➤ When crisis looms, send for the Bard and a little touch of Harry in the night

London Olympics, security,

Rocket systems: six London sites have been strategically selected as the best spots from which to protect the Olympics

❚ TWO WEEKS BEFORE the Olympic Games begin, London’s threat level on the government’s official five-point security scale is set at the mid-point, “Substantial” – which means that a terrorist attack is a strong possibility. Hence this week’s anger with G4S, the private company tasked with providing 10,000 security personnel, for failing to fulfil its contract. With the Olympic Village in Stratford opening in east London on Monday and Heathrow Airport saying this will be its busiest day for the arrival of athletes, 3,500 troops are being drafted in – some fresh from action in Afghanistan – to plug gaps in staff ranks and meet the shortfall to protect 100 Olympics venues.

London Olympics, security,

Helicopter base: HMS Ocean negotiates the Thames Barrier en route to Greenwich

The Ministry of Defence has already mobilised the biggest peacetime security plan ever in the UK, designed to meet worst-case scenarios. The policing operation is costing up to £600m, and plans to secure venues and other Olympic sites a further £553m. The military deployment has now been raised to 17,000, the majority performing security roles on venue gates. Others have specialist roles as bomb disposal squads and special forces and manning the controversial London missile sites.

On Friday the Royal Navy’s largest aircraft carrier HMS Ocean passed through the Thames barrier to anchor at Greenwich and provide a base for helicopter operations and Royal Marine snipers (while also being open for public visits). Typhoon fast jets will also be on alert at RAF Northolt, ready to use “lethal force” at short notice if the Olympics are threatened. Airspace restrictions around London and south-east England came into effect yesterday.

London Olympics, security,

No, no, no: Residents protest against government plans to station missiles on the roof of the Fred Wigg Tower in Leytonstone. (Photograph by Andrew Cowie)

Last week the Army began installing surface-to-air missiles on the roof of a 17-storey tower block in east London. It is one of six sites around the capital from which Rapier and other high-velocity systems can be launched. Residents of Fred Wigg Tower in Leytonstone had taken legal action to stop the security measure, saying it would make them a terrorism target. However on Tuesday the High Court ruled in favour of the Ministry of Defence, agreeing that a tower block was a suitable site for the missiles.

Londoners have lived with continual acts of terrorism since the first explosions set by the Irish Republican Army on March 8, 1973. Nevertheless, our capital remains possibly the world’s most vibrant city and probably the world’s most open city. With more than 300 languages spoken by its 7.8m population – the French community alone makes us France’s fifth city by population! – London presents a snapshot of Britain’s rich cultural masala. This place can certainly claim to be, in the words of our former mayor Ken Livingstone, “the world in one city”.

Nobody in their right mind grows blasé to the terrorist threat, but life goes on, and today, Radio 4’s topical drama strand, From Fact to Fiction, responded nimbly to the comedic and tragedic potential of the fortified tower-block. With 38 of literature’s greatest plays to plunder, you can’t go wrong with a Shakespeare pastiche in times of national drama. Two poets, W N Herbert and Clare Pollard, have written a piece of cod Bard titled Surface To Air. It imagines the residents of a fictional tower block with a missile on the roof, while a soldier sent to man the weapon considers his role defending all the Olympics stand for.

Laurence Olivier,HenryV

Olivier rallies the troops in his 1944 film of Henry V: today Radio 4 conjures up a pastiche drama inspired by the spirit of Shakespeare

➢ Surface to Air – the 15-minute drama is available for catch-up on BBC iPlayer for one week

❏ Sam Troughton plays the soldier, “the universal Atkins”, posted to Gaunt Tower in east London, his posting in Helmand fresh in the memory. His words and his name of Harry all derive from familiar Shakespearean lines pregnant with history. As he encounters a variegated cast of your actual East Enders, he rues this “nest of ingrates” while wrestling with his conscience:

Shall England be one stream of petty tears
As though its coastline were its cradle,
And all the world its old rejected toys,
And it a royal baby beating with its tiny fists
Against the frame of heaven?

He is a Bardish marriage of Ariel with Chorus, Henry of Agincourt with Old Gaunt, sent forth to deliver that little touch of magic:

I think I am a prophet new inspired
So will I pluck this spectre from the sky,
Dash it against the soil of jubilee,
Defend these others, Eden, hemi demi-paradise:
That park designed for sports perfections
Against defection and the hand of war.
That happy team of mates, that little state,
That precious stadium set in Stratford’s ring
Which serves it in the office of a wall,
Or as a moat defensive to a house
Against the envy of less happy lands,
That blessèd plot, that earth, that realm, IS England.

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2012 ➤ Royal Ascot: top-to-toe dress code for a quintessentially British day out

Royal Ascot, racing, dress code

The way it was… Royal Ascot is “one of the pinnacle events of the summer social season”. Click image to run video of the new Style Guide for 2012


➢ A Royal Enclosure Style Guide has been produced for the first time for those attending this week’s Royal Ascot race meeting — view video from The Daily Telegraph

The organisers at Royal Ascot (June 19–23) have created a chic video to advise racegoers on putting together an appropriate look. Those who go off-track with the new guidelines will not be allowed entry to the Royal Enclosure if their hems are more than one inch above the knee, so there’s a lot to consider when getting dressed for the event.

➢ Download the new 16-page Royal Ascot 2012 style guide as a PDF

Royal Ascot, racing, dress code

EACH Ticket Type has its own Dress Code

❏ The Royal Enclosure is the top of the range option, giving you access to all the best viewing areas and facilities on the course. Formal day wear is a requirement.

❏ The Grandstand Admission ticket at Royal Ascot provides similar access facilities to those offered throughout the year. Dress in a manner as befits a formal occasion.

❏ The Silver Ring at Royal Ascot is a separate admission area that does not provide access to the Parade Ring or the main Grandstand. Bare chests are not permitted at any time.

Royal Ascot, racing, dress code

The way it still is… Royal Ascot is where to “enjoy all of the pageantry and history of a quintessentially British day out”. Click image to run video of the new Style Guide

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➤ If it’s June 16, it’s Bloomsday in Dublin, again

➢ From 09:10 BST, Saturday June 16 … ending at midnight
Radio 4’s day-long real-time dramatisation of James Joyce’s novel Ulysses begins with Stephen Rea narrating and Mark Lawson commentating live from Dublin — “Stately, plump Buck Mulligan” calls Stephen Dedalus to the top of the Martello tower overlooking Dublin Bay, and so begins James Joyce’s celebrated account of June 16, 1904.

Bloomsday , Dublin, James Joyce , Leopold Bloom

Bloomsday in Dublin: walks, recreations of Ulysses and dramatic readings celebrate Leopold Bloom’s odyssey through the city on a single day in 1904

➢ Melvyn Bragg and guests discuss the defining novel of modernism, James Joyce’s Ulysses, in Radio 4’s In Our Time, June 14

➢ 1904, The day Nora made a man of Joyce — background to Bloomsday

James Joyce, Nora Barnacle

Joyce and Nora in later years … Ulysses ends with Molly Bloom’s words: “I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes”

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➤ Lest we forget the Falklands: this is the day the war ended

Belgrano, sinking, Falklands, 1982

May 2, 1982: ARA General Belgrano lists heavily to port in the Atlantic Ocean, while its crew abandon ship. Sailor’s picture via Press Association

❚ TODAY WAS THE DAY 30 YEARS AGO that Britain accepted the Argentine surrender on the Falkland Islands in the South Atlantic Ocean, 74 days after going to war. This returned the islands to British control. The conflict led to the deaths of 649 Argentine and 255 British servicemen and 3 Falkland Island civilians. The words yomp, Exocet and Gotcha assumed poignant everyday connotations.

➢ First losses in the South Atlantic in April 1982

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➤ 40 years of Ziggy + another feast of Bowie

Ziggy Stardust, Spiders from Mars, David Bowie, Top of the Pops,✱ Who needs reminding it’s 40 years since “I picked on you-oo-oo”? June 1972 saw the release of one of the most influential albums ever recorded — David Bowie’s The Rise and Fall of Ziggy Stardust and The Spiders from Mars

➢ Bowie evening on BBC4, Friday June 22

9:00 BST David Bowie and The Story of Ziggy Stardust — exhilaratingly observant new TV doc narrated by Jarvis Cocker, 2012, directed by James Hale and exec-produced by Paul Bullock who brought us the brilliant Prince, A Purple Reign last year. Tight, total and definitive (in everything but an Angie contribution), it has contemporary rivals queueing to heap on the respect while nailing the genius with several gasp-out-loud revelations (you will sit up when Mike Garson hits the piano!). Quote of the era: “I can’t stand the premise of going on in jeans and being real.” A landmark. Repeated June 23, 25 and on iPlayer

10:00 The Genius of David Bowie — energised compilation of best archive performances, 2012, with breathtaking mature renderings of Heroes, Ashes and Fashion, plus magnificent Lou Reed and Iggy Pop as guests among others you’d rather ignore. Also June 23, 25

11:00 Ziggy Stardust & the Spiders from Mars — D A Pennebaker’s plodding, murky and utterly amateur film might as well have been bootlegged going by its appalling camerawork, shoddy editing, fudge sound (relieved only by its backstage footage revealing Bowie as the angst-ridden artiste). It was shot live at Hammersmith Odeon in 1973, the night Ziggy made his last stand even with Mick Ronson at peak power. “The first we knew we were unemployed was onstage,” the drummer Woody admitted at the Ziggy plaque unveiling in March. Historical curio worth a first watch just so you can feel the heat of real fan worship. If only the evident genius of Bowie himself could have been more watchably captured! But luckily I saw the whole wowie spectacle from Row C so the Standard was the first paper to break the news next morning. (This was the world pre-Twitter, remember – indeed, pre-rolling news of any kind.)

12:30 David Bowie at the BBC — live concert at the Radio Theatre, 2000, brilliant mix of classic songs (Fame, Man Who Sold The World, Always Crashing, Wild is the Wind) plus Gail Ann Dorsey on bass guitar. Also June 23, 25.

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Where to draw a line between glitter and glam
— at Shapersofthe80s

If David Jones hadn’t become Bowie — at Shapersofthe80s

Behind Bowie’s “lost” Jean Genie video — at Shapersofthe80s

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Birth of Glam , Gary Kemp , Marc Bolan,Radio 2, documentary, glitter✱ TONIGHT — Another brilliant radio doc on The Birth of Glam presented by Gary Kemp goes out June 13 at 10pm BST on Radio 2 … Two years ago under its original title The Glory of Glam it prompted a major assessment of the difference between glitter and glam here at Shapersofthe80s. At that time we said “If this documentary doesn’t win a Sony radio award, there’s no justice.”

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