Category Archives: Culture

➤ Gary Kemp steps onstage to join London’s theatre critics

Robert Sheehan ,Ruth Negga, Playboy of the Western World, Old Vic, theatre, Critics at the Cri

The Playboy of the Western World: Robert Sheehan makes his stage debut as Synge’s anti-hero Christy Mahon, seen here with Ruth Negga as the vindictive Pegeen Mike. (Photography Manuel Harlan)

❚ THIS THURSDAY LUNCHTIME songwriter Gary Kemp becomes a theatre critic in a live a panel discussion taking place onstage at the Criterion Theatre on Piccadilly Circus in London. Critics at the Cri is a live monthly review, featuring Britain’s leading critical voices who will debate three recent theatre openings in and around London. As a joint initiative by the Criterion and What’s On Stage, each discussion takes place on the first Thursday of the month at 1.15pm, lasting for 45 minutes. The session aims to open up the conversation for the audience to engage with the guest critics.

Gary Kemp, Criterion Theatre , Critics at the Cri, London theatre,

Gary Kemp: popstar, songwriter and acclaimed autobiographer

On October 6, the opening panel includes theatre critics Michael Coveney and Patrick Marmion, BBC Culture Show theatre presenter Clemency Burton-Hill and special guest Gary Kemp, reviewing three very different openings: Mike Leigh’s latest play Grief at the National Theatre, the Broadway transfer Rock of Ages the Musical at the Shaftesbury Theatre, and J M Synge’s Irish modern classic from 1907, The Playboy of the Western World at the Old Vic Theatre. Tickets cost £7.50 in person from the Criterion box office but Kemp fans will find that Spandau Ballet’s website has a special offer. Critics at the Cri Two is scheduled for Thursday Nov 3 at 1.15pm.

❏ Update: On Tuesday Gary Kemp collected a BMI Multi Million Award for his hit True with Spandau Ballet in 1983. This makes the song one of the most played songs on US radio and TV, which is rare for a recording from the 1980s.

READ UP ON REVIEWS ALREADY PUBLISHED

➢ The Playboy of the Western World at the Old Vic
— Michael Coveney at What’s On Stage

➢ Playboy — Patrick Marmion in the Daily Mail

➢ Rock of Ages the Musical at the Shaftesbury Theatre
— Michael Coveney at What’s On Stage

➢ Grief at the National Theatre
— Patrick Marmion in the Daily Mail

➢ Grief — Michael Coveney at What’s On Stage

Rock of Ages the Musical,Shaftesbury Theatre,Critics at the Cri,

The London cast of Rock of Ages: the musical is set in 1987 on the Sunset Strip, where a small-town girl meets a big-city rocker in LA’s most famous rock club

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➤ Enigmatic Scott Walker lets loose a revealing rush of answers

Scott Walker ,Dazed & Confused,interview,30 Century Man,Culture Show,Rod Stanley

Scott Walker 2011: “Maybe one day I’ll surprise myself and actually walk out on a stage again.” Photograph © Jamie Hawksworth

Scott Walker, the former pop baritone with 60s heart-throbs The Walker Brothers who subsequently evolved into the low-key genius of underground music, proves unusually talkative in a brisk but exceptionally informative interview with Rod Stanley in October’s 20th anniversary issue of Dazed & Confused. Now aged 68, Scott finally acknowledges he is a Composer of the Absurd, and says what it would take to drag him onto a stage again. Here’s a taster…

❏ FOR THE PAST COUPLE OF DECADES, Scott Walker’s unsettling, experimental and occasionally downright disturbing music has drawn on such diverse narrative sources as Elvis Presley’s stillborn twin brother, the films of Ingmar Bergman, and the public execution of Mussolini’s lover. As viewers of the documentary 30th Century Man will recall, during the recording of his 2006 masterpiece, The Drift, his long-suffering percussionist was even made to pummel the side of a piece of pork to get just the disquieting, meaty thud that the composer could hear in his head.

D&C: Detractors of your more recent work point to the unrelenting horror and misery, but 
I argue they miss its humour. Would you agree your work always retains a fundamental sense of its own absurdity, in the best possible sense? How ‘real’ is the extreme emotional content of your work, and how much is performance?


Scott Walker: You’ve understood the work perfectly. It’s about balance. It is indeed difficult to separate the emotional from the performance, or the ‘character’ as I’d like to call it. I usually try not to rehearse or learn the vocal before attempting to sing it. I just leave it rolling round in my head. I simply want to try and catch immediacy and discover afresh what might be going on in that way.

➢ Read more at Dazed & Confused

➢ The on-off brotherly rivalry that drove John and Scott Walker apart — Shapersofthe80s on the death of John

➢ Brian eno and other fans heap respect upon Scott — Culture Show interview from 2006 (below):

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➤ Aaaah, bricolage, stealing and pasting — all the fun of postmodernism on show at the V&A

Grace Jones, maternity dress,Jean-Paul Goude , Antonio Lopez, V&A, blockbuster, exhibition, Postmodernism,bricolage,

Branding the V&A exhibition: Grace Jones in a maternity dress, 1979, designed by Jean-Paul Goude and Antonio Lopez © Jean-Paul Goude

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➢ View Sarfraz Manzoor’s Guardian video in which he meets co-curator Jane Pavitt and others at the V&A’s new show in London, poses such questions as “What does Grace Jones’ maternity dress have in common with a Day-Glo toaster and a chair made from a gas pipe?” and elicits these insights…

❏ The godfather of postmodernism, architect Charles Jencks, dates the end of modernism and hence birth of postmodernism to the blowing up of Pruitt-Igoe, a housing estate in Missouri from the 1950s, based on Le Corbusier’s work. It was demolished on March 16, 1972 — “at 3.32pm, a fact repeated so often it became a social truth”.

❏ The ceramicist Carol McNicoll admits she realised as a student in 1985 that suddenly “decoration was fine and people liked it — no more bentwood — lots of silly plastic”.

❏ Co-curator Glenn Adamson says: “Postmodernism culminates in the act of performance. It’s is all about adopting a pose: you wouldn’t have Lady Gaga without Grace Jones.”

➢ Postmodernism: Style and Subversion 1970–1990 runs at the Victoria & Albert Museum in London, Sep 24–Jan 15, 2012

➢ Discover the many forces that shaped deconstruction, structuralism and postmodernism, from Derrida, Foucault, Lyotard, Rorty, Baudrillard, Jameson

➢ Patrick Hannay reflects on the waste and diversion of energy by a movement that purported to cure a cultural malaise — at the Times Higher Education supp

➢ The Victoria & Albert Museum’s latest blockbuster-style exhibition is … “both a horrible mess and a hypnotic snapshot embracing some unspeakably hideous pieces of furniture alongside some sublime drawings and film clips” — Edwin Heathcote at The Financial Times

“It’s Po-Mo … postmodern … all right, weird for the sake of weird” — The Simpsons

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➢ “The Consensus of Stasis: Rationalism and Sontagist camp”
— one of five million meaningless essays randomly generated since 2000 by the Postmodernism Generator

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➤ None is more singular than the chap who knows his Stephen Potter (*wink*)

Middle Class Handbook,Mercurial,conversation,pedantry,grammar,Not Actual Size
➢ From today’s Middle Class Handbook, a blog written under the auspices of a London-based creative agency called Not Actual Size — although since it was begun in 2009, it has taken on a certain life of its own, with regular contributions from people who who are not directly connected with the company.

*wink* — The Theory and Practice of Gamesmanship: Or the Art of Winning Games Without Actually Cheating, by Stephen Potter, illustrated by Frank Wilson (published by Hart-Davis in 1947)

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➤ All milk and honey as Paxo and Dawkins dispute myth versus truth

Jeremy Paxman, Richard Dawkins , Newsnight,Magic of Reality , interview,

Paxman v. Dawkins on Newsnight: nine priceless minutes of television (BBC)

❚ TOP-CLASS NEWSNIGHT INTERVIEW LAST NIGHT! Did you know “Darwin’s Rottweiler”, aka the evolutionary biologist Professor Richard Dawkins, could laugh? Or that British television’s one-man Spanish Inquisition, Jeremy Paxman, could even contemplate a honeyed whisper? Well not only did the pair dance through a good-humoured sparring-match about the poetic merits of fairytales and/or science — “the false” versus “the true” in the Prof’s universe — but each managed to make the other laugh.

Paxo kept the debate brisk with his cogent interventions, though when he suggested that religions tend to make societies hang together, the Prof riposted with a smile: “You don’t believe that, do you?” As rewarding a TV interview as you’ve seen in ages; nine priceless minutes well worth catching on the iPlayer.

Magic of Reality, book title, Richard Dawkins, Dave McKean,Dawkins has written a new book called The Magic of Reality which is aimed at the young as a warning against “believing in anti-scientific fairytales”, whether those are myths from ancient civilisations or, if we need reminding, religious doctrines such as creationism. Last night’s TV parley was careful not to revisit the Prof’s pet topic published as his 2006 book The God Delusion, which he calls “probably the culmination” of his campaign against religion.

When Paxo maintained that mythology makes for better stories than straight fact, Dawkins said he wasn’t knocking storytelling, but genuinely thinks man’s evolution is more exciting and poetic than, say, Judeo-Christian myth. “We started off on this planet, this speck of dust, and in four billion years we gradually changed from bacteria into us. That is a spell-binding story.”

Some might say Dawkins the militant atheist was being unreasonably reasonable! He genially confessed he finds the Bible’s Book of Genesis affecting — “as a story, as long as you don’t think it’s true. The trouble is that 40% of the American people think it’s literally true”.

➢ Newsnight for Sep 13 is available on the iPlayer for a week

➢ The Magic of Reality: How we know what’s really true, by Richard Dawkins (Bantam Press £10) — Novelist Philip Pullman says: “It’s the clearest and most beautifully written introduction to science I’ve ever read.”

➢ The non-profit organisation the Richard Dawkins Foundation for Reason and Science (RDFRS) was founded in 2006

Lalla, a footnote to history

Doctor Who, Lalla Ward, Tom Baker, Douglas Adams, Leisure Hive,

Lalla Ward and her Doctor Who, Tom Baker: on Brighton beach filming The Leisure Hive episode (1980)

Richard Dawkins, tie, Lalla Ward,❏ Prof Dawkins mentioned last night that the extracts from his book were being read on Newsnight by “Lalla”. This refers to Lalla Ward, once the wife of actor Tom Baker, the fourth and most memorable Doctor Who from the 1970s, opposite whom she played Romana the Time Lady. It was her long-standing friend Douglas Adams, a Monty Python and Doctor Who scriptwriter best known as the cult author of The Hitch-Hiker’s Guide to the Galaxy, who in 1992 introduced Lalla to his good friend Dawkins, and they married within the year. The joker and the boffin had formed a brilliant Doug & Dick double-act, appearing at sci-fi and no-fi science gatherings where they would robustly debate the merits of technology (Doug) and evolutionary theory (Dick). Not many people know that apart from being a nifty illustrator, embroiderer and knitter, Lalla makes all of hubby’s batik ties which are decorated with zoological imagery. Last night he was wearing one showing a fierce bird of prey diving to the attack.

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