Category Archives: Architecture

➤ Second time unlucky as fire ravages former Camden Palace nightspot

Koko, Camden Theatre, Camden Palace, nightclubbing, music venue, fire, architecture, Music Machine,

Koko nightclub ablaze last night: 60 firefighters extinguished the flames within five hours

TWICE IN 40 YEARS Camden Town’s most renowned theatre has been set ablaze. Last night the 119-year-old former Royal Camden Theatre, currently known as the nightclub Koko, burst into flames at about 9pm during the course of renovation work. Video footage showed giant flames devouring its historic copper dome. London Fire Brigade reported 30% of the roof to be alight and despatched eight fire engines and 60 firefighters to tackle the inferno.

The venue was also damaged by fire during its last gasp as the post-punk Music Machine, soon after a Theatre of Hate gig in December 1980. Subsequent restoration saw it reopen in 1982 renamed the Camden Palace as Steve Strange and Rusty Egan made this the flagship for their New Romantic movement when they took it mainstream. Madonna played her first London date there by Rusty’s invitation.

Click any pic below to enlarge all in a slideshow

The rave scene saw Camden Palace through its second decade until it closed in 2004. Koko emerged after major refurbishment of its richly ornate interior by new owners who established a cool reputation for live music and with clubbing capacity for 1,500 people. However during further refurbishment in September 2018 surveyors deemed the building unsafe so the venue was forced to close.

Theatre historian Matthew Lloyd reports: “As of 2017 the theatre was to undergo a full restoration, including the replacement of the cupola on the roof. The Hope and Anchor at the back of the theatre was projected to become a boutique hotel at the same time, and would be a part of the whole complex, including a restaurant on the roof.” This £40-million state-of-the-art redevelopment was scheduled to finish in April this year but the latest fire is likely to impose a delay.

Opened in 1900 by the celebrated actress Ellen Terry, the theatre has enjoyed a dozen or so reincarnations as playhouse, music-hall and until 1940 as the Hippodrome and Gaumont cinemas. In 1945 the BBC revived the Camden Theatre name as its studio for recording variety shows and most famously The Goon Show (1951-60), starring Spike Milligan, Harry Secombe and Peter Sellers. Their Last Goon Show of All was recorded for radio and television at the studio in 1972, the year the building was awarded a Grade II listing. It had lain empty for several years and faced demolition, so the listing at least postponed that fate. English Heritage drew attention to the original architecture by W.G.R. Sprague, celebrated for his many West End theatres: a pillared façade “in baroque pastiche style”, and cantilevered dress circle and balcony with plaster work by Waring & Gillow in a mixture of baroque and rococo ornament.

Let’s hope Koko’s owners can wave a wand to revive the lustre of this iconic play-place.

➢ More about the Camden Theatre at Matthew Lloyd’s wide-raging history site named after his great grand-father Arthur Lloyd

POSTSCRIPT IN THE TIMES

➢ Another iconic building wrecked by fire during renovations – Richard Morrison in The Times’s arts column writes on 10 Jan 2020:
It’s striking how often historic buildings go up in smoke when there is renovation work happening, as there was at Koko… Recent examples are the 2018 fire that ripped through Charles Rennie Mackintosh’s superb Glasgow School of Art building as a £36-million restoration was being completed after a fire in 2014. Incredulous MSPs of all parties asked a series of questions that mostly cannot be answered… And the fire that devastated Note-Dame in Paris… rebuilding doesn’t appear to be going smoothly either… / Continued online

Koko, Camden Theatre, Camden Palace, nightclubbing, music venue, fire, architecture, Music Machine,

Steve Strange in 1982: invariably being filmed at Camden Palace

➢ Previously at Shapers of the 80s:
1983, Posing with a purpose at the Camden Palace

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2019 ➤ The Boulevard rises from the ashes of the Raymond Revuebar

Architecture, theatre, cabaret, live music, comedy, Boulevard Theatre, Soho, Fawn James, Raymond Revuebar,

Contemporary new Boulevard Theatre and function space, photographed by Jack Hobhouse

comedy, Boulevard Theatre, Soho, Fawn James, Raymond Revuebar, Kiri Pritchard-McLean, Rhys James,

Friday’s Late Night Scene: Kiri Pritchard-McLean and Rhys James

◼ AN INTIMATE NEW 170-SEAT THEATRE and function space has opened in Soho on the site of Paul Raymond’s original striptease Revuebar from 1958 to 2004. It is named after the Boulevard Theatre which reinvented itself there in 1980 from its racy predecessor by showcasing The Comic Strip team who went on to rewrite the rules of British comedy. The stage proved the springboard to success for Alexei Sayle, Ade Edmondson and Rik Mayall, Nigel Planer and Peter Richardson and Dawn French and Jennifer Saunders.

After a £40m redevelopment of the site in Walker’s Court under the shrewd business eye of Raymond’s grand-daughter Fawn James, there’s now an active programme of theatre and weekly late events for live music, cabaret and comedy. This weekend’s unruly Friday comedy set from 10.30pm was fronted by the wry Kiri Pritchard-McLean. Stand-ups included Olga Koch, whose name struck a risqué note from the start, plus an Edinburgh Award winner who sadly didn’t quite click. However, topping the bill at machine-gun speed was TV face Rhys James and he alone was worth the £15 ticket price.

The in-house theatre production playing daily is Ghost Quartet, the 2014 “song cycle about love, death and whiskey” by American Dave Malloy, directed by Bill Buckhurst. In January comes The Sunset Limited, from the American novelist Cormac McCarthy, his 2006 exploration of free will dubbed “a novel in dramatic form” and directed by Terry Johnson, the multi-award-winning British dramatist.

The Boulevard’s rebirth is down to Fawn James as a director of Soho Estates, who says she intends to honour her grandfather’s legacy as an impresario and property investor by helping to promote Soho as an arts and entertainment district. The Boulevard’s artistic director is Rachel Edwards who founded the award-winning Tooting Arts Club.

The glorious Revuebar neon sign from Raymond’s era has been faithfully reconstructed to shine out as a Brewer Street landmark though, true to neon tradition, several letters have already blacked out! The four-storey building houses an adaptable, state-of-the-art auditorium, restaurant, bar, lounge and rehearsal room. Versatility is at the core of the venue, with every space fully customisable for a range of functions embracing weddings and conferences. The Boulevard has been actively recruiting to fill a variety of jobs.

Click any pic below to enlarge

Architecture, theatre, cabaret, live music, comedy, Boulevard Theatre, Soho, Fawn James, Raymond Revuebar,

Boulevard Theatre’s new facade and bridge by Soda Studio

➢ Revolving auditorium is showpiece of Boulevard Theatre by Soda – Amy Frearson reporting at Dezeen magazine, 28 October 2019:

The Boulevard Theatre features stalls and a balcony that both revolve independently, along with a stage that moves up and down, making a wide variety of different configurations possible. The entire project is designed by Soda, a London-based studio that works across architecture, interiors and graphic design. It forms part of a new development in the heart of Soho.

The bar and restaurant is an art-deco-inspired space featuring pink panelled walls, marble surfaces, brass lighting, and leather and velvet upholstery. There are also subtle references here to the Boulevard logo, while the glass bridge features an inlay of lace, in reference to a brothel previously located on this street.

Soda worked with theatre specialist Charcoalblue to make the auditorium as functional as possible. The transformations all take less than 10 minutes, so the space can easily host three or four different types of performance in one day.

Developer Fawn James said: “One of the things that I really wanted was that element of surprise, because when you’re in Soho you don’t necessarily know what you’re getting. Sometimes you could come to a show in the round, go downstairs, grab a bite to eat, then come back up for the next show and feel like you’re in a completely different room… / Continued at Dezeen online

Photography is by Jack Hobhouse unless otherwise stated

Comic Strip, 1980, Rik Mayall, Ade Edmondson, Alexei Sayle, alternative cabaret, cuttings, David Johnson, Over21 magazine

First published in Over21, January 1981

➢ Previously at Shapers of the 80s:
1981, At The Comic Strip, ‘alternative cabaret’ throws up the next generation of household names

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