2011 ➤ Oo-er, Metamodernists say: Go forth and oscillate

Annunciations,installations, Luke Turner, photography,Metamodernism,manifesto, fine art

Annunciations (installation view), 2011 © by Luke Turner: The Annunciations series revolves around the experience of art, the visual realm, and the ghosts of art history

❚ YOU READ IT HERE FIRST. As the V&A’s exhibition on Postmodernism lays bare the cultural malaise of recent decades, a bright new dawn is announced  “with emphatic optimism (and a pragmatic romanticism)” by the publication of “The Metamodernist manifesto”…

  1. We recognise oscillation to be the natural order of the world.
  2. We must liberate ourselves from the inertia resulting from a century of modernist ideological naivety and the cynical insincerity of its antonymous bastard child.
  3. Movement shall henceforth be enabled by way of an oscillation between positions, with diametrically opposed ideas operating like the pulsating polarities of some colossal electric machine, propelling the world into action…

➢ Continue reading The Metamodernist manifesto

➢ Luke Turner’s Annunciations 2011 reviewed by Siobhan Wall — “Each photograph in Annunciations is named after a famous Renaissance painting, and it’s apparent that these largely abstract images are a carefully considered distillation of what lies beyond the figurative and literal in the well-known masterpieces…”

➢ Notes on metamodernism is the webzine that documents current developments in politics and aesthetics that can no longer be explained in terms of the postmodern, proposing instead “a sensibility that oscillates between modern positions and postmodern strategies; between construction and deconstruction (indeed, reconstruction); a desire for sens and a doubt about the sense of it all; between sincerity and irony; hope and melancholy”.

Peter Doig, Figure in Mountain Landscape, New Romanticism,Death of Painting,

Peter Doig, Figure in Mountain Landscape, 1997-8

➢ The new New Romanticism — “the act of presenting the commonplace with significance, the ordinary with the mysterious, etc, and this undertaking’s inevitable and necessary failure… But why now? … To express a dissatisfaction about a present that is increasingly uninhabitable, and a desire for a future whose blueprint has yet to be drawn”.

➢ Peter Doig and the “Death of Painting”  — “His work explores a tension between the designs of humanity and the wild, natural world it has to reckon with… He seems to paint about painting, each canvas becomes an allegory of the strangely beautiful problems, inadequacies and imperfections of creative vision.”

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

FRONT PAGE

➤ Big Tone Hadley feeling good(-ish) as his Australia tour kicks off

+++
❚ LAST NIGHT IT WAS HOBART, TASMANIA, the first of eight dates in Australia for Tony Hadley and His Band, with John Keeble on drums and Go West sharing the bill. Facebook is awash with admiration from his fans down-under and he’s sounding pretty relaxed covering Feeling Good in the video shot by sabathiel01 (above) … We’re not sure what was eating Tony in the “losing-it” moment caught by Nyree Yali (below), while guitarist Richie Barrett didn’t know which way to jump!

➢ Update Oct 26: interview with Western Weekender in Penrith, NSW — “I decided to get together with my old mates from Go West because we’ve worked together before and been great friends for a long time,” Tony said. “People like to see musicians and singers mix together and have a good time, so they’ll be doing all their hits, I’ll be doing all my hits, plus maybe a song or two from my forthcoming album. I’m a big fan of bands like the Kaiser Chiefs and The Killers, so there’ll be some interesting covers in there as well,” he said.

➢ “Spandau Ballet made some crucial mistakes in America in the 80s” Tony tells The West Australian, Oct 5. “You can’t just have a hit there — you have to tour and back it up. We had a big cult following there but never followed it up. I took my band there this year and the reviews were first class, which is what I wanted. Now the agents are calling so we’ll work with that.”

➢ Upcoming dates for Tony Hadley and His Band include Nov 12 Abu Dhabi, Dec 1 Hamburg O2, and Dec 2 Berlin O2

➢ Reviews and videos of Tony’s first US solo tour in August at Shapersofthe80s and a few interview squibs as he said Good morning America!

➢ Convivial music and chat interview with Paul “Goffy” Gough in conversation with Tony Hadley when his 10-piece band played before 1,300 guests at the 8th annual Oyster Festival in Sedgefield, County Durham, on Sep 16, 2011. Lessons learned in life? “Don’t get the lawyers involved. It was an expensive way to learn about English civil law. I can laugh about it now. It cost me an absolute arm and a leg.”

Hobart, Tasmania, live concert,Tony Hadley, pop music

Hadley in Hobart: At Facebook, Vivien Cumberland asks, “What’s going on here? Looks like poor Richie is going to get a smack in the face.” Nyree Yali, who took this pic, says, “I don’t know, LOL. Tony was pulling this face & my camera cooperated at just the right time to capture it. Looks like Richie’s thinking, WTF are you doing???”

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

FRONT PAGE

2011 ➤ Leee Childers interviewed: risqué tales of Warhol, glitter and Iggy’s best feature

+++

❚ LAST NIGHT BRITISH PARTY PROMOTER Chris Sullivan sat in a new London gallery cafe to ask Leee Black Childers about his formative years leaving Kentucky for New York City and getting drawn into Andy Warhol’s Factory crowd of the late 60s and 70s. For more than an hour at The Society Club in Soho, Childers confessed all about his formative years when Warhol encouraged him to “say” he was a photographer, after which he snapped many informal early pix of David Bowie, Iggy Pop, Debbie Harry, Lou Reed, New York Dolls, Patti Smith, Jayne County. All the photographs on display are on sale for the next week.

Our two videos catch a few ribald moments verbatim. Other landmarks included Danny Fields and Andy Warhol taking him to see this “terrific new band”. Using the camera his brother had given him on his 17th birthday, Leee produced sensational pix of the young misfit Iggy Pop at the Stooges’ first New York concert. Leee lived for a year with Iggy. “You should know that he had a really great mind. He would talk about Schopenhauer and Nietzsche, and kept me awake talking about philosophy all night. He was also a very kind person and had one of the best penises I’ve seen.”

Lee attributes the birth of the glitter phenomenon in 1970 to Theatre of the Ridiculous director John Vaccaro’s production of Heaven Grand in Amber Orbit which was set in a circus, to which he brought “giant, huge barrels of glitter and he said, Put it everywhere, and everyone onstage was covered in glitter”.

Linda Clark, Leee, Nancy Spungen, Sid Vicious, Dee Dee Ramone. (Photo by Danny Fields)

In 1971 Leee visited London when Andy Warhol’s ground-breaking show Pork took over the Roundhouse with nude scenes that revelled in the recent abolition of theatre censorship in the UK. During this trip he met David Bowie performing at the Country Cousins nightspot in Fulham: “I’d never heard of him but I went because they said he wore a dress, but he wasn’t wearing a dress. We also met Angie Bowie who was not wearing a dress either. That show was pretty lame.” Yet when Bowie later came to play in New York, Leee was asked to be the vice-president of his US company. He subsequently travelled with Bowie through Russia in 1973 and was tour manager for Johnny Thunders and The Heartbreakers when they supported the Sex Pistols on their 1976 Anarchy tour across the UK.

Leee hung out with the Sex Pistols in both London and New York. Asked from the floor “Who killed Nancy?”, Leee replied: “Nancy killed Nancy. She created the situation where it was impossible to go on” — referring to her fractious relationship with Sid Vicious. Though Vicious was charged with her murder in 1978, Leee says: “We all know it was not Sid.”

+++
➢ Last week’s report: Leee Childers brings his slice of 70s New York to London

+++
❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

FRONT PAGE

➤ Ferry Re-Makes/Re-Models himself as the Sinatra of the rock era

Bryan Ferry live at the Greek Theatre. Photograph Robert Gauthier / Los Angeles Times

❚ OUR MAN IN WEST HOLLYWOOD papped Bryan Ferry today snacking at the coolest pizzeria in town, Mozza on North Highland Ave (below). Last week of course he ended his first American tour in nearly a decade — with members of Duran Duran and Blondie in the Los Angeles audience on Saturday. The Olympia tour arrives in London with two gigs at the Shepherds Bush Empire on Dec 14–15.

➢ Craig Rosen reviews his closing US concert for SoundSpike …

Ferry’s show at the Greek Theatre in Los Angeles did more to promote the notion that he could be today’s greatest interpreter of songs from the rock era. That’s because the veteran crooner performed only two tracks from his album Olympia, instead devoting much of his set to performing songs made famous by other performers. That shouldn’t have come as too much of a shock, given that Ferry’s 2007 release was Dylanesque, an album full of Bob Dylan covers. Sure enough, Ferry wheeled out three songs penned by his Bobness — Just Like Tom Thumb’s Blues and Make You Feel My Love fairly early in the set, and a show-closing take of All Along the Watchtower.

In between, we got a blistering rendition of Neil Young’s Like a Hurricane, which closed the first set, a few soul nuggets — Wilbert Harrison’s Let’s Stick Together, Sam & Dave’s Hold On, I’m Comin’, an extremely sympathetic reading of John Lennon’s Jealous Guy, and a smoldering take of Screamin’ Jay Hawkins’ I Put a Spell on You… Saturday night, he proved to be the Frank Sinatra of the rock era. Instead of merely offering a carbon copy of the originals, when Ferry covers a song, he truly makes it his own. / continued online

➢ This week the Vinyl Factory released two remixes of the Olympia tracks Alphaville and Me Oh My in limited editions of 500 copies on heavyweight 180-gram vinyl, price £10.

➢ Fan-moist interview with Ferry, “the sultan of suave”, at The Quietus

ryan Ferry , Pizzeria Mozza

Papped! Bryan Ferry today at the sleb-haunt Pizzeria Mozza in West Hollywood

FRONT PAGE

➤ Jarvis as heir to Alan Bennett: If I’m a national treasure, dust me off

Mother Brother Lover, Selected Lyrics, Jarvis Cocker, Faber, Albertus, Guardian, interview,

Intercity to Sheffield: a first-class seat on the train and his name in Faber’s house-font Albertus on the cover of his selected lyrics. (Picture grabbed from Faber video)

❚ PULP’S FRONTMAN JARVIS COCKER had returned to his old school in Sheffield to launch his book, Mother, Brother, Lover – a compilation of song lyrics spanning 30 years, out this week from Faber. In the assembly hall he stood on the stage where Pulp – then a bunch of schoolmates he’d harangued into forming a band – performed their very first gig in 1978. He was telling a now-familiar yarn. Because the band was his idea, he explained, he had been lumbered with writing the songs. As we see in the video below, he picked up his guitar and sang the first lyric he ever wrote: “I said, baby why you ignoring me?/ She said, To be or not to be? / Shakespeare rock, Shakespeare roll./ ” A hall full of teenagers tittered with embarrassment… Fortunately, this one is not in his published collection.

➢ As Decca Aitkenhead observes in today’s Guardian interview titled ‘Music has changed, it’s more like a scented candle’ . . .

Afterwards, staff queued up with their old Pulp CDs for him to sign. One had an original copy of the 1995 Sorted for Es and Wizz hit single, whose infamous sleeve featured instructions on how to fold a wrap to keep drugs in. I’d clean forgotten Cocker was once the voice of youth drug culture – and I suspect the kids he’d just addressed would be astonished – for these days he’s more like the heir to Alan Bennett. / continued online

Mother Brother Lover, Selected Lyrics, Jarvis Cocker, Faber, Pulp ➢ Jarvis Cocker: the secrets of Pulp’s songs — The Guardian has an exclusive extract from his new book of selected lyrics, and reveals the blueprint for the band’s signature style of narrative pop

➢ Mother, Brother, Lover: Selected Lyrics by Jarvis Cocker, is published by Faber & Faber on October 20 at £14.99, reduced to £7.94 at Amazon — A collection of 66 lyrics with commentary by Jarvis Cocker, it features such modern classics as Common People, Disco 2000, Babies, This is Hardcore and more. The selection reveals to Pulp fans a chronicle of the rare, bookish wit that Cocker brought to the pop charts.

➢ More at Shapersofthe80s: Thrilled-to-bits video interview when news of Cocker’s Faber contract first broke

➢ Jarvis Cocker joins Faber: national treasure as literary arbiter

+++
❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

FRONT PAGE