➢ Today’s issue of The Economist pulls out the plum – a superb obituary casting David Bowie as a wonderful epitome of alienation who saw a way through the world’s fears of imminent annihilation:
“ IN JULY 1969 men walked on the moon, a technological leap all but unthinkable 50 years before. Three years later they abandoned it, and have renounced all return ever since. What boosters saw as the great opening act of the space age turned out to be, in effect, its culmination. Within a few years presidential corruption, economic stagnation, military ignominy and imagined catastrophe had warped post-war America’s previously impervious belief in progress, a belief that had resonance across the then free world. After Apollo, the future would never again be what it used to be.
David Bowie’s greatest years began nine days before Apollo 11 touched down in the Sea of Tranquillity, with the release of his single Space Oddity; they ended 11 years later, with the single Ashes to Ashes. Over that decade he used imagined futures to turn himself into something contradictory and wonderful — an epitome of alienation with whom the alienated flocked to identify. In doing so, he laid bare one of the key cultural shifts of the 1970s: the giving up of past dreams. . . ” / Continued online
“In Space Oddity Major Tom, floating in a most peculiar way, had been an isolated spaceman;
by Ashes to Ashes his isolation was a junkie’s”
– The Economist
OVER TO YOU, MAJOR TIM:
NOT FORGETTING COMMANDER CHRIS HADFIELD
❏ This is the cover version Bowie called “possibly the most poignant version of the song ever created”, recorded by Commander Chris Hadfield on board the International Space Station in 2013.