Category Archives: Culture

➤ Happy golden anniversary to Lord Gnome, Glenda Slagg, Topes, O’Booze, Knacker, Knee and especially Gnome-Mart’s theme tune

Private Eye, First 50 Years,magazine covers,satire
❚ HOW ONE MAGAZINE has enriched a nation’s vocabulary over 50 years is evidenced by the enormous page at Wikipedia, detailing euphemisms for sex (“Ugandan discussions”) and drunkenness (“tired and emotional”), and the eternal cast of daft characters from public life, as headlined above.

October 25, 1961, saw the first issue of Private Eye as a silly-jokes threat to the ancient humourous periodical, Punch. The Eye was quickly given a worthy role by the nation’s thirst for incisive satirical critiquing of all aspects of the British Way of Life, the irony being that today the Eye itself has become an institutional beacon in the democratic process. As editor for the past 25 years, Ian Hislop’s best boast is that he is the most sued man in Britain, libel writs being substantially provoked by the rear-end pages of sound investigative journalism. Not a bad metamorphosis. Is it then churlish to mention that what some of us really, really miss are the hilarious sketches once enacted on 7-inch flexi-discs attached to the cover and given away with the Christmas issues? [See below]

➢ Private Eye’s own library of epochal covers

➢ Bags of Private Eye memorabilia as Creative Review previews the new V&A studio display paying homage to the magazine’s humourists

➢ Direct link to the V&A’s video and display Private Eye: The First 50 Years, running October 18 to January 8

Private Eye, First 50 Years,magazine covers,satire,humour
❏ Back in the 1960s the then new technology of offset litho encouraged cut-and-paste techniques such as the DIY speech balloon photograph (one Queen and a bevy of prime ministers, above). This didn’t stop the Eye from becoming a prominent outlet for the nation’s leading cartoonists (the Thompson effort below appears in the V&A display).
Private Eye, First 50 Years,satire,V&A exhibition,humour, cartoons

GNOME-MART’S CACOPHONY OF CELEBRATION

Private Eye, 50th anniversary, issue No 1300, Gnome-Mart,satire ➢ The Eye celebrates its 50th anniversary with issue No 1300 and at its website a page of unfunny audio recordings that simply don’t come close to the efforts 40 years ago of Peter Cook, Willie Rushton & Co.

➢ Update Nov 5: Fortunately The Grauniad has released an exclusive CD of classic audio sketches made by Private Eye legends Peter Cook, Dudley Moore, Eleanor Bron, Willie Rushton, John Wells and Richard Ingrams — 34 excerpts spread over 40 minutes include Grocer Heath, E J Thribb, Farginson, I Musicci di Neasden, Inspector Knacker and many more favourites.

➢ The full archive of Private Eye recordings made by Peter Cook, Dudley Moore, Barry Humphries, John Wells, John Bird, Barry Fantoni, Richard Ingrams and Spike Milligan – plus rare photos, video clips and historical notes – can be found at privateeyerecords.com. The whole catalogue of Golden Satiricals is due for release on CD in January 2012.

➢ Whistleblowers and those with a social conscience can download past Eye investigations into subjects such as NHS whistleblowers; How Britain’s poverty relief fund abandoned the poor; full background to the ACTIS-CDC sell-off; How Blair’s government blew £12.4bn on useless IT for the NHS; deaths of four young recruits at the Deepcut army barracks, etc.

Private Eye, 50th anniversary, privateeyerecords, Gnome-Mart,satire,CD,Golden Satiricals

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2011 ➤ Oo-er, Metamodernists say: Go forth and oscillate

Annunciations,installations, Luke Turner, photography,Metamodernism,manifesto, fine art

Annunciations (installation view), 2011 © by Luke Turner: The Annunciations series revolves around the experience of art, the visual realm, and the ghosts of art history

❚ YOU READ IT HERE FIRST. As the V&A’s exhibition on Postmodernism lays bare the cultural malaise of recent decades, a bright new dawn is announced  “with emphatic optimism (and a pragmatic romanticism)” by the publication of “The Metamodernist manifesto”…

  1. We recognise oscillation to be the natural order of the world.
  2. We must liberate ourselves from the inertia resulting from a century of modernist ideological naivety and the cynical insincerity of its antonymous bastard child.
  3. Movement shall henceforth be enabled by way of an oscillation between positions, with diametrically opposed ideas operating like the pulsating polarities of some colossal electric machine, propelling the world into action…

➢ Continue reading The Metamodernist manifesto

➢ Luke Turner’s Annunciations 2011 reviewed by Siobhan Wall — “Each photograph in Annunciations is named after a famous Renaissance painting, and it’s apparent that these largely abstract images are a carefully considered distillation of what lies beyond the figurative and literal in the well-known masterpieces…”

➢ Notes on metamodernism is the webzine that documents current developments in politics and aesthetics that can no longer be explained in terms of the postmodern, proposing instead “a sensibility that oscillates between modern positions and postmodern strategies; between construction and deconstruction (indeed, reconstruction); a desire for sens and a doubt about the sense of it all; between sincerity and irony; hope and melancholy”.

Peter Doig, Figure in Mountain Landscape, New Romanticism,Death of Painting,

Peter Doig, Figure in Mountain Landscape, 1997-8

➢ The new New Romanticism — “the act of presenting the commonplace with significance, the ordinary with the mysterious, etc, and this undertaking’s inevitable and necessary failure… But why now? … To express a dissatisfaction about a present that is increasingly uninhabitable, and a desire for a future whose blueprint has yet to be drawn”.

➢ Peter Doig and the “Death of Painting”  — “His work explores a tension between the designs of humanity and the wild, natural world it has to reckon with… He seems to paint about painting, each canvas becomes an allegory of the strangely beautiful problems, inadequacies and imperfections of creative vision.”

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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➤ Jarvis as heir to Alan Bennett: If I’m a national treasure, dust me off

Mother Brother Lover, Selected Lyrics, Jarvis Cocker, Faber, Albertus, Guardian, interview,

Intercity to Sheffield: a first-class seat on the train and his name in Faber’s house-font Albertus on the cover of his selected lyrics. (Picture grabbed from Faber video)

❚ PULP’S FRONTMAN JARVIS COCKER had returned to his old school in Sheffield to launch his book, Mother, Brother, Lover – a compilation of song lyrics spanning 30 years, out this week from Faber. In the assembly hall he stood on the stage where Pulp – then a bunch of schoolmates he’d harangued into forming a band – performed their very first gig in 1978. He was telling a now-familiar yarn. Because the band was his idea, he explained, he had been lumbered with writing the songs. As we see in the video below, he picked up his guitar and sang the first lyric he ever wrote: “I said, baby why you ignoring me?/ She said, To be or not to be? / Shakespeare rock, Shakespeare roll./ ” A hall full of teenagers tittered with embarrassment… Fortunately, this one is not in his published collection.

➢ As Decca Aitkenhead observes in today’s Guardian interview titled ‘Music has changed, it’s more like a scented candle’ . . .

Afterwards, staff queued up with their old Pulp CDs for him to sign. One had an original copy of the 1995 Sorted for Es and Wizz hit single, whose infamous sleeve featured instructions on how to fold a wrap to keep drugs in. I’d clean forgotten Cocker was once the voice of youth drug culture – and I suspect the kids he’d just addressed would be astonished – for these days he’s more like the heir to Alan Bennett. / continued online

Mother Brother Lover, Selected Lyrics, Jarvis Cocker, Faber, Pulp ➢ Jarvis Cocker: the secrets of Pulp’s songs — The Guardian has an exclusive extract from his new book of selected lyrics, and reveals the blueprint for the band’s signature style of narrative pop

➢ Mother, Brother, Lover: Selected Lyrics by Jarvis Cocker, is published by Faber & Faber on October 20 at £14.99, reduced to £7.94 at Amazon — A collection of 66 lyrics with commentary by Jarvis Cocker, it features such modern classics as Common People, Disco 2000, Babies, This is Hardcore and more. The selection reveals to Pulp fans a chronicle of the rare, bookish wit that Cocker brought to the pop charts.

➢ More at Shapersofthe80s: Thrilled-to-bits video interview when news of Cocker’s Faber contract first broke

➢ Jarvis Cocker joins Faber: national treasure as literary arbiter

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❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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➤ Warhol chronicler Leee Childers brings his slice of 70s New York to London

New York photographer Leee Black Childers seen at last night’s preview of his London exhibition. At left, 
Patti Palladin of the 70s punk duo Snatch, at right the original Sex Pistols bassist Glen Matlock who went on to form the “missing-link” band, Rich Kids — over his shoulder, Childers’ picture of McLaren and Westwood. Photographed by Shapersofthe80s

❚ MORE LIKE A “WHO WASN’T THERE” EVENT, than a “who was”, wrote one Facebooker today. At the ripe age of 66, American photographer Leee Black Childers was in London last night to share his memories of Andy Warhol’s Factory acolytes in a selling exhibition of his work at The Outside World Gallery in Shoreditch. Titled Drag Queens, Rent Boys, Pickpockets, Junkies, Rockstars and Punks, the show has been organised by the two British co-authors of Cassell’s 2001 book Punk, Stephen Colegrave and Chris Sullivan. Colegrave rose from playing in various punk bands, famously The Lurkers, to become today the European marketing director of Saatchi & Saatchi. Sullivan’s journey as a clubland party promoter was propelled by the punk explosion of 1976, and most notably inspired the long-running Wag club in Soho.

Leee Childers travelled the length of the US as Bowie and Iggy tour manager between 1972 and 74. He also managed Johnny Thunders and The Heartbreakers when they accompanied the Sex Pistols on the 1976 Anarchy tour. On sale in London are his candid shots of Bowie, Iggy, Debbie Harry, Patti Smith, Johnny Thunders, the Rockats, Sid Vicious, Jayne County, The Star Spangles.

Leee says he loves rock fans who respect eccentric behaviour. In particular he’d like to meet “The new set of crazy, aimless, useless, doomed people like Paris Hilton, Lindsay Lohan and Pete Doherty. I love time wasters. There also numerous dead people I would like to meet, but unless considerable advances are made in science (as opposed to TV) I am doomed to frustration, which fortunately I am very comfortable with.”

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London did its best last night to serve up some punk-ripened partygoers, and afterwards at the nearby George & Dragon Princess Julia was joined by Chris Sullivan spinning suitably retro sounds such as Was Not Was from 1981.

❏ At Facebook Tracy Jenkins reported: “Tonight was a scene for all the old scenesters! It was the old CBGBs / Max’s Kansas City crowd. Galaxies collided in a fabulous mix of friendly familiar faces, from the worlds of art, fashion and Soho, at Leee Childers’ private view… Pam Hogg, Ray Gange, Bruno Aleph Wizard, Stuart Leslie Goddard, Bobby Gillespie, Glen Matlock, Gail Sparkle Moore, Olanski Solanke, Johnny Vercoutre, Vivien Of Holloway, Jenny O’Drag, Mark Powell, Spizz Energi… what an amazing night. Oh, and Steven Severin, I did indeed give Leee Childers a big kiss from you!! (And he of course, gave me one back, which I am to deliver back to you.)”

❏ Andy Polaris enjoyed “A walk on the wild side with Leee Black Childers’ exhibition in Shoreditch tonight. Great photos of Patti, Iggy, Bowie, Divine, Lou Reed etc. A blast to see some familiar faces especially Adam Ant (looking great) and Patti Palladin of 70s punk duo Snatch. Along with familiar faces from Blitz and Beat Route — Karen O’Connor, Fiona Dealey, DJ David Hawkes, Ali King, Suzie Cooke, Barnzley Armitage and original Banshees guitarist John McKay. I come home and switch on TV and some political show is playing Walk On the Wild Side in the background.”

❏ Rhiannon Ifans reports today: “Was a good nite. Me, Jeff Phobics and Gaye Advert went to local bar for a sitdown afterwards. Have already hung up my Siouxsie, Severin and Thunders photo.”

❏ Drag Queens etc runs for a week at The Outside World Gallery, 44 Redchurch Street, E2 7DP. On Friday Oct 21 Leee Childers is in conversation with Chris Sullivan at The Society Club, 12 Ingestre Place, W1F 0JF (tel 020 7734 1433) while his photographs go on show and on sale there till Oct 28.

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➤ Jarvis Cocker joins Faber: national treasure as literary arbiter

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❚ JUST LISTEN TO THE POPSTAR AS SEER, Pulp’s singer Jarvis calling a grey wall heroic, “It says a lot, that wall, to me”, and calling himself “a workshy fop” who has never done a proper day’s work. This South Bank Show from 2007 [above] is compulsive. Just read the comments people have posted beneath it! Now Britain’s most prestigious publisher has asked pop’s national treasure to become its editor-at-large, a broad commissioning role similar to that filled by the 20th-century poet T S Eliot…

➢ Excerpt from today’s Guardian report:

❏ Home to 12 Nobel laureates and six Booker prize winners, venerable publisher Faber & Faber is now looking to bring a little Britpop magic to its list after hiring Pulp frontman Jarvis Cocker as its new editor-at-large. The appointment will see Cocker given an open brief to acquire books for a small list at Faber from January 2012.

Jarvis Cocker, Pulp, pop music, Faber,editor,publishing“Jarvis felt like a natural fit with the Faber sensibility, both as author and editor, and I’m sure the small list of books he will develop will represent his eccentric and yet popular touch,” said publishing director Lee Brackstone. “We now have an excellent portfolio of authors from the pop world and our intention is to develop these relationships and continue to build a reputation as the home for exciting and original writing on music.”

➢ Jarvis sees his book of lyrics published by Faber next week — view another riveting interview when he signed up to Eliot’s publisher in June

➢ And talking of national treasures, here’s Jarvis talking about another one, his own hero Scott Walker:

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