Monthly Archives: Jun 2011

2011 ➤ When Shirl asked Peps if she fancied an arena tour, Peps said to Shirl, Why not?

❚ ON THE EVE OF THE HERE & NOW TOUR, Shirlie Kemp from 80s pop duo, Pepsi & Shirlie, talks to Vanessa about reuniting with Helen “Pepsi” DeMacque after 20 years — and why the reunion took so long. Answer: “Because when I had my daughter I realised that was all I wanted. I had a beautiful husband, Martin Kemp, a beautiful baby, and I wasn’t going to risk losing that.” Shirlie (née Holliman) also recalls how she joined Wham! as a backing singer to two of her former schoolmates, Andrew Ridgeley and George Michael. When Pepsi & Shirlie went their own way in 1986 their debut single Heartache went to No 2 in the UK singles chart and the American dance chart.

➢ The Here and Now 10th anniversary seven-city tour runs June 24–July 2, 2011, taking in Birmingham’s LG and London’s O2. Starring Boy George, Jason Donovan, Jimmy Somerville, Belinda Carlisle, Midge Ure, Pepsi & Shirlie and A Flock of Seagulls

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2011 ➤ EPIC forecasts for the 2015 media landscape loom closer than we think

Robin Sloan , Matt Thompson, Poynter Institute, EPIC 2014, EPIC 2015, new media

A decade from now, it has never been easier for people to make their lives part of the media landscape . . . The press, as you know it, has ceased to exist. After the News Wars of 2010, The New York Times loses a supreme-court battle with Google and eventually goes offline as a print-only newsletter for the elite . . . 20th-century news organisations are a remnant of a not too distant past.
— EPIC predictions made in 2004

❚ SUCH UNWELCOME FORECASTS of global media convergence were made in 2004 by two young Americans, Robin Sloan and Matt Thompson, alumni of the Poynter Institute. EPIC 2014 was the title of a flash slideshow made by Sloan and Thompson for the fictitious Museum of Media History. Set in 2014, it charted the history of the internet from 1989, and envisaged an evolving mediascape and the impact of online technologies on print and on daily life. It coined the word “Googlezon” from a putative merger of Google and Amazon to form the “Google Grid”, and predicted “news wars” after which the online New York Times reverted to being a print-only paper for a literate, elderly elite.

EPIC 2015, GooglezonThe emergent media mechanism was dubbed EPIC — the Evolving Personalised Information Construct — which spookily anticipated Google Maps and GPS matched to personalised data capture, all too familiar to us today through Google, Facebook and mobile phone apps.

Epic 2014 was prescient and unnerving in 2004. As superfast broadband was rolled out many of its prophecies came into existence, and a year later MySpace was being bought by Rupert Murdoch’s News Corporation. Epic 2015 was an updated sequel in 2005 only marginally less dystopian than the original. Its vision will certainly rattle the confidence of all affected by the latest concerns at Guardian News Media (GNM) in the UK.

➢ View Epic 2015 — an eight-minute vision of a media landscape that is almost upon us

THE GUARDIAN “LOOKS TO AMERICA”
FOR ITS ONLINE FUTURE

➢ Guardian News and Media is to axe dozens of staff after it lost £33m in the last financial year — Daily Telegraph report June 17

Alan Rusbridger, Guardian News Media, GMG,

Alan Rusbridger: only the tenth Guardian editor in the newspaper’s 190-year history

“Andrew Miller, chief executive of GNM’s parent company, Guardian Media Group (GMG), told staff in a series of briefings yesterday that the group could run out of cash in three to five years unless it underwent a ‘major transformation’ . . . The Guardian will continue to publish in the morning, but will focus on analysis and opinion instead of reporting widely available news.”

➢ The Guardian faces going out of print after warning of a cash crisis — Daily Telegraph report June 18

“Alan Rusbridger, the editor of The Guardian, has repeatedly had to dispel rumours that the title might stop producing printed papers altogether and become an internet-only business . . . Andrew Miller’s commitment to a ‘digital first’ strategy relies partly on launching an online-only New York office later this year, which he hopes will help take The Guardian’s website into the top 10 most read in the US, where advertisers would automatically include it in major national campaigns.”

➢ Update June 27 from Media Guardian: Media guru Jeff Jarvis on what Digital First means for journalism

“News mimics the architecture of the internet: end-to-end, witness-to-world, without a central gatekeeper… Reporting is our highest journalistic priority. Telling stories will always have a role. But journalists have more roles to play today. When working in collaboration with the public — which can help news become at once more expansive and less expensive — it may be useful to help collaborators improve what they do: journalist as community organiser, journalism teacher, support system. At every turn, the question must be where can I add the greatest value? Is that necessarily in writing articles?”

➢ “We’ll all have voices in our heads by 2040” — View video of Ray Hammond, the futurologist who coined the term “online” back in 1984, discussing eight key drivers of the future as seen from June 2011. Download his latest book free

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➤ Aside from the freaks, George, who else came to your 50th birthday party?

❚ YES, OF COURSE SHAPERSOFTHE80s was at the fruit-cakiest party of the summer, and we can offer a selection of pix not widely seen in the tabloids.

Boy George, 50th birthday,Jon Moss, Barbara Moss,

That Man in the Middle: George O’Dowd celebrates his 50th birthday with former Culture Club drummer and father of three children, Jon Moss and his wife Barbara at Tuesday’s party. © Dave Benett/Getty

Boy George, 50th birthday, Dinah O'Dowd

That Boy with his doughty mum: Dublin-born Dinah O’Dowd is still up for a party at 71 even after bringing up George and five other children! She spilt the beans in her own book Cry Salty Tears (Arrow Books 2007). Spot the marzipan chameleon. © Dave Benett/Getty

➢ The Daily Mirror said it was “camper than Christmas at Louie Spence’s house”
➢ The Sun dubbed it a “bonkers bash” in print and “wacky” online
➢ Holy Moly called it “a terrifyingly horrid looking party”

❚ BRITAIN’S BIGGEST-SELLING PAPER, The Sun, couldn’t have been more shocked by Boy George’s 50th birthday party when 1,500 guests crowded into two of the largest nightclubs — Lightbox and Fire — set in railway arches at the heart of London’s gay village, across the River Thames and upstream. The area became infamous for 200 years as the Vauxhall Gardens, a fabled pleasure-seekers’ amusement park which opened in the 17th century and closed only in the 19th. It was deliberately sited outside London’s city limits and also its by-laws, so that Fielding’s novel Tom Jones immortalised the gardens as a place “where people come to undo others — and others come to be undone”.

This morning’s Sun spluttered: “As well as a host of transvestites, George, sporting a black top hat, was joined by a selection of PVC-clad ghouls and other creepy-looking creatures, some clad in bondage gear. One man even had his head fixed inside a bird cage.” A “source at the party” — with this phrase The Sun was distancing itself from the unimaginable goings-on — reported : “It wasn’t for the faint-hearted. Some of the outfits were a little weird.”

Shapersofthe80s can’t compete with the selection of frenzied ghouls pictured in The Sun and other tabloids, largely because we were idling in the quiet outdoor tents and feeling our age with some of the original Blitz Kids a couple of years older than George, the baby of his clubbing generation. We had a good dinner first and arrived when the weirdness was in full swing, genuinely surprised that, despite the ravages of 30 years, a sizeable contingent of ex-Blitz Kids had turned up out of loyalty to Britain’s chief genderbender. The keener ones showed up on time to get their faces into the early-edition pap pix, though a lot of cool people didn’t. For many, the prospect of a free bar 8–10pm didn’t provide the bait it once would have done.

Boy George, 50th birthday,Holly Johnson

That Boy with Holly Johnson: the vocalist with 80s shock-band Frankie Goes to Hollywood is today a painter whose work has been exhibited at the Tate Liverpool. © Chris Jepson

Boy George, 50th birthday,Emma Woollard , Jeremy Healy

Among George’s guests: artist Emma Woollard and Jeremy Healy, formerly half of 80s pop duo Haysi Fantayzee, today a prominent club deejay who also provides music for fashion shows — until recently John Galliano’s. © Dave Benett/Getty

Cameron Jones, Roman Kemp, Boy George, 50th birthday, Paradise Point

That Man in the Middle: his two gorgeous companions are budding stars from London’s new livepop band Paradise Point, singer Cameron Jones with bass player and former schoolmate Roman (son of Martin) Kemp. © Getty Images

Relaxing at last into middle age, the very Blitz Kids who perfected the idea of “Your Look” while shaping the Swinging 80s left the showing off to the kids at the party who thrill to dress as an inflatable rubber sex doll, or to attach to their naked vital parts every toy and fruit that drag acts have been dangling before all-male audiences at the nearby Royal Vauxhall Tavern since World War Two.

The notion of originality seems strangely lost on today’s drag queens and seven-foot tall trannies whose platform boots clomp through every poser nightclub in town as they push their way, as if by right, to the front of every bar queue. (And manage not to catch the barman’s eye. How does that work?) Back in the mists of New Romance, in 1979, the oldtimers each established their own Look not only to gain them admission to the Blitz Club but to personify their individual attitude. And after “the party that lasted four years”, dressing up as a nightly competition lost its novelty. By the mid-80s each Blitz Kid had arrived at a visual brand statement that had or would launch their careers and more or less last them for life… a personalised image that declared self-evidently I am a Serious Professional and This Is What I Do: I am Urban Deejay, I am Pop Stylist, I am Comic Relief Wannabe, I am Wideboy Producer, I am Dior’s Next Choice, I am Westwood Trainwreck, Pop Art Object, Rock Idol, Mockney Wag, or Sex on a Stick (for eternity, I hope).

The brightest and the most single-minded Blitz Kids always will embody Essence of Glamour — subtle, immaculate, witty, first. (Just look at the picture of Julia below!) They still populate the two core tribes, the Exquisites or the Peculiars. By their Themness shall they be identified. All respect to Peter York, whose definitive essay on Them appeared in Harpers & Queen as long ago as 1976, and should be required reading for anybody who isn’t, well, Homer Simpson.

Boy George, 50th birthday,Pepsi DeMacque,Martin Kemp, Steve Strange, Shirlie Holliman

Among George’s guests: Pepsi (DeMacque) & Shirlie (Holliman, today Mrs Kemp) flank actor and Spandau Ballet bassist Martin Kemp, and Steve Strange, former Blitz Club host who made his reputation in the 80s by changing his clothes daily. © Dave Benett/Getty

Boy George, 50th birthday, Princess Julia, Julia Fodor, Jeffrey Hinton

Among George’s guests: former Blitz Kids (and indeed Blitz coatcheck girl) the immaculate Princess Julia and the ever-scruffy Jeffrey Hinton, both today leading club deejays in the UK and abroad. © Shapersofthe80s

The arch-poser Christos Tolera facebooked after George’s party: “Well that was fun… It was like being in the 80s but without the carnage… Never have I seen so many old people looking so good.” And indeed it did seem that even Steve Strange — especially Steve Strange — had applied five times the Essex-Girl minimum of bronzer to create this season’s visage.

What was mildly heart-warming on Tuesday was to realise that who turned up was itself confirmation of the bonds of friendship within the Blitz camp. Yet the apprehension in the air was palpable as pleasantries were shared. One or two did cut the others dead. Over three decades, there have been fallings-in-love and fallings-out… recriminations and insults and envy as people stumbled through life’s great obstacle course… Many have succumbed to temptations that only will-power and time can heal. Some discovered that dreadful experiences can enrich the soul, others that to scratch a lover is to find a foe… Peter Ustinov believed: “Friends are not necessarily the people you like best. They are merely the people who got there first.” We are where we are. Would old romantics really want it any other way?

Boy George, 50th birthday,Sue Tilley,Stephen Linard, Les Child

Among George’s guests: designer and former Blitz Kid Stephen Linard, the biographer of Leigh Bowery and Lucian Freud model Sue Tilley, with dancer Les Child who has choreographed countless pop promos and tours since the 80s. © Shapersofthe80s

Boy George, 50th birthday,Stephen Jones, Judith Frankland

Among George’s guests: celebrated milliner Stephen Jones with his tie being worn on an unusually rakish tilt, meets up for the first time in decades with Judith "Ashes to Ashes" Frankland whose pink crimped hair seems inspired by Bette Davis as Baby Jane. © Alice Shaw

❏ NAMECHECKS — Amid the trannies at the party (deciphering genders proved quite a challenge at times) were a few genuine female celebs such as designers Pam Hogg, Judith Frankland, Stevie Stewart, singers Beth Ditto, Sonique Clarke, Pepsi & Shirlie, author Sue Tilley, artist Emma Woollard, heiress Daphne Guinness, promoter Rose Turner, deejay Princess Julia and broadcaster Janet Street Porter, whose landmark TV documentary 20th-Century Box put the Blitz Club obsessives on the media map in 1980…

Non-transvestite males included ex-Culture Club members Jon Moss, Mikey Craig, musicians Holly Johnson, Martin Kemp and son Roman, singer Cameron Jones, choreographer Les Child, milliners Stephen Jones and Philip Treacy, stylist Judy Blame, model Luke Worrall, restaurateur Paul Murashe, deejays Fat Tony, Rusty Egan, Jeremy Healy, Jeffrey Hinton, Mark Moore, Brandon Block, designers Rifat Ozbek, David Holah, Stephen Linard, impresario Phil Polecat… Who didn’t we see in the crowd?

Boy George, 50th birthday, Stevie Stewart, David Holah

Among George’s guests: ex-Blitz Kids Stevie Stewart and David Holah, the clubland designers behind the funkiest, trippiest label of the 80s, Bodymap. © Shapersofthe80s

Boy George, 50th birthday,Alice Shaw, Eve Ferret

Among George’s guests: Alice (fromthepalace) Shaw, lifelong pal of George who campaigned to find witnesses to this year’s assault on nightowl Philip Sallon, seen with Blitz Club cabaret star Eve Ferret, who recently returned to the boards in London’s West End. © Alice Shaw

Boy George, 50th birthday,Slippry Feet,Jody and Bayo

Among George’s guests: Emma, Jody and Bayo, the dancing feet behind the Most Promising Cabaret Act of 1989, Slippry Feet, and still bringing laughter to, er, millions. © Shapersofthe80s

Boy George, 50th birthday,Christos Tolera ,Judith Frankland

Among George’s guests: former Blitz Kids, painter Christos Tolera, who once sang with Blue Rondo à la Turk, and fashion designer Judith Frankland, who appears in Bowie’s Ashes To Ashes video and in the header to this website. © Shapersofthe80s

➢ Interview: Boy George hits the big Five-0 and says, yes, he has ‘lots of regrets’

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➤ One million people think Charlie really is SoCoolLike


❚ FOUR YEARS ON, CHARLIE McDONNELL, aged 20 of Bath and London, tells his one millionth subscriber today: “Pretty much all of the closest friends that I have are people that I’ve met on YouTube. All the opportunities I’ve had to do cool things in my life have come from being on this website.” In addition to being the most subscribed YouTuber in the UK (population 62m), his channel has had 34m views, and his “total upload views” (whateva that means) exceed 150m. And guess what? Charlie has now decided to become a popstar too though on the basis of his solo album This Is Me (hear it free at his website) that ain’t gonna happen until his musical best friend Nerimon tells him about Auto-Tune.

➢ Click this for Charlie’s proper website

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1904 ➤ The day Nora made a man of Joyce

James Joyce Tower, Martello, Sandycove

Bloomsday celebrations: James Joyce Tower and Museum is a Martello tower in Sandycove near Dublin. Joyce’s stay here is said to have inspired the opening of his novel Ulysses

❚ “THE GREATEST ENGLISH PROSE STYLIST”, Irish-born James Joyce, met his partner for life Nora Barnacle “sauntering” along a Dublin street on June 10, 1904. The chance encounter is described in Finnegans Wake:

If he’s plane she’s purty, if he’s fane, she’s flirty, with her auburnt streams, and her coy cajoleries, and her dabblin drolleries, for to rouse his rudderup, or to drench his dreams

James Joyce , Nora Barnacle

James Joyce and Nora Barnacle in 1904, the year they met

In those days, romantics young and old didn’t “date”. He asked if he could meet her again and on the chosen day she blew him out, so he sent her a note and then they agreed to take a walk.

On the evening of June 16 Nora, a 20-year-old chambermaid, and James, the 22-year-old writer, went walking to the village of Ringsend. Several aspects of Joyce’s life converged on this day and he was to tell Nora later “You made me a man”. Years on, the author who gave the word “epiphany” its special meaning chose this sacred date for the setting of Ulysses, a modern re-telling of Homer’s Odyssey, in which all the action takes place on the same day in Dublin in 1904. The date was to become Bloomsday, derived from Leopold Bloom, the 38-year-old protagonist of his yarn.

The book was published by the American ex-pat Sylvia Beach who ran the bookshop Shakespeare and Company in Paris in 1922 — the same year as T S Eliot’s The Waste Land, both works resonating to the cultural incoherence thrown up by the First World War. Ulysses furnished a touchstone for the whole 20th-century modernist movement in literature, as well as being spiced with racy humour deemed too “obscene” to publish in England until 1936 (and indeed banned in Ireland until the 1970s). Joyce personalised the chaotic stream-of-consciousness technique — writing as if thinking aloud — by employing a rich lexicon of 30,000 words, greater than Shakespeare’s and most everyday speakers of English, since many words were Joyce’s own musical inventions. About the book’s size, Joyce joked: “I spent seven years writing it. People could at least spend seven years reading it.” Samuel Beckett said of Joyce’s prose: “It is not to be read. It is to be looked at and listened to.”

Leopold Bloom, James Joyce

Leopold Bloom drawn by Joyce

For the past 50 years Bloomsday has been commemorated annually in Dublin as fans dress in Edwardian costume to enjoy readings and merriment as they retrace Bloom’s footsteps through and around the city, taking in landmarks such as the site of Leopold and Molly Bloom’s home in Eccles Street, Davy Byrne’s pub and the old brothel quarter. Tradition has it (though the biographer Richard Ellmann disagrees) that the day before Ulysses begins, Joyce had spent a week in the Martello tower in Sandycove, eight miles south of Dublin on the coast road, where a university friend fired a gun at him, to be immortalised as “Stately, plump Buck Mulligan” in the novel’s opening. Today the tower houses a museum of mementoes and is well worth the metro ride.

The paradox is that not a word of Ulysses was written in the city on the Liffey, because Joyce chose to spend his adult life in exile, variously in Trieste, Paris and Zurich. When he died there in 1940, Nora Barnacle was asked which living writers she liked, and her reply was: “Sure, if you’ve been married to the greatest writer in the world, you don’t remember all the little fellows.” Nora lived on in loneliness and also died in Zurich in 1951, where she shares his grave in a wooded cemetery to this day.

Gordon Bowker, James Joyce A Biography, ➢ As the current book of the week being serialised on BBC Radio 4, Gordon Bowker’s James Joyce A Biography (Weidenfeld & Nicolson, May 2011) paints a wonderfully detailed portrait of the eccentric author in 15-minute segments

➢ The James Joyce Centre at North Great George’s Street in Dublin

James Joyce, Nora Barnacle

Joyce and Nora in later years ... Ulysses ends with Molly Bloom’s words: “I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes”

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