
The Woman Who Likes to Say Hello collection, by Judith Frankland for Winter 2011-12 — on show this week at Newcastle’s Holy Biscuit gallery. Photography © by Shapersofthe80s
❚ POWER DRESSING FOR THE WOMAN determined to make her mark seemed to be the theme of Judith Frankland’s comeback collection unveiled in Newcastle upon Tyne this weekend. With seven outfits put together from separates all juxtaposed in an immaculately tailored riot of colour and texture, this was Frankland at full throttle. Former Blitz Kid Judith herself claimed her new look was for “The Woman Who Likes to Say Hello”. Here were corporate pinstripes, nipped waists, military chains, tight collars with kipper ties, and figure-hugging contours, softened with feminine ruffles, twisted sleeves, puffball shoulders, festooned skirts and gipsy prints. The mix of fabrics included wool suiting, lace, lamé, taffeta, cotton and duchess satin. One visitor at the preview summarised the contrast between a daring sense of the contemporary and elements of period drama as “woman in the boardroom aching to be romantic heroine”. Judith wants you to “interpret these pieces as you wish — take a skirt or a top and pair it with something you love in your wardrobe. I applaud experimentation and individuality”. Her collection is showing until Friday in a mixed show of women artists.

Boardroom bosses in kipper ties — The Woman Who Likes to Say Hello collection, by Judith Frankland

The governess and the hostess — The Woman Who Likes to Say Hello collection, by Judith Frankland

Top brass and Downton flapper — The Woman Who Likes to Say Hello collection, by Judith Frankland

Top brass detail: bowtie and waistcoat in blazer suiting, by Judith Frankland

Downton flapper detail: puffball sleeve in gold brocade, by Judith Frankland