Monthly Archives: Apr 2013

2013 ➤ RIP Milo O’Shea: to some Leopold Bloom, to us Durand Durand

O’Shea as the mad scientist Durand Durand in Barbarella, a 41st-century sex-romp made in1968: this was the character who inspired the name of Simon Le Bon’s pop group Duran Duran. Here he is seen at the keyboard of his Excessive Machine, trying to destroy Jane Fonda with simulated lust waves. © Dino de Laurentiis Cinematografica

O’Shea as the mad scientist Dr Durand Durand in Barbarella, a 41st-century sex-romp made in1968: this was the character who inspired the name of Nick Rhodes’s pop group Duran Duran. Here the Doctor is seen at the keyboard of his orgasmatron which he called the Excessive Machine, trying to destroy Jane Fonda with simulated waves of lust. © Dino de Laurentiis Cinematografica

O’Shea as Leopold Bloom: with Barbara Jefford as Molly Bloom in Ulysses (1967). Photograph: Ronald Grant Archive

O’Shea as Leopold Bloom: with Barbara Jefford as Molly Bloom in Joseph Strick’s Ulysses (1967). Photograph: Ronald Grant Archive

➢ Irish stage and screen character actor who appeared in Barbarella, Ulysses, Loot, Theatre of Blood – Michael Coveney tribute at the Guardian, April 3

For a performer of such fame and versatility, the distinguished Irish character actor Milo O’Shea, who has died aged 86, is not associated with any role in particular, or indeed any clutch of them. He was chiefly associated with his own expressive dark eyes, bushy eyebrows, outstanding mimetic talents and distinctive Dublin brogue.

His impish presence irradiated countless fine movies – including Joseph Strick’s Ulysses (1967), Roger Vadim’s Barbarella (1968) and Sidney Lumet’s The Verdict (1982) – and many top-drawer American television series, from Cheers, The Golden Girls and Frasier, right through to The West Wing (2003-04), in which he played the chief justice Roy Ashland… / Continued at Guardian online

O'Shea as chief justice Ashland in The West Wing 2003-04. © NBCU Photo Bank

O’Shea as chief justice Ashland in The West Wing 2003-04. © NBCU Photo Bank

O’Shea as Friar Laurence in Zeffirelli’s Romeo and Juliet, 1968: with Leonard Whiting and Olivia Hussey

O’Shea as Friar Laurence in Zeffirelli’s Romeo and Juliet, 1968: with Leonard Whiting and Olivia Hussey

FRONT PAGE

➤ Fin Munro plunges into love and takes a walk on the wild side

Bonnie and Clyde

Bonnie Elizebeth Parker and Clyde Chestnut Barrow: the gangsters enjoyed a long-standing relationship, but never married

❚ MORE NEW SOUNDS THIS WEEK from Fin Munro, the London-based deejay, producer, musician and founder of Bad Sex, a “cutting-edge, controversial and entirely hedonistic edgy club night”. Five months ago he launched an electro-synth duo with drama-studies graduate Charlotte Mallory. Her voice wafted languidly over one lovey-dovey song titled Way to the Heart, but brought rather more attack to another titled Friend/Lover – “Don’t want to be a friend/ I want to be a … lover” – in a very 80s layered mix of harmonies topped with a drum snap.

The act’s name, Thief, took as its promotional image the famous last snapshot taken in 1933 of Bonnie and Clyde, before their lethal police ambush as leaders of a notorious American gang of outlaws and murderers. Their exploits were romanticised in the 1967 biopic produced by the 29-year-old Warren Beatty, who also starred alongside Faye Dunaway. Thief’s Facebook page is plastered with a score of other baddies from history. So what’s that all about?


➢ Listen to Friend/Lover at Soundcloud

This week comes Satine Repeat. Could this curious title possibly be referencing Duchess Satine, the human female pacifist from the Star Wars saga with a soft spot for Obi-Wan Kenobi with whom she set out heroically to warn the Galactic Senate of the menace presented by Death Watch? Or possibly not.

This time Charlotte is telling Fin “You cannot have my love” over his brittle and pacily syncopated rhythms. Charlotte’s austere voice delivers the odd dying fall – “You’re dragging me dow-ow-ow-own, dow-ow-ow-own” – one of Fin’s familiar lyrical devices last heard in his previous band Lu-u-u-ux. All of which does prove quite mesmeric. Of course, Satine did meet a tragic end at the point of Darth Maul’s dark sabre…

Thief, Fin Munro, Charlotte Mallory,Satine Repeat

Latest pic of Thief, April 2013: Fin and Charlotte


➢ Listen to Satine Repeat at Soundcloud
➢ Thief at Facebook

Fin Munro,badsexclub, clubbing,deejay

Fin Munro: turntablist returns to songwriting

FRONT PAGE

2013 ➤ Remembering why Mick Ronson’s talent deserves to be celebrated

David Bowie, Mick Ronson

The day they signed to RCA, 1971: David Bowie and Mick Ronson in New York

➢ Tonight April 1: Songwriter Gary Kemp marks the
20th anniversary of the death of “the man who rode shotgun to Ziggy”– 10pm, BBC Radio 2, then on iPlayer

“That’s my Jeff Beck” – David Bowie after hearing
Ronson playing in The Hype, 1970

❏ Mick rose to fame as lead guitarist and music arranger on David Bowie’s albums, the missing link in creating the Bowie sound – those signature riffs. “As a guitar god, Ronno inspired a whole generation of guitarists,” says Spandau Ballet’s Gary Kemp. Mick was a born collaborator and all-round nice guy, and his amazing ability for interpreting and arranging songs soon found him in demand from some of the biggest names in rock, starting with Lou Reed on his album Transformer. Another outstanding Ten Alps documentary (worth hearing over a hifi system) sees a stellar cast of musicians including Chrissie Hynde, Tony Visconti, Ian Hunter, Trevor Bolder and Woody Woodmansey explaining why Mick is such an important figure in British rock’n’roll, while Kemp narrates… In 1992, diagnosed with cancer, Mick produced Morrissey’s album, Your Arsenal. The same year, Ronno’s final live performance was playing All the Young Dudes at The Freddie Mercury Tribute Concert.

FRONT PAGE