenes look at how some of those covers and their hallmark winks were created.

Scarlett Cannon ,Helen Carey ,i-D magazine, i-D Now, exhibition

Straight-up from i-D issue 003: Scarlett Cannon and Helen Carey photographed by Thomas Degen

Details are being announced tantalisingly via Twitter but known tasters include past i-D fashion editor and broadcaster Caryn Franklin leading a discussion about fashion.

There’s a musical treat from boilerroom.tv and photographer Billy Ballard is staging a couple of Beauty Now shoots while i-D makeup expert Lucy Bridge does the styling. Other contributions will come from i-D family members including Terry Jones, Richard Buckley, Pat McGrath, Nick Knight, Simon Foxton and Edward Enninful.

i-D magazine,Scarlett Cannon,Head to Toe Guide,1982

i-D issue 008: Scarlett photographed by Thomas Degen

Coincidentally, by way of promoting the pop-up, i-D Online catches up with a couple of style-setters who first appeared together in a straight-up shot for the magazine’s third issue back in 1981. This was the height of the Pose Age when Scarlett Cannon and her startling haircut fronted the ultra-hip Cha-Cha club and she subsequently became the cover girl on i-D’s eighth issue.

Helen Carey with her own unique hairplay worked with designer Martin Degville in Kensington Market, where she was pictured here by Shapersofthe80s. They’re still up for striking a pose 30 years on, during which time Scarlett tells me she been “in full-blown glamorous gardening mode” as a garden tutor and food-growing consultant, among other things. For i-D she talks about her friend Helen’s business Vintage Vacations, which offers holiday retreats in classic silver American trailers.

➢ Read Scarlett’s piece Take A Vintage Vacation at i-D Online

➢ i-D NOW is a pop-up exhibition at London’s Red Gallery, 3 Rivington Street, EC2A 3DT (Sep 1–18, 11am–8pm, closed Sundays). For minute-by-minute updates visit #iDNOW on Twitter

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2011 ➤ England’s dotty Simpson who inspired the Pythons

playwright, N F Simpson, obituary, One Way Pendulum , Resounding Tinkle ,theatre,

Playwright N F Simpson: a very English absurdist. Photographed © by Luca Sage

❚ N F SIMPSON, THE DRAMATIST, died this week aged 92. The Observer critic Kenneth Tynan dubbed Simpson “the most gifted comic writer the English stage has discovered since the war” after seeing the double bill of A Resounding Tinkle and The Hole  in 1958. And after One Way Pendulum (1959), he suspected Simpson of possessing “the subtlest mind ever devoted by an Englishman to the writing of farce”…

➢ The Daily Telegraph obituary continues…

… His focus on the surreal was influenced by The Goon Show and in turn influenced Monty Python and Peter Cook… Simpson was one of the four principal writers to establish the English Stage Company’s influential regime at the Royal Court Theatre in the late 1950s. The others in that first batch were John Osborne, John Arden and Ann Jellicoe. But in a movement whose central work was Osborne’s Look Back In Anger, Simpson was spiritually an outsider.

➢ Michael Coveney says in today’s Guardian obituary:

The playwright NF Simpson, was generally identified with the Theatre of the Absurd movement alongside Eugène Ionesco, Arthur Adamov, Samuel Beckett and Harold Pinter. But Simpson was peculiarly and singularly English in his absurdism. He turned suburban characters into weird chatterboxes and language into highly imaginative chop logic, and mixed a comic brew that derived more recognisably from the worlds of Lewis Carroll, W S Gilbert and the Goons, without the puerile edge that came along with Monty Python…

➢ Michael Billington calls Simpson a blissfully funny and deeply English dramatist — in The Guardian today

The plays of N F ‘Wally’ Simpson, were hilariously subversive, yet masked a deeply philosophical mind … He was often compared with Eugène Ionesco. But I always thought he belonged to a deeply English tradition of word-spinning, logic-twisting absurdity. Simpson’s real ancestors were Lewis Carroll, Edward Lear and the Goons. His legatees were Peter Cook, the Monty Python gang and the Goodies…

One Way Pendulum ,N F Simpson , Woodfall Films, John Cleese ,Jonathan Miller ,Dick Lester,
➢ VIEW A CLIP from One Way Pendulum as Jonathan Miller conducts his choir of weighing machines

❏ This short clip from the 1964 Woodfall film of One Way Pendulum only hints at the Simpson universe. John Cleese saw the film in a cinema in Weston Supermare and called it a true classic of surrealist comedy. It is directed by Peter Yates with Jonathan Miller as the dotty Kirby, the son of a dotty father (Eric Sykes) in a dottily obsessive suburban household. Kirby retunes a choir of Speak-Your-Weight machines and trains them to sing the Hallelujah Chorus. All except one obey his bidding.

Simpson’s vision directly inspired a whole generation of comedy in the UK from Dick Lester’s Beatles movies (1964-5) to the Monty Python TV series (1969-74) and beyond. It was One Way Pendulum that took Simpson from the Royal Court theatre into the West End and in 1988 Jonathan Miller revived it at the Old Vic. Simpson’s final play, If So, Then Yes, was staged only last year.

➢ Reality is an Illusion Caused by Lack of N F Simpson was a documentary broadcast in April 2007 on Radio 4

If So Then Yes, N F Simpson,Jermyn Street theatre,David Quantick❏ David Quantick appraised playwright N F ‘Wally’ Simpson as one of the foremost absurdists of the 20th century. The documentary featured material recorded at a workshop for a new play, If So, Then Yes, his first full-length piece in 30 years. It charts a day in the life of octogenarian writer Geoffrey Wythenshaw, who sits down to dictate his autobiography from the comfort of a retirement home for the upper crust. After its Royal Court reading it then played at the Jermyn Street theatre during September 2010.

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